It's Over. D.C. Symposium on Magic History

So many highlights to record I'm not sure where to start. Well, let's begin with the auction which was fun to watch, but I got there too late to register for it. There were several Houdini items and some props that had belonged to Tampa and Raymond posters. There was some really cool stuff. But the most amazing piece was brought from California to DC by Mike Caveney. It was a contract, written in Russian for Houdini's tour of Russia. It was amazingly signed with both Harry Houdini's signature and Erich Weiss's signature. It sold for $10,000 to Bill Kalush, but word is he purchased it for someone else who has a big ass warehouse in Las Vegas, at least that's the gossip going around. It was exciting to watch the bidding on that and kudos to Bill Kalush for picking it up regardless of the gossip. Honestly, I hope he bought it for his own collection.

The afternoon lectures were interesting. There was a fellow who was an American of Indian decent named Shreeyash Palshikar who spent some time in India learning about the magicians there and he shared his knowledge of Indian Magic History which I found fascinating. I really enjoyed his lecture.

James Hamilton lectured on Alexander Herrmann and his smoking habits. He concluded by showing an item that Herrmann kept at his home which looked like an odd cigar box which could be showed empty and then a moment later would be filled with cigars. The top of the box had a cigar cutter in it and in the top section there was a place for matches and a striking surface. The prop belonged to John Daniel and was willed to James Hamilton. I talked with James about it the day before and mentioned that it looked to me to be a Martinka Drawer Box and he agreed it did and it was possible that it was made by them, but he wasn't 100% sure who manufactured it. What was certain was that it did belong to Alexander Herrmann.

The third speaker was Will Given who talked about The Davenport Brothers. Having just completed a bunch of research on the brothers a while back, I didn't expect there to be anything new in here to me. And in fact, when I first posted this blog I had forgotten about something he said that was NEW to me. I really enjoyed his talk!
 By the way, the night before (Friday) Bill Kalush mentioned finding a manuscript written by Houdini which had the 'real work' on the Davenport Rope Tie which has NEVER been revealed anywhere.

The evening had a big delay in the show because one of the acts had not showed up. I think it was just a miscommunication and the show was up and running around 9pm. Darwin Ortiz did a fine job and there were a few lay people sitting behind me that were going especially nuts over his performance!
OH, the M.C. was my old friend Bob Sheets. Bob is like the go-to guy for this kind of thing locally. I always enjoy watching Bob work. He was really funny tonight.

The middle act was the Shreeyash Palshikar  and he opened with a rendition of the Indian Cups and Balls which is different from the cups and balls that we all know. I was familiar with what he was going to do because I recently watched a DVD with Charlie Miller discussing the Indian version of the trick. His version was quite good.

Then Bob came out and did a bit and introduced Eric Henning. He is a local performer and he did two tricks with borrowed rings and also the Linking Rings. Next up was a special guest, Pernel Zorch. If you don't know this name it is Al Cohen, the former magic shop owner and super nice guy. He created a character back in the late 1970s that was a comic magician character. Al actually got me involved slightly as well. He said he was going to do the needle through balloon but couldn't because he didnt have any props. Then I held up a Needle to his surprise and someone else produced a balloon. Then Al went into his routine where the needle bent while trying to push it through a balloon. Funny Stuff! He spoke a little about his creation of the character and then a video was shown of Al doing the act at a convention and it was hysterical.

Bob Sheets came back with more of his zany magic and finally the Indian Magician Shreeyash   returned to the stage to do the East Indian Needle Trick, a Needle through arm and an interesting version of the Sands of Egypt, or in this case, Sands of India trick.

Oh I almost forgot that Johnny Fox was there and he also did a sword swallowing spot on the show plus a tribute to Nate Leipzig which you had to see to believe. 

With that, I said good bye to some friends, headed to the dealer room and packed my artwork and bolted. I was exhausted. Sadly, there were several people I didnt get to say goodbye too, but I'm sure I'll see them all again soon.

On a personal note, I had a fun lunch with Wayne Alan today where we mostly talked Houdini. I had dinner with my friend Adele and Trixie Bond and her husband Mark and it was a very fun time. I got to meet and talk with John Gaughan for a bit today and also met Gary Hunt who is a fellow researcher into the life of Wyman the Wizard! He showed me photos of Wyman's House in NJ. So cool to see. And there were other things that went on this weekend that I'm sure I'll remember in a few days but my brain is fried right now from lack of sleep.

OH crap, I just remembered something. I got to meet Arthur Moses today who is a big Houdini collector. I was going to buy some stuff from him but completely forgot. Arthur if you're reading this, I'll put in an order via the web!

Big thanks go out to Ken Trombly and Elliot Blatt who put together a great convention. And also, Ken Norris and Tom Olenick who did the audio visual stuff behind the scenes and kept the conference running seamlessly. Tom Ewing did a GREAT job as the auctioneer and for M.C.ing many of the events. Also a big thank you to my friend Adele for encouraging me to come to this. It was my first magic history conference and I had a wonderful time!

Magic Site Seeing in the Nation's Capital

Originally this blog article was specifically for those attending the Washington D.C. Symposium on Magic History. I wanted to share with you some interesting sites to see while you are in town that are all magic related. But now the S.A.M. Convention is here, so for all those attending please enjoy this guide as well!

1. The location of the old Al's Magic Shop. If you knew Al Cohen, or had ever been to the shop, you know what a great guy Al was as a demonstrator. His shop was a hang out for many over the years. The final location of the shop was at 1012 Vermont Avenue NW. The original shop location was torn down in the late 1970s.

2. Robert Heller spots. Robert Heller was a resident of Washington D.C. for several years. Neither of his homes are still there, but I will give you the locations. The first place he lived in Washington is 260 F. Street NW. which is today a parking lot that is at the corner of 3rd and F st. St. (see link)
The next place that William Henry Palmer/Robert Heller lived in D.C. was 447 13th Street NW. Today the Warner Theatre sits at this location. He also played piano at the Church of the Epiphany at 1317 G St NW, Washington, DC.

3.  HOUDINI in D.C.. Harry Houdini was all over the D.C. First spot would be Old Ebbitt's Grill,

which is located across the street from the Treasury Building at 675 15th St NW. This is the location of Keith's Vaudeville Theatre and also the spot where in January 12th of 1922 Houdini hung upside down and escaped from a Straight Jacket.  If you walk up the street to the brown building you can get almost the identical view as seen in the photo to the left. Slightly down the street from Keith's Vaudeville Theatre location is the 'W' Hotel, which used to be the Hotel Washington and Bess and Harry stayed here several times on their visits to D.C. That hotel was also featured in the Godfather Movie.
Houdini's first hanging straight jacket escape in D.C. was from the Munsey Building which today is the J W Marriott Hotel at 1331 Pennsylvania Ave NW. Houdini also performed at the Chase Theatre while in town but it's long gone. The Old DC Jail where Houdini escaped from the cell of the assasin of President Garfield was located at 625 Park Road NW in D.C.(it is no longer there, a church stands in the lot where the jail used to be). See also, Capital Building and White House.
This link also describes the Challenges Houdini presented while in D.C. http://www.themagicdetective.com/2011/01/houdini-dc-challenges.html

4. Harry Kellar in D.C. Kellar performed a number of places in D.C. including the National Theatre (see address below) The Columbia Theatre 1112 F St NW but is gone now and Ford's Theatre on 511 10th St NW. 
 
5. The National Theatre 1321 Pennsylvania Ave NW. This is a historic theatre which still happens to be open and operational. Magicians who had performed there include: Robert Heller, Alexander Herrmann, Harry Kellar, Harry Blackstone Sr. and Penn and Teller.

6. National Theatre/Helen Hayes Theatre this is a smaller theatre within the National Theatre. During the Civil War days it was a pool hall frequented by none other than John Wilkes Booth. Today it's a small theatre where performances are given on select Mondays and Saturdays throughout the year. Countless D.C. area magicians have performed in this room, including ME!

7. MAX MALINI in D.C. Malini performed in several places in D.C. including The Willard Hotel
1401 Pennsylvania Avenue NW (Houdini and Bess were also known to stay at this hotel). The Roosevelt Hotel 2101 16th St NW Washington is another spot where Max Malini set up shop, but today they are apartments. See also Capital Building and White House.

9. Alexander Herrmann in D.C.. Herrmann the Great appeared at the National Theatre (see address above) and also performed along with Compars Herrmann at the White House in the East Room to entertain none other than Abraham Lincoln.

10. Wyman The Wizard in D.C. John Wyman Jr. performed at Odd Fellows Hall fairly regularly when he was in Washington at 419 7th St N.W. He also performed for President Lincoln at the White House in the East Room. Wyman lived on 6th St in D.C. but I don't have an exact address and I'm sure the building is gone.

11. Signor Blitz in D.C. There is a story of Blitz running into Abraham Lincoln at the Summer White House (known today as Lincoln's Cottage) 140 Rock Creek Church Rd NW where Blitz did some magic and the President and magician had an interesting exchange.

12. The Capital Building & White House. There is more 'magic' going on in these places than any magician could ever do! But I'll give you a brief run down of some historical moments. Max Malini bit the button off Senator Hanna's coat on the steps of the Capital Building. Malini also gave an impromptu performance in the Marble Room of the Capital. Houdini gave his testimony before Congress at the Capital Building during the debate over Fortune Telling in the district.

The White House has seen countless magicians. Alexander & Compars Herrmann performed for Lincoln in the East Room of the White House. Houdini was known to have been invited to the White House. Howard Thurston performed there during the White House Easter Egg Roll, as did Al Cohen,
David Williamson, Silly Billy, the entire cast of the Le Grand David Spectacular Magic Company from Beverly Mass, Doug Henning, Harry Blackstone Jr., Steve Wyrick, Wayne Alan, Trixie Bond, Ralph The Great, Dean Carnegie, Dave Risley, Mac King, Ken Scott, Mark Daniel, Ray Goulet, Mike Bent, Emanuel Shabum, Eric Henning, The Pro Kids Show performers, Adam Ace, James Wand, and many many others from all over the WORLD!

13. Henry Ridgely Evans in D.C. Henry Ridgely Evans the prolific magic writer lived in D.C. and is buried here. His grave is in the Oak Hill Cemetery 3001 R St NW. Grave location: Stewart- Lot 610 East

14. Fords Theatre in D.C.. Of course, this is the historic theatre at 511 10th St NW where President Lincoln was shot. But it was also a spot where Harry Kellar performed and then years later, Lance Burton, The Pendragons and others have performed there for the Gala for The President. This building once had a sister location in Baltimore where Harry Kellar passed his mantle to Howard Thurston. That Ford's Theatre is no longer there.

15. Next is the Library of Congress which has quite a lot of magic posters and ephemera in it's collection. The Houdini collection is housed in the Jefferson Building and I think you need an appointment.

Oz, The Great & Powerful...Magician

A new movie debuts today called 'OZ, The Great and Powerful' and is a prequel to the popular movie The Wizard of Oz.  The story began as a book, The Wonderful Wizard of OZ (1900) by Lyman Frank Baum.

L.Frank Baum was born May 15, 1856 in Chittenango NY. He had been a life long lover of theatre and tried unsuccessfully to have a career in theatre. His writings did much better for him, though he did take his story The Wonderful Wizard of OZ and turn it into a theatrical play called The Wizard of OZ.

In the original story, the Wizard is a traveling magician who works for a circus. Through a freak accident on a balloon ride, the wizard finds himself in the land of Oz. His full name was Oscar Zoroaster  Phadrig Isaac Norman Henkel Emmanuel Ambroise Diggs which abbreviated spells out
"O.Z.P.I.N.H.E.A.D", he shortened it further to simply OZ.  He becomes the ruler of OZ probably because of his magical abilities and his name OZ written across his hot air balloon.

During the same period of time, the preeminent magician in the United States was a fellow named Harry Kellar. He had been a world traveling magician, but after the deaths of the English magician Robert Heller and the European magician Herrmann the Great, Kellar had the title all to his own.

Heinrich Keller (Harry Kellar) however was born here in America, in Erie PA on July 11, 1849. He was not a circus magician, but he certainly was a traveling magician. He apprenticed under the Fakir of Ava, then went out to manage the famous Davenport Brothers. He left the Davenports and took William Fay with him and they started their own act, traveling through Mexico, South America and beyond. However, on their way to Europe, the ship they were on hit rocks and sunk, taking all the money Kellar and Fay had made on their trip, as well as their costumes and props for their show and leaving them at the bottom of the sea.

Bad luck would not plague Kellar forever and he eventually came into his own. In 1900, the year the Wonderful Wizard of OZ was published, Kellar was the #1 magician in the country.

I've heard it said that Kellar was the inspiration for the character of the Wizard of OZ. Mike Caveney, the well known magician and magic historian has said this in interviews. But I checked his book called "KELLARS WONDERS" and I didn't see any reference to it (though it's possible I missed it).

The connection is mentioned in the Gail Jarrow book on Harry Kellar called "Harry Kellar Great American Magician", although she says that readers of the book 'The Wonderful Wizard of OZ' will recognize the wizard as being like Harry Kellar.

I recall watching the movie 'The Wizard of OZ' as a kid and remembering fondly the character played by Frank Morgan, the Professor Marvel character and later the Wizard. The movie character always stuck with me and when I later got interested in magic and came upon Harry Kellar, I wondered if Kellar was like the Professor Marvel/Wizard character that I had seen in the movie. But honestly, Frank Morgan while in the character of Professor Marvel in the movie looks more like the magician Dante (and Dante was a very popular magician at the time the movie was made).

I am not sure where this idea that Kellar inspired the WIZARD character came from. Though I vaguely recall the idea of the connection was attributed to Martin Gardner. I think it's highly likely that Kellar could have been in the inspiration based on the fact that Baum was a huge theatre buff, Kellar was the big name at the time and the illustrations by William Wallace Denslow are a dead ringer for Kellar. If nothing else, perhaps the illustrator Denslow was inspired by Kellar and that is why the pictures look so much like him. I even have a photo somewhere of Kellar wearing a white jacket like the one on the Wizard illustration, but I can't seem to find it right now. I do believe that Kellar figured in there somewhere during the creation of the original book.

There is one other thing to consider and that is the word WIZARD. Magicians of that time were calling themselves: magicians, conjurers, manipulators, illusionists, escape artists, professor, and similar names. The word 'Wizard' was more commonly used in the mid 1800 with folks like John Henry Anderson known as The Great Wizard of the North, and John Wyman Jr. known as Wyman the Wizard. In the 20th Century there was one wizard that I can think of, Germain the Wizard. Perhaps one of these men also played a part in the inspiration of the character!

Finally, look at the poster below, it kind of looks like something out of the Wizard of OZ with flying monkeys and munchkins!

UPDATE: WildaboutHoudini.com has an article on the Houdini connection to the OZ movie which is excellent as always.

Wyman the Wizard...MORE

Wyman the Wizard

I wrote a blog article about Wyman the Wizard back in August of 2011. In that article I mentioned that 'the hunt was on for his grave'. Several magic books mentioned where he died, but there was no mention of where he was buried. I'm glad to report it's been found, sort of. I had narrowed down the cemetery to one in Fall River Mass, called Oak Grove Cemetery. There were several in that area and I had a hunch this was the cemetery, though I could not get definitive proof. I tried contacting some govt. officials in that area with no answers. And then I received an email from fellow magic historian, Gary Hunt. He had discovered a paragraph in an old Sphinx Magazine, which gave the exact location of the grave and sure enough it was in Oak Grove Cemetery! So now, I've got to travel up to that area later in the Spring and get a photograph of the grave so I can post it over at my deadconjurers blog. A HUGE THANK YOU to Gary Hunt for sending me the article with that information!

(from John Hopkins Unv. Library)

But I wanted to write more about Wyman and I began digging again. Milbourne Christopher mentions in the book Panorama of Magic that there were at least two songs dedicated to Wyman the Wizard. I just found one of them and it's called "Keemo Kimo Schottisch" by James Bellak and according to the cover was composed and dedicated to Wyman the Wizard. I do not play music, but if there is anyone interested, the entire sheet music is downloadable here https://jscholarship.library.jhu.edu/handle/1774.2/2534

 Wyman seems to be a man of firsts. MAGIC-A Pictorial History of Conjurers in the Theatre says that Wyman was the first Americian born magician to do a full evening show of magic. The book, Annals of Conjuring says that Wyman was the first U.S. born magician to attain prominence. And the Illustrated History of Magic says that "he was the biggest money maker of the period.". Those are pretty decent accolades.

Peale's Baltimore Museum (photo by MKelly1990)

He apparently began his professional career performing at Peale's Baltimore Museum. From there he played a lot of small town school houses. His act consisted of marionettes, ventriloquism, memory feats and magic. The magic included the Aireal Suspension & Gun Trick he purchased from John Henry Anderson, the Inexhaustible Bottle, Egg Bag, Coin Magic, the Sphinx illusion and many other popular magic routines of the day. 

Wyman performed what were known as 'Gift Shows', which meant after the performance everyone in the audience was to receive a gift. He was known to provide nice gifts. No bait and switch for Wyman, if he promised a nice item, that is what he gave out. I'm wondering if one of the smaller gifts he gave was a 'Wyman Coin' because I have seen several images of his coins on the internet now.

Some books mention that Wyman only played 'small dates' but I'm not sure he could have become the biggest money maker of the period, only playing small towns. In fact, I know he played Richmond VA, Charleston S.C., Boston MA, NYC, and Washington D.C. among many places. So he clearly played all over. But he was around before the days of Vaudeville, so the types of venues would have been somewhat different.

Born January 19, 1816, John W. Wyman Jr. was known as Jack by his friends. He apparently wrote several books, one of which was called "Jokes & Anecdotes of Wyman, TheMagician & Ventriloquist" which was published in 1866.

His performing route consisted of areas east of the Mississippi River and also into Canada. I've seen a number of newspaper articles on Wyman that appeared in Virginia papers, so he was well known in the South as well as the North.

He died on July 31st 1881 and was buried in Fall River Massachusetts in the Oak Grove Cemetery.  I will post a photo of the grave later in the Spring.

The MAGIC used by Civil War Magicians

After I completed my series on Magicians of the Civil War era, I noticed that many of them did the same tricks. I wanted to give you some highlights of the types of things that could be found in many of the acts of the Civil War era magicians.


The Spirit Cabinet

There is an interesting similarity among the magicians from the Civil War period. A commonality of effects if you will. In other words, they stole from each other back then as much as today. In fact, I noticed a trend among magicians to purposely steal certain routines and then 'expose them'. Specifically, the routines presented by the Davenport Brothers. Their creation, The Spirit Cabinet, along with their spirit manifestations, or fake spirit manifestations showed up in the acts of; John Henry Anderson, Samri Baldwin, Prof. Harry Cooke and many others. Interestingly, the Spirit Cabinet would continue in the years past the Civil War and become a popular feature with Thurston, Kellar, Carter, Willard, Blackstone, Calvert and many others. Today it is being revived once again by Michael Ammar and his wife Hannah, who is the daughter of Frances Willard, the daughter of magician Harry Willard.


Second Sight

Here is an effect from the repertoire of Robert Houdin. He presented this trick with his son. While blindfolded, his son Emile could identify objects that his father held up which were in full view of the audience but unseen by his son. This same routine somehow, mysteriously ended up in the show of Compars Herrmann, who presented it along with his younger brother Alexander. Other magicians took the same trick and began to alter and adapt it. Chief among them was probably Robert Heller.

Today, second sight demonstrations are a regular part of a mentalists performance and sometimes seen in magic acts. The Evanson's come to mind as an excellent example of a modern couple presenting the Second Sight Blindfold act.

The Gun Trick
A very popular effect was notorious The Gun Trick or Bullet Catching Trick. This effect was used by John Henry Anderson with great success until he sold it to Wyman the Wizard who also had a lot of luck with it. Signor Blitz used it, but he was not always so lucky.  In one particular instance an audience volunteer loaded a button in the hole of the rifle and when it was shot the button ripped through the skin of Blitz's hand. Several close calls like this were enough for him to eventually remove it from his act. After the Civil War Alexander Herrmann added the effect to his show, as did William Ellsworth Robinson. Mr. Robinson was better known as Chung Ling Soo and was also one of the many individuals who was killed on stage presenting the Bullet Catching Feat. Today, in the 21st Century the effect lives on in the act of Penn & Teller.

The Suspended Lady

This is Robert-Houdin's Ethereal Suspension. I believe the first pirated version shows up in the act of John Henry Anderson who called it 'The Suspension Chloriforeen'. He picked up his copy of the trick from a former mechanic who had worked for Robert Houdin. Compars Herrmann was also using the Suspension Illusion as well. For those newbies to magic, though the effect might seem like a levitation, it is not. In a levitation a person apparently rises in the air. In a suspension, they are held or suspended in space. Levitations and suspensions are similar enough and generally fall in the same category in magic.

The Suspended Lady illusion actually dates back to at least the 13th Century and possibly further. Today it's commonly known as the Broom Suspension and has been used by countless performers (including me). This effect appears in the Tony Curtis Houdini movie, however I am not sure if Houdini actually ever presented the effect in his show. Richiardi Jr. had one of the most incredible presentations of the trick. It also is a highlight of the Le Grand David Show in Beverly Mass.



The Inexhaustible Bottle

Now here is a fantastic trick. Actually, all of the things I've mentioned so far are great and you'll note that they all are still used in some fashion today. Thankfully, modern artists have altered them to fit the times, but why throw out a perfectly good trick? The Inexhaustible Bottle is an illusion where a glass bottle is filled with water and rinsed out. Then any liquid called for can be poured from the bottle, typically alcoholic drinks. According to Houdini, the trick dates back to 1635 and an effect called the Inexhaustible Barrel. Basically it's the same effect but using a wooden whiskey barrel. Robert-Houdin claimed to have invented it and as has been seen before this effect showed up in the acts of many other performers. One in particular Compars Herrmann who used it during his show at the White House before President and Mrs. Lincoln and their guests.

David Devant, the great English conjurer updated the effect by using a tea kettle rather than a bottle. Later, Charles Hoffmann created an entire act around the effect and he became known as "Think A Drink Hoffmann". Today, the effect, in it's Tea Kettle form, lives on in the act of Steve Cohen, The Millionaire's Magician.

Other Staples
It will come as no surprise that the following effects could be found within the repertiore of Civil War magicians: The Cups and Balls, The Sucker Die Box, The Devils Hank/Napkin, Passe Passe Bottles, Flower Productions/Botania, The Genii Tube/Cornucopia, Early Versions of the Misers Dream in various forms, Rising Cards, Handkerchief productions/vanishes, Flag productions and more.

Ventriloquism & other variety arts & acts
While not magic, ventriloquism was a popular addition to many magicians acts from the Civil War era. Among the practitioners of this craft were Signor Blitz, Wyman the Wizard, Fred Bearns and others. Robert Heller added Punch and Judy shows to his repertoire. Blitz had trained birds. Robert Heller was a trained pianist and he added musical numbers in his show which gave it an elegance and sophistication that other acts lacked. Adding variety and skill sets beyond that of magic gave the Civil War era performers broader appeal. The tradition of adding other variety art forms to ones act continues today, though ventriloquism is rarely found in the acts of well known magicians. Rather, good ventriloquists have established their own shows minus any connection to magic.

Basically, the more things change, the more they stay the same. Well, in magic, they don't seem to change too much. Another way of looking at it is good magicians recognize quality effects and keep them! But I can't help but wonder, how many effects have fallen out of favor over the years which could be brought back, updated and still fool modern audiences?

Civil War Era Magicians Part 7

Ira and William Davenport certainly have that 'Civil War Era' look. They were two brothers from upstate New York. Probably influenced by the news of the Fox Sisters and the spirit manifestations they created, the Brothers developed an act of their own. In 1854 they introduced their Spirit Cabinet to America and along with the Fox Sisters, set the world into believing that contact with the spirits of recently departed people could be easily accomplished.

They did not fight in the war, but their direct connection to the Civil War is more than eerie. April 1861 while in Chicago , the brothers were conducting a seance, when a voice was heard coming from a spirit trumpet. This spirit voice declared a military conflict was taking place off the coast of South Carolina at Fort Sumter between the North and the South. This is a time long before mass media and news traveled slow.  Yet somehow this 'spirit' seemed to know what was taking place half way across the country.  The Davenport's spirit guides revealed the start of the Civil War before the actual news of the event arrived by telegraph! Though astonishing, this bit of information did not make them famous, as they already were famous. It caused those who believed in them to become more devout and those that questioned them to stand back and wonder how they were doing this. The Davenport Brothers continued to tour the Northern States during the War but departed for England in 1864.

Samri S. Baldwin

Next we have Samuel S. Baldwin, who went by Samri Baldwin and his stage moniker was 'The White Mahatma'. He was born in Cincinnati Ohio in 1848. Baldwin is credited for taking the question and answer techniques used in seances and turning them into a mentalism feat for the stage. So clever were his techniques that many are still used today.

His interest in the mystery arts came from watching and then following the Davenport Brothers around. Eventually, Baldwin was able to duplicate the feats presented by the brothers.  During the Civil War he joined the Ohio 83rd Infantry Regiment, Company B. He was the drummerboy for the regiment. After the war was over in 1865, Samri Baldwin began his performing career. He would continue to perform until his death on March 10th, 1924.

Next we have Fred Bearns, known as 'Bearns, The Monarch of All Ventriloquists and High Priest of Magic'. Not much is known about Bearns except he joined the 14th New York State Militia during the Civil War. He was captured and held prisoner in Richmond Va. After the war he used the billing, "Returned Prisoner of War from Richmond, with his Most Charming Experiments in Magic and Ventriloquism". No photo or poster remains of Fred Bearns to my knowledge.

Harry Kellar's first boss, The Fakir of Ava, was really Isaiah Harris Hughes and was born in Essex England on December 25, 1810. He moved to America and was quite a successful performer. He did well during the Civil War, though he did not enlist or fight.

Hughes presented a 'Gift Show' similar to what Wyman the Wizard, John Henry Anderson and others were using at the time. This technique seemed to work for him as the NY Times Obituary says he died a wealthy man.

Last on my list of Civil War era magicians is someone I've written about quite extensively, William Henry Palmer, better known as Robert Heller. Mr. Heller worked as a magician and musician prior to the Civil War. In the 1850s he was forced into a sort of early retirement from magic and moved to Washington D.C. and became a Music Professor.

Around 1861, as the Civil War started, Heller began to get back into magic. By 1864 he opened on Broadway with a hit show called "Sallie Diabolpue". Please click the link on his name to read more about the incredible Robert Heller. I have a three part article on Heller and a fourth and possibly fifth part coming later in the year.


There is no doubt I will have missed a number of magicians who also had some part to play during the Civil War. I'm actually amazed that I found as many as I did and it seems like more information on others pop up daily. This however will be the final blog on the magicians of the Civil War.  I hope you have enjoyed this historical journey. For those of you who would like a little more, there will be one more Civil War related article about the MAGIC of the Civil War magicians.

Civil War Era Magicians Part 5

John Wyman Jr.

Our next magician who conjured in America during the Civil War seems as though he deserves a bigger place in the annals of conjuring than he has. His name was John W. Wyman Jr. and he performed professionally as Wyman The Wizard. He was born in 1816 in Albany NY and according to several magic history books, he was the most successful magician of his time from a financial perspective. I think that Signor Blitz would take the honor of being the most well known of that time, especially with his dozen + imitators. Though a number of newspapers dispute that fact and say that Wyman was THE most popular. Either way Wyman apparently made the most money, and unlike Blitz, Herrmann, Anderson, Heller and others he was American born!

He had the honor of having performed for President Abraham Lincoln four times. Apparently Mr. Lincoln was a big fan of magic as he had seen, Blitz, Compars Herrmann and now Wyman the Wizard! David Copperfield has in his museum, the very coins that Wyman the Wizard used to pass through the hands of Abraham Lincoln during one of his performances before the President. Wyman lived on 6th St in Washington D.C. for a period of time. And his regular performance spot was a place called The Odd Fellows Hall, which was located at 419 7th St N.W Washington, almost exactly half way between the Capital Building and The White House. I assume that his close proximity to the White House and his celebrity status helped him obtain his numerous appearances before not just President Lincoln, but also President Martin Van Buren and President Millard Fillmore.

Odd Fellows Hall in Washington D.C.

According to Houdini, Wyman had one particular attribute that made him popular, he was honest! This is an important fact to remember because Wyman presented what were called 'Gift Shows'. Basically, all the tickets that were sold to his shows had numbers on them and every ticket received a prize depending upon the number. Wyman apparently gave out some really good quality items, among them, watches, table sets, family bibles, silver plated ware and more.

I can't find any record of Wyman having performed for the soldiers during the Civil War, but four performances for the Commander in Chief are enough to put him in this category as a Civil War Era Magician. He very likely performed for members of the military and their families at some point. Prior to the war he was a popular attraction in the Southern States and even out west on Mississippi River Boats.

Like several of his fellow conjurers of the time, one of the features of his act was 'The Gun Trick'. What made his Gun Trick special is that he bought it from John Henry Anderson. He apparently also purchased Anderson's Floating Lady which was a pirated version of Robert-Houdin's Etherial Suspension. Besides magic, Wyman also was an accomplished ventriloquist and mimic and even presented automatons.

The American Civil War began in 1861, but also in 1861 there was almost a Magical Civil War between Wyman the Wizard and Compars Herrmann. This Civil War being started in the press with a challenge from Wyman to Compars Herrmann. In the challenge, Wyman disputed the claims of Herrmann to be performing 'original material' and offered the sum of $25,000 to the winner of a magical duel. Ten of his best tricks would be performed by Herrmann, and ten of Herrmann's best tricks would be performed by Wyman. The challenge would be public and the winner would get all the money plus the box office receipts. The outcome of the Magical Civil War? It never happened because Herrmann ignored Wyman completely.

Besides living in Washington D.C., Wyman also lived in Philadelphia and eventually purchased quite a bit of property in Burlington NJ where he retired. He died in Burlington and was buried in Fall River, MA. in 1881 (the hunt is on to find his grave!)

One interesting historical note, Wyman kept a scrapbook of his career. After Wyman's death this scrapbook was sent to George M. Cohan who claims he never received it. So this very valuable historical item was 'lost in the mail'. I can't help but wonder if it has ever turned up?

NEXT: Horatio Cooke, Civil War Era Magician

Civil War Era Magicians Part 4

Our next conjurer hails from Deal, England and was born Antonio Van Zandt in 1810. His stage name was Signor Blitz and he was so popular that there have been over  a dozen other people using his name!
In fact, one of the most famous historical incidents in Blitz's life may have actually happened to one of his imitators, though I personally believe it did happen to the real Signor Blitz.*

President Lincoln's Summer Home

The incident took place near the Summer White House, this was a house used by Lincoln during the summer months to escape the heat. Today it's called 'Lincoln's Cottage'. In early July 1863, President Lincoln took a break from his duties to watch a rehearsal of the upcoming July 4th parade. Numerous people stood along the street watching the rehearsal and in the crowd was none other than Signor Blitz.
The sly magician reached out and produced a bird from the hair of one of the girls in the parade. This had the effect of stopping the parade as a number of people started to gather and watch the impromptu performance of the magician. Among his magical feats was producing an egg from the mouth of the President's son, Tad Lincoln.

A fellow from the crowd formally introduced the President to the magician. Lincoln replied "Why, of course, it's Signor Blitz, one of the most famous men in America. How many children have you made happy, Signor Blitz?" The magician replied "Thousands and tens of thousands". The President then said "While I fear that I have made thousands and tens of thousands unhappy. But it is for each of us to do his duty in this world and I am trying to do mine." This exchange took place just as the Battle of Gettysburg was finishing up and Lincoln had not yet heard the news of which side won the battle.

Though Blitz did tour the world with his show, it was Philadelphia that he called home. According the Blitz's own Autobiography, Philadelphia became the principal depot for the sick and wounded during the War. Because of this, Blitz donated his services many times to the soldiers. In his own words, "My exhibitions were remarkably popular with the soldiers. Constantly I was written to, and personally solicited by the surgeon and his assistants, or ladies of the committees, for my services. Occasionally some convalescent patient would procure permission to call, and entreat me personally, in behalf of his comrades, to come and amuse them; a request I am thankful I never refused."

He continues, "How the poor fellows loved to laugh, and drive away their pains and cares! It certainly appeared of more advantage to them than medical attendance. Whenever it was known that I was to appear, unusual excitement prevailed. Men whose limbs had been amputated but a few days, although forbidden by the physician, begged to be dressed, that they might attend; and the same was the case with the feeble and exhausted, who were confined to their beds; who, when reminded of the imprudence and danger, replied, 'A good laugh will raise our spirits, and bring about a speedy recovery.' 'Is not laughing good for health?' said one unfortunate man, who lost a leg and was suffering from a gunshot in the arm; he reminded the surgeon that there was no medicine like laughing."

One more thing of note that I think is important, Signor Blitz presented 132 shows before 63,000 soldiers. This was in Philadelphia, which means he performed for the Union Army, but there is no doubt that a few wounded Confederate Soldiers were in the mix as well.

His act was made up of magic, trained animals and ventriloquism. As with other magicians of his time, his favorite feat was the dangerous Bullet Catch. However, a number of close called persuaded the magician to remove it from his show. The last one was when an audience member took out a six shooter and proclaimed "if you can catch one,  you can call all of them!". Fortunately, Blitz was able to stop the man from shooting.

Signor Antonio Blitz lived to be 67 and died in 1877. He is buried in Cypress Hills Cemetery, which is right around the corner from Machpelah Cemetery where Houdini is buried.

*The reason some scholars believe that this incident was with a Blitz imposter/imitator was that this adventure does not appear in his autobiography. 

NEXT: Wyman The Wizard -Civil War Era Magicians Part 5