New Houdini Sculpture - Behind the Scenes

This is exciting. Artist/Sculptor/Magician Christopher Tabora has given me permission to post some photos of a HOUDINI Sculpture he is currently working on. The piece you see has about 30-40 hours of work into now and hopes to be finished with it soon. According to Christopher this is a life size sculpture. The gauze you see is only there for support prior to the drying process.

Once completed, Christopher plans to make a mold to have this cast in bronze. THIS might just be the life size HOUDINI sculpture we've all been waiting for. I'll continue to post images as the continues working on the piece. This is really cool!

Christopher Tabora also said he plans to do more life-size 'magician sculptures' in the future.

Houdini On New Years Day - 1906

It was 108 years ago today, that Harry Houdini was in Washington D.C.. He visited D.C. many times during his career and enjoyed many successful performances. He was in town performing at Chase's Theatre.  On Jan 1, 1906, he went down to the 10th Precinct Police Station to attempt a jail cell escape. We actually have Houdini's own words to describe this event.

"I took a long chance there. They didn't give me a square deal. I went to them and as I always do in the cities I visit, offered them the chance to lock me in and keep me there if they could. But I made the condition I always insist on that I should see the cell in which they intended placing me and examine the locks to be used. The lieutenant of police at the precinct to which they too me agreed to this, but after the test started, I heard him whisper to one of his men to bring him the locks for another cell.

Naturally I objected to any change and he became most offensive in his manner. He told me his orders were to lock me up and keep me there, and intimated that if I was afraid I could pass the thing up and take the consequences. I remonstrated with him and told him to remember that I was not a criminal. That I had come to him of my own accord and deserved the courtesy due an equal. But he could not see it, and continued his brutal threatening attitude.

Then I lost my head and went ahead recklessly. I know now that I was foolish to do so, for my reputation is well established in every large city in the world, and I did not need the Washington test. Of course, I was endangering my reputation in submitting to a chance of locks, for if they had got me by any means whatever, my standing would have been badly damaged.

I got out in eighteen minutes, to the great surprise of the lieutenant. He had evidently been prepared to be anything that I couldn't do it. Why he would have staked his head on keeping me in. Not that that article is of any value."

Houdini went on to add, "Since my return to the United States I have broken out of stationhouses in New York, Brooklyn, Rochester, Buffalo, Detroit, and Baltimore, but it has remained for Washington to treat me like a common malefactor. The fact that my wife is present prevents me from telling you (a reporter) exactly what I do think of that lieutenant and his assistants. You can probably guess what I would say if she were not in the room."

This interview with Houdini appeared in The Washington Times Newspaper, on Sunday January 7th, 1906. It is interesting to note that this particular escape often gets forgotten because on January 6th, 1906, Houdini escaped from the Jail Cell of the assassin on President Garfield at the Old D.C. Jail.

Let's look at some additional details of this New Years Day escape at the 10th Precinct. The chief of

D.C. Police Chief Richard Sylvester (Library of Congress)

Police in Washington D.C. Major Richard Sylvester had his office there so he was probably  the one pulling the strings at this event. The lieutenant of the police precinct was Lieut. H. B. Elliot. The Lieutenant would later claim to have found a 'needle' in the jail cell that was not there prior to Houdini's escape, hinting that perhaps this had something to do with his escape.

A couple sources mention that Houdini was locked into an 'invisible bracelet' used by the Secret Service, but I do not know what type of restraint this was. In the book, Houdini, Tarzan and The Perfect Man by John Kasson, he mentions the invisible bracelet and also gives more detail of the Jail Cell. Houdini was locked in cell number 3. "Then the police shut the heavy barred door with a bar lock that is first set to lock three times. A lever throws another lock, and a Yale padlock completes the quintet of locks. A wire network around the padlock prevents a hand from being thrust from inside the cell."Yet despite all of these conditions and being treated like a common criminal, Houdini succeeded in escaping in 18 minutes, his 62nd Jail escape.

I originally wrote about this event on this blog in an article I did on Houdini's D.C. Challenges. At the time I thought that the 10th Precinct had been torn down. But I recently discovered that it is still very much in existence so I posted a photo. Perhaps one day, I'll see if they will allow me to take a photo of Jail Cell #3.

Victorian Magic - The Book

I recently stumbled upon a book on eBay called 'Victorian Magic'. It's a hardbound book by Geoffrey Lamb published in 1976. I was unfamiliar with the book and many of the auctions for the book had it listed at $40 and above. Fortunately for me I was able to find it for a little more reasonable price.

I must say, it's a really enjoyable history on Victorian Magic. There are a number of things in here that I was not familiar with. The book opens with a chapter on The Great Wizard of the North, John Henry Anderson. The chapter also discusses a lesser known competitor and some of the battles they had together.

Another chapter that I really enjoyed was on Pepper's Ghost and Pepper's Metampsychosis illusions. Fascinating chapter on optical principles once used in the theatre. It was doubly interesting because I was reading it on Christmas Eve just after having watched Charles Dicken's 'A Christmas Carol' on TV. One of the things that is mentioned in the chapter is how the Pepper Optical Principles were used to create the illusion of real ghosts in plays of the Christmas Carol back in the 1800s! The author also gives a fairly good explanation of the Blue Room, probably the most thorough I've ever read (not counting Jim Steinmeyer's book on this exact topic)

The chapter on Robert Houdin was good. It's from a slightly different perspective. It's written from the eyes and of the Londoners who witnessed Houdin's performances in England. Apparently, when Robert-Houdin first began to perform in London he spoke no English. The crowds were not happy with this and according to the book, his solution was to inquire to the audience as to the english name of each item he presented. It became more interactive and the audiences warmed up to him.

The chapter on the Davenport Brothers was also interesting. The brothers were extremely popular in America, but in England they often met with resistance and even hostility. I must add that at this moment the Spirit Cabinet holds an extra amount of interest to me because of the recent presentation by Mike Caveney of Charles Carter's Spirit Cabinet at the Los Angeles Conference on Magic History. I was unfamiliar with the routine he presented and it sure opens my eyes to new ideas for this ancient but still wonderful effect. In addition, the Davenport Brothers leads into J.N. Maskelyne, who I always assumed was already famous at this point in time, but that was not the case. His confrontation with the Davenports actually helped to make a name for himself.

And for the first time that I can recall reading in print, is an explanation on how the famous Egyptian Hall began. Fascinating stuff to say the least.

It's interesting to see the types of entertainment that Victorian audiences appreciated. I was familiar with a great deal of information in this book, yet in every chapter I discovered some new piece of history that I did not know. All in all it's a fine book. I have only seen them for sale on eBay, but they seem to pop up fairly often.

This article was copied from my other blog http://carnegiemagic.blogspot.com/2013/12/victorian-magic-book.html