Friday, October 13, 2017

Houdini's Detractors


Believe it or not, NOT everyone liked Houdini. Naturally, his competitors didn't like him. Those doing a similar act didn't like him, especially if he got wind of it and went after them. Whenever I think about people who disliked Houdini, one name really comes to mind and that is Dai Vernon. I think Dai Vernon really did a lot to help push the image of Houdini as a bad magician. Although, in defense of Vernon, Houdini could be his own worse enemy when his ego was in full gear.

Here is a story that comes from Genii Magazine November 1989. This is direct from Dai Vernon's column called The Vernon Touch. According to the article, at one time Vernon had a store of sorts on Broadway where he cut sillouettes. His walls were decorated with photos of the best magicians of the day, along with photos of a lot of the local magicians. Remember, this is NYC during the Golden Age of Magic, so those local magicians were probably all names we would recognize today. In the corner, was a calling card or visiting card with Houdini's picture and the slogan, "My Brain is the Key That Sets Me Free." As Vernon's relates, "Houdini came into the store one day and saw all the photos and asked me where his photo was. I took him to the corner, showed him the small card and told him how much I loved that slogan."  Houdini was not thrilled with the small card among all the other photos so he told Vernon he'd send a photo over. The next day a huge crate shows up with Houdini's photo. About midday Houdini comes in and asks Vernon if he got the picture. He wanted Vernon to rearrange all the other photos and have Houdini's in the center. That was not the first time that Houdini rubbed Vernon the wrong way. In the end, Vernon who acknowledged that Houdini was a great showman, didn't really care much for Houdini the person. To give you an idea of the time period, Houdini first met Vernon in 1922. So this event described took place some time in the last years of Houdini's life.

Another fellow who was famous in magic circles, Guy Jarrett, simply hated Houdini. I think hate isn't too strong a word in this case. Part of the animosity came about because Jarrett lost a couple jobs to Houdini. One in particular was, at least according to Jarrett, his idea. He was pitching the idea of Vanishing An Elephant at the Hippodrome in NYC to the director, R.H. Burnside. A small model of Jarrett's Illusion was shown and totally fooled the director. But they never came to terms and the following season, Houdini was brought in to make an Elephant Vanish, which of course he did. And which Jarrett, and a lot of other historians think was not the greatest of Houdini's illusions by any stretch.

There was another reason Jarrett disliked Houdini and that was because Jarrett was married to an escape artist named Minerva. She had a run in with Houdini's people, who apparently put acid into her water filled barrel escape. Quite an underhanded thing to do, not to mention potentially life threatening. I can see where one might hold a grudge.

Dr. A.M. Wilson. He was editor of the Sphinx Magazine and for a long time very anti-Houdini. He and Houdini had very open feuds. Houdini wanted his magazine, The Conjurers Monthly to be the official organ of the SAM, while the Sphinx at the time was the official organ. Wilson, rarely mentioned Houdini in the Sphinx and when confronted, Wilson told Houdini he was welcome to take out an ad.  Maybe the worst of it happened when Wilson published the following: "Magic is an art, a science that requires brains, skill, gentlemaness and talent of high order. Brick walls, torture cells, straightjackets, handcuffs, etc., demand nothing but physical strength and endurance, nerve, gall, bluster, fakes and fake apparatus, etc., ad libitium, heralded by circus band advertising. In my opinion, magic is brought into disrepute by all such. Their place is in the side show or dime museums."

But at least that story has a happy ending. The two men eventually reconciled and became good friends until Houdini's last days. I first learned of this feud when I researching the Great Maro for a lecture I had to do in 2015. Wilson was the person to first expose the Great Maro to the world of magic. And as can happen when researching something, looking for info on Wilson led me to the various stories of his feud with Houdini. I never published the information however, as I focused on Maro at the time and planned to use it at a later date. But, I see my friend John Cox has written up in a fine article and even uncovered more than what I learned. Please check out his article about the Wilson & Houdini Feud.

And finally onto Sam Margules. In The Vernon Touch column from 1989, I mentioned earlier, the column finishes with a paragraph about Sam Margules, who according to Vernon, "he was one of the most genuine, nicest guys I've ever met". But then he also added, "Sam Margules thought the worst of Houdini." But a few years earlier, in Vernon's column, October 1971, he says this, "I knew Houdini pretty well because I was around Sam Margules, who was one of Houdini's closest friends in those days." So which was it, Sam the fan, or Sam the hater? I had to look further. And though Margules is featured in a rather interesting event in Houdini's life, I can find no evidence of dislike. In fact, it appears that Margules remained quite friendly with Bess Houdini after Houdini died. If you're wondering what the 'interesting event' is, I'll share it shortly in another article. Please don't give it away if you already know.

The folks above are just the tip of the iceberg when it came to people who disliked Houdini. There are many reasons, among them jealousy, the fact that Houdini could be ruthless, Houdini's huge ego, and I'm sure there are other reasons why he was disliked by his peers. But part of the reason was also due to Houdini's attitude of being perceived as #1. I'm reminded of something that I read in a book called Smoke and Mirrors by Rick Marcelli. He tells the story of a young David Copperfield and Orson Wells. It appears that Orson took David aside and told him" to NEVER put himself on stage with another magician. never share the stage with another magician because only one person can hold that power with an audience. If there is more than one magician on stage that has magical powers then the power dissipates. One lone magician has great power." When I read that I instantly thought of Houdini. It's very reminiscent of his mindset. And though he was friendly with other magicians (as well as not so friendly) he really wanted people to believe he was number one. And in the end it's the perception that rules more than the truth.  Today, despite the many magicians who will tell you that Houdini was not a good magician, the public perceives Houdini as the best. For me personally, I'll take Houdini warts and all. I recognize he could be a real SOB and I also recognize areas of genius. He was and continues to be an amazing figure in the history of the world, like him or not.


Wednesday, October 11, 2017

A Houdini Card Mystery



Earlier in the year, I participated in a project called Houdini in DC for AtlasObscura.com. It was my second year in a row working with these folks. In fact, both Ken Trombly and I returned for a second year to give presentations. Ken has a wonderful collection of Houdini posters, photos, and more. Ken spoke for about 40 minutes and then I followed.

My presentation was part talk, part show & tell, and part escape demonstration. One of the things I really enjoy doing when I give a magic history presentation is sharing the real magic of the person. When I say the 'real magic' I mean, effects they did. I had been working on an article about Houdini's Card Act for this blog, and I also wanted to learn the act for my presentation, but I didn't think I could have the act ready in time. So instead, I defaulted to other possible card tricks that Houdini might have done. And lo and behold I found a wonderful little gem packed away in a book called, Houdini's Escapes and Magic by Walter Gibson. According to the text, the trick is a variation of an older effect in which a chosen card appears in the magician's pocket. I'm not here to give away the secret, though if you have the book, you're certainly welcome to look it up yourself. I presented Half and Half for the AtlasObscura event and it went over extremely well. In fact, it was stronger than I expected, though not anything revolutionary compared to some of today's card mysteries. Still, the fact that it came from Houdini's notes was good enough for me. And so, for your entertainment pleasure, I've shot a video of my rendition of Houdini's Half and Half. Enjoy!!!


 Later this month, I'll share the trick that became known as The Trick That Fooled Houdini.

Tuesday, October 10, 2017

Houdini Bobblehead CONTEST


There is a good chance all my fellow Houdini fans will already have one of these. But then again, one of the purposes of a blog like this is to bring in NEW fans. So I'm having a very simple contest to win a Houdini Bobblehead, unopened in the original container. These retail for about $20 and most places are sold out. Here are the rules:

CONTEST IS NOW OVER!!!
  • Only 1 entry per person
  • To enter: Send me an email, with the subject heading 'Houdini Contest' to info@carnegiemagic.com    
  • Please include your full name in the email. 
  • You must live in the continental United States
  • The 25th email I receive is the winner!

I will contact the winner via email to get your mailing address so I can send it to you. It costs nothing to enter, and I will even pay the shipping. The contest ends when I get to the 25th person, that simple. So it might take an hour. It might take a day, who knows. Usually the blog articles get a couple hundred views, so if just a portion of the readers participate, then it should go pretty quickly.

UPDATE: We have a WINNER, Jack T. of NY, was the winner of the contest. Almost 200 people viewed, but not a lot of folks entered the contest. I may have another contest before the month is up, so keep watching! And thanks to everyone who participated!!!

Friday, October 6, 2017

Houdini Month: Coming Up Next Week

What's coming up next week?

  • A Houdini Month Contest! 
  • An Article On A Special Type of Handcuff used by Houdini
  • Houdini AT ...  (these will be Houdini appearing at Certain locations, more than one article is being prepared)
  • Your Money Is Always Safe With Houdini
  • Houdini's MAGIC
  • And still much more to come as the month progresses! 

Over on Instagram,  https://www.instagram.com/carnegiemagic/ I'm also celebrating Houdini Month, but in a slightly different way. I'm posting photos of all my Houdini books. I have a feeling the month will run out before I get finished.

For now, I'm giving you all a rest while I get more articles finished for Houdini Month. But I thought I'd share with you a link to a site where you can pick up this cool Houdini Mouse Pad (photo above). I actually have one, it was given to me as a gift some years ago and frankly, I've worn mine out. So I had to find out who makes them and sure enough, I found them. http://www.yowzers.com/viewitem.php?productid=149

And if you click this next link, you'll go to a page with two other Magic Poster mousepads. http://www.yowzers.com/viewcategory.php?groupid=41


Thursday, October 5, 2017

Houdini Month : The Steve Baker Interview



Mr.Escape & the Magic Detective Interview

 At the time of this interview, The Magic Detective Blog did not yet exist. I did have my own magic history blog that I put a lot of content on however, but this interview never appeared on there or anywhere. Steve Baker wanted me to write his life story, and I told him I didn't think I was quite qualified, as I had never done that, and didn't know near enough. So just to test the waters a bit, I began to do interviews and take notes, tons of notes. 

I had seen Steve Baker on TV when I was a kid doing his escapes. I did see him do the Water Torture Cell and hanging strait jacket escapes on TV. He was the only working escape artist I ever saw on TV for a long time and he was on TV a lot! 

Carnegie: Steve, I'd like to ask you a few questions about your career. First off, how did you get your name?

Steve: My parents gave it to me. Oh, you mean Mr. Escape. That was not my original stage name. At the time when I made my National debut, it was Feb 22, 1967 and I was going to recreate Houdini's Upside Down Strait Jacket Escape from the Tribune Tower building on Oakland CA. This was to promote a show I was doing in town, a fund raiser for a church.  I don't think anyone anticipated the event would turn out so great. The initial estimates were 10,000 people attended my escape. But later I heard it was as many as 20,000.  Houdini, had done the escape many years before and I was hoping to beat his time. Oh, you want to know the name I went by. I was using the stage name 'The Great Gerhardt'. It was a family name that I had used for a while but most of the newspapers referred to me as Steve Baker, so after this Tribune Tower Escape I went with just Steve Baker until...

Carnegie: Until you switched to all escapes?

Steve: No. It was a few years before I went all escapes. The show I had in February had comedy magic and illusions. Yes, I did illusions too. I loved the comedy magic, and I began to do Mentalism, so those became my bread and butter. I also did close-up magic. But right after Tribune Tower, I went with Steve Baker, 'The World's Most Neurotic Magician'.  In May 1967, I had a big show at the Oakland Auditorium Theatre.  I was doing a show of Mirth, Magic & Mayhem with the Master of Magic and Escape. Add to that the Most Neurotic Magician title and you can see I had not yet figured out my direction. I wanted to do everything. But then one day, I was reading the Steranko issue of Genii Magazine, the one on escapes, and he mentions the name 'Mr.Escape'. I asked if I could use it. After that it became my moniker for my Escape work. I also had another name, or maybe more of what you might call a tag-line, The Man Who Outdid Houdini.

Carnegie: WHAT???? I did not know about this. How did that come about?

Steve: After the Tribune Tower, it sort of just happened. The newspapers wrote articles about how I was going to try and beat Houdini's time with my straitjacket escape. One of the journalists even called his friends in Vegas to get their take. Folks like comedian Buddy Hackett and Shecky Greene threw in their two cents. No one thought I'd be able to do it. But after it was over, and I successfully beat Houdini's time, they all wanted to know what I was going to do next to beat Houdini. So I became The Man Who Outdid Houdini. I really was both, 'The World's Most Neurotic Magician' when I did comedy and 'The Man Who Outdid Houdini' when I was doing escapes and escape promotions.

Carnegie: Obviously, the Tribune Tower was a promotion, can you give me an idea of another escape promotion you did?

Steve: Many. A great deal of my shows, certainly bigger venue shows, I tried to tie in an escape. The May 1967 show for the Oakland Auditorium Theatre had a publicity escape. That was when I did the Cannon Escape. Houdini had done a cannon escape in England and I wanted to outdo all of his escapes, or as many as I could, so I thought the Cannon escape would work. The cannon we used weighed 3000 lbs and was loaded with 2.5 pounds of black powder. No cannon ball though. The black powder alone could blow the door off a bank safe. Wait till you hear what I did at the show!

Carnegie: Did you do the Cannon Escape again at the show?

Steve: The same man who donated the use of the Cannon, donated the use of a Howitzer, so I was strapped to that. By the way, I did the Cannon Escape numerous times in my career. After my 1967 performance, I gave it the name 'The Human Target', and tried not to mention Houdini, but his name always came up.

Carnegie: Why am I just hearing about this now? This isn't anywhere in the magic literature.

Steve: I was working for the public, not magicians. I have all of my press clippings with articles on all the escapes I did. I think the magic world would be surprised by the amount of things I've done.

Carnegie: Can you give me some examples of your Houdini Escapes? I know of The Water Torture Cell, I saw that a couple times on TV.  What other escapes did you do that were trying to beat Houdini?

Steve: The early escapes included: safes, cement chambers, handcuffs, jail cells, even an early
version of the water torture. Not every early escape tied to Houdini, but whenever I could tie it in, I did. For my first Water Torture, I actually had my legs weighted down in the tank of water so that it would be impossible to lift myself up. A few years later, when the Dick Clark people came to me about doing the Water Torture Cell, I had Johnny Gaughan build it and I changed it, so that I would be chained to the bottom of the tank hanging by my ankles. It looked more like Houdini's tank to start with, but Houdini was never chained to the bottom. That was my twist. You might not know this, but I never did the Water Torture the same way twice.

Carnegie: I don't understand. You either get out or you don't get out. What other ways are there?

Steve: I meant, on TV I never did the escape the same way twice on TV. Yes, I always freed myself, but on Dick Clark, I pulled my feet out but was still stuck underwater. On another show, I had my hands free but couldn't get my feet out. Then there was the HBO Special, where Tony Curtis was M.C. and nearly panicked while I did the Water Torture Cell.

Carnegie: Tony Curtis, wow. The first motion picture Houdini as MC of your show, that's wild.  I remember that special. It opened with the Water Torture Cell! And the ads for the show featured your Death Race Escape. I guess by the time of the HBO Special you were done outdoing Houdini?

Steve: Yes, I was well established by the HBO Special. But prior to that I was going through all the Houdini books of the time, trying to determine the best escapes he did in order to duplicate them and hopefully beat his time. I had conquered straitjackets, cannons, the Water Torture Cell, packing boxes, underwater escapes, and I even had a Milk Can made. But in 1969, I almost stumbled when I met Milbourne Christopher. He had recently published the book,
Houdini: The Untold Story and was sort of fanatical when it came to Houdini. He even presented shows where he recreated Houdini's act. He had made a pretty good name for himself on TV back in the 1950s. I met Mr. Christopher at a day long event called The Magic Extravaganza which was sponsored by the Oakland Magic Circle. We did not get along at first. In the two years since my National debut, I had not only outdone Houdini as often as I could, I also adopted his attitude and bravado. It got me in trouble more than I care to recall, but it also set me apart from rank amateurs and even bothered a lot of professional magicians. Christopher challenged me to escape from an actual pair of Houdini's handcuffs. It was then that I worried the most. If I did not get out, all I had done before would be for not. Plus, this was being presented in front of magicians and the lay public so not getting out would be the ultimate in humiliation. But thankfully, I did free myself. And Milbourne and I became fast friends afterward. He even personally autographed a copy of his book to me.

Carnegie: Steve you mentioned jail escapes. What jails did you escape from?

Steve: Oh, there were several. Meridian Jail in Idaho, there was a Jail in Australia, though they spelled it Gaol. I lived in Boise, so I found a number of old jails throughout Idaho. There were jails in Montana, Washington State and Oregon. For a long time I was very West Coast based. As my TV appearances grew, my territory grew. I eventually covered all 50 states, Canada, and into Europe, China and Australia.

Carnegie: So you did every escape of Houdinis? Like the Sea Monster Escape, Escaping from a Giant Football, Escape From a Paperbag, etc. ?

Steve: No, I just did his major escapes, the one's he was most well known for. I had hoped to get to a point where I would not be compared to Houdini anymore because I had outdone him. In truth, my outdoing him was for publicity, it gave a good hook for the newspapers to promote my escapes.  I usually tried to beat Houdini's time, or give the escape a different twist so it seemed I was making it more dangerous than Houdini. Over time, I moved beyond Houdini's escapes and created my own signature escapes like The Coffin of Death, Death Race, Trial by Fire and others. If I had to do it all over again, I might have avoided the comparison, though I guess it just comes with the territory.  You can escape like Houdini, but there is no escaping HOUDINI.


I'd like to point out that this was only a tiny portion of the many interviews I had with Steve. I might not have been the best interviewer 17 years ago, but Steve more than elaborated when I asked him questions. I have removed some content. For example, he shared the secret to his Meridian Jail escape (and no it was not the Hattie Mooser/Houdini method, lol).   All of the above covers from around 1967, to the early 1970s. By the time he was on Dick Clark LIVE Wednesday, he had already dropped the 'The Man Who Outdid Houdini' moniker, and would go on to be a true TV Celebrity of the 1970s and into the 1980s.  I love the last line of the interview, I think that sums it up perfectly, 'You Can Escape Like Houdini, but there is No Escaping HOUDINI.'