Thursday, April 28, 2011
Wednesday, April 20, 2011
The article about Beauty & Lafayette turned out to be very popular. I thought my readers might enjoy a little more information about the man who was once Sigmund Neuberger. If you read the other blog you know that The Great Lafayette died tragically in a theatre fire. But it turns out that was not the first fire that Lafayette was involved in.
Tuesday, April 19, 2011
I just finished reading "The Last Greatest Magician" by Jim Steinmeyer. This is the recent biography that Jim did on Howard Thurston. It's been sitting on my shelf for a while, wanting to be read but NOT being read. The main reason was that so many others were reading and giving reviews that I wanted to hold off until it all calmed down a bit.
My favorite books are biographies. I have a huge library of biographies of famous magicians. Naturally there are more Houdini titles that anything else, but the second largest group are books on Thurston. Not all are biographies, but there are a few Thurston titles which include: My Life of Magic by Howard Thurston, The Complete Life of Howard Franklin Thurston V 1-2 by Robert Olsen, The Howard Thurston Illusion Show Workbooks V. 1-2, My Magic Husband by Grace Thurston and there are a few other titles I don't have in front of me at the moment.
Sunday, April 17, 2011
He began in show business presenting a variety show along with a partner by the name of Mike Whelan. They went out west, following the gold rush that a lot of the nation was going after. I'm not sure how long they lasted but eventually Whelan got tired of the bad conditions in the camps and he ended the partnership. Neuberger went off on his own with his act called "The Crackshot with the Bow" which was basically a sharp shooting exhibition with a bow and arrows. He presented his act in Vaudeville houses in the U.S. and by 1892 was working the theatres in England.
In 1898 his life would would change dramatically upon seeing a brand new act, the Chinese magician Ching Ling Foo. Foo created quite a stir in the magic world and many copy cat acts followed. Foo may have been somewhat to blame however as he offered a challenge to anyone who could duplicate his famous appearing giant bowl of water feat. A number of performers took the challenge and Foo and his management had to explain it was a publicity stunt. The damage was done however and the 'Chinese style magic acts' began to grow.
Friday, April 15, 2011
If you’ve ever seen my live stage show then you’ve seen the Chaplin-Houdini Story routine. The story in my routine is fictional, though the two performers did meet in real life. Originally the story was going to be about Harry Kellar and Harry Houdini but I realized quickly that modern audiences would have never heard of Kellar and thus would have little connection. But Chaplin and Houdini are icons and most people are familiar with them regardless of whether or not they have ever seen them.
Thursday, April 14, 2011
I often take for granted that not everyone is familiar with many of the classic stories from the annals of magic history. I study and read about this stuff all the time but not everyone does. With the a new generation of magicians quickly coming into the fold, I'd like to be able to contribute to the newcomers knowledge as well as those that have been into this for a long while.
So in the coming weeks and months, I'm going to try and share some of the more classic stories in the annals of magic history. So expect to see articles on Sigmund Neuberger, Helmut Schrieber, Max Katz Brietz, Billy Robinson, Matthias Buchinger and more. There will also be some new Houdini articles coming. There is one that I'm currently working on which should be out fairly soon. I'm a little behind, but I'll catch up soon enough. So keep watching for the new articles on our old art!
Wednesday, April 13, 2011
His real name was Claude Alexander Conlin (1880-1954) and he was one of the premier mind readers of all time. He was called a crystal gazer by some, a con artist by others and he admitted to killing at least four men in his lifetime. He began his career in show business around 1902 by doing a magic act. Not just any magic act though. Part of his act was an escape act basically copied from Houdini. There were many performers ripping off Houdini at this time and work for no named escape artists was pretty thin.
Friday, April 8, 2011
My initial interest in magic happened with this HOUDINI movie by Tony Curtis. I love all the Houdini movies (with the exception of Death Defying Acts). John Cox who has the fantastic WildAboutHoudini.com blog has written several pieces about the various Houdini movies. The first is the 1953 movie starring Houdini and John has got some great information on the making of the movie. At the very bottom of his blog are links to the other articles. He covers: The 1976 The Great Houdinis, The 1987 Young Harry Houdini, The 1998 HOUDINI by TNT, and the 1997 Fairy Tale: A True Story movie. There are two different blogs about the Paul Michael Glaser movie 'The Great Houdinis' so be sure to check them both out.
Wednesday, April 6, 2011
Today is the day in which Houdini actually celebrated as his birthday. It's possible that he never knew his real birthday and if you go over to WildAboutHoudini.com, John Cox has a few more things to add to this.
Let me give you my take, and please know this is my opinion. For the past few months I've been delving into the world of genealogies. Digging up information on where my family originated has been exiting at times and frustrating at others. After having read through hundreds of different Census Records, I've noticed a very common trait. People prior to the 1900s didn't seem to either record or remember their dates of birth. Perhaps it wasn't important to them. It's very common to find a Census record for say 1880 that lists one birth date or birth year and then when you find one from say 1910 for the same person, the dates have changed. Birthdates and years are often recorded as 'about 1880' or 'abt 1900'.
Sunday, April 3, 2011
|Leonard Hicks on the far left. Hardeen in the upper right|
|Bijou Theatre Richmond VA|
When the boy was 12 years old, he and his family were living in Richmond Virginia. In April of 1900, Houdini performed for a week at the Bijou Theatre on East Broad Street in Richmond VA. Young Mr. Hicks was present during his week long engagement. Houdini opened on April 23rd to a packed house. His act consisted of his Challenge Handcuff routine and the Metamorphosis.
During the first part of his act, police officers brought regulation handcuffs to secure Houdini. He stepped behind his 'Ghost House', which was small curtained cabinet that he would kneel in to work some of his escapes in private. Houdini arose from the cabinet free of the cuffs.
Whenever Houdini came to town, he didn't just do a show at the theatre, he often continued with daily exhibitions. His second day in town he went to City Hall to give another demonstration of handcuff release. This time however, to prove he kept no concealed keys, he had his mouth covered with plaster and the tied up with cloth. He was also stripped of his clothes. Captain Angle and Chief Howard of the Richmond Police Department placed shackles on Houdini's wrists and his ankles. Houdini stepped behind a chair that had a piece of carpet thrown over it to partially hide Houdini from view. The audience of some 40 people could see Houdini moving around but his method of escape was kept from prying eyes. Two minutes later Houdini the Handcuff King was free from his bonds.
One of his favorite impromptu bits of magic that he would perform both on stage and offstage was his famous East Indian Needle Trick. Following his naked cuff escape he presented the Needle trick for all of the invited guests and gathering crowd. A doctor who was present in the audience came up to examine Houdini's mouth before and after the effect. He left them completely bewildered and he received a nice write up in the Richmond Times-Dispatch.
|William Leonard Hicks|
Houdini was such a big hit in Richmond, that the management of the Bijou Theatre, arranged to have Houdini return in May 1900. They had to buy out his contract at a NY theatre just to get Houdini back in Richmond! He played a week and headlined a festival in Richmond.
Remember, Leonard Hicks was only 12 at the time. But he was not the only person inspired by Houdini. A Mr. Lee Reinheimer and Mr. Moses May were two individuals also taken in by Houdini. So much so that by June of 1900 they declared that they could duplicate the feats of Houdini and for several months following did just that. They presented handcuff escapes as well as the Metamorphosis. It's probably lucky for them that Houdini didn't return to Richmond as he probably would have gone after them or had his crew attend a show and go after the copyists.
Six years from this time, Houdini is now in Chicago. He is performing in the Windy City and he and Bess are having trouble with the hotel in which they are staying, so they switch to different hotel. When Hicks saw Houdini he was living on a dairy farm with his family. But now in 1906, he and his father were both working in the hotel business. Hicks was the hotel clerk that checked in Mr. and Mrs. Houdini. To use modern day slang, Mr. Hicks gave Houdini the 'hook up', meaning he got him a VERY nice room. Houdini showed his appreciation by inviting Hicks to see his show at the Majestic Theatre.
He changed his performing name to 'Harry Leonard and/The Great Leonard'. According to the Kalush Biography, Hicks even printed up business cards which declared he was the only one authorized to perform Mr. Houdini's act. I wonder if Hicks told Houdini about Reinheimer and Mays in Richmond?
The act he presented was the Challenge Handcuff Escape Act along with the Metamorphosis. When Houdini went to Europe in 1908, Hicks also started presenting the escape from the Galvanized Iron Can Filled with Water better known as the Milk Can Escape. (Just for the record, this is an example of ANOTHER Milk Can known to exist)
Later in life he moved to Florida and was the owner of the Casa Marina Hotel in Key West Florida. Below is a photograph signed by Mr. Hicks. As he became a success in the hotel business he used his real name William L. Hicks, but notice this photograph is signed Leonard Hicks. I wonder if the couple in the photograph might have seen him back in his escape days? Leonard Hicks is on the left in the white coat.
William Leonard Hicks died in Florida on April 2, 1966, the one time protege of the World's Greatest Escape Artist.
|photo by Auburn University Libraries|
*I don't know if Houdini GAVE the props to Hicks or if he sold them to him. But it is true Houdini trained Hicks at his home in NYC.
I have a feeling this is not the last word about Leonard Hicks. I'm going to continue hunting to see what other things I can dig up. If anyone has information on his career, please contact me at
Friday, April 1, 2011
Here is the story in Groucho's words:
There were times when I used to wear a mustache, and there were times when I didn't. I got tired of wearing it, and I would take it off, because if I didn't have a mustache on, people didn't bother me in the street. Then one night I went to the Wintergarden, and Houdini was appearing there, and I was sans mustache. That means 'without'. Gotta watch yourself at the Wintergarden. Anyway, I'm sitting in the second row, and Houdini is now doing a trick. He would take some needles and put them in his mouth, and a spool of thread, and then he would thread the needles. So he asked for a volunteer out of the audience, and who do you think went up on the stage. And he opened his mouth wide. "I wanna prove that there is no trickery to this trick. What do you see in there?" And I said "Pyorrhea!" and left the stage.
If you'd like to listen to Groucho tell it...
I just discovered this on YouTube.com and I'm guessing it will only be up for a day. But on some videos they've added a button that says '1911'. Click the button and it converts the video into a silent movie version of the video complete with Sepia Tone footage and ragtime music.