Houdini's Week in D.C. Feb 1912

(Library of Congress)

Houdini opened for a week at the Gayety Theater in Washington D.C. Feb 12, 1912. He would play the Gayety until Saturday Feb 17th. The Gayety Theater was located on 513 9th St. NW Washington, D.C. The Gayety opened in 1907 on the street known for it's theaters and nightlife.

According to an ad in the Washington Times on Feb 12, "Houdini-the Handcuff King, Who will perform astounding feats with locks, straitjackets, and handcuffs at every performance. The Original HOUDINI." The ad also mentioned that Houdini would perform twice a day, a matinee in the afternoon and then again in the evening.

Through newspaper records I've been able to track Houdini's performances for the week. It would appear that his opening on Monday Feb 12, he presented a number of feats and then let the audience know of the first 'challenge' for the week. This would take place on Tuesday evening Feb 13th. I will print exactly what it says in the newspaper ad.

"HOUDINI-the Handcuff King Has just been challenged to escape from an airtight galvanized iron tank into which he will be locked by the Jos. Schlitz Brewing Co., after they have filled it with beer. Tuesday Night"

So here is 'Challenge 1' and it's obvious that this one was orchestrated by Houdini. The 'airtight galvanized iron tank' is Houdini's Milk Can escape, but filled with beer rather than the usual water. And instead of hauling it out as his original invention, it's presented as a challenge from the Brewery.

On Feb 14th, Houdini is again challenged. Here is how reads the ad for the Gayety Theater promoting this escape.

"HOUDINI the Handcuff King, HOUDINI has been challenged by the Beacon Shoe Company. They will search him, rope him and nail him in a box they have built and out of which they wager he cannot escape."

Things get really interesting on Thursday Feb 15th. The Gayety takes out a larger ad, this time promoting ONLY Houdini. In addition, small articles on Houdini appear in two different newspapers. One of those articles is promoting his challenge for that evening. The other article is quite telling. The headline for this article reads "Houdini Does Magic For Newspaper Men". This time, rather than go to the newspapers office, he went to the National Press Club. He presented some card manipulations and tricks with cards and then finished with his famous Needle trick.  Houdini must have given this exhibition for the Press Club sometime in the afternoon. The National Press Club is only a couple blocks from where the Gayety Theater was located.

On Feb 15th, Houdini actually presented not one but two challenges. The afternoon challenge is by the Blacksmith Gussmans. The evening challenge is by the Seaman Gunners from the U.S. Navy Yard which again, is not too far from the theater. You can see that ad to the left.

On Friday Feb 16th, Houdini again gets a small article featuring his upcoming escape for that evening. In addition the two big papers in town both print ads similar to the one above featuring the details of that days challenges. In the afternoon, Houdini accepts the challenge made by a group of Sailmakers. They will tie his hands and feet behind his back with ropes soaked in rosin and tar, then place him in two of their specially made burlap bags. One to be fastened over head and the other tied at feet.

The evening challenge carries the headline "The Supreme Test of His Career-TONIGHT". The rest of the ad reads, " Insane asylum attendants will roll him in soaked wet sheets in mummy fashion, securely tie him down with broad bandages to a hospital bed, pour 20 buckets of water over him to shrink the knots, and he will attempt to release himself in FULL VIEW OF THE AUDIENCE".

Saturday Feb 17th is Houdini's final day at the Gayety in Washington D.C.. He gets yet another small article in the paper featuring his challenges. The article begins by saying that Houdini has been breaking all records at the Gayety this week. The two big papers again feature very large ads promoting the final challenges for the week. The matinee challenge will be from 'Spanish Inquisition Irons from war museums.'. And the final evening challenge of the week might sound familiar to some of you folks who know Houdini. The final challenge reads "Mechanic's Automobile Challenge - They will bind and lock Houdini in two inflated tires. They guarantee not to choke him in locking his head to the tires." This is a duplication of the Weed Tire Challenge that he first performed in 1908.

There you go, a week in the career of Harry Houdini Feb 12-17, 1912 Washington D.C.

Inside the Gayety Theatre - Library of Congress Photo

The information for this article was gathered from the Washington Times Newspaper and The Washington Herald Newspaper from 1912.

Why The Challenge Escape Act Was Pure Houdini Genius

Of all the various escapes that Houdini performed in his life, I personally think his Challenge Escape concept was the best. Houdini was mainly a Vaudeville performer, which meant he was on the bill with quite a few other acts. The majority of the acts, did the same material over and over and over and over. Sure they might have had a small collection of different routines they could do, but most just did the same act or some form of it.

Along comes Harry Houdini who is making a name for himself as an escape artist. Yes, pushed along by Martin Beck, but still Houdini was the one with the abilities. He starts with a fairly general style escape act, and soon it's being copied and ripped off.  So he adds the idea of being challenged with anyone's handcuffs. This works well for a while and establishes the whole Handcuff King idea in the minds of the audience. But then it too is copied.

Houdini then comes out with the Challenge Escape Act. Let's say he is booked for a week at a theatre. Most acts are doing the same material. Houdini can offer a different act every night. And often something never before seen. At the time, I'm sure every 'challenge' seemed unique, but history shows that often these challenges were duplicated in different cities. One example is escaping from a metal can filled with water, then in another city, a iron drum filled with milk, and still another city, a giant metal keg filled with beer. Same escape, different liquid inside. But for each town it was new to them. Plus, it wasn't like you could turn on the TV and watch Houdini. If you wanted to see him face these challenges, you had a go see him in person.

In a given week you might see Houdini escape from a packing case, then another night, escape after being tied up by Sailors, then another night escape from some unusual contraption like an oversize Paper Bag, and on and on it would go. He could also put his regular material in there as well. If I have a chance to see Houdini face a different challenge every night, I'M GOING! It's a sure fire draw.

We know today that Houdini arranged a lot of the challenges. Flyers and small posters like the one below would advertise the coming feat and usually the daily newspaper would include the challenge in the drama/theatre section. It's pure brilliance. Houdini, the little guy, is challenged, usually by some authority or business, and faces the possibility of failing in front of the live audience. In the minds of the audience Houdini is the Underdog. But the truth is, he is an expert at this stuff. He knows this world better than anyone alive and is actually the driving force behind many of the challenges. It's exciting and dramatic and it makes for great theatre!

The Houdini Picture Corporation

 

For some reason I used to get the Houdini Film Development Corporation and the Houdini Picture  Corporation confused. I guess I sort of thought they were one in the same, they were not. They were different and had different locations. The Film Dev. Corp was run out of a warehouse in New Jersey.

The Houdini Picture Corporation had a slightly more prestigious address in NYC.

The Picture Corp was located in the Candler Building on West 42nd Street. This is one of those rare addresses that still remains today. If you've been to NYC you might have been in this building or at least seen it because the ground floor is taken up with a huge McDonalds.

The Candler Building is a high rise that was build back in 1914. It sits right in Times Square and as mentioned, houses one of the busiest McDonald's in the country.

I don't know what floor Houdini's company was located though it's a good guess that it was NOT on the ground floor. Houdini had big plans for his Picture Corporation, but those plans never came together. The Houdini Picture Corporation only put out two films, The Man From Beyond and Haldane of the Secret Service. He had plans to put out other films but it never happened.

The movie business turned out to be a lot harder than Houdini first expected. In addition, seeing Houdini's feats on the big screen, were not quite the same to his audiences as watching him do his incredible escapes live! Still, he did produce two movies and often used his magic/escapes to promote the movies.