Monday, April 29, 2019

The Magical & Musical Litzka Raymond Gibson


The woman who was known as LITZKA was born Pearl Beatrice Gonser, in Mt. Carmel Penn on January 11th 1901. Pearl’s mother taught voice and music and she instructed her daughter in these disciplines. Pearl also took up the harp at a young age and became quite accomplished ‘harpiste’. 

In regards to her music background, she was a graduate of the Royal Conservatory of Music in Brussels, and she was the featured soloist with the Boston Symphony and the London Symphony. As a featured Harpiste, she chose the name LITZKA as her stage name. Some sources have tried to say she was born with the name Pearllitzka, or ‘Little Pearl’. But census records show her listed as simply PEARL. 

The story Litza told later in life ‘was that when she was 8 years old she saw the Great Raymond perform. She then told her mother she was going to marry him some day. And sure enough in 1927 she did! Litzka became part of the Raymond Show, playing the Harp and later helping with the illusions. She was the ‘sawing in half girl’ and also presented Raymond’s version of the Substiution Trunk which he called ‘metempsychosis’.   

Litzka owned 5 different harps, one costing as much as $3000. She did numerous costume changes when she did her Harp act. She also had funny asides that she would throw in while she was playing various songs. The act was well structured for entertainment, but she was an exceptional harpist to boot. Litzka also began to do her own segment of magic in the Raymond show. It was a mix of asian inspired mysteries. She wore elaborate costumes and had her own unique presentations. Before long she added a trained rooster to the show. Her rooster would become more famous than her, he was called ‘China boy’ and was a bantam rooster. He did card tricks, as in finding lost playing cards. I would imagine that Liztka produced the rooster magically at the start of her act. So popular was China Boy, that he even had his own comic book, that the Raymonds used to promote and market Litzka’s act. And China Boy became a traveling companion for her as well. 

In the October 1981 issue of MUM magazine, Litzka relays a story of her days traveling with the Raymond Show. She said that they had arrived at the Port of Entry for Columbia South America. Litzka always took part in verifying the contents of trunks with the local authorities. She said that usually they only looked at 3 or 4 trunks and then would issue them the permits for their stay in the country. One of the things that they did to get in good with local authorities was to do a show in the Port City at the start of the tour. On this particular day, about half of the shows trunks had been loaded into cars and were on their way to the theatre. And that is when things get bad. A British freighter, The Tritonia” caught fire. The ship was loaded with petroleum, dynamite and other explosives. A quick aside, “who thought it was a good idea to keep these items all together on the same ship?”. Anyway, pandemonium insued. The entire crew of the Tritonia abandoned ship. The dock workers packed up, but not before leaving the other half of Raymond’s show ON the docks. It had been covered with tarps, but if this ship full of explosives was to, well, explode, it could wipe out everything on the docks, as well as local businesses and even the hotel near the dock. 

Please were evacuating the city. Even Raymond’s crew took off. He and Litzka stayed behind. 
There were updates about ‘when’ the explosion was expected to take place. And after the last update, someone realized that the Captains, pet cat was still on board the ship! The mayor of the town even went so far as to offer a reward to anyone who would be willing to go on the ship to retrieve the cat! And as crazy as it sounds, two German sailors accepted the offer and went on board the ship. No more than 5 minutes passed before the unthinkable happened. The ship exploded, with the sailors and the cat still onboard. 

The explosion was tremendous, towns people thought it was the end of the world. Parts of the ship were thrown into buildings all over the area. People hid for their lives. Litzka said she found herself hiding underneath the bed in her hotel room. Her husband, Maurice Raymond was downstairs enjoying the excitement with other hotel guests. 

Much damage was done to the area. Buildings had collaped, but some escape unharmed, like the local Theatre it was untouched. The trunks from the Raymond show that had made it to the theatre, were unharmed as well. So what was the status of the other half of the show that was left on the loading docks??? When Raymond and Litzka went to check, a crowd of people were surrounding that area. It turned out that laying upon the canvas tarps, covering the remaining trunks from their show, were the remains of the two german sailors. 
According to Litzka, the town was in no mood for a show, so they loaded the trunks from the docks and the trunks from the theatre into trucks, and continued on with their tour. When it came time to return a month or so later, that is when they arranged to do their show for the people of the Port City.  WOW, that is an incredible story!

Litzka performed in the Raymond show for 22 years until her husband died on Jan 27th, 1948.

Litza performed at a lot of magic conventions doing her act with the Harps and her Magic act with China Boy. At one point, Walter Gibson became her Manager. Eventually, Walter Gibson also became her second husband. And she be known as Litza Raymond Gibson. Or in reality, Pearl Beatrice Litza Raymond Gibson.


Another highlight of Litza’s career was when she became the featured performer for the Annual Fashion Show sponsored by Madamoiselle Magazine. Litzka created an entire show of magic and illusions around FASHION. She sawed models from the magazine in half, produced loads of livestock, birds, rabbits and of course China Boy. She had custom stage settings created for the event. Apparently this event was a traveling sort of show, with multiple different groups presenting shows. So Litzka had multiple sets and props created and shipped off to the various destiantions. From what I gather, she trained people to do some of the magic, but she would actually appear in person at some of the lagers of these shows. Her character for these shows was known as “Mademoiselle Magic”. 

Walter Gibson, her third husband, was known to be a prolific writer and soon, Litzka would join her husband by writing books as well. She wrote “The Mystic and Occult Arts” and “ the complete illustrated book of divination and prophecy”,  a book called “How to Read Palms” and later, “The Official Know it alls Guide to Palm Reading”. Some of these books are still in circulation today. 

Litzka sold the Raymond Show in 1994 to a group consisting of Mario Carrandi Jr. David Baldwin, Henry Muller and Sid Radner for $225,000.


Litzka Raymond Gibson died on May 11th, 1996, she was 95 years old.

Thursday, April 18, 2019

Bancroft Prince of Magicians


This poster above belonged to a magician named Frederick Bancroft. This poster is beautiful to be sure. And apparently it was also humongous. This was either a 28 sheet or 16 sheet poster. In other words, its a HUGE poster. I'm not even sure where you'd be able to hang such a poster. It clearly is for the side of a building. But how many buildings had free space for this monster? In 1925 this poster and another similar one were for sale at the price of 10 cents per sheet. It also came with a stand for an additional 50 cents. Imagine that.

Seeing this poster you might think that Bancroft was one of the greatest magicians to ever live. Well, let me tell you about Bancroft. His name was Frederick Bancroft.  He was born in 1866 in Winona Minnesota.  At a young age he saw Alexander Herrmann and decided he wanted to become a magician. Not only did he see Herrmann, but it appears he became a bit of a groupee following around from town to town for a period. Maybe he was more of a stalker! lol. 

Bancrofts first foray into magic was under the name DeCastro and it was a disaster. He was an enterprising individual who got into many different businesses.* He moved to St. Paul MN. where he married and had a child. He also speculated in real estate and sold insurance. He spent $30,000 or about $777,000 in today’s money. By all accounts he had purchased top of the line posters, top of the line brochures, top of the line draperies, scenery and even hand carved tables. Almost every mention I could find of Bancroft mentioned his elaborate and beautiful stage settings. What he didn’t spend the money on however were the latest magic effects.

In 1896 Bancroft set out on his own.  The magic in his show consisted of smaller platform style magic and it was very old, one article called it hackneyed. Other seasoned performers could take the same material and make it shine but Bancroft simply did not have the strong personality that Herrmann did. Alexander Herrmann had been performing since the days of the Civil War, and had coaching in the early days from his very popular brother Compars. Bancroft struggled. He had huge a 5 part show, with 3 parts devoted to smaller magic. 

Also in 1896, The Great Herrmann died. And Bancroft, being a smarter businessman than he was a magician, hired Herrmann’s agent, E.L  Bloom. Bloom helped to reshape the Bancroft Show, and I  included at least one illusion in this new version. Dr. A.M. Wilson in the Sphinx mentions that Bancroft was the inventor of The Lions Bride, using Black art. I’d never heard this before. But sure enough there is a poster of Bancrofts that advertises an illusion called LEONII, using an 'untamed lion' named Wallacker. So now Bancroft had a feature to his gigantic production!

E.L Bloom booked Bancroft into a theatre in Charleston, SC on Sept 26th, 1897. Bancroft came down with Typhoid Fever and died. Much like our friend Maro who was featured in Podcast Ep 11 he too died to Typhoid Fever. 


WHAT HAPPENED TO the show following Bancrofts death? Good question. It seemed that it was acquired by Henry A. Dixey, who was managed by Edward Bloom (Bancrofts former manager). Dixey would later debut in NY in his new role as magician in early 1898. By July of 1898, Mahatma Magazine says “Henry Dixey, the comedian who succeeded the late Bancroft, as a magician, has given up magic."


Dorny said of him, “Bancroft had one of the most lavishly mounted magical shows on the road? And a very promising career was cut short by his untimely death”

You might be familiar with the story that Houdini would tell about his early years of struggling, so he sent letters to Maskelyne, Kellar, and Herrmann, inquiring about possible work with them. Well, you can add Bancroft to that list because apparently Houdini had contacted him too, according to Dr. A.M. Wilson in a Dec 1922 Sphinx magazine column. 

Here is a piece also from the Sphinx,
"The spontaneous familiarity of Herrmann and the quiet yet not austere dignity of Kellar gave to their entertainments a fascination never equalled by any other magician on the American Stage. Bancroft could not follow Herrmann. Dixie could not succeed Bancroft. Thurston is not filling the place left by Kellar. Not that Bancroft, Dixie, or Thurston were and are not qualified magicians..."

So it puts into perspective the challenge of taking on someone like a Kellar or a Herrmann. Even with Bancrofts massively beautiful sets and stage decor, it wasn't enough. He did not have the personality to win over audiences. Yet at the same time, his advertisements were so grandiose that it appeared to fool someone like Houdini into thinking that Bancroft was one of the leading performers of his day.
Bancroft lasted barely two years before he died. And many people suggested that over time, Bancroft may have grown into the role that his advertisements portrayed, that of a GREAT Magician. But his premature death ended that.

*There were a couple corrections made to this article. One, originally I posted that Bancroft went into Denistry, but apparently this was not so. This is a mistake that was recorded a couple times in magic periodicals and books. I also mentioned he was born in St. Paul, MN, but he was born in Winona MN in the year 1866. He did later move to St. Paul however.

(Library of Congress Photo)






Monday, April 15, 2019

Edwin Brush The Mystic


I'm so happy to be able to include Edwin Brush in my podcast roster. I knew very little of his life before I started and he has turned out to be a fascinating individual. He was born Edward M. Brush on March 21st 1873 in Garden Prairie Illinois. He grew up on a farm so unlike many kids who were in the city, he had no way of seeing magicians. His first exposure to magic came from a neighbor kid who showed him some small pocket magic tricks. Brush was amazed and began to learn some pocket magic himself.

When he was 16, Alexander Herrmann came to town. Herrmann was really King of the Magicians at the time. Not only was he famous in the U.S. but he was famous all over the globe. Herrmann had a wonderful personality, was known to be quite funny, and an excellent sleight of hand artist. Brush took in all that he saw and decided on that day that he would one day become a full time magician.

Brush was smart, first he went to college to learn business and then he came out and got a real job working for a clothing manufacturer. He used magic as a sales tool to loosen people up, break the ice as it where. But the pocket tricks also had another effect, people saw that Brush was a fine magician and began to request if he could work at their events. Brush was well on his way to becoming a full time magician.

I cover the life of Brush quite well in podcast 17 of the Magic Detective Podcast, but I wanted to share one more thing with you and that is a photo of Brush's iconic mustache. It is clearly NOT growing that way on it's own. He must have had a ton of wax on that thing to keep it down

What possessed him to think that mustache looked good is beyond me? But then again, it was a great marketing too because once people saw it, they could not UNSEE it, lol.

Strangely, Brush continued to sport the crazy mustache through out his entire life. Even in his 80s and 90s he still have the wild mustache, though he did cut it back slightly.

Besides his mustache, Brush has a very positive career in the world of magic. After looking at some of the comments by his fellow magicians, I see that Brush was very well respected by his peers.

If you'd like to learn more about the magical life of Edwin Brush, please check out my latest podcast at  https://magicdetectivepodcast.com/e/ep-17-the-magical-life-of-brush-the-great/








Friday, March 15, 2019

Review of the book: Powell Master of Magic and Mystery


Alright, I'm just going to come out and say it. I gave this book a standing ovation! Seriously! I love this book, Powell, Frederick Eugene Powell Master of Magic & Mystery by Thomas Ewing.

I will be honest, before reading the book, I didn't know a lot about Powell. I had written a couple paragraphs about him on this blog, but nothing very extensive. Then along comes this book, and not a minute too soon.

Who was Frederick Eugene Powell?" Really! Well, Tom Ewing answers the question and many more.
Powell was a gentlemen, he respected magic. He cared for his audiences. He wanted to deliver a great show now matter where he was playing, no matter if it was before a crowd for 4000, or a small group at a school. Powell had a high opinion of magic. He didn't care for the exposure of magic. Yet, Tom Ewing points out, one of his first exposures to magic were tricks taught in a magazine for children.

Powell was a big believer in knowing your magic history. He spoke of Robert Heller and finding Heller's grave in disrepair. Sadly, many years later, so did I. Frederick Eugene Powell was a big hit with Mexican audiences because he spoke Spanish and had knowledge of the culture. He was actually performing in Mexico when the Mexican Revolution broke out. He was also in Mexico when they got hit with some pretty fierce earthquakes.

Powell continued to perform in his 60s and 70s. After all, a showman is born to perform, and Powell was clearly a magnificent showman.

The author uses a combination of newspaper articles, magic magazine articles and correspondence that Powell shared with various magicians, as his source material. And I must say, it is a rich history that is delivered. I also love the fact that Tom Ewing occasionally adds some historical perspective in regards to events happening in the world, while the activities of Powells' life are playing out.

The reader also gets to see quite a few of Powell's props that are today in private collections. In fact, one that is pictured is the umbrella for Powell's Cone and Flower production. In fact, the box of Powell's Spring Flowers is also in the book. Well, below I'm going to post a video of Powell performing his Cone and Flower mystery!

But before I do, I want to encourage you to pick up this excellent book on one of magics most beloved artists and one who has been mostly forgotten to time. You can purchase the book from 1878press.com , although truthfully many magic dealers are carrying the book, so find it somewhere and get a copy. You'll be glad you did!




Tuesday, February 26, 2019

The Three Early Pioneers of Mind Reading

John Randall Brown
I must reluctantly admit that I do not know as much about mind readers as I do other areas of magical entertainment. I know of some of the bigger names: The Zancigs, Dunninger, Alexander, Annemann, and others, but as far as it's origins, I am not as knowledgeable. This brings me to the subject of my latest podcast, Episode 15, The Early Pioneers of Mind Reading.

Stuart Cumberland
It appears that things center on three people: John Randall Brown, Stuart Cumberland, and Washington Irving Bishop. The only name of the bunch I was aware of was Bishop and I didn't fully grasp his contribution. It turns out though that things begin with John Randall Brown and a technique he developed which would become known by a number of different names: Contact Mind Reading, Hellstromism, Psycho Physiological Thought Reading are just a few names it was given. For my podcast, I used the word CMR technique to simplify the name.

The technique in it's simplest form involves holding the wrist of a spectator and apparently having the vibrations of their thoughts pass from touch into your brain. (Magicians will understand what I'm saying). What I didn't know was this was once considered very close to the real thing in regards to reading someone's thoughts, because it used no props or gimmicks of any kind. On top of that, this technique could be used to reproduce many different types of effects in mentalism. And it turns out, this was the technique used by all three of the pioneers of Mind Reading mentioned above.

John Randall Brown's initial test with the technique was to have someone hide a pin, and then he
Washington Irving Bishop
would locate the hidden pin by holding the wrist of the person who hid it. Moments later he would walk right to the object that was very well secreted away. A simple test and effective. It reminded me of modern day mentalists who have a spectator hide a coin in one of their hands and they are able to devine which hand contains the coin with 100% accuracy. It's also the same as the stunt Kreskin has done for years where someone hides his check and he finds it.

All three of these early mentalists used the Pin Test. They were each tied to one another in some way and they all did the same basic act. What made them different was their individual personalities.

I did find researching this podcast to be more difficult than others due to the lack of information on mind readers. Granted, there may be some excellent books on the history of mind reading that I do not own, but I have a pretty extensive library so I don't know if I'm missing much.

They also are all connected to spiritualism. These three all presented Spiritualist exposures in their programs. But other performers who would become iconic in mentalism were more closely tied to spiritualism, like Anna Eva Fay and Samri Baldwin. It's as if the earliest mentalism had to deal with the spirits telling the secrets of members of the audience and then that changing to the mentalist telling the secrets of members of the audience, aka mind reading. In a similar way, escapology has it's origins in spiritualism as well. The Davenport Brothers being examples of very early escape artists, and other performers following suit.

Of the three early pioneers, Stuart Cumberland seems to be the most prolific having written a biography of his exploits. Washington Irving Bishop was likely the most famous and suffered the most tragic death. To find out more, please check out episode 15 of The Magic Detective Podcast.