Germain's Water Jars

In my quest to finish my podcast on Germain the Wizard, I failed to include one rather significant routine. That routine is Germain's Egyptian Water Jars. It's a very unusual routine, and a very difficult routine. It's been said that only Germain was able to 'pull the magic' out of it*.  What was this mystery?

Stuart Cramer in his book, Germain the Wizard & His Legerdermain, says that this was the trick Germain was best known for, but also the one effect that Germain disliked the most. Where the inspiration for the trick came from is not recorded. If I might speculate however, in 1906, Germain was in England and was known to spend many off hours sight seeing and visiting museums. Of special interest to him were the Egyptian collections. Perhaps seeing items from one of these collections led him to the idea.  He also had another Egyptian effect in the show, Rhadama, The Bride of the Nile, which involved a mummy and a sarcophagus. The mummy comes to life and dances around and then returns to the sarcophagus where it is seen to almost instantly turn back into the wrapped mummy.  In 1918, Germain put this illusion up for sale and I do not know it's whereabouts today.

As for the Egyptian Water Jars. Here is the effect: Six Large Nickel plated Jars are shown to be empty and placed upside down on a thin table made of glass. Then one at a time, each jar fills with water, which is poured into an aquarium or tub. In the case of the tub, it would later be picked up and turned over to show the water had changed to confetti.

In 1909, an unauthorized version of the trick hit the market. In 1910, Germain loaned his set of Jars to Martinka so that they could produce them and sell them officially. This was a rarity to Germain, as he was usually very guarded with this methods and secrets. In truth, he was guarded here too because he didn't  give Martinka the full 'work' on the Egyptian Water Jars. As with much magic, there is more  here than the audience knows and together an incredible illusion was created.

I mentioned earlier that 'no magician had been able to pull any magic' out of the Water Jars, other than Germain. That is not exactly true. Many years after Germain died, David Ben was creating a show called simply, The Conjurer. Among the mysteries to be presented was the Germain Water Jars. As it turns out, David Ben, borrowed a set of Water Jars from Jay Marshall and had them reproduced. The Jars that Marshall had were one of the rare Martinka sets. But I have no doubt that David Ben was able to pull the magic from this wonderful prop and present a truly fantastic mystery.

If you'd like to learn more about Karl Germain and his incredible magic, please check out my podcast #25 on the life of Germain the Wizard.

Daisy White Photos

Podcast Episode 24 is about the life of Daisy White and it's an eye opening episode. I found some facts that have never been revealed to the magic community, as far as I can tell. Along the way I found two images of her that are quite amazing. The photo at the top of the page actually has two pictures of her. The larger one shows her at age 25, the smaller one on the right surrounded by dolls is her at age 5.

Here is an amazing photo of Daisy, again as Gertrude Nickerson, in the year 1903. She would have been 22 years old in this photo. It's a much clearer image than the one above. I wish I had found this before I posted the picture on the podcast, but oh well.

It appears much of her music career took place in and around the Boston area. This worked out well for her because her birthmother lived in the Boston area, even though they did not know each other at the time. If you listen to the podcast you can hear how they eventually discovered each other.

Just for some perspective, this photo to the right is a more well known photo of her and possibly one of the last surviving images of Daisy. She was 46 when this photo was taken and she is actually surrounded by a group of magicians and their wives. Frank Ducrot is standing behind her in the larger image. This was during the time that she had been working at Hornmann's Magic Shop and just shortly before all the Bess Houdini/Arthur Ford nonsense.

I felt so fortunate to find the three photos (top, bottom and upper left), that I'm hoping somewhere along the way to uncover more photos of Daisy. My guess is that theatrical magazines of the early 1900s may have better images of her in her 20s when she was working in musical theatre as Gertrude Nickerson.

Then the lower photo is her around 22 years of age. She was into musical theatre and performing under the name Gertrude Nickerson. Listen to the podcast for even more information about the life of Daisy White. There is an article on this blog about Daisy White, but much of that information has changed, and it's all updated in the podcast.

The King of Koins & The King of Escape

My most recent podcast (#23) was on T. Nelson Downs. I had never heard much of his life story so I was amazed at what I uncovered. Did you know he was a twin? Sadly, his brother did not survive. Did you know he did other kinds of magic besides coin magic? Did you know he retired at a time when most performers were just making it really big?

His friends called him Tommy. He created a sensation in the entertainment world by doing an act

with only coin manipulation. After consulting with some of the great minds of magic and having them all tell him it was a terrible idea to do 'a coin only act' he decided to do it anyway. He was right and everyone else was wrong. His speciality act soon gave way to other specialty performers. He was known as the King of Koins and In 1899 he was making a huge splash in London with what would become one of the first specialty acts in the nation.

The story if often told that Martin Beck told Houdini to drop the magic, keep the escapes and the trunk trick and he would book him. Well, Houdini's career started to really gain steam after that.
Martin Beck made arrangements for Houdini to go to England in the fall of 1899. However, he didn't actually arrive until Spring 1900. Still, Houdini too was about to take England and all of Europe by storm. These American performers, Downs and Houdini, were about to be the toast of the town in London and beyond!

Here is an amazing fact about Houdini and Downs. They apparently met each other at the Chicago Worlds Fair in 1893. Houdini was working the Fair. I can only assume Downs was visiting as he was employed by the Chicago & Northern Railroad Station. In the July 1901 Mahatma Magazine, this appears, “Travelers returning from Europe report the existence of a powerful mutual admiration society composed entirely of magicians, whose acts are features. The passwords are, “HOUDINI, I’ve seen all kinds of magical acts, but without exception, your is really the acme of perfection.” OR “DOWNS, I don’t often praise a man, but whenever I see your act I can’t help thinking that there can never be another act conceived that will be so really marvelous” It is rumored that there are only two members of this society. 

As I mentioned earlier, Downs was already in London when Houdini arrived. But they spent many hours together talking magic. As you've read above they became good friends during this time and socialized often. But as close as they were, when Downs finally left Europe it would be many years before he would see Houdini in person again. This is the unfortunate side of being a traveling performer.

One great story from the life of Tommy Downs takes place in London, while both he and Houdini were appearing. In the November 1930 issue of The Sphinx, T. Nelson Downs relates a story of meeting up with Houdini at their hotel. Downs took from his trunk a ring of 52 keys and said to Houdini, "Here are the tools you do your act with." Houdini replied, "Tom, I don't use keys. You know I did not have the money to buy the keys" etc. Then Downs said, "Well you can't open them with hot air!" (Hilarious!!!)

There is a handwritten quote to Downs from Houdini which reads, "To: T. Nelson Downs, One of the old guards, and one of the Historical Lights of magic. Best Wishes from always the same, HOUDINI, April 1921"

In a Feb 1923 issue of MUM, Downs is sharing a story about what it takes to succeed in magic. He makes a point that a magician is an actor-hundreds of people can do tricks but they cannot all CONVINCE. And he stresses this word CONVINCE. It is the quality that makes one person a true magician/artist in the eyes of the public and another one just a mere trickster. He goes on to point out that people didnt go to see Kellar and Herrmann because of tricks, rather it was their personalities that audiences wanted to see, the tricks were incidental. 

Next he goes on to describe a trip he was making that he had to get up at 6 a.m. with 20 degree weather outside and then would have to travel 75 miles to get to the destination to see this mystifier. He says, "Can anyone imagine me going seventy five miles to see a mere magician do tricks??? NOT ON YOUR LIFE" he says. But he wasn't going to see a mere magician, and he knew that..

When he arrived at the theatre it was sold-out. Thankfully he had his seats down front reserved. Here is what Downs wrote, "After witnessing several interesting acts, the 'star' of the program THE ONE AND ONLY HOUDINI himself made his entrance. It was 21 years since I last saw him at Dusseldorf, Germany"

Now listen closely as Downs gives a very solid description of Houdini in action. "Houdini made a few introductory remarks relative to his performance and retired to prepare for the same. The screen was dropped, a movie shown of Houdini being bound and tied; then the curtain went back up and there was Houdini, bound and tied, as shown in the picture. He made a quick release. Then the screen was lowered again and showed Houdini  in action, actually jumping from one airplane to another, in mid-air (scene was from The Grim Game") then suddenly the machine fell 4500 feet, according to the film, and I nearly fainted it was so realistic. Besides, it was the truth, for you know the camera doesn't lie; remember that! Well, then came the crash; the plane fell to the ground, and our hero saved the girl. After that, I could be made to believe anything, and I am convinced that the balance of the audience  were in about the same mood. Next, Houdini called for a committee to come upon the stage and inspect everything. I was commanded to come up. There were doctors, scientists, and children. His first feat  completely mystified and baffled everyone, including the scientific gentlemen and myself. I was positive in my own mind at the time the manifestations took place ----that I was witnessing a purely spiritualistic phenomena, and that this man Houdini was a genuine spirit medium, but did not wish to acknowledge the fact, possibly for business reasons; for didnt I see him actually swallow several packages of needles, and then swallow several years of thread, drinking a glass of water to aid digestion, and then, didn't I see the thread actually pulled out of the medium's mouth by one of the gentlemen----all perfectly and beautifully threaded? I certainly did! And I wish to emphasize the fact that this was a miracle, if there ever was one. I repeat, that this particular miracle was accomplished on a full-lighted stage, under the strictest of test conditions. Surely, there is no chance for fraud or chicanery here! Here was a real medium, if there ever was one---of this I was thoroughly convinced. 

Then came the water tank escape, bordering on the supernatural; in fact, it was supernatural. Here Houdini was locked upside down in a tank of water, to all appearances it was a physical impossibility to escape or breath under the water. Yet, he did escape, after actually being submerged in water for nearly two minutes, by my watch. The suspense was something fierce! That two minutes seemed like two hours to me, and I almost lost control of myself and come very near to grabbing the ax that was to be used by Houdini's trusty assistants in case of some unforeseen accident. It was not until the next day, after I had returned safely to my native town and to my own domicile, that I awakened to the fact that I had been bulled, bunked, bamboozled, misdirected, and grossly deceived but HIGHLY ENTERTAINED by a clever necromancer---a mere magician." That later part, 'a mere magician' clearly said tongue in cheek. Downs had incredible respect for Houdini and vice versa.

I love this description of Houdini's act and Down's reactions to same. This was not the handcuff king (who was great by the way) he remembered in Europe, but rather the very seasoned professional mystifier with thousands of performances under his belt. Downs was clearly impressed!

Frank Ducrot, F.E. Powell, HOUDINI, and Tommy Downs In Houdini's backyard

And a letter sent to Downs on Houdini's stationary from 1926 reads, "They are still talking about your wonderful coin work here. They all agree with me that you are the greatest manipulator of coins that ever lived. Your work with the ten dollar sized coins is simply marvelous and shows your incessant and tireless hours of practice. I am attaching the well known Binet "Pyschology of Prestidigitation" and am quoting your work in my article which is the highest compliment I can pay you. YOU have made The Misers Dream a reality, With Kindest regards and best wishes, Sincerely yours HOUDINI"

In the Ken Silverman book on Houdini it states "Downs like several other magicians had matured on the shady side of the law. According to Houdini, 'he ran a fake magic shop, worked for a fake spiritualist and had been wanted by the federal govt. for a swindle'."  Now, I must say, I have done some pretty extensive research on Downs, and I didn't see anything anywhere that suggested he was a dishonest person. Everyone who spoke of him, spoke very highly of his act and of him as a person. I think he had a mail order magic business, nothing wrong with that. As far as working for  fake spiritualist, I didn't find any info there. Nor did I see anything on a supposed 'swindle.' But its possible Downs was the one who got duped in some deal which was why he was involved. 

Finally there is this short piece which appeared in an old MUM, "Should I live to be a thousand years I'll never forget the wonderful time I had East. Everyone, everywhere, Houdini in particular, seemed to go out of their way to show me a big time and I don't think it will be my last trip. On reflection I can't imagine how I managed to stay away from little old New York for fourteen years." T. Nelson Downs. 

It appears that the two men were very close friends and stayed in touch by corresponding. Houdini as you know died in 1926. Downs, who was older, lived till 1938. Both of them, in their own way, changed the face of magic, forever. Long Live the Kings!

The Amazing Zancigs First Couple of Telepathy

The Zancigs were probably the first mind reading couple to make a name for themselves internationally. Granted, Robert Heller and Haidee Heller did raise a few eyebrows in their day, but they didn't have the impact of the Zancigs, nor did they tour as much. 

Their Real names were Julius Jorgensen, born in Copenhagen, Denmark March 7th, 1857

His partner was born Agnes Clausen, also in Copenhagen, Denmark in 1849.

Julius moved to the US in 1882 and a short time after he arrived, he met up with Agnes at a social gathering of Danish people who had immigrated to the US. They had known each other in Denmark and here upon meeting, they struck up a new relationship which eventually led to marriage. 

When he was living in Denmark his father had him apprenticed in the iron smelting industry. So when he came to America, this was one of his first jobs. While still employed in the iron plant,  an unusual request came to the young couple to perform at a church function. Because they didnt play any sort of instrument, they decided to try their hand at telepathy. Yeah, that makes sense. I can’t play an insturment, so I’ll read minds instead, lol. I’m going to guess that at some point Julius may have had an interest in this subject or picked up some of the expose pamphlets on how this was done. They began with the work that Robert Heller had done with his Second Site Act and expanded upon it. At any rate, they gave their crude demonstration and were surprised at how well it went over. 

According to Will Goldston’s book, Sensational Tales of Mystery Men, Zancig had an accident at the smelting plant, he badly burned his hand and was out of work for a long while. During his recovery, he decided that he would leave the iron works plant and try his fate in the world of mind reading. 

According to numerous sources, Their career began in 1899, when they start to present their telepathy act at San Souci Amusement Park in Chicago IL. This is even confirmed by a short article about them in a Mahatma Magazine in 1902.  Sensational Tales of Mystery Men, has them at Coney Island and claims that Horace Goldin discovered them there and later introduced them to Oscar Hammerstein.  I have a feeling Coney Island is incorrect, but it’s possible Goldin saw them at San Souci Park. And the Oscar Hammerstein connection is correct. He brought them to NYC to play his Roof Garden at $400 a week. The couple also performed at countless private functions for the high society of NYC. LONG before Steve Cohen took up residency at The Waldorf Astoria, The Zancigs performed there for 12 weeks.

In 1903 they met H.B. Leavitt, a theatrical producer who organized a Globe trotting tour for them.  And indeed they did travel the Globe. Arriving in London at one point they soon became a sensation. 

In 1906, The Zancigs gave a command performance before King Edward VII at Buckingham Palace. After this they toured across England as they had done before and again, the sensation continued. In the book, Illusion Show by David Bamberg, he talks about his family running into the Zancigs on a train in Norway. Agnes asked Okito if the young son, David, was going to follow in his footsteps. Because if he wasn’t she could make a ‘mind reader’ out of him. Remember that anecdote…

Here is a write-up from The Sphinx Magazine in 1906 of their act. “The Mysterious Zancigs were a strong feature of the Orpheum the week of Nov 6th. Their act is certainly a great one in every sense. They work rapidly and accurately in all their tests and are never baffled by any of the attempts made by the audience to fool them. Their exhibition may be termed telepathy, mind-reading, second sight, or by any other name. It goes just the same. Mr. & Mrs. Zancig honored the Sphinx with their presence, and during their call favored us with a private exhibition of their extraordinary powers. While this gifted couple were visiting Mammoth Cave recently, they had one pleasure of giving an entertainment in the bridal chamber of that wonderful cave”

Mammoth Cave is a National Park and Cave in Kentucky. One of the areas is called the Bridal Alter or Bridal Chamber and it was here in 1906 that the Zancigs gave an impromptu performance. 

In a 1906 issue of The Conjurers Monthly magazine, Houdini writes about the Zancigs, “Their act is about the best of it’s kind that we have ever seen, and we have seen almost all!”

In 1907 they were hired to work at the Victoria Roof Garden. They had an extended run that went into 1908 with the amazing salary of $1500 per week, the most ever paid to a mind reading act at the time.  From there they went to the Alhambra for a seven month run, then off to the Wintergarten in Germany.  Then back to America before the year was up.

IN 1910, they were requested to return to England and Buckingham Palace to perform again, this time during the coronation of King George V. They remained in England until 1913, when they finally returned to the US. 

This is just the early part of their career. On The Magic Detective podcast Ep 21, I go over the entire life story of the couple and those performers who joined the show later. Here is the link to episode 21

Happy Birthday Doug Henning

Friday May 3rd marks another birthday for Doug Henning. Had he lived, he would be turning 72, and no doubt would be the spitting image of Merlin himself! On Friday, my second podcast on Doug Henning debuts on https://magicdetectivepodcast.com, it is Episode 20. Basically on this podcast I do a run down of the World of Magic Specials 5-8. I give a list of tricks and a few other details from the specials. There is something that I mention during the podcast, that I have talked about before and I'd like to mention it again. The 8 World of Magic TV Specials, though wonderful to those of us who experienced them as they happened, may not hold up well for newer generations. They likely seem corny, over produced, campy, even goofy. It was a different time for sure. But I also point out that even though I loved the specials they failed to capture Doug at his best. What does that mean?

To see Doug Henning LIVE was much different that the TVspecials. Gone were the corny jokes and the poorly written patter. Instead, what you have is a very confident performer who is genuinely funny, energetic, enthusiastic, and HAPPY to be in front of an audience. I never in all my years heard anyone say that "Doug Henning phoned in a performance, or walked through a performance". He was engaged and in touch with every audience he performed for. And amazingly, I found proof of what I speak.

On Youtube there is a video that someone shot of Doug performing LIVE in Omaha Nebraska sometime in the 1980s. Yes, he is wearing his signature overalls, but that was HIS style for the time. But the magic is rock solid, the entertainment is fantastic. Listen to how the audience responds to his various lines and quips. He is a master showman without question. Please take a few moments to enjoy the magic of Doug Henning!

The Magical & Musical Litzka Raymond Gibson

The woman who was known as LITZKA was born Pearl Beatrice Gonser, in Mt. Carmel Penn on January 11th 1901. Pearl’s mother taught voice and music and she instructed her daughter in these disciplines. Pearl also took up the harp at a young age and became quite accomplished ‘harpiste’. 

In regards to her music background, she was a graduate of the Royal Conservatory of Music in Brussels, and she was the featured soloist with the Boston Symphony and the London Symphony. As a featured Harpiste, she chose the name LITZKA as her stage name. Some sources have tried to say she was born with the name Pearllitzka, or ‘Little Pearl’. But census records show her listed as simply PEARL. 

The story Litza told later in life ‘was that when she was 8 years old she saw the Great Raymond perform. She then told her mother she was going to marry him some day. And sure enough in 1927 she did! Litzka became part of the Raymond Show, playing the Harp and later helping with the illusions. She was the ‘sawing in half girl’ and also presented Raymond’s version of the Substiution Trunk which he called ‘metempsychosis’.   

Litzka owned 5 different harps, one costing as much as $3000. She did numerous costume changes when she did her Harp act. She also had funny asides that she would throw in while she was playing various songs. The act was well structured for entertainment, but she was an exceptional harpist to boot. Litzka also began to do her own segment of magic in the Raymond show. It was a mix of asian inspired mysteries. She wore elaborate costumes and had her own unique presentations. Before long she added a trained rooster to the show. Her rooster would become more famous than her, he was called ‘China boy’ and was a bantam rooster. He did card tricks, as in finding lost playing cards. I would imagine that Liztka produced the rooster magically at the start of her act. So popular was China Boy, that he even had his own comic book, that the Raymonds used to promote and market Litzka’s act. And China Boy became a traveling companion for her as well. 

In the October 1981 issue of MUM magazine, Litzka relays a story of her days traveling with the Raymond Show. She said that they had arrived at the Port of Entry for Columbia South America. Litzka always took part in verifying the contents of trunks with the local authorities. She said that usually they only looked at 3 or 4 trunks and then would issue them the permits for their stay in the country. One of the things that they did to get in good with local authorities was to do a show in the Port City at the start of the tour. On this particular day, about half of the shows trunks had been loaded into cars and were on their way to the theatre. And that is when things get bad. A British freighter, The Tritonia” caught fire. The ship was loaded with petroleum, dynamite and other explosives. A quick aside, “who thought it was a good idea to keep these items all together on the same ship?”. Anyway, pandemonium insued. The entire crew of the Tritonia abandoned ship. The dock workers packed up, but not before leaving the other half of Raymond’s show ON the docks. It had been covered with tarps, but if this ship full of explosives was to, well, explode, it could wipe out everything on the docks, as well as local businesses and even the hotel near the dock. 

Please were evacuating the city. Even Raymond’s crew took off. He and Litzka stayed behind. 

There were updates about ‘when’ the explosion was expected to take place. And after the last update, someone realized that the Captains, pet cat was still on board the ship! The mayor of the town even went so far as to offer a reward to anyone who would be willing to go on the ship to retrieve the cat! And as crazy as it sounds, two German sailors accepted the offer and went on board the ship. No more than 5 minutes passed before the unthinkable happened. The ship exploded, with the sailors and the cat still onboard. 

The explosion was tremendous, towns people thought it was the end of the world. Parts of the ship were thrown into buildings all over the area. People hid for their lives. Litzka said she found herself hiding underneath the bed in her hotel room. Her husband, Maurice Raymond was downstairs enjoying the excitement with other hotel guests. 

Much damage was done to the area. Buildings had collaped, but some escape unharmed, like the local Theatre it was untouched. The trunks from the Raymond show that had made it to the theatre, were unharmed as well. So what was the status of the other half of the show that was left on the loading docks??? When Raymond and Litzka went to check, a crowd of people were surrounding that area. It turned out that laying upon the canvas tarps, covering the remaining trunks from their show, were the remains of the two german sailors. 

According to Litzka, the town was in no mood for a show, so they loaded the trunks from the docks and the trunks from the theatre into trucks, and continued on with their tour. When it came time to return a month or so later, that is when they arranged to do their show for the people of the Port City.  WOW, that is an incredible story!

Litzka performed in the Raymond show for 22 years until her husband died on Jan 27th, 1948.

Litza performed at a lot of magic conventions doing her act with the Harps and her Magic act with China Boy. At one point, Walter Gibson became her Manager. Eventually, Walter Gibson also became her second husband. And she be known as Litza Raymond Gibson. Or in reality, Pearl Beatrice Litza Raymond Gibson.

Another highlight of Litza’s career was when she became the featured performer for the Annual Fashion Show sponsored by Madamoiselle Magazine. Litzka created an entire show of magic and illusions around FASHION. She sawed models from the magazine in half, produced loads of livestock, birds, rabbits and of course China Boy. She had custom stage settings created for the event. Apparently this event was a traveling sort of show, with multiple different groups presenting shows. So Litzka had multiple sets and props created and shipped off to the various destiantions. From what I gather, she trained people to do some of the magic, but she would actually appear in person at some of the lagers of these shows. Her character for these shows was known as “Mademoiselle Magic”. 

Walter Gibson, her third husband, was known to be a prolific writer and soon, Litzka would join her husband by writing books as well. She wrote “The Mystic and Occult Arts” and “ the complete illustrated book of divination and prophecy”,  a book called “How to Read Palms” and later, “The Official Know it alls Guide to Palm Reading”. Some of these books are still in circulation today. 

Litzka sold the Raymond Show in 1994 to a group consisting of Mario Carrandi Jr. David Baldwin, Henry Muller and Sid Radner for $225,000.

Litzka Raymond Gibson died on May 11th, 1996, she was 95 years old.

Bancroft Prince of Magicians

This poster above belonged to a magician named Frederick Bancroft. This poster is beautiful to be sure. And apparently it was also humongous. This was either a 28 sheet or 16 sheet poster. In other words, its a HUGE poster. I'm not even sure where you'd be able to hang such a poster. It clearly is for the side of a building. But how many buildings had free space for this monster? In 1925 this poster and another similar one were for sale at the price of 10 cents per sheet. It also came with a stand for an additional 50 cents. Imagine that.

Seeing this poster you might think that Bancroft was one of the greatest magicians to ever live. Well, let me tell you about Bancroft. His name was Frederick Bancroft.  He was born in 1866 in Winona Minnesota.  At a young age he saw Alexander Herrmann and decided he wanted to become a magician. Not only did he see Herrmann, but it appears he became a bit of a groupee following around from town to town for a period. Maybe he was more of a stalker! lol. 

Bancrofts first foray into magic was under the name DeCastro and it was a disaster. He was an enterprising individual who got into many different businesses.* He moved to St. Paul MN. where he married and had a child. He also speculated in real estate and sold insurance. He spent $30,000 or about $777,000 in today’s money. By all accounts he had purchased top of the line posters, top of the line brochures, top of the line draperies, scenery and even hand carved tables. Almost every mention I could find of Bancroft mentioned his elaborate and beautiful stage settings. What he didn’t spend the money on however were the latest magic effects.

In 1896 Bancroft set out on his own.  The magic in his show consisted of smaller platform style magic and it was very old, one article called it hackneyed. Other seasoned performers could take the same material and make it shine but Bancroft simply did not have the strong personality that Herrmann did. Alexander Herrmann had been performing since the days of the Civil War, and had coaching in the early days from his very popular brother Compars. Bancroft struggled. He had huge a 5 part show, with 3 parts devoted to smaller magic. 

Also in 1896, The Great Herrmann died. And Bancroft, being a smarter businessman than he was a magician, hired Herrmann’s agent, E.L  Bloom. Bloom helped to reshape the Bancroft Show, and I  included at least one illusion in this new version. Dr. A.M. Wilson in the Sphinx mentions that Bancroft was the inventor of The Lions Bride, using Black art. I’d never heard this before. But sure enough there is a poster of Bancrofts that advertises an illusion called LEONII, using an 'untamed lion' named Wallacker. So now Bancroft had a feature to his gigantic production!

E.L Bloom booked Bancroft into a theatre in Charleston, SC on Sept 26th, 1897. Bancroft came down with Typhoid Fever and died. Much like our friend Maro who was featured in Podcast Ep 11 he too died to Typhoid Fever. 

WHAT HAPPENED TO the show following Bancrofts death? Good question. It seemed that it was acquired by Henry A. Dixey, who was managed by Edward Bloom (Bancrofts former manager). Dixey would later debut in NY in his new role as magician in early 1898. By July of 1898, Mahatma Magazine says “Henry Dixey, the comedian who succeeded the late Bancroft, as a magician, has given up magic."

Dorny said of him, “Bancroft had one of the most lavishly mounted magical shows on the road? And a very promising career was cut short by his untimely death”

You might be familiar with the story that Houdini would tell about his early years of struggling, so he sent letters to Maskelyne, Kellar, and Herrmann, inquiring about possible work with them. Well, you can add Bancroft to that list because apparently Houdini had contacted him too, according to Dr. A.M. Wilson in a Dec 1922 Sphinx magazine column. 

Here is a piece also from the Sphinx,

"The spontaneous familiarity of Herrmann and the quiet yet not austere dignity of Kellar gave to their entertainments a fascination never equalled by any other magician on the American Stage. Bancroft could not follow Herrmann. Dixie could not succeed Bancroft. Thurston is not filling the place left by Kellar. Not that Bancroft, Dixie, or Thurston were and are not qualified magicians..."

So it puts into perspective the challenge of taking on someone like a Kellar or a Herrmann. Even with Bancrofts massively beautiful sets and stage decor, it wasn't enough. He did not have the personality to win over audiences. Yet at the same time, his advertisements were so grandiose that it appeared to fool someone like Houdini into thinking that Bancroft was one of the leading performers of his day.

Bancroft lasted barely two years before he died. And many people suggested that over time, Bancroft may have grown into the role that his advertisements portrayed, that of a GREAT Magician. But his premature death ended that.

*There were a couple corrections made to this article. One, originally I posted that Bancroft went into Denistry, but apparently this was not so. This is a mistake that was recorded a couple times in magic periodicals and books. I also mentioned he was born in St. Paul, MN, but he was born in Winona MN in the year 1866. He did later move to St. Paul however.

(Library of Congress Photo)

Edwin Brush The Mystic

I'm so happy to be able to include Edwin Brush in my podcast roster. I knew very little of his life before I started and he has turned out to be a fascinating individual. He was born Edward M. Brush on March 21st 1873 in Garden Prairie Illinois. He grew up on a farm so unlike many kids who were in the city, he had no way of seeing magicians. His first exposure to magic came from a neighbor kid who showed him some small pocket magic tricks. Brush was amazed and began to learn some pocket magic himself.

When he was 16, Alexander Herrmann came to town. Herrmann was really King of the Magicians at the time. Not only was he famous in the U.S. but he was famous all over the globe. Herrmann had a wonderful personality, was known to be quite funny, and an excellent sleight of hand artist. Brush took in all that he saw and decided on that day that he would one day become a full time magician.

Brush was smart, first he went to college to learn business and then he came out and got a real job working for a clothing manufacturer. He used magic as a sales tool to loosen people up, break the ice as it where. But the pocket tricks also had another effect, people saw that Brush was a fine magician and began to request if he could work at their events. Brush was well on his way to becoming a full time magician.

I cover the life of Brush quite well in podcast 17 of the Magic Detective Podcast, but I wanted to share one more thing with you and that is a photo of Brush's iconic mustache. It is clearly NOT growing that way on it's own. He must have had a ton of wax on that thing to keep it down

What possessed him to think that mustache looked good is beyond me? But then again, it was a great marketing too because once people saw it, they could not UNSEE it, lol.

Strangely, Brush continued to sport the crazy mustache through out his entire life. Even in his 80s and 90s he still have the wild mustache, though he did cut it back slightly.

Besides his mustache, Brush has a very positive career in the world of magic. After looking at some of the comments by his fellow magicians, I see that Brush was very well respected by his peers.

If you'd like to learn more about the magical life of Edwin Brush, please check out my latest podcast at  https://magicdetectivepodcast.com/e/ep-17-the-magical-life-of-brush-the-great/

Review of the book: Powell Master of Magic and Mystery

Alright, I'm just going to come out and say it. I gave this book a standing ovation! Seriously! I love this book, Powell, Frederick Eugene Powell Master of Magic & Mystery by Thomas Ewing.

I will be honest, before reading the book, I didn't know a lot about Powell. I had written a couple paragraphs about him on this blog, but nothing very extensive. Then along comes this book, and not a minute too soon.

Who was Frederick Eugene Powell?" Really! Well, Tom Ewing answers the question and many more.

Powell was a gentlemen, he respected magic. He cared for his audiences. He wanted to deliver a great show now matter where he was playing, no matter if it was before a crowd for 4000, or a small group at a school. Powell had a high opinion of magic. He didn't care for the exposure of magic. Yet, Tom Ewing points out, one of his first exposures to magic were tricks taught in a magazine for children.

Powell was a big believer in knowing your magic history. He spoke of Robert Heller and finding Heller's grave in disrepair. Sadly, many years later, so did I. Frederick Eugene Powell was a big hit with Mexican audiences because he spoke Spanish and had knowledge of the culture. He was actually performing in Mexico when the Mexican Revolution broke out. He was also in Mexico when they got hit with some pretty fierce earthquakes.

Powell continued to perform in his 60s and 70s. After all, a showman is born to perform, and Powell was clearly a magnificent showman.

The author uses a combination of newspaper articles, magic magazine articles and correspondence that Powell shared with various magicians, as his source material. And I must say, it is a rich history that is delivered. I also love the fact that Tom Ewing occasionally adds some historical perspective in regards to events happening in the world, while the activities of Powells' life are playing out.

The reader also gets to see quite a few of Powell's props that are today in private collections. In fact, one that is pictured is the umbrella for Powell's Cone and Flower production. In fact, the box of Powell's Spring Flowers is also in the book. Well, below I'm going to post a video of Powell performing his Cone and Flower mystery!

But before I do, I want to encourage you to pick up this excellent book on one of magics most beloved artists and one who has been mostly forgotten to time. You can purchase the book from 1878press.com , although truthfully many magic dealers are carrying the book, so find it somewhere and get a copy. You'll be glad you did!

The Three Early Pioneers of Mind Reading

John Randall Brown

I must reluctantly admit that I do not know as much about mind readers as I do other areas of magical entertainment. I know of some of the bigger names: The Zancigs, Dunninger, Alexander, Annemann, and others, but as far as it's origins, I am not as knowledgeable. This brings me to the subject of my latest podcast, Episode 15, The Early Pioneers of Mind Reading.

Stuart Cumberland

It appears that things center on three people: John Randall Brown, Stuart Cumberland, and Washington Irving Bishop. The only name of the bunch I was aware of was Bishop and I didn't fully grasp his contribution. It turns out though that things begin with John Randall Brown and a technique he developed which would become known by a number of different names: Contact Mind Reading, Hellstromism, Psycho Physiological Thought Reading are just a few names it was given. For my podcast, I used the word CMR technique to simplify the name.

The technique in it's simplest form involves holding the wrist of a spectator and apparently having the vibrations of their thoughts pass from touch into your brain. (Magicians will understand what I'm saying). What I didn't know was this was once considered very close to the real thing in regards to reading someone's thoughts, because it used no props or gimmicks of any kind. On top of that, this technique could be used to reproduce many different types of effects in mentalism. And it turns out, this was the technique used by all three of the pioneers of Mind Reading mentioned above.

John Randall Brown's initial test with the technique was to have someone hide a pin, and then he

Washington Irving Bishop

would locate the hidden pin by holding the wrist of the person who hid it. Moments later he would walk right to the object that was very well secreted away. A simple test and effective. It reminded me of modern day mentalists who have a spectator hide a coin in one of their hands and they are able to devine which hand contains the coin with 100% accuracy. It's also the same as the stunt Kreskin has done for years where someone hides his check and he finds it.

All three of these early mentalists used the Pin Test. They were each tied to one another in some way and they all did the same basic act. What made them different was their individual personalities.

I did find researching this podcast to be more difficult than others due to the lack of information on mind readers. Granted, there may be some excellent books on the history of mind reading that I do not own, but I have a pretty extensive library so I don't know if I'm missing much.

They also are all connected to spiritualism. These three all presented Spiritualist exposures in their programs. But other performers who would become iconic in mentalism were more closely tied to spiritualism, like Anna Eva Fay and Samri Baldwin. It's as if the earliest mentalism had to deal with the spirits telling the secrets of members of the audience and then that changing to the mentalist telling the secrets of members of the audience, aka mind reading. In a similar way, escapology has it's origins in spiritualism as well. The Davenport Brothers being examples of very early escape artists, and other performers following suit.

Of the three early pioneers, Stuart Cumberland seems to be the most prolific having written a biography of his exploits. Washington Irving Bishop was likely the most famous and suffered the most tragic death. To find out more, please check out episode 15 of The Magic Detective Podcast.

Remembering Doug Henning 19 years later

Doug Henning passed away 19th years ago on Feb 7th, 2000. It doesn't seem like that long has passed. I decided that I would put up some of my own recollections of Doug in the latest episode of the Magic Detective Podcast. I didn't want to do a biographical piece, at least not this time around. Rather, I just wanted to share some of my own thoughts. 

Doug was influential in my interest in magic. Over the course of my own career and development it seems I have done around 40 Henning tricks in my own shows. Now, I didn't always do them like he did, but they were material that I first saw Henning do. They range from close-up magic to stage magic to grand illusion. Doug was the first person I ever saw do many tricks. For example, Card Warp, I first was exposed to this on one of his specials. The Mental Photography Deck is another that I saw Doug do for the first time. Granted a lot of this stuff was already out there in the magic world, but because I was a kid at the time, Doug Henning was the first I saw present them.

He was the first I saw do The Needle through Balloon, the Al Wheatly One Cup routine, and he was the first to do Rubics Cube magic on TV! Talk about a trailblazer! Illusions, let's see, Shadow Box, Zig Zag, Mismade Lady, Microphone Suspension, Sword Suspension and more. All of these things I've listed are things I have since done. And of course, so have thousands of other performers as well. 

One of my favorite routines came from the 4th TV Special. It was a Monte Effect that boggled my mind when I first saw it on TV. Then later I saw Doug Henning perform it live several times. Years later, my friend Denny Haney would tell me where I could find that routine, it was locked away in a booklet, and thankfully I obtained it and learned it. I then wrote a script that was original to me and it became a signature trick in my own show.  In my show I tell the story of Houdini meeting a very young Charlie Chaplin for the first time, and the routine takes off from there. 

My podcast on Doug is the longest one I've done so far, almost an hour long. And I realized something after I finished the podcast. Doug's TV specials were great, but some were hit or miss. And it's hard to judge him from just the TV specials. However, in LIVE performances he was fantastic. He was charismatic and likable and he won over everyone with his joyful exuberance. He was a breath of fresh air and there has never been another like him since and there certainly wasn't anyone like him prior.  

Let's all remember Doug Henning on his day. What effect did he have on your magic? He paved the way for so many magical artists.  We were lucky to have him in our world.

Episode 12 Podcast Wyman the Wizard Notes

Episode 12 of the podcast is up and already getting downloads, thanks everyone! I don't have a lot of notes on this episode because most of it was covered in previous blog articles. However. I do have an image for you of Professor Pugh, the friend who Wyman met during his retirement. He gave or sold some of his props to Prof. Pugh and here is a photo of the good professor with them.

By the #s, there is #5 Little Bobbie, you can barely make out the carved head on this thing. # 6 is hard to see but it's in the back, the Spirit Clock/Dial. #7 is the rifle, or as it's listed, Gun and Target. #8 is that odd looking thing that the rifle is leaning against, it's a Pearl Inlaid Chair Back. #9 is pretty obvious, it's a Card Sword. #11 is the Money belt, though I don't see the number in the photo, but I do see the belt. And #13 is also not marked but it's the Canister and Bird Cage. You can see the cage right behind Little Bobbie. The man in the image is Prof. Pugh, not Wyman.

This is the link for the various articles on Wyman that can be found here on the blog...
https://www.themagicdetective.com/search?q=wyman

The Grave of Olive Dot Robinson, Wife of Chung Ling Soo

Dot Robinson being floated by Harry Kellar

When it comes to one of the greatest magician's assistants in history, surely one of the early ones was also one of the best. Olive Robinson was the wife of William E. Robinson. She was born Olive Path and had been with William Robinson since the very beginning of his career. For a time she worked as Harry Kellar's chief assistant in his show. Her husband was stage manager, illusion designer, and even performed his Black Art Act in the show. Olive, or Dot as she was known because of her small size, presented The Cocoon Illusion in Harry Kellar's show. She also was featured in an amazing levitation that was co-created by her husband and several other magicians, the effect was known as Astarte.

Later, when the Robinson's were wooed away by Alexander Herrmann, she became an assistant in his show. Astarte was performed in Herrmann's show also, but it was retitled The Maid of the Moon, and again featured Dot Robinson.

Finally, when William Robinson decided to go out on his own, he presented a show as an Asian character named Chung Ling Soo. His wife Dot was renamed, Suee Seen, and became the chief assistant in her husband's show. So Dot Robinson got to perform with three of the most iconic magicians of their era.

After the tragic death of her husband, who was shot on stage at the Wood Green Empire Theatre in 1918, Dot Robinson quietly fades into the background. The book The Glorious Deception by Jim Steinmeyer, suggests that Dot had become embarrassed by the scandal and controversy involving her husbands death. In 1921, she leaves London without informing her friends there and relocates to New York. She moves not far from many well known magicians, including Houdini. But she never let anyone in America know of her move either. She remained in seclusion throughout the rest of her life. In 1933, Dot Robinson was diagnosed with cancer. She died the following year at the age of 71. Olive 'Dot' Robinson was buried in the Bronx in Woodlawn Cemetery in an unmarked grave. But that's not the end of the story.

In 2016, magic historian, Diego Domingo, started raising money to put a stone marketer on her grave. The dedication for the stone marker was Oct 24th, 2017. Olive Robinson is buried in the Robinson Family plot not far from Williams' brother, and apparently just down the path from one of her former employers Alexander Herrmann. And today she has a proper gravestone.

Photo courtesy Diego Domingo