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On the Facebook page for the Essential Magic Collection, there are 7 video interviews that Luis DeMatos conducts with David Copperfield. Among the topics: Magic Books, Houdini, Chung Ling Soo, Dante, Robert Houdin and more. The interviews are fairly short but wonderful.
In the video that discusses magic books, David Copperfield tips the fact that he is trying to acquire the bookcase that was in Houdini's home at 278. I would imagine that he will eventually end up with it (IF he doesn't already have it). Copperfield also mentions he owns half of the Houdini Collection of magic books, the other half being in the Library of Congress.
As far as collections go, I never get tired of the glimpses inside of David's ever growing collection. And my admiration for Luis DeMatos goes up and up all the time when I see his incredible video projects both magic and now in this documentary style.
It was 108 years ago today, that Harry Houdini was in Washington D.C.. He visited D.C. many times during his career and enjoyed many successful performances. He was in town performing at Chase's Theatre. On Jan 1, 1906, he went down to the 10th Precinct Police Station to attempt a jail cell escape. We actually have Houdini's own words to describe this event.
"I took a long chance there. They didn't give me a square deal. I went to them and as I always do in the cities I visit, offered them the chance to lock me in and keep me there if they could. But I made the condition I always insist on that I should see the cell in which they intended placing me and examine the locks to be used. The lieutenant of police at the precinct to which they too me agreed to this, but after the test started, I heard him whisper to one of his men to bring him the locks for another cell.
Naturally I objected to any change and he became most offensive in his manner. He told me his orders were to lock me up and keep me there, and intimated that if I was afraid I could pass the thing up and take the consequences. I remonstrated with him and told him to remember that I was not a criminal. That I had come to him of my own accord and deserved the courtesy due an equal. But he could not see it, and continued his brutal threatening attitude.
Then I lost my head and went ahead recklessly. I know now that I was foolish to do so, for my reputation is well established in every large city in the world, and I did not need the Washington test. Of course, I was endangering my reputation in submitting to a chance of locks, for if they had got me by any means whatever, my standing would have been badly damaged.
I got out in eighteen minutes, to the great surprise of the lieutenant. He had evidently been prepared to be anything that I couldn't do it. Why he would have staked his head on keeping me in. Not that that article is of any value."
Houdini went on to add, "Since my return to the United States I have broken out of stationhouses in New York, Brooklyn, Rochester, Buffalo, Detroit, and Baltimore, but it has remained for Washington to treat me like a common malefactor. The fact that my wife is present prevents me from telling you (a reporter) exactly what I do think of that lieutenant and his assistants. You can probably guess what I would say if she were not in the room."
This interview with Houdini appeared in The Washington Times Newspaper, on Sunday January 7th, 1906. It is interesting to note that this particular escape often gets forgotten because on January 6th, 1906, Houdini escaped from the Jail Cell of the assassin on President Garfield at the Old D.C. Jail.
Let's look at some additional details of this New Years Day escape at the 10th Precinct. The chief of
D.C. Police Chief Richard Sylvester (Library of Congress)
Police in Washington D.C. Major Richard Sylvester had his office there so he was probably the one pulling the strings at this event. The lieutenant of the police precinct was Lieut. H. B. Elliot. The Lieutenant would later claim to have found a 'needle' in the jail cell that was not there prior to Houdini's escape, hinting that perhaps this had something to do with his escape.
A couple sources mention that Houdini was locked into an 'invisible bracelet' used by the Secret Service, but I do not know what type of restraint this was. In the book, Houdini, Tarzan and The Perfect Man by John Kasson, he mentions the invisible bracelet and also gives more detail of the Jail Cell. Houdini was locked in cell number 3. "Then the police shut the heavy barred door with a bar lock that is first set to lock three times. A lever throws another lock, and a Yale padlock completes the quintet of locks. A wire network around the padlock prevents a hand from being thrust from inside the cell."Yet despite all of these conditions and being treated like a common criminal, Houdini succeeded in escaping in 18 minutes, his 62nd Jail escape.
I originally wrote about this event on this blog in an article I did on Houdini's D.C. Challenges. At the time I thought that the 10th Precinct had been torn down. But I recently discovered that it is still very much in existence so I posted a photo. Perhaps one day, I'll see if they will allow me to take a photo of Jail Cell #3.
Here's an interesting picture I found through the Library of Congress. It's an image from the opening pages of the bible that was owned by Houdini's father, Dr. Mayer Samuel Weiss. Houdini has his bookplate on the far left hand side, and I believe the hand writing in the book is probably Houdini's as well.
But the most interesting thing to me is the actual business card belonging to his father which has been inserted into the book. The address 227 E 75th Street NYC NY is shown below. However, the building they lived in is long gone and today the place where their home was is a group a tennis and recreational courts.
If you'd like to read a more extensive blog on Houdini's Father, you must go to the HoudiniFile
Grace Hospital Detroit (Library of Congress photo)
With the recent controversy and chatter over the History Channels DECODED Episode regarding HOW Houdini Died, I thought I'd go in a slightly different direction and follow his body after his passing. We know Houdini died on October 31, 1926 in Detroit Michigan. What follows is a description of the events following his death right up until his burial. There are photos of the various places his body stopped along the way and the article concludes with the short 20 second recording of the Houdini Funeral.
DETROIT Oct 31, 1926
Wm. R. Hamilton Funeral Home
He died at 1:26 p.m. in Room 401 at Grace Hospital in Detroit. From there his body would have gone to the hospital morgue and then to Wm. R. Hamilton's Funeral Home on 3957 Cass St. The photo here shows the white house which was the original building for the funeral home and is where Houdini's body would have been. There is a larger brick building connected to it on the left but this was not completed until the 1930s. This is where Houdini was embalmed by John Fraser, one of the employees at the funeral home.
While this was happening the Houdini Show and all it's props and equipment were being crated and shipped back to NY. However, oddly, one piece did not make the trip. It was a bronze coffin with a glass lid which Houdini had intended to use for a buried alive stunt during the 1926-27 Tour. After the embalming at Wm.R. Hamilton's Funeral Home his body was put into this coffin and then into the crate for the coffin. Houdini's body now fully crated was taken by truck to the Michigan Central Station. An extra Pullman Car had to be added to the train for Houdini's casket and for his family to travel back home.
ARRIVAL IN NY Newspaper accounts of the time report the body leaving Detroit on the 1st to arrive on the 2nd in the morning at Grand Central Station in NYC. In the photo (left), you can see the crate containing the casket with Houdini's body. One thing I never noticed before was the fellow standing on the far left hand side with his hat in his hand. That is Servais LeRoy, the illusionist and friend of Houdini. In fact, hundreds of people were at the station to see the casket arrive. Houdini had been the President of the Society of American Magicians as well as one of the most famous and beloved entertainers in the world, his death came as a shock to everyone.
Location of West End Funeral Home W 91st
Upon arrival at Grand Central Station, the casket was taken by Samuel Rothschild to his West End Funeral Chapel, 200 West 91st Street. The casket was to remain in state at the funeral parlor until November 4th. There had been talk of having the casket lie in state at the Hippodrome Theatre but this did not happen.
A letter Houdini had written several years before was discovered outlining the details of his funeral and they followed his instructions. Per Houdini's wishes the funeral would take place at the Elks Clubhouse Lodge No.1 in NYC. According to news reports, thousands of people came by to pay their respects at the funeral parlor. By the way, the photo to the above/right shows the location of the West End Funeral Chapel, but today it is the Plaza Jewish Community Chapel.
NOVEMBER 4TH
On the morning of November 4th, 1926, the casket made it's second to last stop, this time the Elks Clubhouse on West 43rd near Broadway. It took three cars to move all the flowers from the funeral parlor to the Elks Clubhouse. Houdini would have been proud as the room was packed for his funeral. Close to two thousand people showed up for the service.
The service began at 10:30 a.m. and was officiated by Rabbi Bernard Drachman and Rabbi B.A. Tintner. Eulogies and remembrances were given by numerous fraternal groups, magicians and others in the theatrical community. The very first Broken Wand Ceremony was conducted by a member of the Society of American Magicians. This is where a magician breaks a wand to signify that the magic of the deceased individual has ended. It's a great ceremony, but I'm actually not sure how fitting it was for Houdini as his magic kinda continued on, even till today.
Kenneth Silverman's book HOUDINI!!! says that Bess held up well until the casket was sealed at which point she broke down in tears. Incidentally, the casket that Houdini's body traveled in from Detroit to NYC was actually a bronze casket liner. It was placed inside a larger casket and the entire thing hermetically sealed before it was carried out to the hearse. Houdini's male assistants acted as the pallbearers, with some very notable individuals being listed as honorary pallbearers; Martin Beck, his former manager and theatrical impresario, Bernard Gimbel, one of the originators of the Gimbels Dept. Store, William Morris, of the famed entertainment agency, and Adolph Zucker, a film mogul who started Famous Players Film Company which eventually became Paramount Pictures. These were just a few of the high profile names listed as honorary pallbearers.
As the casket was carried to the hearse, the mourners could see for the first time that the streets were jammed with 2,000 spectators who had all come out to say their last goodbye to the master of mystery.
Houdini Funeral Procession
According to The Secret Life of Houdini, the funeral procession to Macapelah Cemetery contained twenty five vehicles. How long it took to travel from the Elks Clubhouse to the cemetery, I do not know. Silverman's book HOUDINI!!! says that the funeral procession was scheduled to drive through the theatrical district before heading to the cemetery.
Finally at the cemetery, the two rabbis were present at the grave site as well as Houdini's family and widow Bess and one hundred+ mourners. Houdini made it clear in his final burial instructions that he was to be placed next to his mother. After the final words and prayers were given by the rabbis, the casket was lowered into the ground. According to the Silverman biography, Theo Weiss, Harry's brother tossed a flower onto the lowering casket and as if my magic a shower of flowers were tossed by the grieving graveside friends. This can be seen on the longer 1 minute plus footage of the Houdini Funeral, but I've only seen the shorter video (below).
Below is a short 20 second video of footage from the Houdini Funeral. It's obviously second or third generation because of the poor quality.
Back in March 2011, I wrote a little article on this blog about Jessy Lasky's connection to magic. I stumbled upon his connection by accident. I knew that Lasky had something to do with Houdini's movies and looking further into it the name Herrmann popped up. So the research began.
I found that some of the resources mention Herrmann the Great, but the time period didn't make sense to me because Herrmann the Great died in 1896. So that is how I figured out it was Leon Herrmann. There were also a number of additional newspaper articles I found through the Library of Congress, but I didn't keep track of that info as best as I should have. Still, looking over the above resources, everything I found can be found above.
James Hamilton had asked me in April 2013 where I found the info, while at the Magic Collectors Conference in Washington D.C.. I mentioned that I discovered it all online, but obviously didn't have the source info handy. Let me state for the record, James Hamilton is THE LEADING SOURCE of Information and Knowledge on the HERRMANN FAMILY today! No question about it. In fact, James and I talked about Herrmann for almost an hour and it was one of the most fascinating conversations I've ever had, one of the highlights of the weekend for me.
James also, apparently uncovered much of the Herrmann/Lasky connection a few years previous and spoke on it at a Magic History Conference in 2010. Unfortunately for me, I never heard his talk or was aware of it. Anything I found was discovered without the knowledge of James's research. But make no mistake, James is the authority on Herrmann. I seriously doubt I would ever uncover anything that James Hamilton was not already aware of. I have the utmost respect for his knowledge, and I'm posting these resources here just to show where I got my information.
I have been searching for a long time for a photo of Chase's Vaudeville house. A fellow historian told me it was actually Keith's Theater, but he was slightly incorrect. Chase's began on Pennsylvania Avenue and later moved to 15th and G Street. Later, B.F. Keith's bought that location. But the original was on Pennsylvania Avenue, in view of the Capital Building.
In 1906 Houdini played Chase's Theater. In fact, I wrote all about it in 2014.But I never knew what it looked like until now. I recently discovered a photo that includes Chase's theater. And just by coincidence it contains a whole lot more related to magic as well. I'm going to share them all with you.
First, Chase's Polite Vaudeville Theater, it was located at 1424 Pennsylvania Avenue NW. In the photo above, Chase's is on the right hand side #3. Here is a close up of the theater. Houdini was there from September 16th to September 29, 1906. He was heavy into his Challenge Act Days, and each day provided a new and exciting challenge for DC audiences to enjoy. I will have more on Houdini in DC in an upcoming future project. But for now I want you to see, the outside and possibly the inside.
The reason I say possibly the inside is, this location really doesn't look big enough for the auditorium for which I have a photo. Looks can be deceiving and the building may be much larger than the facade out front, which was not uncommon with theaters. But there are two things that make me think this like was in fact the right place. One, it says 'Chases Theater' at the bottom of the picture, though this could be the second location. But the other thing is that Chases was originally the Grand Opera House and this auditorium sure looks like it should be an Opera House!
That's not the end of the story. If you move left on the upper most photo you see a tall building marked with a red #2. This was the Post Office Pavillion. Built in 1892, it was originally Barton & Logan's Dime Museum. This was pre-vaudeville. In 1880, Imro Fox, the magician who would later be one of the Bosco's in LeRoy Talma And Bosco, worked at Bartons. He was working as a chef at a local hotel about a block away. The manager of the Dime Museum had hired a magician who was showing up drunk and then not showing up at all. Word reached him that there was a chef who was an amateur magician. He approached Imro Fox, the chef, who at first said no. Then he offered to pay him $50 and he said yes. Fifty dollars in 1880 had to be like crazy money.
Back to the photo at the top of the page. The red #4 is the Nation's Capital, where in 1902, a 29 year old Max Malini, bit the button off the coat on Senator Mark Hanna on the steps of the Capital, and then immediately restored it. Word reached the White House and the next day, Malini was performing for President Teddy Roosevelt!
However, there is another incident. In 1926, Houdini testified before Congress, twice, about an Anti-Spiritualism bill, which was actually an Anti-Fortune Telling Bill. I covered those exploits on this blog and also on two episodes of my podcast, one which has yet to air.
Finally, we get down to the last red number, #1. It is obscured by the trees, but it is iconic to both the magic world and DC residents. It would be the future location of Al's Magic Shop, run by Al Cohen and his son. Originally it was a gift shop that he and his father ran. Slowly, Al started adding magic tricks to the items sold and eventually the magic took over.
In 1980, Al got word that the area was going to be redeveloped and his building would be torn down. So he moved the shop. Al would move the shop from 1205 Pennsylvania Ave NW to a couple different locations, eventually ending up on Vermont Avenue, which is only a few blocks from this location.
Al's served as the go to place in the DC areas for magicians to gather and buy tricks and meet up. I remember bumping into David Williamson there once, and the Amazing Randi, and even Patch Adams. But the most ironic part of all this to me, and I didn't realize it until today. Long after the shop had been torn down, my good friend Ralph and I went down to a festival in DC that was on Pennsylvania Avenue. We went down there busking and if I might add, made quite a bit of money. Fortunately we didn't get thrown out, at least not at that one. But the spot we set up at, was the exact spot of the old Al's Magic Shop! I never realized it before, but looking over the old photo and checking locations, sure enough we stood in front of Al's location. Wild.
And I'll leave you with a bonus. Houdini was at Chase's earlier in 1906 too. Again, I'll have more on all that soon. But here is a newspaper article from his January appearance! This is from The Washington Star Newspaper, January 2nd, 1906.
Ask someone who the 'most famous magician' is or was, and you're likely to hear: Houdini, David Copperfield, David Blaine, and maybe even Merlin, if the person is trying to be clever. Certainly all of these individuals are famous and certainly all rank high. But the most famous magician is one you've likely all heard of and yet never heard of. What? Read on.
His name was William Vincent. Surely, you know who I'm talking about now. No? Well, he did not go by his real name. Like many magicians, (myself included), he went by a stage name. And his stage name became so iconic, that even small children today know it. He was known as Hocus Pocus. That's right, the phrase that so many people think of as 'magic words', was actually a magician.
During the reign of King James of England (1603-1625), Vincent was known as "The King's Most Excellent Hocus Pocus." He was a juggler, an artist in legerdermaine. His tricks included the Cups and Balls and the cut and restored 'tape' trick, among others. Vincent began his career in 1619 after receiving a licence 'to exercise the art of Legerdemaine in any Townes within the Relme of England and Ireland.'
A book titled, Hocus Pocus Jr. was published in 1634. A short book of 50+ pages, it contains a wealth of knowledge on how to present the Cups and balls and many other wonderful tricks popular during the 17th Century.
The new book, The Secret History of Magic by Peter Lamont
and Jim Steinmeyer says that Vincent is the author of the book, Hocus
Pocus Jr.. Other sources list the author as anonymous, and still other
sources say 'it could possibly have been William Vincent'.
Many editions of Hocus Pocus Jr. were printed after the original, and apparently each new edition contained new material. Houdini's copy resides in the Library of Congress and is available to view or download as a .pdf. Here is the link.
William Vincent died a few years after the publication of Hocus Pocus Jr.. according to the website www.hocuspocusjr.com (the actual site is long gone, but you can see the original in the Internet Archive site)
There is a new book out this October on Houdini, it's called Lincoln's Ghost by Brad Ricca. It has a picture of Houdini shaking hands with a shadowed figure, presumably Abe Lincoln. In truth, the photo was originally Houdini and Conan Doyle shaking hands. But I digress. One thing I noticed about this book was it was awfully familiar. Almost as if I had read it before. And the truth is, I did. I've gone down those paths that the author did to write the book. He did a lot of research I shall say. Sorry he didnt' choose this blog among his sources, but oh well.
Let's get to the book. I really enjoyed the book. I enjoyed reliving the interactions of Houdini and members of Congress. My initial research on this gave me the distinct impression that most of the Congressmen had no idea who Houdini was. And many took what he had to say rather lightly. Ricca does a fine job of sharing this story with the reader.
I will admit for many years, the Spiritualism or Anti-Spiritualist part of Houdini's life was the least interesting to me. But now that I have lost friends and family members, it seems that this part of his life is actually incredibly fascinating. I like how Brad weaves the various stories together into one cohesive narrative.
The introduction of Houdini's boyhood idol LINCOLN is quite good. We forget that Lincoln died only 9 years before Houdini was born, so it makes perfect sense that such a man would be an inspiration for the great magician.
I did have my qualms with the book, in one part the author refers to the mediums as right-wingers. Though they were religious in nature, it's not an accurate description. Most main stream religions did not agree with Spiritualism, it was very much a fringe belief. And there clearly were Democrats and Republicans in this time period, but it's hard to say there were left wing and right wing groups. There were certainly anarchists and progressives, but those affiliations were not the same as today. I wouldn't' label the mediums by today's political standards, other than to say they were mostly crooks, which was Houdini's belief as well.
An interesting point is the contention that there were mediums alive in Houdini's day who actually performed Seances at the White House during Lincoln's term in office. A book by Nettie Maynard is referenced as the source for this information. Ms. Maynard allegedly being the medium for the Lincoln's. This is highly interesting to me and something I wish to look into further. I do not know if Lincoln himself was into such things, but there is no question that Mrs. Lincoln was a firm believer in seances and mediums.
As I mentioned earlier, I enjoyed the book. I won't nitpick it apart because overall the story is quite fascinating. As a Houdini historian, it's much easier for me to point out what I think are errors or misinterpretations. But the average reader is not interested in this, rather they want a good story and this comes across as a well researched and fascinating story about two of histories most iconic individuals.
The book is published by St. Martin's Press. It is available through Amazon.com, BooksAMillion and all the places fine books are sold. Get your copy today!!!!
Today marks the 106th Anniversary of the Passing of the Mantle of Magic
from Harry Kellar to Howard Thurston at the Fords Theatre in Baltimore
MD. May 16, 1908 in Howard Thurston's own words,
"Before the
final curtain had fallen Kellar led me to the foot- lights and in a most
touching speech briefly mentioned his own career of forty-five years as
a public entertainer, and finished with a generous and affectionate
prediction of my future. Kellar had played Ford's Opera House for many
years. He handed his
arm around my shoulders, while the orchestra played 'Auld Lang Syne'.
As the ushers carried many floral offerings to the stage, the audience
sang with the music. Finally, the musicians stood, then the entire
audience was on its feet repeating the refrain. Leaning heavily on my
shoulder as the curtain dropped for the last time, Kellar cried—so did
I."
What was the Mantle of Magic? Essentially, it was nothing more than a business transaction between Kellar and Thurston. But that is too boring, so they put a theatrical spin to the whole affair and created this idea of passing Kellar's Mantle onto Thurston. For the 1907-08 Season, Kellar and Thurston toured the U.S. together. All of the posters for the tour featured an image of Kellar's face in the upper corner and Thurston's face in the opposite corner. The final poster above, was the only one with a full sized image of both Thurston and Kellar, that I'm aware of.
I'm not sure how long Thurston continued using the Kellar endorsement after that iconic event. But it's clear he did continue to use "Kellar's Successor" for some time.
Library of Congress Image
Today, all parties associated with the event are long gone. Thurston and Kellar have low since passed away. Even the Ford's Theatre in Baltimore is gone. But we have the posters, playbills and history to look back upon and fondly remember an important event in the annals of magic.
"Exposing the Weird Secrets of Mediums and Spirits"; so read the headline for a series of newspaper articles by Rose Mackenberg. Back when Houdini was busy making spiritualists all over the globe very unhappy people, he discovered he couldn't do all the work alone. So he had his own agents and one of them was Rose Mackenberg. If the accompanying photos are any indication she was a master of disguise!
Rose would dress up as some character to attend seances, attend spiritualist meetings, and generally investigate and typically detect and reveal fraud. Though he job was to find the fakers, she still kept an open mind about communication with the dead. She said she never experienced it herself but if it was possible she hoped she would get to see it first hand.
She often used the alias Florence B. Rush and was also known as the infamous Rev. Frances Raud (fraud).
When Houdini was before Congress testifying about a proposed anti fortune telling bill "to ban people from pretending to tell fortunes for reward or compensation or pretending to unite the separated" as the The Secret Life of Houdini by William Kalush puts it. Rose was there also with Houdini to testify about a number of mediums she had visited in Washington D.C.. And Rose had a bombshell to deliver. I doubt anyone was expecting it. She revealed that Congressman and Senators regularly attended seances and one congressman's wife was a medium. Not only that, she revealed that seances had been held at the White House! Her testimony rocked Washington to it's core. The White House was not the least bit happy and issued an immediate denial of the accusation. In the end, it didn't matter, as the bill never got off the floor.
She continued working as Houdini's chief Detective right up until the time of Houdini's death. In fact, Rose Mackenberg was in Montreal participating in the lectures that Houdini gave at McGill University. So she was with him right till the end. Rose was not the only person on the team, Julia Sawyer who was an assistant in the show, also worked as one of the debunking agents. Jane Chapman was another, who Sidney Radner had interviewed about her debunking exploits. The filmed footage of the interview appeared on the Houdini Documentary put out by Unapix Productions. There were possibly a dozen people that Houdini employed in his team to defeat the spiritualist fakers.
After Houdini passed away, Rose retired from her Spirit detective work, but she continued exposing mediums through lectures she gave on the subject. "Exposing the Weird Secrets of Mediums and Spirits" was the title of a ten part syndicated newspaper article she wrote in 1929 that appeared in newspapers across the U.S.. In it she gives her thoughts on the Arthur Ford Seance and spends a great deal of time exposing the fraudulent methods of fake mediums. The photos here are from that article.
Today is Easter Monday and it's also the day for the Annual White House Easter Egg Roll. This has been an annual tradition here in D.C. since President Rutherford B. Hayes began it back in 1878. The Easter Egg Roll used to take place on the lawn of the Capital building, but the lawn was getting damaged with so many people attending the event that Congress passed a law forbidding such activities.
Mac King
In 1878, President Hayes opened the White House lawn to the event and it has grown and grown ever since. Many famous and not so famous magicians have appeared at the event. Back in the 1930s Howard Thurston appeared at the White House Easter Egg Roll and performed his famous routine with Eggs from a Hat with Two Children. Washington D.C.'s own Al Cohen from Al's Magic Shop has performed at the White House Easter Egg Roll. So have David Williamson, Silly Billy, the entire case of the Le Grand David Spectacular Magic Company from Beverly Mass, Doug Henning, Harry Blackstone Jr., Steve Wyrick, Wayne Alan, Trixie Bond, Ralph The Great, Dean Carnegie, Dave Risley, Mac King, Ken Scott, Mark Daniel, Ray Goulet, Mike Bent (who is there right now by the way), Emanuel Shabum, The Pro Kids Show performers, Adam Ace, James Wand, and many many others from all over the WORLD! I have to admit, I'm not sure if Houdini ever appeared at the event. He certainly had been invited to the White House on numerous occasions but whether or not he ever appeared at the White House Easter Egg Roll is a mystery.
Dean Carnegie
Of course they don't just have magicians, they typically have famous celebrities and actors and singers in attendance. The singers, like Miley Cyrus and the Jonas Brothers perform on the main stage. In 2011 Colbie Caillat and Willow Smith were among the featured acts.
The actors and other performers often read stories to the kids at various 'reading stations' throughout the grounds. Among the actors and celebrities appearing at the event in 2011 are Kelly Rippa, John Lithgow and Geena Davis.
Ken Scott
The only downer to the entire event is weather, which you can never predict. One year I sat in a Van with two friends waiting for the rain to stop and hoping we'd be able to perform. They canceled the event after an hour of constant rain and we drove home without ever having gotten wet. Other years we performed on both the White House lawn and on the Ellipse which is the area in front of the gated lawn between the White House and Constitution Avenue. I think that was the year we did 8 performances going back and forth between the two stages. That was also the year I presented Thurston's Eggs From Hat with a Boy and Girl, I'm sure I'm not the first magician since Thurston to have that idea.
Ralph the Great
For several years in a row they actually put up a 'Magic Stage' for all the magic acts to perform on. This was due to the effort of Ralph Meztler, known professionally as Ralph the Great. The Magic Stage had the benefit of being the stage closest to the White House which was nice and also closest to the actual Egg contests. The main stage was further down the lawn and though not as close, the area in front of the stage could hold thousands of people watching the shows.
All in all it's usually a very fun day as long as the weather holds. My best wishes to the magical performers who are out there today!
*I originally posted this in April of 2011. But wanted to repost it because the Easter Egg Roll is this Monday.
Long before Houdini was The Handcuff King, he was The King of Cards. No doubt a moniker that he gave himself, rather than one which was awarded him. But it has always made me wonder, what was IN this card act of his? So I decided to try and delve into what Houdini might have done in this act. After extensive research, the last book I looked at was Pat Culliton's HOUDINI: The Key. This book has a rather large section on Houdini's card work, and also has a lot of the references I dug up on my own. Had I been home at the time, his book would have been my first book to check. I would encourage you to check out Pat's book, as he describes many of the 'moves' or sleights in detail, that I am going mention, but glance over. Pat did an incredible job describing the card work of Houdini, but I still have material to add!
Let me start by saying I believe Houdini falls into the category of card manipulator rather than what we think of today as a cardician. HOUDINI's Fabulous Magic by Walter Gibson, confirmed my suspicion of Houdini's card act. Here is an excerpt, "Being a showman, he aimed for the spectacular in his card work, so while he was well versed in more subtle sleights, he stressed card flourishes in his public performances." It's very clear by viewing existing video of Houdini presenting card flourishes that the man had skills! There are some moves he was known to do that seem impossible today, this to me is thrilling!
Let's begin with Houdini's King of Cards Poster. This poster was made in 1895, and was produced by the National Printing and Engraving Company of Chicago. Though it has been reproduced numerous times by different sources, I had heard the original is fairly scarce.
In the upper left hand corner we see Houdini executing a technique called 'Ribbon Spreading on the Arm'. The effect of the flourish is this, cards are spread over the forearm, which is held in a horizontal position. The cards go from the bend of the arm right to the fingers. By bending the fingers, you can cause the cards to all turn over. The effect can end there, or the magician can use the other hand to push the cards forward and remove them from the arm. Or in a more grandiose move the magician can jerk for the forearm upwards slightly causing the entire spread of cards to come off the arm slightly, then in rapid succession, the opposite hand pushed the 'floating spread' back together and catches all the cards in one hand, all while the cards are 'in the air'. It looks more impressive than it reads. On the poster, Houdini is doing the move with both arms at the same time. Is this possible? Pat Culliton in his book HOUDINI: The Key, has the likely solution to the image and that was that Houdini had an assistant who could spread the cards on the other arm before Houdini began his manipulations. However, I would not put it past Houdini to be able to accomplish this on his own. Houdini had one other twist with the 'spreading on the arm move'. This fortunately has been captured on video for posterity, he would spread the cards on the back of the arm, and then with an upward jerk cause the cards to rise above his arm slightly, about two inches or so. He would then rotate his forearm to the other side and recatch the cards on his arm.
There is a move related to the 'Spreading of Cards on the Arm' and that is when you take one or two or three packs of cards and place them on the arm and catch them in succession, one after the other, after having thrown them into the air. The fact that Houdini presented this feat was revealed in Magic Without Apparatus by Camille Gaultier.
Next, the lower right hand image on the poster has Houdini doing fancy one handed cuts, one in each hand. The one handed cuts that Houdini demonstrates may just be his own creation. There are numerous one handed cuts like the Charlier Pass and the One Handed Swing Cut, and today with the explosion of 'Card Artistry' I would imagine there may be a hundred different ways to cut cards in one hand. But the Houdini method seems to be his own. If anyone has information to the contrary, please let me know and I will gladly correct this part.
An interesting point about the original photograph that this illustration was made from is that the words 'King of Cards' are written right below his hands. I should also point out, that Houdini is doing these cuts at the same time in both hands! That is impressive!
This took place in 1895, so no doubt he had a couple years of hard work and dedication put into learning these difficult flourishes. In the period between 1896-1897, when
Harry and Bess were doing just about anything to stay in show business, Houdini actually performed an entire act as CARDO-King of Cards. This
came as a surprise to me when I first read it. But I must have seen it in print
numerous times in the past and it never sunk in. 'CARDO' is mentioned
in the Silverman biography, in the Kalush biography, in the Randi/Sugar biography and also in Masters
of Mystery, page 40.
The original source of the Cardo reference comes from a letter from Bess
to Sir Arthur Conan Doyle dates December 16, 1926. This document is
housed in the Harry Ransom Center. But there is an even earlier reference to CARDO which comes from the Kellock biography, that has Erich Weiss using the name at 15 years of age, before he was HOUDINI.
HOUDINI's Fabulous Magic tips another exciting flourish from Houdini's card act and that was his Card Scaling or Boomerang Card routine. He had two versions that he could present and both are quite impressive. Both involved tossing/spinning a high into the air and having it return like a boomarang. In one version the card would return to the deck. Walter Gibson points out in Houdini's version, he would open the cards like a one handed as the spinning card returned to the deck! But I think I like the other version better. Houdini would scale the card in the air as before, but upon return he would pick up a large pair of scissors and cut the returning card in half. This very effect was presented by Ricky Jay in his show Ricky Jay and His 52 Assistants.
The next flourish from Houdini's act is his 'Back and Front Palm routine'. For a long time I had heard this move was credited to Dr. James Elliott. Knowing Houdini wrote the book Elliott's Last Legacy, I decided to check that book out to see what interesting tidbits might be found within. Houdini states that both he and Dr. Elliott both learned the move from magic dealer Otto Maurer. He also reveals in the introduction to the book that his dime museum work is where he passed his 'college of experience' and would often have a deck of cards in his hands from 10am to 10pm. He would present 9 to 14 shows in a day, but during Christmas and New Years, actually gave 44 shows, each lasting only ten minutes each. Among that ten minutes was his routine with the 'front and back palm'.
Houdini claimed that his ability to do the 'forward and back palm' with 32 cards is what gained him the title of 'King of Cards'. He also apparently at some time claimed to have originated it, but again, he himself revealed that he learned it from Otto Maurer in the 1890s. But by 1899, it appears Houdini was done with the move. In fact, for the time he was done with cards altogether. In the December 24th, 1899 edition of The Cincinnati Enquirer there is a large illustration titled, "Houdini's Card Trick Exposed". And it was Houdini himself who posed for the photos that were used to do the exposure! (Thanks to both Pat Culliton and Chuck Romano for finding this article). Oh, why would Houdini expose this trick you ask? Earlier in the year, Houdini would meet Martin Beck who would tell Houdini he could book him into the Orpheum circuit if he would drop the magic and just do the escapes and the Metamorphosis. So by Dec 1899, Houdini had no need for cards. Though, he would bring them back in 1925.
More proof Houdini was done with cards, is this expose on Card Cheating by Houdini, that appeared in another newspaper. In this article Houdini is called 'the noted Austrian sleight of hand artist'. This is from the Akron Daily Democrat, July 8, 1899.
I'd like to stick with the material that Houdini used in his stage Card Act. However, given that there are a number of references to Houdini's card work (close-up style) in other books, I want to include those here also.
On page 94 of The Art of Magic by T. Nelson Downs, he describes Houdini's Torn Card Trick. This trick also appears in Magic Without Apparatus by Camille Gaultier. In addition, the latter book also contains Houdini's Pass. There is also reference to Houdini's Flourish Routine. However, despite my best efforts I can't actually find anything in the text that says 'Houdini's Flourish Routine'. I have the digital edition of the book and it links to the page with the Ribbon Spread On the Arm. This is clearly 'part' of Houdini's Flourish Act, but not the entire thing.
One Houdini Flourish that Gaultier does mention is really out of this world. It's the Springing of Cards, but done with one hand rather than two. I'm having a hard time imagining such a thing. In HOUDINI The Key, there is a slow motion image of Leslie P. Guest demonstrating the One Handed Spring. There were people who witnessed Houdini doing it. So it must be a real thing!
In Elliott's Last Legacy by Houdini, he again includes his Houdini Pass. But you'll also find two other sleights by Houdini. One of them is his take on the Top Change and the other is a clever Color Change which might possibly have been included in his manipulation act.
In HOUDINI The Key, Pat Culliton describes Houdini's Self-Extracating Card as well as a Card Stabbing routine that first appeared in the October 7th, 1899 edition of The Denver Times.
Pat also mentions that 'Houdini took delight in performing the Card on the Ceiling.'
Finally, in the Sphinx May 1909 there is an article by Dr. James Elliott on The Frazier Card Pass. It is Elliott's belief that the Houdini Card Pass is the same as the Frazier Card Pass.
Getting back now to Houdini's King of Cards Act, I did find a very cool reference to Houdini's Giant Card Star on page 152 of Houdini's Fabulous Magic by Walter Gibson. Gibson describes the Houdini Giant Card Star and why it was so amazing, as opposed to the standard Card Star which had fallen out of favor in the 1880s.
In the Houdini Giant Card Star, Houdini would show a jumbo deck of cards and then several cards were named by members of the audience. The Card Star was then hung by ribbons on the stage. Then Houdini would throw the jumbo cards at the card star and the 5 selected cards would instantly appear on the five points of the star. Why is this different from the standard card star? The introduction of the Jumbo Cards which were 4 times as big as a regular deck of cards. When they appeared on the five points of the star they were so large it was impossible to figure out where they came from. From what Walter Gibson had to say, this trick even fooled the magicians of the day. On page 155, there is a photo of Douglas Geoffrey (Hardeen Jr) holding Houdini's Card Star. And truthfully, if you know how the standard Card Star works, the image of the Houdini version seems impossible.
The image of Houdini to the left shows Houdini holding jumbo cards as well as regular cards. This is a promotional shot for the 3-1 Show, Houdini's big show that he would take out in 1925-26. It seems very possible that the Houdini Giant Card Star would make a unique conclusion to the Houdini King of Cards Act. The booklet Programmes of Famous Magicians by Max Holden seems to prove that Houdini concluded his card portion with the Card Star. Was there more to the act? Possibly, but I have not yet uncovered anything else. For now, enjoy the short video of a 52 year old Houdini presenting Card Flourishes. The history of the video is covered expertly over at WildAboutHoudini.com
Incidentally, my interest in this subject began when I read about a card routine Houdini had in his notes called Half in Half. The routine appears in Houdini's Magic by Walter Gibson. The routine is an unusual card to pocket sort of routine, and after having tried it out on a live audience, I can attest to it's strength. After this, I wanted to see what else Houdini did in the cards department and that is when I realized I didn't really know what his 'King of Cards' act consisted of.
My conclusion is this:
Houdini King of Cards Act
Various One Handed Cuts/both hands Spreading the Cards on the Arms and Catching Front and Back Palm Manipulations Springing the Cards With both Hands, Springing The Cards One With One Hand, The Waterfall Card Scaling/Boomarang Card The Giant Card Star
Back in 2014 I wrote an article about Houdini's 1906 jail escape in Washington DC from the 10th precinct. When I first wrote the article I thought that the jail had been torn down. Later I discovered that in fact, that jail actually was still there and still operational. I finished the article by saying, "Maybe someday I'll head over there and check out to see if Houdini's cell is still there."
As it turned out, last year I received an email from a friend of mine who lives near there. He told me he was planning on going over and check the place out. But then I didn't hear from him. I figured maybe he never made it over. But alas, I ran into him at The Yankee Gathering in November 2016. The mans name is Charles Greene, and he is an excellent magician, speaker and magic historian/collector, and also owner of this site http://magicpostergallery.com/MagicPosterGallery/MagicPosterGallery.com.html
It turns out that Charles DID visit the 10th Precinct Station and went inside inquiring about a 'Houdini's jail cell'. The cell, was originally in the basement and Charles was told that they'd been removed a long while ago. Still he pressed on and asked to see for himself. Sure enough, there was nothing remaining. The building was still standing but the cell where Houdini did his escape was gone. And thanks to Charles, at least now we know!
Now please don't mistake this for Houdini's other, and more famous jail escape in DC from the Old DC Jail. That would be where Houdini escaped from the cell that once held the assassin to president Garfield. That escape would take place only 5 days later, on Jan 6th, 1906. Below are two views of the prison that may be new to many people. They come from the Library of Congress/Harris&Ewing Collection.
This Old D.C. Jail was torn down in the early 80s. However, as an interesting side now, the stones used in the building were from the same quarry that supplies stones for the Smithsonian Castle. So some of the jail stones were taken to the Smithsonian to use in repairs of the Castle.
I didn't realize it until just last night, but you can actually set up your podcasts by a playlist, just like you can with music players. With that in mind, here is a sample playlist with all the episodes featuring Houdini. In truth, I could have included a couple other episodes that he is also featured in, but these currently make up the core of the Houdini episodes. And I'm taking it one step further. I'm embedding the episodes in the following order so you can listen to them from right here!
BTW: the additional episodes where Houdini is mentioned include the Samri Baldwin Episode, The T.Nelson Downs Episode & the Raymond Episode. I did not put them on the playlist.
HOUDINI
ep 5 Early Years
ep 32 Martin Beck
ep 01 The section on Houdini’t trip to Germany 1900
ep 03 The section on Queen Victoria’s Dress
ep 35 Milk Can
ep 10 Harry Kellar
ep 34 Protege
ep 33 Evanion
ep 26 Minerva
ep 22 Anna Eva Fay
ep 50 Men Who Fooled Houdini
ep 46 Radio Illusion
ep 7 Houdini & Congress
ep 36 His Own Words
ep 6 Final Days
Just the Portion on Houdini's Trip to Germany 1900...starts at 13:35 into the podcast
Just the Portion on Queen Victoria's Dress.....begins at 21:30 into the podcast
