The Great Salon Magician Hofzinser

J.N. Hofzinser

I can't say I've been as nervous and unsure about a topic as I am with this one. I have been doing some research on Johann Hofzinser, the great Viennese Magician. However, during the course of my research, I've discovered that much of what I read was probably wrong. The early history of Hofzinser was recorded by Ottokar Fischer, but according to magic scholar Magic Christian, Fischer was wrong about a lot of his information. Because Fischer was wrong, many of the later biographies of Hofzinser are also incorrect. Houdini gets a lot wrong in his Conjurers Monthly Magazine about Hofzinser.

One fact that is clear, Johann Nepamuk Hofzinser was born June 19th, 1806 in Vienna Austria in the Landstraße district. He was a cousin to fellow Viennese Magician Ludwig Dobler. It's possible that Dobler is the one who first sparked Hofzinser's interest in magic. Johan held a job within the Viennese government in the financial ministry from which he would eventually retire from in 1865.

Several years earlier he opened his first Magic Salon in 1857. He moved to 5 different locations from 1857 to 1865. Then after his retirement from the financial ministry it appears that Hofzinser took his show on the road. But it's his Salon work that is what is most important. Hofzinser was basically the father of Parlor Magic or Salon Magic. In his parlor presentations he presented both card magic, manipulation and apparatus magic.

According the Dai Vernon, Johann Hofzinser was the Father of Card Magic. I'm intrigued with his card magic but sadly am not quite as familiar with it as I would like to be. I know a bit more about his none card magic mainly because of the book 'The Magic of J.N. Hofzinser' by Ottokar Fischer.

The Rose Mirror

There are many intriguing pieces in his repertiore, but I am personally drawn to the routine known as The Apotheosis of the Rose.  

The effect begins with a hand held mirror which is shown on both sides. Then it's covered for a moment with a scarf and when the scarf is removed the image of a red rose is seen on one side of the mirror. As the performer speaks the rose grows paler and paler until it has completely lost it's color. The scarf is held in front of the mirror again and the image vanishes. The scarf is held over a glass vase and the white rose appears inside it. When he removes the rose from the vase it again changes color leaving the red rose.

And to that I say, WOW! I can't go into the workings, because I do not divulge magic secrets on this blog. But look at the photo to the left and you'll see the actual Rose Mirror used by Hofzinser, now in the collection of Ken Klosterman.

Fountain of Love

The next routine that I find really interesting is called The Fountain of Love. It begins with a glass goblet containing some sort of murky dark water apparently from the 'Fountain of Love'. A borrowed ring is tossed into the water to test whether the volunteer who lent the ring has true love, for if he/she does, the water will turn crystal clear. The performer covers the glass goblet with a scarf for a moment and then when it is removed the water can be seen to be clear and there are a a couple goldfish swimming inside the goblet. But the even more amazing part, one of the fish apparently has the ring in it's mouth! A net is used to retrieve the fish and the ring.

That is a fantastic effect, but according to the book, Hofzinser was not happy with it and changed the props and even altered the method. The later routine became known as The Ink of the Enamoured and it was basically the same general idea but Hofzinser added some additional beats to the routine to prove there was really ink in the vessel. He put a white feather into the liquid which came out black and used a ladle to remove some of the ink and pour it into a glass.  In the collection of Ken Klosterman is the original Fountain of Love goblet along with the Ink Ladle which can be seen in the image to the right.

Another interesting effect in Hofzinser's show was called The Card Automaton. It was a small box in which a pack of cards was inserted. Any card could be called for and it would rise out of the box. According to the book 'The Magic of J.N. Hofzinser', the prop is actually in the possession of the Library of Congress in Washington D.C. I do know that Ken Klosterman also has a Card Automaton in his collection but it looks a little different than the one pictured in the Ottokar Fischer book. Still, Klosterman might very well own the original, I don't know. I was not aware that the Library of Congress possessed any Hofzinser items, but apparently they do.

The list of Hofzinser's original sleights, card effects and apparatus tricks is staggering. He was an incredibly inventive artist who not only invented many methods still used today, but improved on countless props that existed in his time. On top of that he wrote poetry that was used in his presentations and also composed music for his act as well. In the video below, you can hear one of the pieces that Johann Hofzinser wrote for his show and see a number of wonderful images of the great Viennese Conjurer. Enjoy!

According to Magic Christian's wonderful website on Hofzinser (Hofzinser.net) the final performance that Johann Hofzinser gave was New Years Eve 1875. He would become ill shortly after this and was sick for six weeks until he finally passed away on March 14, 1875. He is buried in Vienna Central Cemetery in Vienna Austria.

By the way, there is a wonderful tribute to Hofzinser in the Ricky Jay and His 52 Assistants Show. Ricky does a version of Everywhere and Nowhere with a nice twist at the end.  The routine is at about 36 minutes in....click the link to see the entire show on youtube.

RICKY JAY MOVIE IN D.C. For One Week!

The new documentary about Ricky Jay titled "Deceptive Practice -The Mysteries and Mentors of Ricky Jay" starts tomorrow June 28 in Washington D.C. and runs until July 4th. The movie will be at the Landmark E Street Cinema. The address is 555 11th Street NW, Washington, DC - (202) 783-9494. The website for the theater is http://www.landmarktheatres.com/Market/WashingtonDC/WashingtonDC_Frameset.htm
Co-Directors Molly Bernstein & Alan Edelstein will be there In Person Friday, June 28 at 7:15pm & Saturday, June 29 at 4:45pm. If you're coming to town to attend the SAM National Convention, you might want to give yourself time to go see this movie, I would suggest arriving a day early.

The following description of the movie comes directly from the theatre website.

Deceptive Practice: The Mysteries and Mentors of Ricky Jay is a mesmerizing journey into the world of modern magic and the small circle of eccentric geniuses who mastered it. At its center is the multitalented Ricky Jay, a best-selling author and historian, an acclaimed actor (House of Games), a leading collector of antiquarian books and artifacts, but above all a conjurer capable of creating a profound sense of wonder and disbelief. Deceptive Practice traces the story of Ricky's achievement, from his precocious apprenticeship in Brooklyn, beginning at age 4, with his grandfather Max Katz, as well as Al Flosso, Slydini, and Cardini (all among the best magicians of the 20th century), to his extraordinary one-man shows on Broadway. Friends and collaborators appear, such as David Mamet and Steve Martin (who joins Jay in a hilarious turn on a vintage '70s "Dinah Shore" TV show). Throughout, Jay demonstrates live on camera his mastery of sleight of hand. Viewers will gain not only a deep appreciation for the arduous and arcane demands of the magician's craft, but also for the colorful use of language and storytelling central to the art.

Taschen MAGIC BOOK Issue with Amazon

I don't know what the problem is exactly, but when I went on Amazon.com to try and order the new Taschen book MAGIC 1400s-1950s, the book was listed as Currently Unavailable and there is also a notation that the book is under review. I am going to guess it probably has something to do with the weight of the book and the packaging leading to damaged books. I'll be  happy to go on record and say UPS and the Postal Service could care less about what is inside a package, so if an item isn't packed properly, it is likely to arrive damaged. The wonderful USPS damaged three posters I ordered in the past and good luck trying to recover the insurance on one of those. You practically need an act of congress to get your money out of them.

UPS is considerably better when it comes to paying for a claim. But as far as being sure an item arrives in perfect condition, no carrier can guarantee that. The original Taschen book was packed in it's own carrying case and that was then put into another box. I think it was a safe way to ship it. I don't know how the current edition is being packaged.

But there is good news. You can still order the book directly from Taschen by going to this link!

Highlights of Germain's Magic

HIGHLIGHTS Of GERMAIN'S MAGIC

In my previous blog about Karl Germain I mentioned that the poster of him with the spirit figure/witch and black cat was one of the most striking posters in all of magic history. (Part of that poster can be seen to the right) Though I had seen the poster image in my youth, it would be a number of years before I actually encountered his magic. This happened through two books The Secrets of Karl Germain & Germain the Wizard and His Legerdemain by Stuart Cramer that I happened to eventually track down. I found Germain the Wizard and his Legerdemain at Barry's Magic Shop and some time later I found Secrets of Karl Germain at Denny & Lee's Magic Shop. I was so thrilled because I'd always heard of the books, but they were long out of print. Yet, when I found copies I made sure to buy them and devour the contents.

One of the book contains a most unusual magic effect called The Block.  The routine begins with Germain passing out a long block of wood to an audience member to examine. He also has a wooden board that he passes out for examination. After they are returned he brings them on stage and holds the end of the block against the board and it passes right through. Quickly, Germain removes it and places that block against a different area on the board and it again passes right through. Finally, he picks a third spot and again does the seemingly impossible. If this thing looks as good as the photographs it must look like a miracle. One of the great benefits of much of Germain's magic is the naturalness and simplicity of the props. At least as far as how they appear to the audience. What could be simpler than a block of wood and a wooden board?

There is a photograph of Germain and a butterfly that I always found quite magical. Well that routine, called simply The Butterfly and here is another effect that sounds like a dream. Germain plucks silk scarves out of thin air, one at a time. He bunches the scarves together to form a sort of cocoon and suddenly the thing bursts open to reveal a very large silken butterfly spreading it's wings! I wish I could see this in action. The photos of the butterfly are amazing and I've only seen them in black and white. I can only imagine what they look like in color or in real life. A popular magic effect today is taking several colored scarves and turning them into a giant silk with a butterfly printed on it. But Germain's effect is so beyond that.

Germain's actual props for the Water Jar Illusion (Klosterman Collection)

Germain's Water Jars is an effect that I've heard about but never really knew all the details. It's been said about this effect that Germain was the only performer to ever really make it work. By that I imagine others had tried but never gained the notoriety from the effect like Germain did. Here is a description of The Germain Water Jars...Six Large Metal Jars are shown to be empty one at a time. Then mysteriously, each jar fills to the brim with water which is then poured out into a large tub. It sounds amazing. I've never seen it performed. I do know that David Ben had performed a version of it in his show The Conjurer, ten years or so ago. But I can tell from the description that most modern performers would avoid this effect for the simple reason that it's liquid and thus messy. But if other magicians from Germain's time tried to perform it and met with little success, then I'd have to say it belongs only in the hands of a master conjurer.

Ken Klosterman Collection

The idea of growing flowers was not a new thing in magic. Robert-Houdin was doing it long before Germain and then his flowers turned into Oranges! But most magicians were using some sort of covering or tube during the course of their flower routines. Harry Kellar used covers and had an incredible sequence of misdirection to bring about the conclusion of his trick. Karl Germain's father had seen a magician in Europe in the 1860s present some sort of Blooming Flower routine and it left such an impression, it's no surprise that a version of it found it's way into Karl's act.

Together, father and son created a number of different versions of the Growing Flower trick, but the final version was pure magic. It was called The Enchanting Rose Wonder. No coverings in this version. It began with a flower pot sitting on a three legged table. The pot was filled with soil and slowly little sprouts appeared, then more foliage and eventually the roses. And in Germain's version, the roses were clipped off and given to members of the audience thus proving they were real! To the left is a photo of the actual Germain Flower Growth now in the collection of Ken Klosterman. You can actually see a video of the Flower Growth in action on the DVD set for the 2011 Essential Magic Conference. During the tour of David Copperfield's collection, he actually stops and demonstrates the trick.

Many of my magician friends ask me "what's the big deal about magic history?". There are so many ways to answer that, but the above piece on Germain's magic just shows how inspirational a look back can be. Who today is turning silks scarves into a butterfly? And with the technology today imagine how much more incredible we could make it look. Jim Steinmeyer, one of magic's most prolific writers and inventors was inspired by Germain's Block trick when he created The Perforated Brick effect which can be found in his book Conjuring Anthology. If Mr. Steinmeyer get's inspiration from Germain, I think we all could!

These are just a few of the wonders from Karl Germain's show. I may put together a second article featuring more of Germain's effects. I'm also working on another biographical article. In the mean time, if you're interest in Germain is peaked in the same way mine was, you might want to track down the book Germain the Wizard by Stuart Cramer and published by The Miracle Factory. The book has been sold out for some time, but you might be able to find a copy at Denny's or on eBay. Until next time!

Mattmuellar the Wizard

As far as posters go, the above image is one of the most striking magic posters ever created. I still recall the first time I saw this poster in real life. It was at the American Museum of Magic many years ago and I was dumbstruck by it's beauty. It was at this point that my fascination with Charles Mattmuellar began.

He was born Feb 12, 1878 in Cleveland Ohio. His first magic show was a bit of an impromptu thing where he presented a 'spirit cabinet' like effect for some friends. He was eight years old at the time. His mother forbid him to pursue the magical arts, but he did anyway. Eventually, his father recognized the talent that the young boy had and Mattmuellar the Magician was born!

In grade school Charles became known as Karl because of the number of other students in his class named Charles. The name stuck and he kept it for the rest of his life. As a magician, he would first use his last name Mattmeullar and then for a very short period use the name Alexander, after his idol Alexander Herrmann. However, when Karl had the opportunity to move into the Lyceum circuit, he was encouraged to alter the name again because there were already a multitude of 'Alexanders' in the show business world. Karl chose the name Germain, after the Marquis of St. Germain, a mystery man and mountebank. At first a mistake in spelling in an advertisement caused the name to be  spelled  'Germaine' with an 'e' on the end but eventually he dropped the 'e' and used Germain. He would also eventually drop the term 'magician' in favor of 'the Wizard' to round out the name.

Though in the early days his mother was against her son doing magic, she eventually got involved. It

(Ken Klosterman collection)

was his mother who apparently handled his money, at least in the beginning and did so well investing it that Germain was able to live off it throughout his life. His sister Ida became part of his act, becoming an assistant when he presented his mind reading routines.

Finally, and probably most importantly,  it was his father Charles Mattmuellar Senior who deserves a great deal of credit in the success of his son. His father helped build the famous Germain Flower Growth Illusion, using both carpentry skills and wood carving skills. They would build many versions and adaptations of growing flower tricks over the years. One of their creations was the forerunner of the Square Circle effect and a clever improvement to the Kellar Flower Growth routine which was then adopted by other performers.

I would imagine his father also built the first Wooden Block Thru Board Illusion and many of the other signature effects, possibly even the Germain Spirit Lock. I do know for a fact his father built the Germain Spirit Dial, which was a popular effect with magicians of the time, but Germain's prop was built by his Dad. The Flower Growth and the Spirit Dial can both be seen in the photograph to the right. Ken Klosterman owns a great deal of the Germain props and has a very extensive collection of Germain posters. I believe a second Germain Flower Growth is in the David Copperfield Collection, given to him as a gift from Mr. Klosterman. And recently, I learned the Germain Spirit Lock resides in Tim Moore's Magic Collection.

There is much to share about the life of Karl Germain as he truly was an amazing Wizard. At another time, I'll delve deeper into his effects and in a future article I'll share some stories of his life and the tragic turn near the end of his life.

Now You See Me - Review

I finally got to see the movie NOW YOU SEE ME today. I think in a previous blog I mentioned it looked like it had potential from watching the trailer. Well, I'm happy to say that it more than delivers.

The movie has quite a cast: Jesse Eisenberg, Woody Harrelson, Mark Ruffalo, Michale Caine, Morgan Freeman, Dave Franco, Melanie Laurent, and the drop dead beautiful Isla Fisher. I frankly could have watched the movie with ONLY Isla Fisher and I would have been happy, but that's just me. The story is basically about a group of magicians who are known as the Four Horsemen, who put on a show together and the big trick is robbing a bank in the middle of the show and giving all the money to the audience. That is the premise, but the story is much more involved and there are twists and turns and pieces of misdirection that are worthy of the best magic show. In fact, the opening scene is a magic effect not only in the movie but it also is subtly done to the theater audience, brilliant!

My thoughts on the movie after it was over was that the must have scene David Copperfield's PORTAL Illusion and created this elaborate story around that trick. David is one of the consultant's on the movie, as well as Keith Barry and Jonathon Levit and Dan and Dave Buck. The magic in the movie is exceptionally well executed and frankly inspiring.

One thing I found interesting is the connection to magic that many of the stars have. Jesse Eisenberg is from NJ and his earliest exposure to magic was from a very popular NJ kidshow magician named Bruce Bray. I knew Bruce, he was a great guy and sadly he passed away not long ago from complications due to an accident.  Mark Ruffalo actually co-starred as Theo Hardeen in the TNT HOUDINI movie that came out a few years back with Jonathan Schech in the lead role. Michael Caine of course was in The Prestige and another movie called Is Anybody There in which he plays a retired magician. Then there is Dan Franco, who is the brother of James Franco, better known now as the Wizard from The Great & Powerful OZ. That's as close of a connection as I could put together for Dan Franco, but he does do a great job in the movie. I'm not really sure what the others stars connections to magic are, but I can say that Woody Harrelson and Isla Fisher both did pretty decent tricks on TV Talk Shows promoting the movie.

Now I have to tell you about the strangest thing that happened when I saw this movie today. I walked into the theatre with a buddy of mine, a fellow entertainer. As we sat down we noticed the theatre was fairly packed, pretty unique for a weekday showing. But the odd thing was that the movie was packed with all women. We actually thought that we might have gone into the wrong theatre, so I got up and walked out to make sure we were indeed in the correct theatre. We were. So next we figured THEY were all in the wrong theatre and the moment the movie started there would be a grand exodus. But that didn't happen. My conclusion, "chicks love magic!" That was the line I said to my buddy who cracked up. They were probably there for the young stars like Franco and Eisenberg, but still, they were there and the movie was so well done that it was clear everyone enjoyed it.

As a magician I would encourage you to see this movie because there are moments in the movie that are frankly inspiring. The water torture cell by Isla Fisher is superb. The way the magic show is shot in the round with big video screens around the theatre is honestly, something we should all look into.
Five out of five stars for me!

Magic Detective Vanished???

 Hi Everyone,

Sorry for vanishing on you though it was not on purpose. There was a minor complication with my site that caused it to dissappear. I was unaware that the site had been down until I started getting emails from my readers. It's been a very frustrating day of trying to figure out what happened and getting it resolved. You'd think it would be an easy fix, but that was hardly the case. The good news is it's back up and running and viewable by the WORLD!

Thank you to everyone who alerted me to the problem and for those who helped in getting it fixed and back up!

Dean Carnegie

Our Magic and More!

OUR MAGIC is a book by Nevil Maskelyne and David Devant originally published in 1911. I first heard about the book through an article that Jonathan Pendragon wrote for Genii Magazine which he gave a list of his top 20 magic books related to illusions. Among the list was OUR MAGIC and unlike some of the other books he listed, it was easy to obtain a copy.

Here was an eye opening book! Probably the first book to discuss magic theory and certainly the first book to really help define whether or not magic was art. My favorite chapter is called The Three Degrees of Art and it breaks down into: High Art, Normal Art and False Art. It's an intriguing chapter to say the least and it's followed by 300 other pages of incredible theory, ideas and secrets. It's certainly a must read for anyone involved in the performance of magic. Sadly, the few magicians I know who own a copy have felt the book is best preserved in the shrink wrap they purchased it in. In other words, they haven't read it. I'm sure there is plenty of room for debate on 100 year old theories discussed within the book. It's still worth a read and a great deal is still quite applicable today.

The NEXT Our Magic
I don't know if I'm asleep at the wheel, or if Facebook is just not allowing me to see posts by friends as often as it used to, but I've now missed two opportunities to contribute to film projects. One was by a fellow magician who has moved into movie making. I found out about his project just after the funding had been raised.

The next is a documentary film project by Dan & Dave Buck, Jason England and Paul Wilson. I had seen the mini-documentaries that they had posted on the internet and was enthralled with what I had seen. I only wished I had been among the folks giving their thoughts on magic because I certainly am filled with my opinions on why I think magic is art and why it often falls short. Their new project was up on Kickstarter.com to raise funds and ended on May 27th. I think I had heard about this back in April but was not aware of the timeline and the fundraising ended over a week ago.

But the good news is they raised the nessassary funds and are now moving forward with this new documentary which will be aptly called OUR MAGIC. Please watch the video below to get an idea of how these film makers are putting their hearts into this project. If it's anything like their other videos, this will be something we can all be proud of! Best wishes to all involved!

Movie Water Torture Cell on Display at New Magic Museum

Guy Pierce as Houdini in Death Defying Acts

Over in Norfolk (UK) The Davenport's Magic Kingdom has recently opened. This is a museum dedicated to five generations of magic collecting and magic memorabilia. It's a special magic museum open to everyone. With the price of a ticket you get to see the wonderful exhibition and a 30 minute magic show.  There are posters, costumes and props on display AND you'll also find the Water Torture Cell used by actor Guy Pierce in the movie Death Defying Acts. The film came out in 2007 and also stars Catherine Zeta Jones in a highly fictionalized story about Harry Houdini and a psychic medium.

I received a photo of the cell from one of my readers, Philip David Treece. He also mentions that it's a very large cell probably much larger than any cell previous made. Below is the photo of the cell. Enjoy the photo and if you are in the UK by all means, go check out Davenport's Magic Kingdom.