Thursday, January 20, 2011

Ford's Theatre & The Mantle of Magic



John T Ford
The name Ford's Theatre instantly conjures up images of April 14, 1865 the night President Lincoln was shot while watching a play. However, I want to direct your attention to the OTHER Ford's Theatre, the one in Baltimore. Both were built by John T. Ford, who in my humble appearance looks strikingly like Jerry Seinfeld.

The Baltimore Ford's Theatre was known as The Grand Opera House and was built in 1871. It was located on 320 West Fayette Street in Baltimore. It lasted until the mid 1960s when it was torn down to put a (wait for it...) parking garage in it's place. Readers of my blog will now the frustration I have over many of these historic theatres being demolished and turned into parking garages.

The reason Ford's Grand Opera House holds significance for magicians is that this is the location of the show where Harry Kellar passed the Mantle of Magic over to Howard Thurston. This established a long line of magic royalty that lasts until today (at least for publicity purposes).

Harry Kellar
Let's start with how it all came about. First it's the 1900's Herrmann the Great has passed away leaving it wide open for Harry Kellar to take over as the leading Illusionist in America. He's been following in Herrmann's shadow for quite a while and is ready to take over. Kellar is a unique character, older, less hair, but tremendously loved by audiences across the nation. He successfully fills the place left by Herrmann and becomes the leading magical performer in the U.S.. In 1906 he begins to announce his plans to retire. His successor will be Adolf Weber. WHAT? Yes, Adolf Weber was slated to be Kellar's Successor. OH wait, you might know him as Paul Valadon.

Paul Valadon was a magician who had been working at Maskelynes Theatre in England. He suddenly appears in America working with Harry Kellar and that also was the same year that Kellar mysteriously figured out how the Maskelyne Levitation worked and added it to his show. He might have gotten a little help from Paul Valadon. In 1906 Kellar proclaims that Valadon will be his successor when he retires. But that doesn't happen.

The first person to publicly say otherwise was Henry Ridgley Evans who saw Kellar's final D.C. appearance at the Columbia Theatre. Following this Evans writes a little note to Stanyon's Magic which says he predicts the successor will be Howard Thurston.  It's actually unclear when Kellar made this decision to go with Thurston over Valadon. Apparently, Paul Valadon had a drinking problem and Mrs. Kellar was not particularly fond of either Paul or his wife. So Paul is out as successor and is no longer working with Kellar. By 1913, Paul Valadon, one time possible successor to the Great Kellar is dead. The last few years of his life were not good, his wife either left him or she died. He had a son, but when Paul Valadon died, he had not one dime to leave his young namesake.

Howard Thurston
Thurston it seems may have been in the running all along. In 1907, Kellar and Thurston met for dinner to iron out the agreement. Thurston agreed to buy the entire Kellar show for $5000.00. Howard Thurston had made a name as a Card Manipulator. But he knew in order to gain a bigger piece of the showbiz pie he'd have to expand his repertoire. So he began to expand his act and he took it on an overseas tour. By the time he returned to the states in 1907 he was ready for bigger things. It's interesting to note that Houdini was not in the running for the prize of Mantle of Magic. No doubt Houdini couldn't be happy about this. But Houdini presented a specialty act of escapes only at this time. Later he would begin to add features like Vanishing an Elephant and Walking Through a Brick Wall. Perhaps if he had done this sooner or if Kellar had waited to retire then Houdini could have been considered. Houdini's friendship with Kellar doesn't really begin until after Kellar retires, so that his another reason why he was not in the running. No, this prize went to Thurston and he would make the most of it.

 
The two magicians had toured the country together in the 1907-08 season. The passing of the Mantle of Magic took place on May 16, 1908 at the Ford's Theatre in Baltimore Maryland.

To quote Howard Thurston the night of the final performance, "Before the final curtain had fallen Kellar led me to the foot- lights and in a most touching speech briefly mentioned his own career of forty-five years as a public entertainer, and finished with a generous and affectionate prediction of my future. Kellar had played Ford's Opera House for many years. He handed
his arm around my shoulders, while the orchestra played 'Auld Lang Syne'. As the ushers carried many floral offerings to the stage, the audience sang with the music. Finally, the musicians stood, then the entire audience was on its feet repeating the refrain. Leaning heavily on my shoulder as the curtain dropped for the last time, Kellar cried—so did I."

History shows however that Kellar was not completely happy with Thurston's use of his old show. Thurston basically dropped everything except for the Floating Lady and the Spirit Cabinet. Thurston's presentation of the Floating Lady enraged Kellar. Thurston would invite audience members to come up on stage to see the lady in mid-air. This would reveal the method of course and that drove Kellar crazy.

Kellar soon began work on another floating lady that I believe ended up with Blackstone, but not until after Kellar had passed away.

Thurston continued holding the crown until his untimely death in 1936. But before that he did make an announcement as to his successor would be. In 1929 on stage in McConnelsville, Ohio, Thurston announced that McDonald Birch would be his successor. But the Great Depression made theatre performances harder and harder and the proposed final tour with Birch never happened nor did the passing of the mantle.

Magic lore would also have you believe that the mantle was then passed over to Harry Jansen (DANTE). But Dante was overseas touring when Thurston died. The truth is, the mantle of magic set up by Kellar died with Howard Thurston. Magic groups in America wanted Dante to come home and claim the the mantle that Thurston left behind, but that is hardly the same as having the mantle bestowed upon you by the KING.

The romanticized version sounds so much better doesn't it? I like the idea that the Mantle of Magic went to Dante, then to Lee Grabel and finally to Lance Burton. But, it's not the Kellar/Thurston Mantle, it's a different one. 

One final note about Ford's Theatre. Some smart magician took wood from the stage floor of Ford's Theatre either before or as it was being torn down. The wood was turned into a magic wand with a profile of Kellar on one end and Thurston on the other. If you hold it up to a light source it casts the profile shadow of the two magicians. For the record two of these were made and one resides at Egyptian Hall West, the Mike Caveney Collection.

The parking garage that replaced the iconic Ford's Theatre in Baltimore Maryland.

Thursday, January 13, 2011

Houdini 24


Have you ever heard of Rock and Fulton? They were what was called a character-dance act in vaudeville. I never heard of them before, but then again it was before my time. Billy Rock was the leader of the act which included singing, dancing and character comedy. Billy had several partners over time, after Maude Fulton left he joined with Frances White and became Rock and White! Rock continued picking up new partners until he died in his mid 50s. The original partner Maude Fulton went on to write a few plays but her biggest accomplishment was when she adapted the book The Maltese Falcon into a movie.

In the April 25th, 1908 issue of the Evening World Daily Magazine there is a piece that mentions that Rock & Fulton were the first act to use 24 sheet advertising in U.S. Vaudeville. Guess who saw it and followed? You bet, Houdini! Modern day 24 sheet advertising is 106 inches x 234 inches or roughly 9ft by 20ft. The Buried Alive poster that you see at the top of this blog is an 8 sheet, or 106 x 81.

As far as I know the largest Houdini poster around IS the Buried Alive. But apparently, as early as 1908 (the year the Milk Can Escape was introduced) he began using 24 sheet advertising along with his other posters. The article mentions that the performers name alone would be 4 ft tall on the poster, not to mention the size of his image on the poster. Other acts couldn't compete. The arrangement was for the theatre management to pay half and the performer to pay half for this kind of advertising. The only ones who could afford this were the acts making the most money, and we know Houdini was eventually the highest paid vaudeville act of his time.

To get an idea of the size of the 8 sheet, the picture below is an image of just the letter 'H' from the poster above. It's in actual size. Now imagine what a 24 sheet HOUDINI poster must have been like! It's a shame none exist (that we know of). By the way, the Houdini Buried Alive 8 Sheet has sold anywhere from $12,000 to $15,000. Wonder what a 24 sheet would be worth?

UPDATE: David Copperfield owns a Houdini Straightjacket Poster which is larger than an 8 sheet. I'm not sure if it's a 24, but the thing is enormous. It's the image of Houdini in the jail cell and he is kind of upside down in a straight jacket wiggling around.





Wednesday, January 12, 2011

Houdini D.C. Challenges

The photograph of Houdini hanging upside down in a straight jacket with the Washington Monument in the distance and the Treasury Building across the street is quite famous. Although in the photo to the left the monument is not visible.  I always assumed that this was the only time he did an out door stunt in D.C.. However, I was mistaken. That escape took place in front of the Keith's Vaudeville Theatre on January 12, 1922 (today). It just so happens that the National Press Club had their offices in the same building as the theatre at the time, which I'm sure had something to do with the iconic photo that was taken. But there were earlier publicity escapes and challenges that took place in Washington D.C..


Early Challenges
Let's begin in January of 1906.  New Years Day 1906 he escaped from a jail cell at the 10th Precinct  625 Park Road NW in D.C. (Turns out the building IS still there, though I had originally reported that it wasn't. ). A few days later on January 6th Houdini escapes from the Jail Cell that once held the assassin of President Garfield at the D.C. Jail. He was no stranger to pulling out all the stops when he came to the Nation's Capital.

In fact, also in 1906 Houdini accepted a challenge to escape from a man sized Paper Bag. He also took on the challenge to escape from a zinc lined Knabe piano case. If that wasn't enough both Saks & Company (they would later become Saks Fifth Avenue Dept Store) and S. Kann Sons & Company (The first D.C. area Department store) challenged Houdini to get out of a packing crates that they built.  These challenges took place at the Chase Theatre which was previously known as The Grand Opera House and was located at 1424 Pennsylvania Ave NW, directly across the street from the Willard Hotel.

Following Houdini's departure from D.C., a local athletic teacher Maurice Joyce said he would expose how Houdini did his escapes. He did this at the Columbia Theatre. Please remember this name as later in the year I'm going to do a piece on the Columbia Theatre in D.C.. Mr. Joyce claimed the boxes and cases were all made per Houdini's instructions and were faked by the builders. All of the challengers said Mr. Joyce was a liar, more than likely he just didn't know and this was good a chance as any to gain some personal fame for himself.

The First Outdoor Straight Jacket Escape in D.C.

The Munsey Building in Wash D.C.
Then years later on April 19, 1916, Houdini is back and this time he is hung upside down 100 ft in the air outside of the Munsey Building. It took him two minutes and thirty seconds to free himself from the straight jacket! The police claimed that over 100,000 people watched Houdini's escape. They also said it was the single biggest crowd next to an Inaugural Event in the city's history. At least that is what the Kalush biography states. The Washington Times reported 15,000 and then the following day corrected that up to 20,000. Clearly they couldn't count any better in 1916 than they do counting crowds in DC today! One more note about the Munsey Building Straightjacket escape, and I didn't realize this when I first posted the article. Apparently, the Washington Times Newspapers Offices are located IN the Munsey Building. Well Done Houdini!

When I first read about this escape I searched and searched for the Munsey building and came up with nothing. And then one day I found it, and I was rather surprised at where it was. The Munsey building was directly next door to the National Theatre on Pennsylvania Ave. The day before his straight jacket stunt he gave an interview to the Washington Times. It's an interesting interview because he says that he's been escaping for 'thirty years' and so far has never been stuck. But eventually someone will come along and trap him so he's about ready to hang it up. He also mentions he'll continue to perform but presenting things that are not quite as spectacular. Well first, thirty years from the date of the newspaper would have made Houdini 12 years old, so I'm not sure that's quite accurate. Secondly, this is 1916, and six years from when this article came out, he does another upside down straight jacket escape promoting his appearance at Keith's Vaudeville Theatre that I mentioned above. The problem was, Houdini wasn't Houdini unless he was doing spectacular things.

Houdini and Politicians

While at Keith's President Woodrow Wilson took his wife to see Houdini perform the Water Torture Cell. Keith's was actually President Wilson's favorite theatre and he attended performances there often. According the the Silverman biography, following the show Wilson said to Houdini that he envied his ability to get out of tight situations. Although for facts sake, the Kalush Biography says this exchange actually happened in Dec 1914 (two years previous) when Houdini received a private invitation to visit the President at the White House. Who cares it's still a pretty big compliment from the President of the United States!

Were there more? You bet there were. But I'm actually still gathering data on all of it. You see something that I never considered before was that when Houdini was appearing somewhere, part of his deal was that he would accept challenges daily. So in a two week span of time he could have 14 different challenges.

Apparently Houdini made quite an impression on other politicians in town as well. The same day that President Wilson attended a performance of Houdini's at Keith's theatre, Houdini later went to the Visitors Gallery at the Capital Building and was spotted by Vice President Marshall. The Vice President waved to Houdini and slowly and gradually others did as well. The Washington Times said "in show business terms, Houdini stopped the show!" Vice President Marshall sent a note to Houdini who was then taken to the V.P's office. Several other Senators showed up and Houdini did an impromptu performance for the members of congress right there in the Vice President's Office. Houdini was quoted as saying "it was the proudest moment of his life".  This quote was in regards to having Wilson see him at Keith's and then later sharing the afternoon with members of congress.

There is much more to Houdini in D.C. but most of that deals with his fight against Spiritualism which I'll save for another time.