Willard The Wizard

Harry Willard

One night this summer, I some how found myself in the world of Willard the Wizard. I had come across a VHS tape titled 100 Years of Willard. In regards to quality, it's awful, but if you're talking about content it was very interesting.  I think the video dates back to 1995, and I'm not even sure where I picked it up at. Probably one of my late night eBay purchases.

On the video numerous people share their recollections of the Willard show. These are not people like myself who have only read about Willard, these are people who saw him LIVE, and many who knew him and worked for him or with him.  The consensus among these folks was that Willard was THE BEST magician of the 20th Century, even better than our modern day performers. Of course these are just opinions, and if one or two people had said this, I could take it with a grain of salt. But many many people shared this same opinion. But it wasn't just folks on this video. Arthur LeRoy in the November 1950 issue of The Sphinx also said Willard was the Greatest. The Great Virgil, who was no slouch when it came to magic said in Sept 1950, "There has never been a greater magician than Willard." So I think it's important to delve into the life of this man...

HISTORY
The first thing I discovered is that there were a LOT of Willard the Wizards. There was James, the original, who was born and traveled throughout Ireland with his tent show. Then there was James the second, the son of the original who moved to the US and became the first U.S. Willard the Wizard. Then there were his three sons, Harry, Tommy and Bobby, all of whom would eventually become Willard the Wizards. Bobby the eldest son, who was born in the 1880s went back to Europe to tour as Willard the Wizard there. He then took the tour to Australia and died in 1913. Harry Willard was born in 1895 and the youngest brother, Tommy was born in 1903. Both Harry and Tommy would take out shows of their own, replacing their papa James, who became the business manager.

In 1936, Papa Willard passed away, and then a few weeks later Tommy passed away. All the props and equipment from Tommy's show went to Harry. Harry Willard would go on to to be the best known of the Willard the Wizards. But surprisingly, among the family, they all felt that there was no better Willard the Wizard than Papa James. Unfortunately, we know little about his performances.


From an article on Willard in the Nov 1950 of The Sphinx, I learned something very surprising.

When you attended a Willard The Wizard show, you were not bombarded with pitch items. There were no programs, no t-shirts, no toys, no magic sets, nothing to buy beyond the ticket. (I'm not sure about concessions, like popcorn and soda, however). This was a long standing tradition with the Willard's going back to the very original Willard. The feeling was they were performing artists and it was their responsibility to give the best theatrical performance they could. The price of the ticket was enough for them. How different it is today. When attending any sort of show, whether it's a sporting event, concert, circus,play, musical, or magic show, there is a great deal to buy afterwards. Why? Well, people like souvenirs, many folks collect these things. Memorabilia is big business. Plus, it helps to cover many costs associated with putting on a live show. In other words, it's good business. But the feeling from the Willard Show 70 years ago was that you were a huckster to sell such things. It just goes to show how it is a bad idea to judge history by modern sensibilities.

Several sources mention that Harry Willard performed in the style and manner of Alexander Herrmann. Again, I'm assuming that connection is made by folks who were familiar with both entertainers. We know that Herrmann was an especially charismatic performer and was known to be quite funny as well. So I would assume that Willard possessed those qualities as well. An interesting point that was made in an article by Walter Blaney is how humble and unassuming Harry Willard was offstage. In fact, you'd never know he was Willard the Wizard when he was offstage. But when it was showtime he would totally command the stage!

One thing that set Willard apart from other magicians of the time, and possibly the reason he is not better known, was because the Willard show was a tent show. They traveled with a huge circus style tent from town to town. Unlike Thurston, Dante, and Blackstone who were theater performers, Willard was on his own stage every appearance. The show was also a regional show, traveling to mainly areas in Texas in Louisiana. But folks from those areas who saw Harry Willard, all had the same opinion of how great the show was. No less than Walter Blaney said, "He was the BEST magician in the world!". 

Among his performing material he presented, the Metamorphosis, the Dolls House, Selbit's Stretching a Lady, Girl Without a Middle, multiple different levitations, Glass lined trunk, Cremation, the Spirit Cabinet, the Costume Trunk and on and on it went. They traveled with three different shows because over the course of the time they were in a town, they would present all three programs. Just amazing to consider.

Of his performing material, there are some pieces that really stand out. One of those was his Thumb Tie. No one has ever done a better, more convincing thumb tie than Harry Willard. Virgil is quoted in the Willard the Wizard book by Bev Bergeron, "My personal thought on the thumb tie is that there never has been one as good before Willard and I doubt if there ever again will be one as good."

Another classic from the Willard show is The Spirit Cabinet. The version Harry presented was the Anna Eva Fay Spirit Cabinet. He performed it with his wife and later in life he taught his daughter Frances to perform the part of the medium in the routine. Frances Willard later went off to perform the Willard Spirit Cabinet with her husband Glenn Falkenstein for years after. From what I have heard, there is a new generation trained to do The Willard Spirit Cabinet, Frances's daughter Hannah and her husband, Michael Ammar.

One illusion really stands out, The Cannon and Nest of Boxes. I have seen such performed by Blackstone Jr., Mark Wilson, and others. Usually. the illusion involves a rather large and frankly fake looking cannon that the girl climbs into and is apparently shot INTO the boxes. But Willard used a real cannon. The assistant was strapped to the mouth of the cannon, and when it went off, a huge puff of smoke and a very large BANG! In that moment she vanished! No coverings, she simply vanished. Oh man I wish I had seen this as it sounds spectacular! And of course she was discovered moments later inside a nest of boxes. I should point out, because other writers have also pointed it out, that the nest of boxes were awfully small, which made the illusion even more sensational and bewildering.

Harry Willard died at the age of 74 in San Antonio Texas. He had just received a Performing Fellowship from the Academy of Magical Arts in February of 1970, a few months before he passed. I have purposely left off the bigger details of the lives of the Willards as I didn't think I could do it justice from the little information I have used as source material. There is a book by David Charvet, published by MC Magic Words called, Willard: A Life Under Canvas, that will surely do a far better job of detailing the life of Harry Willard and his family than I can do here. I actually, don't have a copy of the book, which now is top on my list of books to get! And if you'd like to learn more about Willard the Wizard, I would encourage you to try and find Bev Bergeron's book Willard the Wizard or David Charvet's book Willard: A Life Under Canvas.

Bill Tarr Author Of The Best Selling Magic Book Of All Time

Bill Tarr on cover of Now You See It Now You Don't Notebook

Back in 1976, a new book of sleight of hand appeared in book stores across the United States. The book was called Now You See It, Now You Don't by author Bill Tarr. The book was illustrated by Barry Ross. The book was divided into sections on cards, coins, and billiard balls. The action of each sleight or maneuver was captured wonderfully in the line drawings done by Barry Ross.  Now You See It, Now You Don't is the all time best selling book in the history of magic.

The following year, Bill Tarr followed up with 101 Easy To Learn Classic Magic Tricks. This book was illustrated by Frank Daniel in a very similar style to that of Barry Ross. In 1978, Bill Tarr again came out with another book on sleight of hand, The Second Now You See It Now You Don't and Barry Ross was back as illustrator. Again the book was broken into chapters and delved even further into sleight of hand and manipulation style magic.

For folks growing up in the 1970s, these books, which by the way were published for the general public, were our first exposure to many of magics secrets of manual dexterity. In the 1800s, there was Modern Magic, Later Magic and More Magic by Professor Hoffmann. In the 1930s  and later you had the Tarbell Course in Magic, though this was not for the general public. But in the 1970s the Now You See It Now You Don't Books were the go to book for budding young magicians.

In 1998, Bill Tarr put out another book, this time through magic book publisher Kaufman and Company, the book was called The Now You See It, Now You Don't Notebook. Tarr also put out a video on Basic Card Sleights, Natural Sleight of Hand, and Basic Coin Techniques, as well as a number of tricks including Dazzle and Steel Fingers. Earlier in his life he wrote a column called Slik Sleights for The Conjurors Magazine from Dec 1947 to September 1948.

Who was this fellow Bill Tarr? He was born May 31st 1925 in New York City, NY. At 10 years old he became interested in magic. He would often frequent Max Holden's Magic Shop, as well as Flosso's Magic Shop. This is at a time when folks like Dai Vernon, Doc Daley, Jean Hugard and others were in town, and Bill would watch and study them from afar.

As a teenager he began to do shows around NYC. This was the early 1940s just as World War 2 was starting. Many of the regular magicians were getting drafted, so this left a lot of work for Bill. Though much of the work was not high paying, it was great experience and his audiences were fantastic.  At 17, he enlisted in the Navy and was trained in meteorology. He was stationed in a secret U.S. base  in Siberia. He severed honorably for 3years.

Bill Tarr in 1947

In the December 1947 issue of The Conjurors Magazine, there is an article on Bill Tarr which states that after his time in the Navy he intended on making magic his full time profession.  Despite his life long interest in magic, Bill Tarr actually became a well known sculptor. His most famous piece is was a massive memorial to Dr. Martin Luther King which took 2 years to complete at a cost of $53,000.  The memorial to Dr King is located right next to Lincoln Center. According to Mr. Tarr, "It's probably the largest welded steel sculpture in the country, maybe the world...120 feet in girth and weighing 63 tons."

Besides being a prestigious sculptor, Tarr also occasionally performed a mental act with his wife Yvonne.

Bill Tarr died from Parkinson's disease on November 7th, 2006. He was 81 years old.

It appears all of his books are still available. I don't think the videos are produced any more however.

Special Note: The 'Best Selling Magic Book' quote was from 1988, I don't know if any magic book for the public has since set a new record.

Throwing Cards Blog Features Carnegie!

My buddy Gary Brown over at  The Propelled Pasteboards blog has featured a promotional piece I created earlier this year as both a handout, throw card, and pitch item. It was designed to look like a 19th Century Cabinet Card with a tin-type photo image. It came out wonderfully but then I realized the back of the card needed something. So I added contact information and an optical illusion magic piece. I was first given the optical illusion by my friend and fellow performer John Carlson. But the original image was too modern for my taste. So I recreated the optical illusion in more of a Victorian era style.

Coincidentally, the very day the article was posted, I was a theater autographing a ton of these cards for audience members! They've turned out to be a great promo item. The optical illusion trick on the back is one of the things that really makes it a keeper! Thanks again to John Carlson for that tip!

Please go over to the site and check it out for yourself, and while your there, please look at the enormous collection of throw cards that are featured on this site!