Wednesday, March 13, 2013

More on George-Supreme Master of Magic



Last Summer, I wrote an article about Grover George, the magician who basically got run out of town by Howard Thurston. I recently was contacted by a relative of Grover George and she was kind enough to forward the above photo and some additional details on the life of her Great Uncle.

I've learned that Grover's father A.A. George represented him during the lawsuit with Thurston. Also that a nephew went on tour with Grover and during the tour got either poked or bit by the company Lion, Ruthie. The young nephew had the scar on his finger to prove it. The lion later escaped while the company was in Chicago and apparently was shot by police.

There may be more stories coming! It's always such a pleasure to get in touch with relatives of these magicians that so many of us still admire. Because of this blog I've heard from family members related to Robert Heller, Harry & Bess Houdini, Nate Leipzig, Grover George, Harry Cooke and others. It is always an honor to speak with these folks and I'm sure I will yet meet many more as time goes on!



The original article on Grover George can be found here: http://www.themagicdetective.com/2012/07/george-supreme-master-of-magic.html

Saturday, March 9, 2013

D.C. Magic History Conference UPDATE

I received a very nice email from Ken Trombly the main organizer of the Washington Symposium on Magic History that takes place April 25-27, 2013. He has just added two speakers to the list of an already superb line-up.
(screen shot of David's blog The Houdini Files)
David Saltman is going to be speaking about Jerry Andrus. David will also reveal some details about his new book 'The Escape Artist' which deals with Houdini's time in Russia. I'm very excited to hear about both of these topics. David also runs the blog Houdinifile.com which I have now put up a permanent link here on the site, and I'm sorry I didn't put it up before, I dropped the ball on that one. Not only does David cover some great historical items about Houdini and Magic History he also includes BATMAN! You can't get better than that!

Next we have the author of the new book 'Metamorphosis', Bruce McNab. This is the book about the early years of Houdini while he was in Canada. According to several of my trusted Houdini friends this book is a must read. I have not yet gotten a copy of the book, but I know it's going to be fantastic. When they put a quote on the cover by John Cox, you know the book is going to be good.

There will be plenty of other talks at the conference as well covering topics like Alexander Herrmann, the 1970 close-up magic scene, the magic of North Korea with film footage, Charles Bertram and still more! In addition the conference will honor Carl Williams and Nick Ruggerio. The last time I saw Nick, he gave a talk for our SAM group in Northern VA and we surprised him with a special appearance by Blackstone Sr.! Hmm, I've never written about that before, I guess I just found another article to write about :)

This will be my very first magic history conference and I can't tell you how excited I am. For one, I know I'll be meeting a bunch of the folks who read my blog and the many folks I've been corresponding with for quite some time. I may even have a booth there with my artwork. Here is the link for the conference! I hope to see you there.



Friday, March 8, 2013

Oz, The Great & Powerful...Magician

A new movie debuts today called 'OZ, The Great and Powerful' and is a prequel to the popular movie The Wizard of Oz.  The story began as a book, The Wonderful Wizard of OZ (1900) by Lyman Frank Baum.

L.Frank Baum was born May 15, 1856 in Chittenango NY. He had been a life long lover of theatre and tried unsuccessfully to have a career in theatre. His writings did much better for him, though he did take his story The Wonderful Wizard of OZ and turn it into a theatrical play called The Wizard of OZ.

In the original story, the Wizard is a traveling magician who works for a circus. Through a freak accident on a balloon ride, the wizard finds himself in the land of Oz. His full name was Oscar Zoroaster  Phadrig Isaac Norman Henkel Emmanuel Ambroise Diggs which abbreviated spells out
"O.Z.P.I.N.H.E.A.D", he shortened it further to simply OZ.  He becomes the ruler of OZ probably because of his magical abilities and his name OZ written across his hot air balloon.

During the same period of time, the preeminent magician in the United States was a fellow named Harry Kellar. He had been a world traveling magician, but after the deaths of the English magician Robert Heller and the European magician Herrmann the Great, Kellar had the title all to his own.

Heinrich Keller (Harry Kellar) however was born here in America, in Erie PA on July 11, 1849. He was not a circus magician, but he certainly was a traveling magician. He apprenticed under the Fakir of Ava, then went out to manage the famous Davenport Brothers. He left the Davenports and took William Fay with him and they started their own act, traveling through Mexico, South America and beyond. However, on their way to Europe, the ship they were on hit rocks and sunk, taking all the money Kellar and Fay had made on their trip, as well as their costumes and props for their show and leaving them at the bottom of the sea.

Bad luck would not plague Kellar forever and he eventually came into his own. In 1900, the year the Wonderful Wizard of OZ was published, Kellar was the #1 magician in the country.

I've heard it said that Kellar was the inspiration for the character of the Wizard of OZ. Mike Caveney, the well known magician and magic historian has said this in interviews. But I checked his book called "KELLARS WONDERS" and I didn't see any reference to it (though it's possible I missed it).

The connection is mentioned in the Gail Jarrow book on Harry Kellar called "Harry Kellar Great American Magician", although she says that readers of the book 'The Wonderful Wizard of OZ' will recognize the wizard as being like Harry Kellar.

I recall watching the movie 'The Wizard of OZ' as a kid and remembering fondly the character played by Frank Morgan, the Professor Marvel character and later the Wizard. The movie character always stuck with me and when I later got interested in magic and came upon Harry Kellar, I wondered if Kellar was like the Professor Marvel/Wizard character that I had seen in the movie. But honestly, Frank Morgan while in the character of Professor Marvel in the movie looks more like the magician Dante (and Dante was a very popular magician at the time the movie was made).

I am not sure where this idea that Kellar inspired the WIZARD character came from. Though I vaguely recall the idea of the connection was attributed to Martin Gardner. I think it's highly likely that Kellar could have been in the inspiration based on the fact that Baum was a huge theatre buff, Kellar was the big name at the time and the illustrations by William Wallace Denslow are a dead ringer for Kellar. If nothing else, perhaps the illustrator Denslow was inspired by Kellar and that is why the pictures look so much like him. I even have a photo somewhere of Kellar wearing a white jacket like the one on the Wizard illustration, but I can't seem to find it right now. I do believe that Kellar figured in there somewhere during the creation of the original book.

There is one other thing to consider and that is the word WIZARD. Magicians of that time were calling themselves: magicians, conjurers, manipulators, illusionists, escape artists, professor, and similar names. The word 'Wizard' was more commonly used in the mid 1800 with folks like John Henry Anderson known as The Great Wizard of the North, and John Wyman Jr. known as Wyman the Wizard. In the 20th Century there was one wizard that I can think of, Germain the Wizard. Perhaps one of these men also played a part in the inspiration of the character!

Finally, look at the poster below, it kind of looks like something out of the Wizard of OZ with flying monkeys and munchkins!


UPDATE: WildaboutHoudini.com has an article on the Houdini connection to the OZ movie which is excellent as always.