Book Review: The Metamorphosis - The Apprenticeship of Harry Houdini by Bruce MacNab

I just finished reading Bruce MacNab's book The Metamophosis last night. I bought the book from Bruce almost a year ago and it's taken me this long to finish. But the reason it took so long is not because of the content of the book but because of my performing schedule and an eye site issue that was making it harder for me to read for long stretches.

But I'm happy to say the book has been read, cover to cover. I have to say this book was an eye opener. Very different from any other Houdini biography I've ever read. This is maybe the first bio of Houdini where he isn't 'the greatest'. In fact, he is a struggling performer during the months in 1896 that are covered in this book. He stumbles upon things that will later be iconic parts of his act in years later, but during these early days they are so new that he is testing the waters to see what works and what doesn't.

A great example is an outdoor stunt that he was promoting where he would be tied to a horse and would free himself. The stunt quickly got out of hand when the horse took off running and Houdini could do nothing but hold on for dear life until the animal tired. Eventually, it did and Houdini was able to free himself. Unfortunately, the crowd of spectators also tired and had left before Houdini was free. He learned a huge lesson this day about staying in control of his challenges. The only thing hurt was his pride thankfully.

I loved the chapters with Samri Baldwin. I had written a bit about Samri Baldwin recently and was so excited at what I thought was a real 'find'. Then one of my readers pointed at that this info and more was in the Metamorphosis book. Indeed it was and it's great to read. Apparently, Houdini and Baldwin were going to team up on a tour at one point, but sadly it never came to pass.

The book does a great job at pointing out what a real grind show business can be. From renting the hall or theatre, to promoting and then waiting to see if your hard work has paid off. Often, things beyond your control come into play to prevent a crowd from attending. Houdini faced more small crowd venues on this Canadian tour than he did large crowds. And yet, in three short years Houdini would meet a man who would help Houdini become famous. That man was Martin Beck, who told Houdini to drop the magic and stick to escapes.

Yet, during the Canadian run in 1896, Houdini was doing every kind of magic imaginable, even a levitation and mind reading! Along the journey, we get to meet other performers and artists, some famous, some not so well known. It's not often that this much new information comes out on a performer who has already been written about in dozens of biographies.  The author Bruce MacNab really did his homework and researched this topic and dug up information that no one else had seen. He even describes situations where he searched and searched for documentation on a particular event but none could be found. My hat goes off to Bruce for such a fine job.

I know by now, most of my readers have probably read this book. But if not, please get yourself a copy and enjoy the journey of Houdini and Bess on Tour in Canada in 1896. Wonderfully done! Click the link at the top of the page to order the book from Amazon!

MAGIC Magazine Great Historical Column

As promised, I wanted to give equal time to MAGIC Magazine, after my article on Genii. This month (May) the cover story is about The Magic Show on Broadway 40 Years Later. It is a great article on how The Magic Show came about, what Doug Henning was like in the very early years, how the various touring versions came about and the actor/magicians who worked in those shows. Plus in the digital version of the magazine there is a video link to the first 7 minutes of the movie version of The Magic Show. But as great as all of that is, the icing on the cake a 25 minute long video taped interview that David Charvet did with Doug Henning, it was Doug's last interview. It is a MUST WATCH!

When it comes to history and MAGIC Magazine, there is one guy who has the corner on the market and that is Mike Caveney. His column is called Classic Correspondence and it always has some interesting gem. It's a relatively short column and yet it's packed with great historical content.

As for non magic columns, I always enjoy Mark Kornhauser's column called For What It's Worth, always funny observations on his life as a performer. Loving Mentalism by Ian Rowland has had some really stunning material in it lately. But the best of the bunch is Mike Bent's column called Bent on Deception. Mike is a comedy magician, kidshow performer and a truly creative guy.

By the way, Stan Allen has just introduced a NEW digital version of the magazine which you should really check out called M360. To find out more about MAGIC and to subscribe, go to http://www.magicmagazine.com/

Genii Magazine Fantastic Historical Column

One of my favorite columns in the Genii Magazine is called The Chamber of Secrets by John Gaughan. Every month, John shares with the readers a piece of magic apparatus from his collection. In the May 2014 of Genii, he shares the Coin Casket. Back in June of 2012, I wrote a piece on the Coin Casket as well. My column included some video. I would encourage you to check out John's column because he gives a lot more historical details than my column did. But then check out my column also because I've included video so you can see the Miraculous Coin Casket in action!

While I'm at it, there is another historical column that doesn't appear every month, but when it does show up it's always a treasure. That column is called Memoirs of a Magic Dealer by Al Cohen. Al's Magic Shop was the shop I grew up going to. And Al Cohen was the coolest guy ever to demo magic tricks. He was always so captivating and entertaining and mainly because he was just being himself! Check out his column, great stuff!

While I'm at it I also need to mention three other columns that are not magic history but always superb. Jim Steinmeyer's column called CONJURING, Tom Stone's column called Lodestones and finally a new column by Jonathan Pendragon called Panmagium. Conjuring has been missing of late, probably due to Mr. Steinmeyer's schedule. But Tom Stone's column is a bit Steinmeyer-esque this month and worth checking out. And Jonathan's column is nothing short of brilliant. So please, by all means go check them out. And I'll be doing a similar thing with MAGIC Magazine soon, pointing out the historical columns! In the mean time, enjoy.

UPDATE on Coin Casket: I cannot tell you how excited I am to have just purchased a Miraculous Coin Casket!!!!! What an ingenious piece of magical machinery and to think it came out of the 19th Century. It will become part of my new show very soon! 6/13/2014

Houdini's First Straitjacket Escape in Washington D.C.

I was going through some old files today and came across an image I had set aside 'for the right time'. As I looked at the date on the image, April 19th, 1916 (98 years ago today) I figured THIS must be the time for this article...except, I apparently already wrote that article a year ago. So, this is a follow up to what I wrote then.

First, let's begin with this little blurb to my right, from the Washington Times, April 18th, 1916. It describes the escape that Houdini has planned for the following day and invites people out to cheer him on. For historical accuracy they mention that the escape will take place in front of the Munsey Building.

I remember the first time I found out about this detail. I had no idea where the Munsey Building was and it took a fair amount of time to figure it out. As fate would have it, even after I found out where it was, I still made some minor errors in my assumptions.

The Munsey Building was in the 1300 block of Pennsylvania Avenue. The Munsey Building was where The Washington Times Newspaper had their offices. That would explain the extra special coverage Houdini was getting from their paper.

Munsey Building in 1919. (Smithsonian Institution)

The photo above is pretty much what the Munsey Building looked like when Houdini did his escape. The smaller building to the left is the old Washington Post Newspaper building. And hidden by the trees on the right is where the National Theatre resides. The Munsey Building was torn down in the early 1980s, the Washington Post building was torn down long before that. In place of the Munsey building is a Marriot Hotel.

I will reprint the front page of the April 19th, 1916 Washington Times Newspaper for you, enjoy...

HOUDINI GETS OUT OF JACKET 100 FEET IN AIR

More than 15,000 Persons Cheer as "Handcuff King"

Frees Himself Hanging Head Down

FREES SELF IN 2 1/2 MINUTES

More than 15,000 persons saw Harry Houdini hanged today in front of the Times Building. In just 2 minutes and 30 seconds from the time he was swung into mid-air, trussed up in a strait-jacket from which there is said to be no escape, Houdini wiggled himself free, waved his arm and was lowered to the ground.

As Houdini freed himself from the jacket, the crowd sent up a cheer which could be heard for blocks. As a moment later, Houdini waved his arm to the yelling, applauding throng, and while the cameras and motion picture machines clicked, the men who held the ropes let him down.

CROWDS JAM STREETS

Persons who saw the great throng from windows of nearby buildings said it was the biggest crowd ever assembled in Washington at one place, except for the inauguration of a President. Pennsylvania Avenue and E Street from Thirteenth to Fourteenth Streets were literally jammed. Human beings were packed as tight and close as sardines in a can.

Had To Get Police Aid

There came near being no Houdini hanging. There were too many spectators. The "handcuff king" and Manager Robbins, of Keith's Theater found it necessary to call for police aid to get through the mob that assembled in front of the Munsey building. Robbins was left behind in the automobile, and Captain Peck conducted the star performer of the day to the platform that had been built for him by main strength.
"That's worse than getting out of a straitjacket" said Houdini, when he reached the platform, puffing and setting his clothes back in place, from (continued below)

(click image to enlarge)

Happy Birthday Mark Wilson!

Today, April 11, 2014 marks the 85th birthday of TV Pioneer Magician Mark Wilson. When I was growing up, I can recall watching Mark Wilson on numerous talk shows like Merv Griffin Show, the Mike Douglas Show, the John Davidson Show and others. He also had his own TV shows, which I did not see growing up because they were not on TV in my area. But these included, The Magic Land of Allakazam, The Funny Face Magic Show, The Magic Circus and The Magic of Mark Wilson. All of these programs were weekly series rather than one time specials.

Mark was truly a pioneer in the world of magic and an early pioneer in television. He certainly deserves a much longer article than this, and I will be working on one in the near future. Mark is a living legend and we wish him the Happiest of Birthdays!!!!

In Search of Fu Manchu

David Bamberg, Fu Manchu

I first heard of Fu-Manchu/David Bamberg while reading the book The Illustrated History of Magic by Milbourne Christopher. David Bamberg came from a long line of magicians, six generations. His father was the equally famous Okito/Theo Bamberg. But it wasn't until I saw the Le Grand David Show for the first time in 1980 that the Bamberg Dynasty took on new life. Here was a show, Le Grand David and his own Spectacular Magic Company, that was inspired by the show's presented by Fu Manchu that Cesareo Pelaez, the groups founder, saw as a boy.

There must be something to this guy, David Bamberg. Then I read that Dai Vernon, Jack Gwynne and Jean Hugard thought the Fu-Manchu Show was the most beautiful show they had ever seen. In fact in his column for Genii Magazine August 1974, The Vernon Touch, Dai Vernon refers to the FuManchu show like this, "to my way of thinking it was the perfect show." Many professional magicians of the 20th Century thought David Bamberg's show was one of the most incredible magic shows to ever grace the theatrical stage. But, precious few people saw the show here in The United States. The show mainly toured South America and Mexico. In that part of the world, Fu-Manchu was bigger than life.

I'm going to share some elements of the life of David Bamberg in the hopes that modern day magicians who are unfamiliar with Fu-Manchu can discover a new respect for this giant in our art.


It all begins with the Bamberg Dynasty of Magicians.

Jasper Bamberg (early 18th Century)
Eliaser Bamberg (1760-1833)
David Leendart Bamberg (1786-1869)
Tobias Bamberg (1812-1870)
David Tobias Bamberg (1843-1914)Papa Bamberg
Tobias (Theo) Bamberg (1875-1963)Okito
David Tobias Bamberg (1904 - 1974)Fu-Manchu




Young David was clearly born into a world of magic. He was appearing as an assistant on stage with his father at the age of four. He would meet every famous magician of the time. When his father Theo was working for Thurston, young David would often be one of the 'volunteers' for the Eggs from Hat routine. One of his earliest jobs was working with The Zancigs, who were a mind reading duo. Julius Zancig apparently did a pretty good selling job on Okito by promising the boys work would not interfere with his studies. The stagename that young David chose was Syko. The name Syko was suggested to him by none other than Harry Houdini.

One of my favorite stories of David's magical education comes when he learns about the early Tarbell Course being offered. According to his autobiography, Illusion Show, David contacted Harlan Tarbell with the hopes of getting on the mailing list. But to his surprise, he began receiving the course along with nessesary gimmicks. He was able to put together two shows that he could travel with easily. Having this magical foundation helped him greatly when he took on the venture of a much larger show.

If you're wondering what material David chose early on, well he lists a few of the items in his book, on pages 152-153. These include: The Egg Bag, The Vanishing Wand, the Linking Rings, the Paper Tearing, the Card in Banana, the Needle Trick, the Multiplying Balls, the Ghost Silk and Tarbell's Cut and Restored Rope (which is a hidden gem).    The Paper Tearing would remain a staple with him throughout his career and he continued to use the other items as fill-in material when needed.

Incidentally, there is a great story in his book Illusion Show on how David Bamberg discovered the mystifying secret to Houdini's Needle Trick. I won't give it away because I don't want to deprive anyone of the wonderful stories contained in the pages of his autobiography.

Before, he ever built his big illusion show, he toured as an assistant with the Great Raymond throughout South America. David's autobiography has many interesting stories of his life touring with Raymond. When the Great Raymond returned to the United States, David remained behind to try and make a go at magic in South America. 

Okito and Fu Manchu

Like his father, David went with an Asian themed show and character. Unlike his father, Theo, who created a unique name OKITO, David took different route. I always thought it was a coincidence that the Fu-Manchu name that David Bamberg used and the Sax Rohmer character called Dr. FuManchu were the same. However, there is no coincidence. Sax Rohmer created the name first, and David appropriated it for his character name. Though, David's character was not a diabolical evil genius. Copyright law prevented him from using the name Fu-Manchu when he came to perform in the United States for a brief time, so for a short time he was known as FuChan.

It was interesting to read that Okito was very discouraging when it came to the idea of a big illusion show. Okito thought it was better to travel light while David had the vision of a much grander production. David's show had other issues besides size. The number of people in the company made it practically impossible to present in the United States, he had to scale the show back some. But in South America and Mexico, where he mainly performed he didn't have the issues with theatrical unions that he ran into here in the States. He did occasionally run into travel issues with a large show. But his success in South America proved that he knew how to make it work.

As Fu-Manchu David was very successful. He eventually made three films as a sort of Magic Detective. The movies are available today through the MiracleFactory.net. The three films were called; The Ghost of the Bride (El Espectro de la Novia),  The Headless Woman (La Mujer sin Cabeza), and  The Black Ace (El As Negro).

Fu-Manchu presented his final show in 1966 and then retired and opened a magic shop in Buenos Aires. He passed away on August 19th, 1974 thus ending the longest family dynasty of magicians. There is no grave for David Bamberg as his ashes were scattered at sea.

David Bamberg was certainly a fascinating character. I've mentioned his autobiography ILLUSION SHOW, several times. It is out of print but can still be found. It's a must read for any student of magic. The next book he wrote along with Robert Albo and Eric Lewis is called The Oriental Magic of The Bambergs. This book has many of the secrets not revealed in the Okito on Magic Book by his father. And there are many wonderful photographs of the props used by both Okito and FuManchu. In addition to this, there is a great article written by David Bamberg that appears in GREATER MAGIC in the chapter on Stage Presentation. It's a must read. There is also another fine book on the magic of FuManchu called Illusion Builder to FuManchu by Robert E. Olsen.


Cesareo Pelaez and Juan Tamariz in particular were inspired by the Fu-Manchu Show. Cesareo went on to produce the longest running resident magic show in the history of the U.S. And Juan Tamariz went on to change the face of magic not just in Spain but all over the world!

I used AskAlexander.com to bring up old articles on Fu-Manchu and read many of the show reviews. For the most part the reviews were the same, complimenting Bamberg on the beauty and spectacle of his marvelous show. I did come across one review however that made me chuckle. The reviewer clearly enjoyed the show but couldn't understand why Fu-Manchu included those 'old' hand shadows in his act. I guess not everyone is a magic historian!

I did a lot of research on David Bamberg for this article, but only ended up using a very small part of what I discovered.  So, I have a feeling I'll be returning to Fu-Manchu again and again.  I hope you enjoyed this brief journey into the life of David Bamberg and I look forward to bringing you more stories from his life in the future.

Remembering Cesareo

It was two years ago today (March 24) that Cesareo Pelaez passed away. He was 79 and had been suffering from congestive heart failure as well as the after effects of a stroke. Two years ago, I wrote the obit for Cesareo in Genii Magazine. I'm reprinting that piece below.

Cesareo Pelaez

 

Cesareo Pelaez passed away at 3 a.m. on March 24^th, 2012. He was a real wizard for his magic transcended tricks. He dared to dream things that few others even had the courage to imagine, and his dreams became reality.

He was born October 16^th, 1932 in Santa Clara, Cuba. As a boy his father took him to see many of the traveling theatrical shows that would visit the island. Among the magicians young Cesareo saw were David Bamberg/Fu Manchu, Richardi Sr. and Jr., and others. These grand productions had a profound effect on Cesareo and they would later become the inspiration for his ultimate theatrical dream, a resident magic company.

In the 1960s, after having studied education and psychology in Cuba, he fled his homeland as Castro’s grip took hold. He escaped disguised as a Priest and would up in Columbia first before coming to the United States. He would eventually become a professor of psychology at Salem State College after having studied with Abraham Maslow.

But for the magic world things really began in the 1970s as Cesareo started to gather the people who would eventually become the founding members of a resident theatrical magic company. Together, they purchased the Cabot St. Cinema Theatre in Beverly Mass, and worked night and day to get it ready for their new production.

On February 20^th, 1977, the first performance of Le Grand David and his Own Spectacular Magic Company hit the stage. A 2 hour show of stage magic presented in a manner that hadn’t been seen since the early part of the 20^th Century. Lavish costumes, intricately decorated props, beautiful scenery and a cast of thirty people would become the hallmark of their unique brand of magic. The costumes, scenery and most of the props were built, sewn and created by the members of the company under Cesareo’s direction.

Cesareo’s role in the adventure was as leader and director. He chose the character name Marco the Magi, but allowed his young apprentice, David Bull, to get the larger billing.

The show grew in size and scope. At one time they had as many as 60 members in their company.

The magic world took notice of what was going on in this small town and began writing articles about Cesareo and the company. Even TIME Magazine wrote a two-page article about them. By 1984, the Cabot St. Theatre was in full bloom showing movies Monday through Saturday and presenting the Le Grand David Show on Sundays. Now it was time for Cesareo to approach the members of his company with another idea, purchasing a second theatre. The Larcom Theatre was a few blocks away and was originally built by the same people who build the Cabot.

This time professionals largely did the restoration of this theatre, though the decorative work was done in-house. On June 4, 1985 “Le Grand David In Concert” opened at the Larcom. This show had a charm and elegance all it’s own and an achievement that made this group seem unstoppable.

Cesareo kept his full time position as Psychology Professor at Salem State College during this entire time. He had guided the restoration of two theatres, directed two different theatrical magic shows, helped design countless posters and artwork to promote the shows, and was involved in an untold amount of details that many of us will never know. If that wasn’t enough, in 1985, Cesareo was elected President of The Society of American Magicians. Any one of these achievements would be enough for a single individual, but Cesareo’s motivation was different. To him, it was about realizing one’s full potential and about helping others discover abilities they never knew they had. In this way, his efforts were more a labor of love for life and his fellow man, than they were for show business.

In 2005, Cesareo suffered a stroke. He had also been diagnosed with congestive heart failure. He did return to the stage briefly, but the illnesses eventually forced him to be a spectator to the shows he helped create. Though he was unable to perform, he never stopped guiding, directing and inspiring his friends and fellow cast members.

Cesareo Pelaez approached all aspects of life with passion, enthusiasm and dedication. He was the consummate teacher demonstrating by the way he lived what heights we could reach if we tried. His life was a testament to the idea that nothing is impossible.

Happy 140th Birthday Harry Houdini

Today, March 24th, 2014, marks the 140th Anniversary of the birth of Ehrich Weiss, better known to the world as Harry Houdini. I'm sure, as his mother was giving birth to young Ehrich in Budapest, she had no idea that her son would become world famous, and his fame would grow even larger after his death.

You'd think that everything that could be written about Houdini has already been covered. But that has proven to be false. New insights and revelations of the Master Mystifier come to light almost every week. Just look at all the Houdini sites listed to the right of this article, along with all the articles I've written on Houdini and you'll see that he is a never ending fountain of information and entertainment.

I think his most amazing feat is his longevity. Sure, the Milk Can was incredible, the Water Torture Cell was awe inspiring, the hanging Strait jacket escape was a thing of genius but all of those have been done by lesser performers (no offense intended). Houdini had something that very few acts ever get, historical timing. The other act that probably can also claim historical timing is a little band called The Beatles. Houdini came along as we moved out of the Victorian era into a Brave New World of industry and technology. The Beatles came along while the world was a fairly innocent place and as the Vietnam War dragged on and the culture changed, the Beatles were there at that same moment in time. Trust me, no one will know who Justin Bieber is in 100 years, but they'll still know Houdini and they'll still be listening to the Beatles.

Houdini has passed the point of being a celebrity and now has moved into the status of legend. His feats seem so wild and crazy that some people are not sure if he was a real person or just a creation of fiction or of Hollywood. Houdini helped to add fuel to that fire while he was alive by embellishing some of his achievements. But in retrospect, he didn't have to. He was extremely fascinating even without the pomp and circumstance.

The Magic Detective & Mandala Magazine and More

I just found out yesterday that back in 2012, Mandala Magic Magazine had an article about HOUDINI and in the article they spent a little time talking about THIS blog. They also discussed John Cox's Blog and Kevin Connolly's blog as well. It was a pleasant surprise and the article itself was posted to another website by the original author of the piece, so you can read it here.

Also, coincidentally, yesterday was my first introduction to the Mandala Magazine itself, even before I found out about the earlier article. I found out they had done an rather extensive interview with David Bull of Le Grand David and also interviewed Rick Heath and Ellen Sheehan from the show as well. It is a FANTASTIC article which shares some insights on the last few years of the show, the death of Cesareo and how it affected the cast and the reasons why the show closed and what is going on currently and what the future holds.

The issue can be found in the 'past issues Volume 4'.  If you are interested in checking it out click the link, the issue costs $5.95 and is digital, so they will send you a link to download it.

The Mandala Magazine is a product of and owned by Shawn McMaster.

Houdini And Samri Baldwin

The photo above is Samri Baldwin and Harry Houdini. Baldwin was born Samuel Baldwin in Cincinnati OH in 1848. He performed professional as The White Mahatma. Samri is credited with taking the question and answer techniques used by mediums and applying them to magic and mentalism. His techniques are still used today.

I'm not sure, but I might have stumbled upon a discovery*.  I believe it was in Jim Steinmeyer's book about Howard Thurston where I read that Samri Baldwin in 1921 had a small spot in the Thurston Show. Baldwin had brought along with him a trunk full of treasures he had collected over the course of his career and life. They were to be a gift to Howard Thurston. But there was a problem, the two did not get along. So much for that gift! I kind of assumed at that point that Baldwin probably gave or bequeathed the trunk to his daughter Blanche Baldwin, though I had no real proof either way.

Well, yesterday I'm looking through some of the scrapbooks in the Harry Ransom Houdini Collection and what should pop up? A scrapbook belonging to S.S. and Kittie Baldwin! Now this is not the trunk full of treasures that was mentioned in the Thurston book, but I bet it was part of that trunk!

As it turns out, my discovery, or what I thought was a discovery falls flat near the end. Samri Baldwin did not give the scrapbook to Houdini. His daughter gave the book to Houdini, as can be seen by the inscription in the front. Samri died March 10th, 1924 and on April 21st, the book was sent to Houdini. So the trunk of treasures remained with the family with the exception of this scrapbook. Or maybe she gave them to someone else? Where the trunk of treasures ended up is anyone's guess.

*Turns out this 'discovery' has been made before. And as is mentioned in the comments below, was also revealed in the book 'Metamorphosis' by Bruce MacNab. The only unique thing that I did was make the connection of the book to the trunk of memorabilia mentioned in the Thurston book by Jim Steinmeyer, but his is only a guess on my part.

For MORE on Samri Baldwin Listen to my podcast http://magicdetectivepodcast.com/e/samuel-spenser-baldwin-pioneer-clairvoyant/

Behind the Scenes Video of Le Grand David Magic Show

I just found this online. It's a video of behind the scenes footage of the LeGrand David Magic Show in Beverly. Now that the show is finished, sold off and will no longer be seen, this gives a nice view of some of the spectacle that once graced the stage at the Cabot St. Cinema Theatre.

Making Magic from Jerry Harrell on Vimeo.

Okito - Le Grand David Magic Illusion Is Available!

Yes, the Le Grand David Auction has passed. But one item in particular did not sell, the closing illusion to their Cabot St. Theatre Show. In the show it was an unusual pagoda. In reality it was a combination of two Okito/Theo Bamberg Illusions. One was called 'Hi Strung' and the other 'The Mandarin's Dream'.  In fact, in the auction listing they describe it just like that, a combination of two Okito Illusions.

I have to admit, as much as I love the show, this was never a favorite of mine. But now upon reflection, I think perhaps I may have been mistaken. There is quite a bit of magic here and as far as engineering it's pretty remarkable.

It is kind of a combination of the two Okito effects. The routine called Hi-Strung, has a pagoda like structure and the doors are opened front and back to show it empty. It's closed up and a long rope is threaded through the box. Suddenly the 'Lotus Flower' or female assistant steps forth from the pagoda with the rope passing through her costume!

But 'The Mandarin's Dream' which is the part of the routine where the large box-like trunks are introduced, is slightly different in the original effect.

In the Mandarin's Dream, according to Okito, it is a transposition of the boxes with a living person. And in fact, it is a very elaborate playlet with several characters, multiple boxes or tea chests as they are called in the routine, and a pagoda and another raised platform with a canopy that is flown in to cover the boxes. 

The method for created the Mandarin's Dream is very involved. It's quite a remarkable concept and I'm not sure if the original Okito props from this illusion remain today.

Okito mentions in his book Okito On Magic, that this was the most sensational illusion he ever performed but due to weight and size it was impossible to travel with. I wonder if the effect was eventually given to his son, or if it remained behind in Europe?

The good news is a version of these two effects does still exist today.  The Le Grand David troupe referred to this as 'The Legend of the Miraculous Pagoda', and as I stated earlier, this was the closing illusion in their show at the Cabot St. Theatre. It began for years with Webster Bull acting as narrator and describing the history of this magical pagoda. When his monologue was over, the company sprang into action and began by rolling out the pagoda, showing it empty and also bringing out the large chests which were full of jewels, fabrics and gold! The chests were lifted and stacked inside the pagoda and then the doors closed. A rope was threaded through the pagoda and then the entire thing was spun around (not a simple task because this prop is a monster!).

When the doors are eventually opened, the chests are gone! In it's place is a masked figured whose costume is threaded with the rope. The costume figure steps out of the pagoda and lo and behold it is none other than Marco the Magi! This leads to the final bows by each member of the company and a few surprise effects along the way.

I stated above it was not my favorite illusion. I think part of the reason was it was very slow. I did enjoy Webster's story however, I thought that part of it was fantastic. And there is a moment of great surprise in the routine near the end when the doors are open and the chests are seen, the doors are closed and then opened and the chests are gone and Marco the Magi is there.  I'm sure the slowness is probably unavoidable, but perhaps other things could have been done to mask the time. At any rate, it was their closing illusion for years and in all honesty, it's pretty amazing. I just watched it again last night on video and was taken back by the vanish of the boxes and appearance of the person. Perhaps, my previous opinion was just a bit jaded.

There is good news too. This wonderful effect is available! It was in the recent Kaminski Auction of the Le Grand David show. It did not sell. It had a very high reserve which was part of the problem. But it is still available and I'm sure they are wanting to find a new home for it. It was lot # 9040 and if you contact the folks at Kaminski Auctions ask them about it and see if perhaps you can make a bid on it. Keep in mind, this thing is gigantic! I don't think it packs flat, but it might break down a little for shipping, I don't know. You'll have to ask them. Keep in mind unless you pick it up, the shipping is going to be a lot. But, this will certainly be the ultimate in Okito inspired collectibles and the crowning jewel of the Le Grand David Show. Contact them and see!

Seeking the Owner of These Items from LGD Auction

There were a number of items I was bidding on that I lost during the auction by only a few dollars because the online system didn't take my bid. It was highly frustrating to say the least. But two items in particular stand out. I'd like to find out who owns them and if they are interested in selling them, either now or down the road, to let me know. But if you know who the new owner of either of these items is, could you let me know or get me in touch with them. Thank you.

First item was listed as the Japanese Painted Production Chest # 9130.

The next item is called The Thief of Bagdad and was lot # 9161

 

If you have either of these and are interested selling, please let me know. carnegiemagic@aol.com

Le Grand David Auction Thoughts & More

Cesareo Pelaez as Marco the Magi

Yesterday, Feb 23, 2014 was the Auction to sell the show and props of Le Grand David and His Own Spectacular Magic Company. This was the longest running resident magic company in the world. Headed by the late Cesareo Pelaez, the show began in 1977 and ran for 35 consecutive years.  It was the type of show that you will never see again. If you missed the chance to see the show, you missed one of the greatest theatrical experiences in life, trust me on that.

I saw the show the first time in 1980 while on a family trip in New England. I had seen the advertisements for the show in Genii Magazine. In fact, I would get LeGrand David himself to sign my issue of Genii. And if that wasn't wild enough, attending the performance that same night were Bill and Irene Larsen, editors of Genii Magazine and co-creators of The Magic Castle! So I was able to meet Mr. Larsen that evening as well.

The show had a profound effect on me. For years later my mind would go back to that night when I witnessed a truly remarkable event. I remembered a speech that Marco the Magi gave during the show about the origins of the program, and how the members of the company made most everything by hand. I would look through the programs that I purchased that night, many times over the years, and vividly recall the first night I saw the LeGrand David Show.

Years later, April 2000, I was invited by Cesareo to be a guest for the weekend. I brought my girlfriend with me. She knew nothing of the show or the people. As we went up, I showed her an issue of MAGIC Magazine that was done on the show and tried to give her some idea of what to expect. Before I left, I had mentioned to my good friend Ralph, that I had a strange feeling that I wasn't going to be the same person when I returned.

Before I go further, let me ask you. Have you ever had a car that was not quite tuned properly? It would run, but was always sluggish? Or perhaps a computer that would work well about 80% of the time but would seem to crash or lock up at the worst times? Well, that was me. I mean, that's kind of how I was when I went up there. I was not running at full capacity and had some issues with things in my life. But during that trip, I had a conversation with Cesareo that was like a mechanic giving a car a tune-up. It was nothing major, nor earth shattering. But it was just the right thing that I needed to hear at that moment and it seemed to straighten out all the conflicts I was having.

I would have many conversations with Cesareo afterwards, but looking back, not as many as I would like to have had. I remember him telling me several stories of the magic shows he saw in Cuba. I remember the suggestions he gave me about my own show. He would often give advice that seemed a bit harsh, but upon reflection was the perfect solution. On one visit I mentioned the current state of my show and he said that when I returned I should bring a video of the show and we would watch it together and he could make suggestions, if I was interested. Of course, I was! And then, a week later, his health started to decline. There were concerns he would never return to the stage and of course concerns for his everyday life. To everyone's amazement he did return to the stage, briefly, just to show that he could. But his health was limiting his abilities to do much on stage. I'm sure he continued to direct, create and give advice off stage. I sadly, never got to share my show with him in person or via video.

But in some ways, Cesareo is always with me during shows. I hear his advice constantly. That might sound weird. But I understood the way he thought. Through the many books on Cesareo and the company I was able to get to know more about his life and who he was. I was not able to get to know him better after his stroke and continued health problems, but I did return to Beverly when I could.

Just to give you an idea of what a profound effect Cesareo Pelaez had on me, not only did he help me to get my life in focus, he also encourage me to write, and he encourage me to paint. This blog, would have never existed without that encouragement. The hundreds of paintings that I've done since 2000 would never have been painted had it not been for Cesareo. The magazine articles on my artwork would have never happened, the commissioned paintings would not have been done and the sale of my artwork would not have happened because I would never have continued painting. As for writing, besides this blog, I have two books on escapes that I wrote, two sets of lecture notes, a bi-monthly column for a magic magazine and a book on Houdini (not quite finished) and a children's book (almost finished). One man, who inspired me to live a better life and through his own creative endeavors, inspired me to be a more creative person myself.

Now, the LeGrand David Show was more than Cesareo, he was just the originator of the idea and the driving force. But the members of the company, they were the muscles, the soul, the blood, the flesh of the operation. And nicer people you could never meet. David Bull, who was the guy who played LeGrand David for 36 years, is one heck of a gentlemen. I don't know David quite as well as I'd like but I do consider him a good friend. He is without a doubt the most underrated magician in the country. When people talk about who are the greats of today, they might mention David Copperfield, Lance Burton, Penn & Teller, David Blaine and Criss Angel, well David Bull/LeGrand David belongs in that group. He was basically the star of that show for all these years and stardom never went to his head. In fact, he is decent and humble and gracious and very kind. The best qualities in a person, you'll find in David Bull. And that was my experience with all the members of the cast that I had the honor to get to know. And believe me, I know everyone is human and everyone has their faults, sure. But I never experienced anything but kindness from all of them.

And now, their iconic show is no more. It has been sold off. 270 items ranging from props, to curtains, to illusions, to costumes to scenery and posters and paintings. All sold off. In some ways its good because some folks who truly cherished the show now get to keep a piece of that wonderful show in their collections. One person in particular is David Oliver. I read his story on Facebook earlier and I smiled as I read his story because his first encounters with magic and LGD were the same as mine.

Original Floating Tables

I tried to get certain things in the auction. In fact, I will reveal what I was looking to get. The Floating Table that Cesareo used in the show. The backdrop for the Floating Table Routine. The bronze sculpture of Cesareo presenting the Floating Table. The two original Floating Tables.  One of Cesareo's costumes. The Thief of Bagdad Trick. One of the hand painted posters from the show and one of the illusions. I will say for me, the day was the best of days and the worst of days. I did get some of the things I was after. But I lost some important things, one because my bid wouldn't go through a couple of times and also because the price shot way higher than I could afford.

In the end, I did get the backdrop for the Floating Table, One of Cesareo's costumes and because my

Costume worn by Cesareo in Early Years

wonderful assistant Denise was also bidding, she was able to obtain the Mail Bag Illusion and The Original Floating Tables, of which I will now have one of those tables for my collection. Let me share with you the pieces that we were able to obtain.

To ANYONE, who won an ILLUSION in the auction OR the Thief of Bagdad Trick OR one of the hand painted posters, OR most specifically, the Floating Table & Painting, IF you are ever interested in selling these, please contact me carnegiemagic@aol.com as I would be very interested in preserving these amazing pieces of magic art. 

In the meantime, I hope you cherish these wonderful pieces that were created and performed all by kindness.

Mail Bag Escape

This is the screen partition for the Mail Bag Escape that David presented in the show. I first saw this performed in 1980 and it was just as amazing all these many years later.
This is owned by my assistant Denise now.

The Peacock Curtain used during the Floating Table

LeGrand David Auction is now History

Well, it finished. I'm not even sure what to say. Some prices so low it wasn't funny. Some soared. I picked up several things, but missed out on some really special pieces. I thought I'd show you the incredible sculptures that were part of the auction.

Here is an incredible bronze piece of David Bull, created by his father David F. Bull. It shows LeGrand David presenting the Zombie Ball which he was a master of. I believe the dog there is Blackie, who was an ever present feature at the theatre for many years.

All of the bronze sculptures were created by David F. Bull. I should have said the father of LeGrand David, and also of Webster Bull, who was in the show for many years as well.

This piece sold for $1000 I believe, which was below the auction estimates.









Next we have Marco the Magic and the Floating Table. This is one we were trying to win. We did
not, however. This piece sold beyond auction estimates at something like $3500 or more. It's a beautiful piece. We had a game plan to get all the Floating Table related stuff. I won the beautiful backdrop curtain that was used during the presentation of the Floating Table. But lost the Floating Table and Painting. Yet, we won the original Floating Tables. So I'm sad that we didn't get them all, but we did pretty well.










This next piece is massive and I believe it's one of three. There were two others, one is in the

collection of Ray Goulet's Magic Museum and the other one is in the American Museum of Magic. This piece sadly sold well below the estimated auction price. It went for $8000.

It depicts the floating of LeGrand David on the broom in the show by Marco the Magi. It is the moment when David becomes LeGrand David. It's an interesting routine because it has it's origins in Richiardi's original version of the broom suspension. 

This final piece was also created by David F. Bull but it was a trophy, presented to Cesareo by the SAM Parent Assembly #1 in NYC. And this time it does not depict a member of the LGD company but rather the great escape artist and past president of the SAM, Harry Houdini. It's very rare, I think there are only a couple of these. I think it went for $1000.














Here is the curtain/backdrop I won (below). The Peacock Feather Curtain. It's stunning. I remember the first time I saw it, I was awe struck. I am so looking forward to having this as part of my show in the near future.

By the way, just because their show is over, doesn't mean it's the end. I'll be writing more articles about them in the near future. I will continue to carry the LGD torch far into the future. 

The Grave of Chung Ling Soo

(photo provided by Tom Atkinson)

This is very exciting. One of my readers, Tom Atkinson, sent several photos over of the Chung Ling Soo Grave. I've never seen photos of the grave in such detail. You can even view a close-up of the inscription on the side of the headstone (bottom of the page)

I would point out that the figure standing on top of the stone is missing a hand. An earlier photo I had seen shows the hand which was holding something. But that has either been broken off by vandels or had fallen off due to age.

Of course, Chung Ling Soo was none other than American born William Ellsworth Robinson. One of the most knowledgable men on the subject of magic while he was alive. He worked for The Great Alexander Herrmann and also Harry Kellar. Eventually, he went out on his own and he found success with an Chinese character he called 'Chung Ling Soo'.

To read more about Soo and see another photo of the grave, go to http://deadconjurers.blogspot.com/search/label/Chung%20Ling%20Soo

(photo used with permission of Tom Atkinson)

The Grave of George Melies

I just received some wonderful photos of the grave of George Melies from Roland & Susan Sarlot (carnivalofillusion). I've posted them at my Dead Conjurers website http://deadconjurers.blogspot.com/search/label/George%20Melies

To read more about the life of George Melies, please click here http://www.themagicdetective.com/2011/11/hugo-and-real-george-melies.html

The Golden Age of Magic - In Bronze

I have posted many statues, sculptures, carvings, figurines and busts of magicians. But now it's time for the finest renditions of them all. Ladies and Gentlemen, I give you 'The Masters of Magic's Golden Age!

This series of museum quality, limited edition bronze busts are the creation of Mike and Mary Elizalde. This whole project came about because Mike wanted some museum quality busts for his own magic collection. Mike funded the entire project and they were produced through Spectral Motion, the company that he and his wife own and operate. Spectral Motion is among the world's leading creature and makeup effects studios with over 50 films to its credit. Headed up by Academy Award Nominee Mike Elizalde and his wife Mary, Spectral Motion is known for its astounding cinematic effects and an unblemished record of reliability, believability and superb quality. Let's take a closer look at these incredible bronze busts. I'll post them in historical order. 

Jean Eugene Robert-Houdin (b.Dec 7,1805 d. June 13, 1871) Known to all of us as the Father of Modern Magic. He was the great French Conjurer who we still revere today. Inventor of many incredible automaton like Antonio Diavolo and the Fantastic Blooming Orange Bush.  Also, creator of incredible magic like the Ethereal Suspension, which in updated forms is still presented today. 

Another of his iconic creations was the Light & Heavy Chest, which was used not only to amaze and impress but also to stop a tribal uprising in French Algeria.  

A full size statue of Robert Houdin resides in front of the Maison de la Magie in Blois France.









Alexander Herrmann (b. Feb 10,1844 d. Dec 17, 1896)
The GREAT Herrmann is considered by many to be the first in the line of the famed Mantle of Magic. He was also a Frenchman, like Houdin, but made his fame here in America. Originally, he worked with his brother Compars, until he went out on his own. Compars Herrmann was equally as famous in Europe as his younger brother was in America. The Herrmann's had a Mephistopholean appearance that added to their mystery and intrigue.

Though he had a very mysterious appearance, his magic and performance was filled with comedy. He was also known to do magic off-stage in public places. Perhaps we should credit Alexander Herrmann with being the creator of 'Street Magic'!

Herrmann died suddenly on a train in 1896. His wife Adelaide took over the show and was joined by her nephew Leon, who also bore a striking resemblance to Alexander.

Harry Kellar (b. July 11, 1849 d. March 10,1922) Here we have the Dean of Magicians. So called, because he was the first 'Dean' of the Society of American Magicians. Harry Kellar was the first nationally famous American born magician. The second in line for the Mantle of Magic, though technically, it really started with him, though some do put Herrmann first.

Kellar began his career as an apprentice to the Fakir of Ava. He went out on his own for a short time and eventually went to work for the Davenport Brothers. When he had a falling out with one of the brothers, he left them and took another employee, William Fay, with him. They toured North and South America and were heading to Europe when a ship wreck ended their tour.

Kellar found his way back to the U.S. and rebuilt his show and went on to  have a flourishing career. He and Herrmann, though not friends, shared a secret that I will reveal a bit later in this article.





HOUDINI (b March 24,1874 d. Oct 31, 1926) The most famous magician in the world, who wanted to be known as an 'escape artist' for much of his life, and then as an actor, producer and later as an author and scientific investigator. Eventually, he would return to magic in a grand way with his Three In One Show of Magic, Escapes and Spiritualist Exposures. Houdini is likely responsible for inspiring more people into magic than anyone alive. I know my own push into magic came from discovering Houdini. 

The creation of the Magic Detective Blog, really has a lot to do with Houdini. There are 172 articles on the blog that are either about or that refer to Harry. The next closest is Harry Kellar with 32. He is an icon, a legend and the bust of Houdini created by Spectral Motion captures Houdini in all his splendor. He looks confident, proud and defiant. It's a fantastic image of the Master Mystifier.

Howard Thurston (b. July 20, 1869 d. April 13, 1936) 
If we talk of the Mantle of Magic, Howard received the Mantle of Magic from Harry Kellar in a ceremony at Ford's Theatre in Baltimore on May 16th, 1908. In all truth, it had more to do with Kellar selling his show to Thurston, but it sure made a great publicity campaign and a tradition that has continued up until present time.

I always thought Thurston was a great performer. But I never quite knew the whole story until Jim Steinmeyer published an incredible biography on Thurston called, The Last Greatest Magician In The World. It is a must read for anyone interested in magic or magic history.

Thurston had been making plans to pass the Mantle of Magic onto one of his associates, Harry Jansen, known professionally as Dante. There was never an official ceremony however because Thurston died suddenly.






Chung Ling Soo (b. April 2, 1861 d. March 23, 1918) 
I must admit when I first looked over the list
of people who were selected for bronzes, the one odd one was Chung Ling Soo, at least to me. He was born William Ellsworth Robinson and in all truth, his inclusion in this list is well deserved. Robinson worked for Alexander Herrmann. Later, he worked for Harry Kellar. Robinson was the 'secret' that I referred to earlier. He worked for the rival magicians before his own rise to fame. He was known as the most knowledgeable man in magic during his time. He played an important part in the success of both. 

Robinson also has a connection to Thurston. He allowed Thurston to show Leon Herrmann his version of the Rising Cards, and when it amazed Herrmann, Thurston publicized himself as 'The Man Who Fooled Herrmann'. The meeting would never have happened without Robinson however.

When Robinson went out on his own, he failed miserably. It wasn't until he came up with the idea of doing an Chinese after seeing Ching Ling Foo, that things really took off for him. So convincing was he in his performance that the public was unaware that Soo was really an American. They truly bought into the idea that he was Chinese. He even used an interpreter when he gave interviews. He is the only real life magician who gets a spot in the movie 'The Prestige'. He also had one of the most tragic deaths in the history of magic having been killed while performing the dangerous Bullet Catching Feat.

All of these busts are a little over 12 inches tall. They are made of bronze and are available for purchase. They were produced in limited quantities of 40, so there isn't a huge supply, but there are some that remain. They are all on display at the Magic Castle if you are interested in seeing them in person. If you want to purchase one of these wonderful works of art, realize you are not buying a mass produced bust from Target or Walmart. These are museum quality and exceptional pieces. If you are interested in purchasing one, and I really encourage you to consider this investment because once they are gone, they will be gone for good. Below is the flyer which has all the information for purchasing. You can reach them at (818)956-6080 or by email at orders@spectralmotion.com

Special thanks for Mike and Mary Elizalde for providing all the wonderful photographs and for your great contribution to magic.

HELP NEEDED- Magician's Grave Photos

Grave of Compars Herrmann

I am reaching out and seeking help to find photos of graves of our dearly departed magicians. I have been fortunate in the past to receive photos from folks like the photo above of Compars Herrmann's Grave which I received from Heinz König. 

Usually I try to write a bio about the magician and then show the grave photo. All graves that I do find are listed at my other blog, http://deadconjurers.blogspot.com/    I wanted to have a central location so that anyone wanting to visit the graves could look up their location and find where the grave was easily. However, I hardly have a large database of graves. I think there are about 60 graves and their locations listed on the site.

The person doesn't have to be a magician but does need to be connected to magic. For example, I have a great photo of Margery the Medium's grave that I received from Norman Bigelow. Margery was not a magician, but she certainly was connected to magic via Houdini. And Houdini had a lot of associates who could easily fall in that category, like Jim Collins, Rose Mackenberg, Daisy White, Franz Kukol and James Vickory.

If you have a photo you'd be willing to share, I'll gladly put it up with your permission. Also, if you know where the particular grave is in the photo, let me know that as well.  You can contact me at carnegiemagic@aol.com

Anna Eva Fay's Grave