The Platinum Age of Magic

We have all heard the term Golden Age of Magic. I'm not really sure if there is a true beginning and ending to the Golden Age, but my guess would be 1890-1930. This is when magic really took off. Kellar, Houdini, Thurston, Blackstone, Dante and others ruled the stages.  After 1930s, magic certainly continued but with the death of Vaudeville and the advent of movies and TV magic lost it's once mighty place in the world of showbiz.

Magicians know that magic continued and saw the rise of different kinds of magic, the manipulators, like Cardini worked nightclubs. Illusionists like Jack Gwynne changed their acts so they could work in the round on dance floors. And of course, there was the rise of the close-up magicians with men like Dai Vernon, Charlie Miller, Ross Bertram and others. Magic was forced to adapt and it did, but with the death of the traveling illusion show, magic faded from the eyes of the general public for the most part.

In the 1970s along came Doug Henning. He is credited with ushering in a second Golden Age of Magic and I think that's true for the most part. But there were others, Mark Wilson was setting the stage before Doug and even after Doug. David Copperfield came along just at the height of Henning's fame and David continued to carry the torch. Suddenly in this second Golden Age of Magic, we had Copperfield, Henning, Wilson, Blackstone Jr., Siegfried and Roy, Penn and Teller, Lance Burton and others. That flame seemed like it was going to burn for a long time but it was put out (in my opinion) almost over night by a guy named Valentino. And once again, magic seemed to slip away from the public consciousness.

Within the magic world, things were red hot. Close-up was the big craze and it was moving leaps and bounds over all the other types of magic. Folks like Paul Harris, Michael Ammar, John Carney, David Williamson, David Roth and others were now the big stars. Just when we thought there would be no more magic on TV, some kid named David Blaine showed up and rewrote the book on magic. David Blaine, like Henning before him, ushered in a whole new style and type of magic, Street Magic. Granted it was really close-up magic, but it was close-up stripped of the bells and whistles. It was highly visual magic that was often 'in your face'. No more tuxedos, no more big boxes, no more rabbits, magic was going in a new direction.

I can't say that David Blaine ushered in another Golden Age. I think what he did was keep magic alive and change what audiences thought of magic. Magic was becoming more psychological, more mystifying, frankly more amazing. The mentalists began to rise! Sure, we know they were there all along, but now they were out on the forefront. Folks like Banaceck, Derren Brown, Keith Barry were taking magic to places no one ever dreamed. Magicians and Illusionists jumped on the mentalism bandwagon and mixed their magic with feats of mentalism.

It was during this time, I would read on blogs and in magic magazines how some thought magic was dead. Some writers felt that magic was probably on it's last legs and because of the way technology was changing, we would soon all be gone. For the record, I've been hearing the doom and gloom scenario from magicians for years.

That brings me to now, 2014-2016. I think we have hit the Platinum Age of Magic. No more Golden

Ages. Magic is burning on all cylinders. Close-up is at an all time high. Card Magic has spun off into various directions, one of which is Card Artistry and there are a ton of people, guys and girls who are dominating that arena. Stage magic is seeing a resurgence, and a fresh one. Again, magic is no longer a males only club, Alana from Germany has got one of the best and most original magic acts out there. Illusion Magic is coming back in ways I never expected. Barry and Stuart from England do comedy magic with illusions and stage props and are killing it! Topas from Germany is adding a fresh spin on everything he touches. There are 4 unique touring illusion shows right now. The Illusionists, The Illusionists 2.0, The Illusionists 1903, and Masters of Illusion. Audiences are going nuts over these shows. Standing ovations nightly. I do not think there has been a time in the history of magic when magic was hotter than it is now.

On TV, The Carbenero Effect, Wizard Wars, Penn & Teller Fool-Us, Masters of Illusion, Steve Cohen's History Channel Special Lost Secrets of Magic, and the recent HOUDINI Miniseries. That was just last year! There were even MORE TV Magic Shows in England and Europe! The MAGICIANS was huge show in England, Derren Brown's TV Specials are big hits, Dynamo is a household name in Europe because of his TV show.  I understand there is a lot more magic in the works for 2015.

The Platinum Age of Magic is here my friends. Ride The Wave and let's hope it lasts for a quite a while!

Tomorrow, I will be attending The Illusionists Show at The Kennedy Center, so expect a review in a few days.

Magic Auctions Coming Soon

I just downloaded the catalog for the upcoming Potter & Potter Auction. It's filled with tons of magic apparatus and a great deal of books. As with any auction there are some really cool items in the mix. I'm partial to more of the unusual items and there are more than a few of those. One set of books caught my eye, which includes; Okito on Magic, Our Magic, Sachs Sleight of Hand, NEO Magic and several other books. The starting price is pretty low and I will say, that I paid close to the starting price for a single copy of NeoMagic a few years ago, so this lot is a steal. If you would like to check out a downloadable copy of the catalog or purchase a hard copy edition for yourself, go to
http://www.potterauctions.com/auctions/upcoming

Though it's not an auction, Lupe Nielsen of Nielsen Magic sent out an email a few weeks ago letting people know they were open to finding a buyer for their collection of Magic Posters. They wish to sell the entire collection. So the price is going to be high. But if you are someone with a big bankroll and would like one of the most incredible collections of vintage magic posters on the planet, then by all means contact Lupe. Serious inquiries only please. You can reach Lupe through their website http://nnmagic.com/index.htm

The Magic Detective in 2015

I've gotten a bit overwhelmed with shows and other projects the last couple months so this blog has sadly suffered. But never fear, I've got some cool things in store for 2015. About mid-month in July, I'll be doing an radio interview about Magic History. I'll post more on that as we get closer.

I'm also working to retool the Magic Detective Show on Youtube. First time it aired, I think I got out 6 episodes and then my camera broke. When I returned a year or so later, I changed some things about the content and then, well got busy with other stuff. I'm really having fun with the 'Victorian Magic' from Hoffmann segment, so I think that will be the emphasis going forward. However, I'm also hoping to do a few episodes where I visit different magic collectors and have them demo so of these wonderful gems from yesteryear. I'm still sorting out the different details, but I hope to have it back up and running in January.

The next thing on the agenda is my Houdini Book, which is close to being completed. More info on that once it's ready. Expect a 'March/April' (aka Houdini Birthday) time frame. I have a landing page set up for the book http://houdinimarketingbook.com/   If you're interested you can get on the waiting list and get to read one of the chapters now. (BTW, it's been brought to my attention there are a couple grammatical errors in the text. All will be fixed by the time the book is completed)

OH, AND I think I may be on hot on the trail of some new Daisy White revelations! That just

happened yesterday, so when we return in 2015, I hope I can share that information with you. I know they called Houdini the Elusive American, but that title really belongs to Daisy White! lol

A True Forgotten Illusion

Back in 1998, I purchased an unusual little booklet called Chung Ling Soo's Mechanists -They

Stayed Behind, by Brian McCullagh and Dr. J. Ernest Aldred. It's only 38 pages long and has some interesting photos and information within. The booklet is about two 'mechanists' from the Soo show, Phil Davies and Ernest Aldred, who stayed in Australia after Chung and the rest of the company moved on.

Within the 38 pages is a page on an illusion called The Lantern Illusion. This was created by Soo in 1907 and was also known as the Glass Casket, and also known as The Slave of the Lamp. I still remember reading about this illusion back in 1998, it had left a large impression on me. The illusion seemed incredible. A large 'lantern' made of glass was brought on stage and was proven to be empty. Then a cable was connected to the top and it was lifted off the stage. It was then spun and as it spun in circles the light would catch it and it made an incredible sight to see. Then, suddenly the figure of a woman appears inside the lantern as the cage is spinning. Except, the woman faces forward and does not spin, only the lantern surrounding her spins. Sounds pretty amazing and I sure don't recall seeing anything like this in any show of modern times.

So that brings me to the illustration here of Thurston presenting 'The Whirling Crystal Cage and Mysterious Production'. I had come across this on the internet maybe a year ago and the moment I saw it I remembered the Chung Ling Soo booklet. This must be the spinning lantern trick I had read about years before. Much like a LOT of magic back then, more than one performer was presenting it, sometimes legally, sometimes not. There were two copies made in Australia by Phil Davies. Thurston had a copy, which I assume he got permission to build from Soo. Though, Harry Kellar was known to steal everything, Thurston, as far as I can tell, got permission.

There is one Soo Poster that depicts the illusion. It can be seen in the Gary Frank book Chung Ling Soo the Man Behind the Legend. AND it can be seen in the Todd Karr book, The Silence of Chung Ling Soo, it's poster #36 near the front of the book and there it is called 'The Spinning Cage'.

In the Silence of Chung Ling Soo, Jim Steinmeyer has a short chapter on the illusion. It appears on pages 16-20. Jim describes the method used for the illusion, which I must say is quite elaborate. And he mentions that the illusion must have weighed upwards of 750 lbs. If you add the weight of the assistant, you've got 850lbs. That wouldn't be such a big deal except this big behomoth is spinning in the air!

I so want to see this thing in action!!! But, I don't think that is ever going to happen. It must have been a thing of true beauty. In fact, Percy Abbott, in his biography, A Lifetime of Magic, says this about the illusion, "This was a beautiful and spectacular effect. I can safely say one of the most beautiful I have ever witnessed and, believe me, to make that statement after viewing magic for more than sixty years, is unusual."

Does anyone know if any of the 5 Spinning Cage/Lantern Illusions exist anymore?

The Illusionists Open on Broadway

The ILLUSIONISTS has officially opened on Broadway. It's been a while since a big magic show has been to Broadway. David Copperfield brought is Dreams and Nightmares Show there years ago. And before him Harry Blackstone Jr. brought his show to Broadway. I guess the only one before them was Doug Henning who really started it all. Or more appropriately, Doug Henning restarted it all at the Cort Theatre in NYC with The Magic Show.

But now, rather than one man holding the stage it's Seven! And an interesting mix of magicians it is. The show includes: Kevin James, Dan Sperry, Andrew Basso, Aaron Crow, Jeff Hobson, Adam Trent,  and Yu Ho-Jin. Each has their own particular brand of magic, which is why they are described by titles such as The Inventor, The Manipulator, The Trickster and so forth.

They have been touring the WORLD for quite some time, but this is their first time in the USA. Wonder what New Yorkers think of the show? Read the review below........it's hard to get a better review than that!

http://www.thewrap.com/the-illusionists-theater-review-its-a-magic-show-thats-houdini-times-seven/

The Illusionists go on Tour of the US following the Broadway run. Check out their website for more information on tickets and tour schedule.

What Came Before The Rabbit and Hat?

When lay people think of magicians, one of the first things that comes to mind is the Rabbit and Hat trick. Thanks to John Henry Anderson, the Great Wizard of the North, this effect has become the most iconic image of the magician. It dates to the Victorian era by the way. But there is another creature that has been the magical sidekick to many magicians, probably even before the Rabbit. That creature is the Goldfish.

I am not really certain who produced the first goldfish via magic, but I do know that it was in the act of Robert Houdin in the 1850s. If Houdin had it, then so did John Henry Anderson who got a great deal of his act from duplicating Robert-Houdin's act. Robert Houdin produced a bowl of goldfish. Magicians since that time have created many wonderful illusions with these little guys.

In Vienna Austria, probably slightly before Robert Houdin was Johann Hofzinser who presented a

Fountain of Love

very interesting effect called The Fountain of Love.  It begins with a glass goblet containing some sort of murky dark water apparently from the 'Fountain of Love'. A borrowed ring is tossed into the water to test whether the volunteer who lent the ring has true love, for if he/she does, the water will turn crystal clear. The performer covers the glass goblet with a scarf for a moment and then when it is removed the water can be seen to be clear and there are a a couple goldfish swimming inside the goblet. But the even more amazing part, one of the fish apparently has the ring in it's mouth! A net is used to retrieve the fish and the ring.

Hofzinser continued to develop the trick and eventually developed a slightly different routine he called 'The Ink of the Enamored'. The effect was similar, but the method had been changed.  A very primitive version of the trick is sold as 'Ink to Goldfish' today.

Chung Ling Soo presented an effect called Aerial Fishing where he would take a fishing pole and cast it out over the heads of the audience and a fish would appear on the end of the line. The fish would be reeled in and removed from the line and dropped into a fish bowl. Then the effect was repeated several times. Today, Mac King presents a slightly streamlined and very funny version of this effect.

Jack Gwynne, the illusionist, was known to magically produce a stack of goldfish bowls. This was one of his signature tricks. In fact, this particular trick is so associated with Jack Gwynne, that the Stack of Goldfish Bowl Illusion is actually etched into his tombstone! Jack Gwynne also had a Goldfish bowl illusion where he would produce a woman from a large goldfish bowl.

Maybe the craziest and in some ways coolest fish trick of them all is the Educated Fish by David

Devant. In this particular trick, the Magician has a large bowl of water and fish. On the bottom of the bowl are cards with letters on them. Words are chosen by audience members and written down on a blackboard. The fish them proceed to spell the words! They apparently hit the cards as they swim around and then the proper letters gradually float up to the surface! I told, crazy, but oh so cool.

As mind boggling as the effect seems, the method to produce the illusion is even crazier. Unfortunately, I don't give away magic secrets on this blog, but you may want to check out OUR MAGIC by Maskelyne and Devant  just to discover how the illusion works. To top things off, I had heard someone recreated this trick for one of the magic conferences a few years ago! Wow.

Today, Teller from Penn & Teller, presents a version of Miser's Dream in which coins are produced from a large tank of water. At the end of the routine 100 goldfish are magically produced as well. Interestingly, on page 283 of OUR MAGIC a very similar effect is described in the same article about the Educated Fish. Given that Teller is well known for his knowledge of Magic History, I guess it's possible that this was the source of his inspiration. The routine described in the book is a Misers Dream where the magician produced handfulls of coins and they are dropped into a large glass bowl on stage. It doesn't say if the bowl contained water, nor does it mention anything about a goldfish ending. Those additions are Tellers.

I too have ridden the Magic Goldfish Train. In fact, some of my friends jokingly call me the Goldfish Magician because of the countless number of ways I've developed to magically produce fish. I even do a goldfish routine in my School Assembly Show, but it uses fish images rather than actual goldfish.

David Copperfield has a really interesting goldfish routine where water mysteriously vanishes and the reappears in a glass and then with his barehands he produces a quantity of fish. 

My favorite Goldfish trick by someone other than myself is by Luis DeMatos. The first time I saw his routine I was blown away. I had been working on a similar thing myself but ran into a problem. When I saw his routine he had something unique, a cloth with a large hole in it. This allowed him to reach into the tank while it was covered.  About ten years ago, I emailed Luis and asked for permission to use this same cloth with a hole and he kindly gave me permission. I honestly don't know if he uses that anymore. I know though I used it for a time, I eventually moved onto other ways of producing fish.  But still today, I think Luis's routine is fantastic. The amount of fish that appear is astonishing. It's a beautiful effect and I'm glad he still performs it

I'm currently working on a NEW Goldfish effect for my Steampunk Illusionist Show. I'll post a link to it once it's completed.

Magic Auction A Few Hours Away

November 15th, Haversat & Ewing Galleries will be holding an auction of some really great magic items. There are Houdini items, Blackstone Sr. and Jr. pieces, a Chung Ling Soo Poster, and some Kellar items as well. In addition there are quite a few books and various letters which will be in the auction.

My two favorite items: The Marlin Daily Handcuffs that were once Houdini's and The Stack of Fishbowls.....Ok, I'm an odd one, lol. There are some wonderful pieces in this auction. Good Luck to All the Bidders!

http://www.haversatewing.com/ Auction begins at 11am.

The Old Magic Theatre Has Sold

Well it's official, the Cabot St. Cinema Theatre, which was once home (for 37 years) to the incredible Le Grand David and His Own Spectacular Magic Company has sold. When it was first announced that the theatre was for sale, I must admit I feared for the worst. I was scared that a developer would come in and tear down the old theatre and put up condos. Just one town over, in Salem, there was once a theatre. In fact there is a fairly well known photo of Houdini's props sitting out in front of the Theatre making an incredible display. That theatre was torn down ages ago.

I recently learned that there had been some 20,000 live event theatres back in the heyday of Vaudeville and now about 250 remain. Thankfully, the Cabot will be one of those that stays. Apparently, it was sold to a group of townspeople who plan to turn it into the Cabot Performing Arts Center. BRAVO!!! And they've announced a bit of renovation as well. First up will be installing new seats. Having sat in those Cabot seats many times, I can say, yep, that is needed! I'm not sure what else they plan to do, but I for one am happy the old theatre is staying a theatre!

It reopens Nov 14th, once again showing movies. Soon they'll also be doing live events. Probably no magic shows on the horizon, but with the popularity of the new touring shows, The Illusionists, Masters of Illusion, and others, who knows?!

I will make one suggestion though, if anyone of the new owners cares. You should acquire one of the LGD Original Paintings and permanently mount it in the Lobby. Had it not been for Cesareo and the many many many cast members, and family members who worked on the LGD show, that theatre probably would not be standing today.

By the way, an interesting side note, the Theatre officially sold on Oct 16th, Cesareo's birthday.

The new theatre comes with a new website www.TheCabot.org

The Magic Detective is IN the Linking Ring

Sammy Smith, editor of The Linking Ring, the Official Magazine of the International Brotherhood of Magicians had contacted me back in September and asked if I could write a review of the HOUDINI/History Channel Movie for the magazine. I said, "Sure!". Afterall, I had already written one for my blog. But I wanted to expand on a few things and delve a little deeper into the movie than I had initially done in my blog article.

The article is in the October 2014 issue of The Linking Ring. It's titled "A Magician's Guide to HOUDINI-The MiniSeries." Please check it out if you get a chance. I have had more people contact me regarding that article than just about anything I've written before. It's always nice to hear from people and it's even nicer to know people appreciate what you write.

Blackstone's Elusive Moth Strikes Again!

This past weekend was The 2014 Yankee Gathering in New England. I missed it unfortunately. But thankfully two of my friends who did attend did something rather special. Those two friends are Rory Feldman and Adele Friel Rhindress. Rory is the owner of the Thurston Show...well pretty much. If Thurston were alive and wanted to find some of his show items, chances are Rory has them in his fantastic collection. Adele is a living treasure. She worked on the Blackstone Sr. Show from 1947-1950.

Rory had some silent footage of the Blackstone Show and he video taped Adele watching the footage. She gave a play by play analysis of what was going on and who was in the footage. The one unfortunate part is that it's only 14 minutes long. Once you see it you'll wish it was an hour or more. Adele's recollection of the events is amazing and I love how she describes the various illusions.

Thank You Rory and Adele for this incredible video!

Me and Houdini 1953

I have a personal annual tradition, on Halloween each year I watch the 1953 HOUDINI movie starring Tony Curtis and Janet Leigh. This was the movie that first inspired me to get into magic and search out the life and world of Houdini. IF you're new to The Magic Detective, my name is Dean Carnegie and I'm a full time magician and have been for nearly 20 years. Let me tell you about my early days and how this movie played a role in my magic life.

The movie starts with a fun scene with a young Houdini performing as part of a side show. Among the tricks he does is vanishing some milk and turning it into evaporated milk. Seeing this tonight sparked a great deal of memories that I had long forgotten. The memory of a young 7 year old boy pouring milk into a paper cone, only to have it gush all over the kitchen floor. Then only a couple years later to add the Vanishing Milk to my early shows....doing it the correct way at that point.

I remembered my fondness for Hamburg 8 handcuffs, and that was due to the scene in the movie where Houdini is short some money and his wife questions him and he says he had a chance to get 'a bargain' and produces the cuffs. A moment later he escapes from them and I remember being quite struck with the way that escape was done. Tonight as I was watching the movie and recalling my first set of Hamburg 8s it occurred to me that my cuffs may have been stolen about a year ago today. When I say stolen, it's more likely that I forgot them and someone picked them up and they're gone now. I've searched a number of times for them and I can't find them anywhere...though my storage unit is a nightmare so they might still be there.

I remember the scene with someone I always looked up to and actually used to correspond with fairly

often, Bill Larsen. This is the very same Mr. Larsen who would later go on to run Genii Magazine and along with his brother Milt, the Magic Castle. Bill appears in the movie during the scene where Harry and Bess attend a dinner which turns out to be a Halloween Magicians Dinner.

That also triggered the memory of meeting Mr. Larsen for the first time. Not at the Magic Castle however. It turns out that the very first time I went to see Le Grand David in Beverly Mass, that Bill and his wife Irene were also attending for the very first time. I saw Mrs. Larsen standing by herself in the back of the theatre and I looked around and sure enough there was Bill Larsen. I went up and introduced myself and got to speak with him for several minutes. Sadly, that was the only time I would ever get to meet Bill. But his kindness and all his advice he had given me through his letters have always meant a lot.

One of the many wonderful things about this movie is that Tony and Janet actually do perform a lot of the magic. There is a scene were the are performing the Houdini-Metamorphosis trick, also known as The Substitution Trunk or Sub Trunk. It's a great scene and if you watch closely you'll see Janet Leigh struggling to catch her breath during the shot. The whole scene is shot with one camera I believe, no cut-aways. 

Now as strange as it is, I never really added the Sub Trunk to my show. I did perform it a couple times, but I think because so many other acts were doing the sub trunk I just left it out. That didn't stop a young 8 year old magic fan from doing escapes from trunks. That's right, my first magic show that I ever did featured and escape from a large blue box, which was actually my toy box that my Dad had built. I had my brother and best friend Billy wrap the outside with ropes and chains and locks and I escaped at the end of the show from this trunk. I didn't have handcuffs at the time, so my hands were wrapped in a bicycle chain and I got out of those as well. I was a daring 8 year old.

Years later I actually built a sub trunk with my Dad. But again, rather than use it as the regular Substitution Trunk routine, I used it as a packing box escape. I would leave the box and the lid at a venue for examination. We'd put a big poster on the box promoting the show. Then at showtime I would climb inside that thing and get out. I still remember the reaction from a friend who had hired me to do this very thing. I knew he had spent a good deal of time with the box and the lid and he was dumbfounded when I got out. Come to think of it, that was a Halloween gig too.

Another scene that always stuck with me was a brief scene just before Houdini attempts the escape

from the Pagoda Torture Cell. In the scene two gentlemen come up with a challenge restraint, a Steel Straight Jacket. Oh my God, that was the coolest thing I had ever seen! All my life I always wanted one of those. Then...I got one. I was no longer 8 years old, lol. The first routines I did with the Steel Straight Jacket were similar to what was done in the movie. I did that for a while until I realized there was more that could be done. In one show, I presented the SSJ kind of like the sub trunk, in that I was in the jacket first, and then a few moments later, I was free and the jacket was on a friend of mine.

Still later, as my mind moved from thoughts of magic and into escapes, I saw the potential for even stronger routines. I used the SSJ to close the show at my Underground Magic Theatre for one season. That was also the year that I met Steve Baker the famous escape artist known as Mr. Escape. I sent him a video of the routine and we talked about ways to improve it further. He had so many fantastic ideas and there was no way to include them all. But the key ones I did eventually use. The last time I performed the SSJ was at the National Theatre in Washington D.C.. I performed it two times and during the first show wanted to test out an idea. I had always heard that modern audiences would not sit through long drawn out escapes like they did in the time of Houdini. But I always heard this from folks who didn't do escapes. So I figured, why not test the theory. I struggled and struggles and even tore my shirt and did some very unorthodox things to get out of the jacket. The audience sat there spellbound. In the show that followed I did the SSJ again, but this time without all the lengthy drama. There were people present who had seen both shows and they immediately asked about the difference in the performances when it was over. They were very intrigued and frankly, I was thrilled with their interest.

At the conclusion of the movie, Tony Curtis as Houdini dies trying to attempt the Pagoda Torture Cell or what we know as the Water Torture Cell. This scene and an earlier scene where Houdini is trapped under the frozen Detroit River after doing a packing box escape, made me very aware of the dangers of escapes and water. But it didn't stop me, I was just careful. I used to practice several times a week escaping from handcuffs underwater. My method was quite ingenious. At the time, we lived on a farm. I would clean out the water troughs that were used for the horses and fill them full of clean water and work on the escapes underwater. My chosen method of escape was picking the cuffs underwater. At the time I was unaware of something called 'bridge jumpers'. But it was still good training.

Here is an interesting thing I had also forgotten. When the movie opens up, this picture is the first

thing you see. Houdini's name written in Black and Red bold faced letters. Don't ask me why this stuck in my brain, but it did. Not long after I had decided to do magic full time, I had a huge banner made with my name written just like that, in black and red letters. It was to promote a series of theatre shows and it looked very cool.

It's amazing to think just how much that movie inspired and even shaped my magic career. A lot of it I really didn't pay much attention to, but now that I look back, it's quite ironic. And to think, most of that movie was fiction! What kind of trouble could have I gotten into if they had made a truthful movie??? Well, they did eventually with Paul Michael Glaser. That movie was called The Great Houdinis. And yes, that movie also played a part in my early magic years, but that's a story for another time.

Houdini Gone 88 Years

I think the picture says it all. He died 88 years ago today, October 31, 1926.
We Miss You HARRY!

Masters of Illusion LIVE - Review

Once Upon A Time…….You could go to a theatre regularly and see a magician or several magicians perform LIVE. That was called the Golden Age of Magic and the Golden Age of Vaudeville. Then along came Movies and then Television and all that stopped. The field shrunk down to only a few big time traveling illusion shows, Blackstone Sr. was the main one. But even Blackstone had difficulty as time went on.

Then, there was a time when there were none. At least, none of the big traveling shows. Until, Doug Henning came along, followed by David Copperfield and around that same time Harry Blackstone Jr.. Each one of them had great runs. Two of those great artists died before their time, Henning and Blackstone Jr..  After David Copperfield stopped touring, that seemed to be it. There were no big traveling magic shows.

All that has changed, again. For the past few years a little touring show has been moving across the country called Masters of Illusion. This was followed by a summer TV Series on the CW Network, also called Masters of Illusion, this past summer (2014). The TV show featured different magicians each week demonstrating their various talents. The LIVE show has a revolving cast and I assume all of them have appeared on the TV show at some point.

I saw the show at the Warner Theatre in Washington D.C. this past week. I am happy to say there was a very big crowd. I am unhappy to say, there should have been a bigger crowd, because it seemed one segment of society was missing from the audience, the magic community. I think I spotted two other magicians in the audience and that was all. There could have been more, but I remember the days when the magicians would flood out to see a show like this. WE as the magic community have a responsibility to support our fellow artists. (ok, I’m off my soapbox now)

Back to the show. The performers I saw were: Drexus, Titou from France, Farrell Dillon, Greg Gleason, and Rick Thomas. Some of the names I was familiar with, some I wasn't. First up was a video of Farrell Dillon where he did an interactive routine with the audience, which the lay people really enjoyed. Then an illusion act called Drexus was up. He is a tall masked gentleman who did a Fire Cage production (minus the fire, due to restrictions imposed on the company at this venue). He followed with an origami illusion. Both well done. 

I'm not 100% on this order, but I think Titou from France was up next. Here is a very likeable and funny performer who had some great one-liners in his set. He did the first audience participation routine and it was very well received.  Look forward to seeing more from this fellow in the future.
Greg Gleason was up next and his first set started with a very unusual Broom Suspension Illusion using a chair and a feather boa. I can't recall seeing anything like this before and really liked it. His assistant was superb and has a million dollar smile. Greg did several routines which I won't reveal because I don't want to spoil the surefire surprises for anyone who has yet to see the show.

Farrell Dillon was up doing his first set of manipulation. I like Farrell, I think he is extremely clever and very talented. He is basically doing Chavez style manipulations but he is doing them with very funny patter. He has taken a tired old 'seen it a million times' type of magic act and made it fresh and fun. 

Rick Thomas was also on hand. Rick is well known for being one of the big Tiger/Animal acts in magic. But on this show, no animals at all. Rather it was Rick and minimal props and a lot of personality. His first routine was a Chair Suspension that looked like a Zany Blaney Ladder Levitation. He did the routine with a boy from the audience and just brought the house down.  Great stuff.

There was a short intermission allowing folks to get something to drink or buy something from the Masters of Illusion Traveling Store. It looked like they did quite well with back of the room sales, which is great for any show. 

I totally enjoyed the first half of the show. But let me say, the second half of the show was about as good as it gets in the world of magic. The energy level went up and up after each act. The audience, who had been very receptive to the show from the start, was now moving towards a fevers pitch. Each act was hitting a home run. I'm not revealing any of the routines from the second half except for one.


Rick Thomas presented a mini illusion called Liquid Glass. It's a routine created by Jim Steinmeyer and based on an effect of Peter Warlocks. Basically, it's a needle through glass trick done on a larger scale. I have seen it done before. I ALMOST bought one a couple times.  Well, when Rick Thomas and his assistant Tara came out, they killed with this prop. In fact, it was so strong, so entertaining, so dumbfounding that all I could think was, "Rick Thomas needs to do a lecture on THIS!" His presentation was brilliant. It had everything you could ask for, it was visually interesting, it was fun to watch, it was energetic, it was funny, it was dramatic, it had movement, class, style and importantly, it was easy to follow, it was crazy good. It's a good trick to begin with, but he brought it to the level of fantastic. 


The Liquid Glass routine was not the closer to the show, there was much more to come following that routine, but it was such a stand out piece to me, I wanted to make a special notation of it. From an audience stand point, it’s hard to say what their favorite routine might have been. Maybe the Wakeling Sawing where Rick Thomas allowed 20 people to join him onstage. Perhaps it was the breathtaking closer to the show, or the hilarious Straight Jacket Escape by Farrell Dillon. It’s just hard to say.

Here is what I can tell you about the show. I watched the spectators, the lay people, from the moment they came in the door. I was really quite surprised at the number of couples that attended, what a great sign. There were children and families who came, but not as many as I would have thought (it was a school night, so that might play into it). The age range was all over the board, people from their 20s right up to Seniors. This was a very ethnically diverse audience. I’d say it was equally split between males and females. The one thing they all had in common, they were having a great time! They got to see top notch magic, excellent comedy, and some really beautiful moments of illusion.

This production is Gay Blackstone's baby. I know there are other people involved, but Gay brings decades of experience to this production and it can be seen in every aspect of the show. She deserves the credit for finding the great talent and structuring a show that allows each act to shine equally. I’m sure if you looked closely you would see her fingerprints on almost every aspect of the production. This is a show to be proud of for sure.


I want to share a bit of personal history. I saw my first professional magic show as a kid at the Warner Theatre many years before. I sat with my parents and brother in the third row from the stage. I was seeing Harry Blackstone Jr. for the first time. He toured with a big production, a live orchestra, and a big cast. I remember vividly when he walked out on stage and made that birdcage vanish. I remember him stepping backstage to get a second cage and repeating the trick, this time with audience members touching the sides of the cage. I remember later in the show the Floating Light bulb, which floated down into the audience only a few feet from where we were sitting. I remember a Patriotic Drum routine where hundreds of flags were produced out of it and eventually a person. I remember the Flower Garden routine. Hey, it was my first real live magic show and I can remember almost all of it.
Seeing the Masters of Illusion Show at the Warner was a continuation of this incredible Blackstone tradition. For the audience, it was an evening of wonder and laughter and the very best kind of family friendly entertainment!

PLEASE Be sure to support this show if it comes to your area. Tell your friends, your family, your co-workers about the show and where to get tickets. Trust me, they’ll be happy you did!
http://www.mastersofillusionlive.com/ 

By the way, be sure to check out the October 2014 Issue of Genii Magazine with the Masters of Illusion LIVE TV Show on the cover!

New Episode of Magic Detective Show Season 2 Ep 5

Well turns out I missed last week. Just been busy since I got home from my trip and I've not been able to keep up. However, I do have the new episode up and running. It starts with another trick from the world of Professor Hoffmann. I found what I thought was an unusual trick with a borrowed pocket watch that appears inside a glass of milk. I presented the trick as per the instructions in the book, along with a homemade gimmick that I made fashioned after the one Pro. Hoffmann illustrated. I did have to make a few modifications because in the book the magician gets the help from an assistant. In this case, I had to do everything. One thing I found was that this was a fairly tricky thing to pull off. Despite how it might appear, a mirror glass is not used. The glass that is turned and shown empty and then filled with milk truly has NO pocket watch inside when the milk is poured in. At the conclusion of the trick the pocket watch appears to be dripping with milk, however that is all part of the illusion and the watch is never in any danger. It's definitely a stage trick only. Interestingly, there is a trick in Tarbell where a borrowed watch appears in the soil of a potted plant that has similarities to this effect.

The last item on the show is a photo of FuManchu's grave which I received from Martin Pacheco. I had always heard and I also read it in Genii, that David Bamberg/FuManchu got a burial at sea, in other words his ashes were scattered into the ocean. It turns out this was wrong and indeed he was buried in Argentina. But because there was no upkeep on his grave, Bamberg's remains were eventually moved to a common grave and the whereabouts today are sadly unknown.

Enjoy the episode. It may be a week or two before the next one is up. I've got a busy schedule of shows and some personal things to tend to. By the way, sorry for the slightly blurry footage this week. I'm not sure what was going on, but I was in a rush to get it all shot and this was the result.

Houdini's Rose Bush and GENII Magazine

I love Genii Magazine! It was the first magic magazine I ever purchased as a kid. I'm so grateful it continues to this day. Each month it's sort of a fight to see which of two articles I will read first, Jim Steinmeyer's Conjuring column or John Gaughan's Chamber of Secrets column. This month I read John Gaughan's article first and let me tell you what, fellow Houdini fans, your head will explode!

In the October 2014 issue of Genii, John's column is sub-titled "Houdini's Blooming Rose Bush and Flower Cone. The photo at the top of the page is the 'OTHER' Houdini Blooming Rosebush, which is in Ken Klosterman's collection. But trust me, that photo above is nothing compared to the photos in the magazine. In the article you'll see an exposed view of the inner workings of this magnificent piece of magical apparatus. And just as soon as you think you've seen it all, then comes the Flower Cone.

The Houdini Flower Cone was an illusion used in his final tour and can be seen in HOUDINI His Legend and His Magic by Doug Henning and Charles Reynolds on page 122. But in the book you only see a black and white image which is not exactly high resolution. In the Genii issue you'll see the actual cone and the flowers in full color!!! It's breathtaking and you must check it out, NOW!!!!!

Also, be sure to check out the great article on the Masters of Illusion Show! This is a touring show as well as a TV show. Every magician should be watching and or attending this production!

The Oct 2014 Issue of Genii Magazine

LeGrand David Bronze on Ebay

Just a few months ago the historic auction of Le Grand David Magic items was held at their theatre in Beverly Mass. Among the items for sale was the Broom Suspension Bronze created in 1984 by David F. Bull, father of David Bull who portrayed the character Le Grand David in the show. The bronze depicts an actual scene from the show of Marco the Magi levitating David on a broom surrounded by other cast members.

This bronze sold at auction for $8,000.00. Well now the bronze is back on the auction block and the price has gone up, a lot. The asking price is $75,000.00 or best offer. I can tell you in my opinion the $8,000 was pretty low so the person who purchased it got a bargain. As for the $75,000 price, that is up to the person who wants it. This piece is much more than a magic collectable, this is real art and real art carries these type of prices.

There are actually three of these, but only one is being offered for sale. Of the two remaining, one is in the Ray Goulet Magic Museum and the other is in the American Museum of Magic in Marshall Michigan. 

The link to the ebay auction is here http://www.ebay.com/itm/Monumental-Magic-Bronze-Iconic-Le-Grand-David-Rare-Subject-Shows-Action-/321525251223?pt=Art_Sculpture&hash=item4adc65fc97

The Fawkes Egg Bag

Magicians are quite familiar with the effect known as The Egg Bag. Most magicians today know the Malini Egg bag, made popular by Max Malini, Charlie Miller and Johnny Thompson. There are other egg bags all of which bring about the same results with only a slight modification in method. But there is an egg bag lost to time which seems to rear it's head every hundred years or so. THE BIG EGG BAG or what I'd like to call The Fawkes Egg Bag.

Sir Isaac Fawkes was a 18th Century Magician from England. I wrote about him once before on this blog, the article can be found here.

The highlight of his act, or the centerpiece of his act was a large egg bag routine. The modern day egg bag is made from 2 squares of fabric about 8 inches by 8 inches sewn on three sides. The bag that Fawkes used was much larger. The modern day bag produces and vanishes a single egg. The Fawkes bag was more involved. Here is a description of his bag routine from The Annals of Conjuring by Sidney W. Clarke.

"He takes an empty bag, lays it upon the table and turns it several times inside out, then commands 100 Eggs out of it, and several showers  of real Gold and silver coins, then the bag begins to swell, several sorts of wild fowl run out of it upon the table."

THAT is a killer piece of magic! The Malini Bag can't do that!!! The Malini bag which is the modern version, is also a stage or platform trick. By all accounts, Fawkes might have been doing this platform or possibly close-up. I'm sure other magicians copied the Fawkes Bag routine and overtime it fell out of fashion. The Fawkes Bag is revealed in the book HOCUS POCUS The Whole Art of Legerdermain by H.Dean 1727. Oddly, the method described only shows producing less than a dozen eggs, so either Fawkes version was different, or he exaggerated a little in his advertisements.


In 1786, David Leendert Bamberg was born. He was the third in the line of the Bamberg Magical Dynasty. According to Harlan Tarbell in Tarbell #5 pg 345, it was David Leendert Bamberg who invented the large type of egg bag.  As Bamberg was born 50 years after Fawkes had died, I'd say that he either 'reinvented' an old favorite with a slightly new way of performing the effect. His son, David Tobias Bamberg also used the large egg bag to great effect in his shows. David Tobias Bamberg was known as Papa Bamberg and was the father of OKITO, Theodore Bamberg.

The Bamberg Egg Bag can be found in Tarbell #5. The method is interesting and after producing 15 eggs it is then followed with the production of a chicken.

Del Adelphia, known as the Cowboy Magician, also performed the large egg bag in the late 1800s. His routine is described in the new book by Mike Caveney called The Conference Illusions, which is book 2 of a set called Mike Caveney Wonders. Del Adelphia was using the Bamberg Bag. The difference in his routine he apparently only produced 8 eggs and then 2 live chickens.  Mike Caveney set about to recreate the effect developed by Del Adelphia but Mike's methodology was quite different from what Del used.

I have always been intrigued with this 'large egg bag' premise. Ever since I first saw the images of Sir Isaac Fawkes in an old magic book, I have wanted to perform this piece. The Tarbell Course kept my interest cooking and then in 2010, I saw Mike Caveney present his version LIVE on the Essential Magic Conference. I say LIVE because I watched the streaming version online before it came out on DVD. IT was indeed fantastic and in addition, I was fooled by the routine.

Well, fast forward to 2014. I am now working on a version of the Large Egg Bag. Mine will hopefully have elements of the all the different versions and with any luck a completely different ending. Below is a photo of the Fawkes Bag created by a master seamstress, my MOM! She has sewn a number of things for me that are all amazing pieces. I'm hoping this particular creation lives up to the skill and artistry she used in making this incredible bag. MY version of the Fawkes Egg Bag will appear in an upcoming episode of The Magic Detective Youtube Show.

The Magic Detective Show Season 2 Episode 4

On this weeks episode I share some old Victorian Style Magic. The effect was known as The Magnetized Cards and is a very cool routine that uses cards in a none pick a card fashion. Also, I'll be showing another one of my magician figurines.

Enjoy!

The Magic Detective Show Season 2 Ep 3

It's time for another episode of the weekly, or semi-weekly, Magic Detective Youtube Show, the five minute online magic history show. This week, I share a new acquisition with you, a piece of apparatus that comes from the book Modern Magic by Prof. Hoffmann. Also, I share one of the large statues from the collection of magician figures! In the coming weeks, I hope to share material from the various Prof. Hoffmann books, as well as Greater Magic, the Tarbell Course and more.

The Houdini Miniseries-A Tale of Two Movies

I'll begin by throwing all my cards on the table.....This is the movie that could have been and should have been the greatest Houdini movie of all time. I think all of us in the magic community had very high hopes, maybe too high. With the History Channel's track record of fine productions, we certainly expected to get a quality film. Did we? Read on.

As far as acting, set design, costuming, cinematography, all very well done. Some of the attention to detail was incredible, like the recreation of Houdini Posters with Adrien Brody's image.  As far as the story, that's where the wheels come off. The story on Night 1 was so full of errors and fabrications I was truly stunned. But then Night 2, though it still had a few errors, the movie was so much closer to the true story. It was almost as if they had been written by different people.

I'm puzzled by the copying of material from the Tony Curtis/Houdini movie. That movie was mostly fabricated, but still fun. And a number of the elements of that movie find their way into this movie. For example, the wedding night/bedroom scene where Houdini has his wife climb into a box. In the Tony Curtis movie Bess gets into a sawing in half box. In the Adrien Brody movie, Bess gets into a trunk, and it's a little unclear why.

The Original Under Ice Scene

Later in the film there is a bathroom scene where Houdini is in a tub of ice, this is straight out of the Tony Curtis movie. And the whole under the ice escape scene is borrowed as well. In Tony Curtis movie Houdini claims he heard his mother's voice and that is how he found the hole in the ice. In the Adrien Brody movie, same thing. The only difference was in the Curtis movie it was the Detroit River and a packing case escape. In the Brody movie, it was the Mississippi and a Bridge Jump.

There seemed to be less borrowing of ideas on Night 2. But there was some real glossing over of things, like Houdini's film career. It was there and gone very quickly and didn't get the amount of air time it deserved. His exposure shows were not even featured. They did show him at seances proving the mediums were faking things, but that's where it stops. In real life Houdini added the exposure of mediums to his show and from all accounts it was loved by audiences. OH and Theo, man he got the crap end of the deal, almost no air time. As for Houdini's other siblings, not a word.

Then there were some real gems in the movie as well. The scene with Houdini and his doctor near the end, wow. The scene with the Lady Doyle Seance was really quite enthralling. The scene featuring the Cannon Escape, excellent.

So where does that leave me? I didn't really like Night 1 at all. But Night 2 I really enjoyed. Now, please understand, I was watching night one through the eyes of a magician and Houdini historian. Night 2 my expectations were lowered and to my surprise, Night 2 was really quite good except for one thing. I felt a little disappointed when the movie didn't run the full two hours. I understand there is close to 30 minutes of additional footage on the DVD, but I would like to have seen it tonight.

Despite the fact I didn't care for the first nights showing, I can tell you I was in the minority. The movie had huge viewership and those are average everyday lay people.

The Houdini Bloggers saw their number of views shoot up greatly. I think John Cox with WildaboutHoudini.com was in first place hands down with 50,000+ views. I had around 10,000 views and Tom Interval reported he had an increase but didn't reveal any numbers. I'm sure the other Houdini bloggers also saw an increase of traffic on their sites so that is good.

OH, last night before the movie aired, there was an episode of Pawn Stars where Gay Blackstone was featured trying to pawn one of the original(?) Blackstone Vanishing Cages. My article on the Vanishing Bird Cage received 2000 views last night.

I spent a couple hours at lunch today with a friend who couldn't stop talking about Houdini and he is not a magician. Again, great sign. I'm really looking for all the positives from this movie at this point. I'm very grateful for the History Channel for putting this movie together, for the incredible Houdini-like publicity campaign and for all the magic-tie in commercials. The marketing department at A&E did a great job.

Yes, the movie could have been better, but it was not a total loss. Night two did a lot to salvage the movie from a magic history perspective. Remember, the History Channel wasn't making a Houdini Documentary, nor were they making this movie for the magic community. This was for the lay people and by all accounts the lay folks LOVED IT! The movie can only be good for magic and for Houdini's memory. As far as the falsehoods, well that's why the Houdini historians are out there to correct the record.

Finally,  WWHT? What Would Houdini Think? I tend to think, with the exception of a couple scenes, he would have loved the movie. Afterall, he was the original fabricator of Houdini stories!!!!!

Now in the words of Bess Houdini, "The Zero Hour Has Past....I now reverently Turn Out the Light...Good-Night Harry."

UPDATE: Watch for an upcoming issue of The Linking Ring because I took this article and expanded on it for the magazine.

The 30 Days of Houdini Celebration is Now Complete

Well, looks like I pulled it off. 30 Days of articles on Houdini. And actually, there were more than 30

articles. Sure, some were fairly light fair, but I also gave some meat in the mix. It sure was fun and it sure put my Houdini skills to the test, both as a researcher and actually as an escape artist. You see, there was something you didn't get to see. During the filming of The Magic Detective, I did a multi-handcuff escape. There were 8 pair of cuffs on my wrists and a pair of thumbscrews clamping my thumbs down. I have not done an actual escape for several years because I had an unusual injury (not related to escaping) that resulted in me being on blood thinning medication. So escapes were out.

But I picked it back up for this one time. I must tell you it felt pretty good and was also a little painful. The darbies I have are really too small for me now and dug into my wrists. The escape went really well. Later in the evening when I went to edit the footage I discovered the handcuff escape was not there. In fact, more than half of the video footage I shot was missing. I apparently must have forgotten to shut off the camera after one of the sequences and then every time I went to shoot a new one, I was actually turning the camera OFF! ARRRRRRRRRRRRRGGGH!!!

I would have reshot it, but instead chose to let you see the Steel Straitjacket routine from my old Underground Magic Theatre. I'm going to save the handcuff escape for a later date. You see, this is not the last of my Houdini Marathons. I have had plans for some time to do a number of them. The next one will begin sometime in the Spring and will be VERY different from this one. So keep your eyes and ears open for news.

To complete the month, below is the 4 minute trailer for tomorrow's History Channel 2 Part HOUDINI Miniseries. Thank you for reading my 30 Days of HOUDINI and enjoy the trailer and tomorrow, let's all hope for a Fantastic Night of HOUDINI MOVIE MAGIC!!!!

To check out all the 30 Days of Houdini articles, follow this link http://www.themagicdetective.com/search/label/30%20days

The Magic Detective Show Season 2 Ep 2

A special treat for the 30 Days of Houdini is a new episode of The Magic Detective. The show is a semi-regular weekly video blog on magic history, typically the episodes run about 5 minutes. This episode has two Houdini items and then finishes with an ESCAPE.

My interest in magic began with the Tony Curtis Houdini movie and one of the things that always stuck out to me in that movie was his Steel Straitjacket. I thought it was such a cool looking prop and a little over ten years ago I had to opportunity to have one made. My jacket routine evolved over time from the type of routine done in the movie to more of a true escape. The current version, is more intense than the one on this video, but I thought you might like to see it just the same. Enjoy!

HOUDINI In Washington D.C. 1906

The Sunday Star, Washington D.C. Sept 16, 1906

I have spent a lot of time following Houdini's footsteps while he was in the Nation's Capital, mainly

because I live in this area and can occasionally go down and check out sites for myself. Houdini was in town in January 1906 and had a very successful run. It looks as though demand for Houdini was pretty high because he was back in September for two weeks.

This time performing at Chase's Polite Vaudeville Theatre. Search as I have, I've been unable to turn up a photo of Chase's theatre. However, to the right is a program from Chases. The building has long been torn down. However, it was a very popular location during Houdini's time and he was in town doing his Straitjacket, Handcuff and challenge escapes.

Houdini began his run on Sunday September 16, 1906 featuring a standard stuff from his repitiore, but let's face it, his standard material was quite exciting. In one escape demonstration he was handcuffed with a half dozen pair of wrist and leg irons. During another sequence he was tied to a chair with several yards of rope by members of the audience. The final demonstration was his first challenge of the week. This is what the Evening Star Newspaper reported, "Possibly the most pleasing of his demonstrations was the simple manner in which he opened a pair of antique handcuffs from Greece, furnished by Andrew Alexaids, a local Greek interpreter, and an old-time pair of slave handcuffs. He freed himself from these manacles in full view of the audience, the slave-era handcuffs yielding when simply tapped on the floor."

September 17, 1906 the newspaper ad for Chase's says "Houdini-The World's Handcuff King and Prison Breaker, IN NEW AND SENSATIONAL ESCAPE FEATS AT EVERY PERFORMANCE. Police and Public Challenged to Test His Never Defeated Power." Also at the bottom of the ad it says that Houdini has been re-engaged for next week, so he'll be staying over an extra week.

September 18, 1906 the newspaper ad reads "Houdini Challenged! TONIGHT HE WILL ATTEMPT TO ESCAPE FROM A MURDEROUS MANIAC'S STRAIT-JACKET ...... CAN   HE  DO  IT?

September 19, 1906 the newspaper ad reads "Houdini's Greatest. Tonight he will attempt the most difficult handcuffs ever used to challenge him. Will he free himself???

September 20, 1906 the newspaper ad reads "HOUDINI IN A BAG! Challenged by Killian & Co., paper box manufacturers, Houdini will tonight try to escape from a big paper bag. Can he?" So far the week has been fairly normal material for Houdini. The Paper Bag Escape is something he would repeat in other cities.

September 21, 1906 the newspaper ad reads "HOUDINI BOXED UP Tonight he will attempt to escape from a packing case made by the packers of S. Kann, Sons & Co., Will he succeed?"

September 22, 1906 Houdini offers a twist on an earlier escape. Here is what the newspaper ad read, "HOUDINI IN A BAG No.2 Tonight he will try to get out of a paper bag tied at both ends. Will he do it? Come and See!"

September 23, 1906 marks the beginning of the second week. An interesting thing takes place. Because Houdini has been drawing so many people to his shows, the theatre has decided to open up the wings on the stage and ad chairs there! These seats come at a premium. In addition the newspaper ad for Sunday Sept 23, changes it's look at lists all of the weeks challenges.

There are articles in two different papers featuring Houdini in addition to the newspaper ads. One of the articles mentions that there will be a challenge escape at every performance in addition to Houdini's usual program of handcuff releases.

September 24, 1906 the newspaper ad reads, "HOUDINI's ORDEAL. Tonight he will attempt to escape from a maniac murderer's strait-jacket in full view of the audience. A thrilling event. Can he get out?" The following day another paper ads this report about the Sept 24 performance, "Last night he submitted to the demands of an insistent challenger who presented a manacle different from the regulation pattern required in the act. It took some minutes longer than the usual for Houdini's performance, but when he emerged from his cabinet, both hands were free."

September 25, 1906 the newspaper ad reads, "HOUDINI IN A CASE. Tonight he will attempt to escape from the Saks & Co., packing case, which will be constructed on the stage in full view of the audience."

September 26, 1906 the newspaper ad reads, "HOUDINI JACKETED Tonight he will attempt to escape from a Blackwell's Island insane asylum homicidal lunatic's strait-jacket, with leg bag and ropes upon him."

On September 27th there is an unusual change in the ads that appear in the Washington Time and The Evening Star papers. One of them prints an ad that reads, "HOUDINI IN ROPES Tonight he will make a sensational effort to escape from rope imprisonment in a chair." But the other paper has an ad that lists a whole bunch of challenges. That ad reads, "HOUDINI, The Mysteriarch of Manacles and Prisons. TWELVE CHALLENGE ESCAPE ATTEMPTS. Every Matinee and Every Evening Night. Houdini will make different Thrilling Tests of His Powers. Lunatic's Crib Escape. The Door Transfixion. The Ladder-of-death Suspension. The Witches' Pillory Confinement. The Invincible Paper Bag Release. The Iron Crate Incarceration. The Mammoth Football. The Greater Packing Case Tests. The Padlocked Leather Bag Escape. The Thrilling Hindoo Needle Feats, &c. &c. &c." There is one more article from the 27th, but I'm saving it for the end.

On September 28th he had a clever challenge put forth that reads like this, "HOUDINI'S ZINC CASE
Tonight he will attempt to escape from the Knabe & Co. Piano Export Packing Case, Lined with Zinc and Screw-Fastened, etc."

September 29th, 1906 was his final night of the two week run. Here is what the ad says, "HOUDINI'S FAREWELL Tonight he will conclude his engagement with a grand display of his power of manacles and strait-jackets."

That concludes his two week run at Chase's Polite Vaudeville Theatre. However, I wanted to reprint the newspaper article that appeared on Sept 27th, 1906. It's a little too long to just retype, so I am putting it below so you can read the entire thing yourself.

A Unique Houdini Music Video

Here is something cool, a music video featuring HOUDINI. Justin LaBlond is the musician who created this and I'm assuming he also wrote and sings in the video. One of my pieces of Houdini Art is also in the video.  Check it out!

Houdini's Needles in 1899

When I was doing the research for the piece on Houdini's Needle Trick, I came across a reference in HOUDINI-The Key by Patrick Culliton where Houdini was doing the Needle Trick as early as 1899. I just found an article from The San Francisco Call Newspaper dated June 25th 1899 and the title of the article is, Houdini in His Weirdest Trick of Chewing Needles. This is probably Patrick's source as well. The paper goes into great detail describing his routine. It's clear that Houdini was doing the Needles in 1899, and very likely earlier than that because he already has this piece turned into an amazing routine. If you've ever tried the Needles, it does take a bit of time to get used to placing the needles in your mouth as it is a bit unnerving for the performer let alone the audience.

Below is the complete article and notice the photo at the end of the young Houdini doing the Needle Trick!

Houdini's Cannon Challenge

Mutineers tied to cannons in the same manner that Houdini was tied to a cannon. They were about to be executed.

In February of 1911, Houdini was faced with an unusual challenge, one that was more dangerous than normal. The challenge reads as follows:

Chatham, Feb 14, 1911

Mr. Harry Houdini,
Dear Sir-We challenge you to stand in front of a loaded Government 8 cwt. steel gun, to which we will secure you, insert a fuse which will burn for twenty minutes, and if you fail to release yourself within that time you will be blown to Kingdom Come.

In lashing you to the muzzle of the gun we will place a rifle barrel between your arms behind your back, bringing your hands on your breast where we will securely lash them. Your feet we will tie to an iron ring which we will nail into the floor. Your body we will lash against the muzzle of the gun in such a manner that we believe it will be impossible for you to free yourself.

Test must take place in full view of the public

Signed by four petty officers of the Royal Navy.

According to the book, The Original Houdini Scrapbook, by Walter Gibson, Houdini accepted the challenge and found it to be very difficult. In Houdini's own words, "The situation required quick action. I struggled and worked at my best. I lived up to my reputation, and free myself in twelve minutes!"

There is a small wrinkle in the historical record however, according to the William Kalush biography, The Secret Life of Houdini, he says that the chief of police reluctantly allowed the demonstration to go forward and even allowed the cannon to be loaded, however, he did not allow them to light the fuse. But the story in the Walter Gibson book says that they did light the fuse. I don't have a newspaper account to refer to to find which story is correct.

HOWEVER

Fast forward to October 12, 1919, The Washington Times Newspaper reported that while Houdini was filming The Grim Game, he had accepted the challenge of four naval officers to be strapped to the mouth of a cannon in Pershing Square, Los Angeles. The Times reported, "The weapon was loaded and a fuse attached, but the police interfered before the trigger lanyard could be pulled."  The newspaper further reported "Houdini extricated himself from the ropes, which it had taken six minutes to tie, in exactly two minutes and a half."

I'm wondering if this is the cannon escape that Kalush was referencing but connected it to the Chaltham Cannon Escape. I have no problem believing that Houdini presented this escape two different times. He often repeated challenges in different cities. But the best proof would be newspaper accounts and so far I only have the one from The Washington Times. Eventually, I hope to find one from an L.A. paper.

I did some checking and discovered that Pershing Square during World Ward 1 was often the scene of militia receptions and was named after General Pershing, so it seems highly likely that there were cannons present for Houdini to actually do this escape.

The upcoming HOUDINI-Miniseries will feature Adrien Brody escaping from the mouth of a cannon. I saw a still image, and it looks like an older Houdini, so my guess it was 1919 Cannon escape.

Finally, Steve Baker, who was known as Mr. Escape during his performing career, presented a Cannon Escape as well in the early 1970s. His version was called 'The Human Target and a photo collage can be seen below. Steve's version had no cannonball, but did include gunpowder and the fuse. This was during a period of time when Steve was trying to duplicate all of Houdini's escapes.