Sunday, June 14, 2026

Houdini Might Be Returning to 278

 


John Cox recently announced a very exciting event to take place at Houdini's NYC Home on Halloween, The 100th Year Houdini Seance! Now that is something to think about!!! They have a wonderful website and unlike most Houdini Seance's they are repeating this one numerous times. But you also get a tour of the home and some trinkets.

Looks like there are 4 seances total to be held. One appears to be almost sold out. Of course, there is plenty of time between now and Halloween to get a ticket. ALTHOUGH, I have a feeling that come October, there won't be any available tickets left. So you may want to get your tickets early.

I myself, have never been invited to attend any Houdini Seance, ever! It is a personal slight I have done my best not to take personally....hmmmmm, maybe I should rethink that, lol. Suffice to say, I don't think I will be at the Houdini 100, as awesome as it looks. Working magicians, of which I am one, tend to WORK on Halloween, lol. Which again, makes an invite sometimes problematic. 

Still, I honestly hope every seat sells out for this incredible event. Everyone attending is surely going to have a great time and you get to see Houdini's home on top of it. I'm envious. And I'm also grateful that Houdini's name still holds so much power! Also thankful to John Cox for his work on this and to the family who owns the Houdini House today, thank you for this rare opportunity to share this historic location with the world on this special night.

Wednesday, June 3, 2026

The Magic Theatre Series: Egyptian Hall

 


Egyptian Hall, in Piccadilly London, did not start out as a magic theater. Originally commissioned by naturalist William Bullock, it opened in 1812. It housed for the first seven years the collection of William Bullock, consisting of 20,000 natural history objects and artifacts. In fact, the Hall was often referred to as The Bullock Museum and also as the London Museum initially.  The items were from North and South America, as well as Africa and the South Seas. Many of the South Sea artifacts were gathered by Captain Cook. In 1819, the collection was auctioned off.  Just prior to that in 1816, the Hall hosted an exhibit of Napoleonic artifacts including a horse drawn carriage that was seized during the battle of Waterloo. The carriage drew large crowds during it's time at Egyptian Hall. Eventually it was purchased by Madame Tussauds Wax Museum. In 1925 the museum burned down, and the carriage was lost forever.

In 1819, after the collection had been auctioned off, Bullock turned the museum into an art gallery and exhibit hall. Over time it would morph into sort of  London's version of Barnum's Museum. The Hall housed human curiosities like a 7 foot man who was so thin he was basically just skin and bone. Another popular attraction was the Siamese Twins who were joined at the waist. Speaking of Barnum, in 1944, six year old Charles Stratton, known professionally as Gen. Tom Thumb was featured at the museum. This was  while Barnum and his curiosities toured throughout Europe.

For a period of time the hall was used by entertainers, mainly magicians. In 1873, no less than Dr. Lynn leased the large hall there. It was here that Buatier Dekolta made his debut at Egyptian Hall.  Lynn and Dekolta shared performing duties in the large hall. By the way, there were two others in Egyptian Hall at the same time, John Nevil Maskelyne and his partner George Cooke. They leased a smaller hall and drawing room. That is until July of 1875 when Dr. Lynn decided to leave. This led to Maskelyne signing a lease for the entire place and turning into England's First Home of Mystery! 


DeKolta continued to perform at Egyptian Hall, this time under the management of Maskelyne. One of the early features at the hall by Maskelyne and Cooke were the presentation of fake spiritualistic phenomenon. Maskelyne a short time before had been successful in exposing The Davenport Brothers as fakes. In fact, this is where Cooke comes into the picture. Maskelyne and Cooke knew each other initially, not because of magic, but because they both played the clarinet. Maskelyne, after having seen the Davenports accidentally saw how the brothers completed their mystery, due to a brief sudden bit of sunlight that shined through a curtained window. This led Maskelyne to create his version of their cabinet trick, using a trunk. In the Maskelyne version, Cooke would place him into the trunk and then close the lid. The trunk was then tipped up on it's edge and several bells and other instruments were placed on top of the trunk. A curtain was drawn and almost immediately the bells could be heard to ring. The curtain opened and no sign of Maskelyne. Once again, the curtain closed, more mysterious ringing sounds and then, to everyone's surprise and astonishment, John Neville was seen sitting atop of the trunk!


In 1893, a young David Devant debuted his special creation The Artist's Dream at Egyptian Hall. This illusion was actually created specifically for Egyptian Hall. Devant had wanted to do a different illusion but it was too large for the stage. Maskelyne told him if he could come up with something else, he would consider having him. Thus, the Artist's Dream was born. 

Maskelyne signed Devant to a three month contract. Devan'ts next creation was in 1895 and it was the Birth of Flora. Soon after, Devant got involved in purchasing a kinetoscope to show Animated Photographs. He tried to convince Maskelyne to put them into his Egyptian Hall, but John Nevil did not initially see the value in them. Eventually he relented and animated photographs began to appear at Egyptian hall. It was the second theater in London to feature them. The first being presented by the Lumiere Brothers at the Empire Theatre. The photo at the top of the article you can see where it says, "Animated Photographs" on a large banner. 

Many great illusions were featured at Egyptian Hall, but probably none greater than the original Maskelyne Levitation. Still one of the most beautiful illusions to ever be created. It gave the appearance of complete weightlessness. No less than Harry Kellar was completely mystified by it. He offered to purchase it from Maskelyne, but John Nevil turned him down. Kellar would watch the illusion from various parts of the theater trying to get clues and glimpses to it's workings. One time he even crawled up on the stage to look underneath during a live performance! But despite Kellar's best efforts, he could not crack the code. So he did the next best thing, he hired Paul Valadon away from Egyptian Hall and offered to have him tour America with Kellar. Together the two would recreate the levitation. However, there is a twist to this story. The original Maskelyne levitation was built into the theatre. It could not be moved. This is likely one of the reasons that he told Kellar no in regards to the purchase. But Kellar and Valadon figured out a way to travel with the illusion, making it portable. It went on to be a feature in the Kellar Show, even being so popular that it's now known as the Kellar Levitation. 


Maskelyne and Cooke remained there until 1904 when the lease ran out and the building was then scheduled for demolition. Of course, that would not be the end of The Home of Mystery, as it would then move to St. George's Hall. More on that, to come.


Monday, June 1, 2026

The Magic Theatre Series: Hofzinser's Salon

 


Johann Nepamok Hofzinser was born in Austria in June 19, 1806. He was an Austrian Civil Servant working in the Finance Department. But he also had a love of conjuring that guided his life. In 1857, he developed the Salon Hofzinser in Austria. The show he prepared was called "An Hour of Deception." 

Salons of this period were places that members of high society would gather and talk about art, literature, politics and more. These tended to be held in the homes of intellectuals in their living rooms. Often they were invitation only. At times they would coincide with art exhibits.


In the case of Hofzinser, his first show was in his own living room, and he later would lease elegant spaces where he would present his show. He had 5 locations over an 11 year period.  He sold tickets to his show at a very high price. The guests would sit in plush chairs to watch his performance. His particular style of magic tended to be smaller, more intimate. Historians often refer to him as 'The Father of all Card Conjurers'. His methods and ideas were years ahead of what others had been doing. On top of this he was an incredible inventor/creator of what we often call platform magic. The effects attributed to Hofzinser are staggering. These include The Magic Table w/Well, the Coin Casket, The Coin Wand, The Mirror Goblet, The Rose Mirror, The Ink to Goldfish, and countless others. In some cases, he improved upon existing effects like the Coffee Vase, and the Passe Passe Bottles.


Seating was limited to 10 to 35 seats. The walls behind Hofzinser's performing area were replete with fine works of art and draperies. Lighting provided by candles and gas lamps. He used either one or two small tables during his performances.  Earlier books on Hofzinser made the claims he used three tables, the middle being the classic magician's center table. However, Magic Christian, author of the Non-Plus Ultra books on Hofzinser, has dispelled this rumor by going directly to eye witness testimony via letters and newspaper accounts. People were astonished that in Hofzinser's case he did not use a center table. However, Christian also points out that it was possible that when Hofzinser performed in a theater, he may have used a third table simply to fill out the stage.

By today's standards this would be considered a close-up show. However, Hofzinser's approach was not relegated to card and coin tricks. Don't get me wrong, he had those. In fact, his card plots would remain in the lexicon of card magic forever. But he offered many other effects, routines with borrowed rings, with glasses, bottles, liquids, birds, goldfish, and more. It was a well rounded evening of mystery.

Probably the best modern adaptation of this program would be Steve Cohen's Chamber Magic. Steve counts Hofzinser among his mentors. In his attempt to recreate Hofzinser's style of program, Steve has continued the tradition of simple objects and again, not staying strictly with card routines, he presents a routine with glasses and a tea kettle, as well as one of Hofzinser's Walking Cane mysteries. More on him later in the series.

One additional fact about Hofzinser, besides an accomplished magician, he apparently was a composer of music as well. Below is a video containing one of his musical creations.




Tuesday, May 26, 2026

The Magic Theatre Series: Robert Houdin in Paris

 


Today I begin an exploration into the rich history of Magic Theaters. They begin in the 1800s and continue to modern times. In fact, this is especially  significant considering how many venues are opening or are open today. Once again, the magic theater concept is hot, maybe more so than ever before.

But to begin we must go back to Paris France and the theatre at the Palais Royale, the theatre of Jean Eugene Robert-Houdin. This is where he presented his show Sorieee Fantastique! This was an evening of magic, filled with everything from sleight of hand demonstrations, incredible automatons, stage illusions, even one of the earliest versions of mind reading. 

The theatre itself was located at No164 Galerie Valois at the Palais Royale. The location was reconfigured to be a theater including a proscenium. The venue sat around 200 people. To attend a performance the ticket prices were expensive, this likely added to the exclusivity of the program and to the fact that this was a tiny venue compared to other live performance venues, Opera Houses, Amphitheaters and the like.

By his own account, the opening performance was a disaster. Nerves got the best of Robert-Houdin. But in no time, the show is going well and he was a Parisian sensation. 

The stage setting made it appear like a drawing room of the time. It was decorated in the Louis XV style with walls painted white with gold trim. Chandeliers hung down from the ceiling as well as other candelabras positioned about the stage to provide light and mood to the setting. 

Robert Houdin in the past has been called The Father of Modern Magic. Modern for the 19th Century for sure. He took magic from the streets and put it into a more formal setting a theater. Also in his case, he built his own venue which allowed him to do things that he might not always been able to do as a traveling performer.

Of course, one of his most famous effects was the Fantastic Blooming Orange Tree. This has been depicted in videos and in movies and recreated by a number of magicians over the years. It was a mechanical tree which was full of green leaves. Then tiny flowers would appear, then these gave way to tiny oranges which grew into larger oranges, some of which were removed and tossed to members of the audience. The the finale, two butterflies were seen to rise from the leaves of the bushes and in between them was a previously borrowed handkerchief. 



The Ethereal Suspension was one of the first stage illusions. This was the precursor to the Broom Suspension. What is often forgotten about this illusion was the bonus balancing effect built into the props. In presentation, there is a bench, and on the bench is mounted a cane. Then his son stands next to the cane with his arm touching the tip of the cane. Then he is lifted and remains suspended in the air when Robert-Houdin lets go. THEN, he removes one set of legs from the bench and despite what looks like an impossible situation, the boy remains perfectly suspended along with the benches. The phenomenon was attributed to the effects of ether, at least that was the presentational slant it was given.

His son played another important part of the show. They presented the Second Sight Routine together. This was an early version of mind reading. 


But those are only three of many many wonderful effects presented. Probably my favorite, is the The Crystal Cashbox, also known as the Crystal Casket. This wonderful mystery started with borrowing 8 coins and placing them inside a crystal vase. In the distance was another crystal vase. The coins would travel from one vase to the other, one by one audibly. Then all the coins were gathered together. A small glass/crystal cashbox was suspended by two ribbons and pushed so it swung back and forth. Upon Robert-Houdin's command, the coins vanished and reappeared audibly and visibly inside the cashbox!

To the left is the actual Crystal Cashbox used by Robert Houdin. Once in the Ken Klosterman collection. I do not know where it is today.


Another favorite from his show would be The Artist's Portfolio. Im not sure why I am so enamored with this, but I am. It involves a large folded artists portfolio. It is displayed and then placed on to stands so it stays upright and open. Robert-Houdin reaches inside and produces a Large Quantity of items all far too big to fit inside there, like pots and pans full of food, a birds cage, ladies fancy hats and more. Then when the audience was sure that he had produced all that could be done, he opted it one more time and produced his niece, a living human being!  It reads so incredibly. I really would like to see it performed. There is a video of it being done, but I think it's possibly more an artists recreation of what it might look like.

One thing I have noticed is that it doesn't appear that Robert-Houdin brought any spectators up on the stage to help him. He did interact with the audience, but never on the stage.  The theatre ran from 1845-1852. I seven year run. Then it moved to another location. Robert Houdin performed the opening performance was done by Robert-Houdin, then it was handed off to another performer, Hamilton, who had purchased the theatre.

The second location at No 8 Boulevard de italiens, remained there until 1924 when the building was eventually torn down. But there was a period when it was leased by George Mellies, the magician and later pioneer movie maker who invented many of the early movie special effects. He transformed the theatre into a movie studio and used camera tricks to accomplish his special tricks that he once did on the stage. For a time, the Robert Houdin with Mellies flourished in Paris. When movies caught his interest, all magic ceased and the theater was repurposed. 




Sunday, May 24, 2026

New Harry Kellar Documentary

 


I just finished watching a new Harry Kellar Documentary called Harry Kellar : The Greatest American Magician. Produced and narrated by Bobby Borgia of the Kellar Magic & Comedy Club in Erie PA. All the old guard are interviewed, Caveney, Gaughan, Steinmeyer, Burton, as well as a few others. It tops out around 59 minutes. 

If you know me, you know I am a huge Kellar devotee. Second only to Houdini. My podcast features three episodes strictly about Kellar himself. My blog featured 46 articles either about Kellar or which mentions Kellar. 

In my personal collection, I have an original photo of Kellar and his dog (see above). I've done several paintings of Kellar in different styles, one of which is in a private collection. I owned a Kellar 3 sheet poster that I just sold recently. I owned it for 10 years and didn't have space to display it, so I decided it was time to allow someone else to enjoy it. Now I understand the appeal of the one sheet posters, lol, (easier to display)

I have theater programs that feature Kellar in them. And a few other Kellar related items. So yes, I am a HUGE fan of Harry Kellar. 

Maybe 20 years ago there was a documentary being filmed on Kellar which to my knowledge, never made to the air. I was so excited when I first heard about it, but I dont know what happened to it. I've seen shorter presentations on Kellar. But this new documentary is an hour of Kellar stories and interviews and wonderful information about this oh so interesting character. Simply put, it is superb!

I'm going to post the video below for you to watch. But then, I also will leave a link for the 46 articles on this blog about Kellar for you to check out.  https://www.themagicdetective.com/search?q=kellar




Monday, May 18, 2026

My Magic Art-Print Site is On Hiatus

 

For the moment, I’ve temporarily suspended my Magic Art Print site while I reconfigure several things behind the scenes. The current integration between the website, social media, and the printer simply wasn’t working the way I wanted it to. Rather than keep patching it together, I decided to pause it and rebuild it properly.

That said, I am still offering select limited-edition prints.

Some prints have already been retired because they simply weren’t moving, so a few pieces may never be offered again. However, all of the Houdini prints will be returning shortly, along with several brand-new Houdini-inspired works that I’m excited to release.

I know a number of people had expressed interest in different pieces over the past several months. If there’s a particular print you were hoping to get, email me at info@carnegiemagic.com   and put “ARTWORK” in the subject line. I’ll personally let you know what is currently available, pricing, and how to order while the new system is being built.

Now for the good news.

Over the coming weeks, I’ll also be releasing several original paintings from my private collection — pieces I’ve rarely shown publicly, and in some cases, never offered for sale. Among them are a Kellar-inspired piece, a highly abstract work of magic art, and possibly one of the Criss Angel paintings as well.

None of these works will be reproduced as prints. These are true one-of-a-kind originals.

In addition, I am officially opening the door for a very limited number of commissioned works.

At this stage, I’ll probably only accept two or three commissions total. These will be entirely hand-painted original works created by me personally — no AI-generated shortcuts, no mass production, just authentic artwork crafted over time and with intention.

I’ve been painting for more than 20 years, and recently I’ve seen my artwork begin achieving strong prices at auction. Whether you acquire an existing original or commission a custom piece, this is an opportunity to own something genuinely unique.

If you’re interested in available artwork, upcoming originals, or commissioning a custom piece, contact me directly at  with “ARTWORK” in the subject line.

The next phase of the collection is going to be much more exclusive — and once these originals are gone, they’re gone.



Monday, May 4, 2026

Carnegie Now Taking Commissions for Artwork in May

 


I don't do this often, but I am now accepting commissions for artwork this month. If you are interested in having a painting created of your favorite magician or perhaps yourself, then contact me. This is for my abstract portrait design only. There are various canvas sizes and styles to choose from. 

I have been commissioned in the past to do special works. I've done Cardini, Denny Haney of Denny and Lee Magic Studio, Ricky Jay, and others. Besides those, there are 70 or so others, many in private collections. Some were recently released as limited edition prints. 

For this commission, you are getting a hand painted canvas, there is NO Ai involved. This is old school artwork that you can proudly hang on your wall. Once you contact me and we agree on moving forward, there is a 50% non refundable deposit required. The remainder, plus shipping is due upon completion. Splitting the cost seems to help those who are a bit budget oriented. 

This is a first come first serve basis. I have very limited availability this month, so if you want a painting, please contact me ASAP.  You can reach me at info@Carnegiemagic.com and put the world ART or ARTWORK in the subject heading. 


Friday, May 1, 2026

David Copperfield : The End of An Era - Hardly

 


David Copperfield has finished his run at the MGM Grand in Las Vegas. A 25 year run came to a close on April 29th, 2026. When he made his announcement several weeks ago, he also announced the final few weeks would be jammed with performances. One had to be cancelled due to technical difficulties. But beyond that it was a grueling schedule and...wait, it was the type of schedule that David and his crew have done his entire career.

From what I have heard, they actually added two new routines during this last bunch of shows. So, as I have said before, if you think David Copperfield is done or retiring, you've got another thing coming. I recent interview with Chris Kenner on The Magicians' Podcast Network,  revealed that David has had multiple offers for other things. Could it be a new tour? A new show in Vegas? A new show somewhere else? A show in some other country? I'd say all the above are possible. And rest assured you'll hear something fairly soon.

A friend of mine asked me if he thought this was it for David, as in retirement. I laughed. The guy has been doing 500+ shows his entire career. He isn't about to stop now. He will go out when people stop coming to his show, or when he drops dead. And apparently the shows have been selling out, so no worries there. 

The moment I hear anything about his next move, I will put it here on the Magic Detective Blog.

Monday, April 27, 2026

Great CBS Masters of Magic, Clips from the CBS Morning Show on Magic

 

(CBS Morning Show)

I just came across this very cool piece on Youtube from the CBS Morning Show. This is a wonderful piece of magic history. Everything on here from Bubble Magic, to Shin Lim, Jason Bishop and David Copperfield and more. It's worth the watch.

It's nearly 1 hour long. The clips are from over many years. For example, the piece on David Copperfield was shot back in 2023.  Check it out below.



Saturday, April 25, 2026

White House Dinner Attack!

 


Tonight was the White House Correspondents Dinner. In the magic community, we were excited because one of our own was scheduled to perform, Oz Pearlman, the Mentalist. In fact, while the dinner was going on, Oz was doing some feats for the First Lady and President Trump and two other people. He was just revealing a word, likely the conclusion of a mind reading feat, when 4 shots were heard to ring out.

A gun man broke through a security check point and was heading to the ballroom when Secret Service fired him. I think the shots heard may have been from Secret Service. I do not know at this point if the gun man got off a shot or not. I did hear one Secret Service man was injured but alive, so I guess the gunman got off one shot at least.


In the photo above, everyone sees the pandemonium that is breaking out. Secret Service is rushing in. The sheer horror of it is captured on the First Lady's face. Oz Pearlman sees it too, and about 2 seconds later he drops to the floor along with everyone else at the table. Secret Service rushes in and grabs the President to get him safely out of the room. See photo below.


In a Press Conference shortly after, the President confirmed the gunman had been apprehended. He is a male from California. He also said they plan to reschedule the event with a month. Curious if Oz Pearlman will return to perform. This has to be beyond harrowing for everyone involved. 






Sunday, April 19, 2026

HOUDINI 110 Years Ago Today In Washington DC

 


(Library of Congress)

What are you doing today, April 19? Well, exactly 110 years ago, if you were strolling through Washington DC on Pennsylvania Avenue, you'd stumble upon a huge crowd of people watching a man dangling from a rope 4 stories in the air. That same man is hanging upside down by his ankles and is wearing a straight jacket. Yes, it's Harry Houdini and he is in the Nation's Capital promoting his appearances in town. 

The location today is the building next to the National Theater on Pennsylvania Avenue. The original Munsey building was torn down in 1980. At the time of Houdini's escape, the Munsey building also housed the offices of the Washington Times Newspaper. The brick building to the left is actually The original Washington Post building.  In previous articles I wrote on this escape, I never had a photo of the event. But it occurred to me that if Houdini had done this escape in front of a newspaper office, there MUST BE photos. And sure enough, I found some!









Tuesday, April 14, 2026

A Few Details About Upcoming Episodes on the Magic Detective Podcast and More!

 


As I quickly approach 70,000 downloads (less than 180 away) on my podcast, I'm exciting by some of the episodes coming up. I mentioned earlier in the year that I had the entire season planned out, which was true. But as usual, I have fallen behind schedule. I moved the Bessie Houdini podcast up to episode 115. As of the moment, I am not sure which will be next. All the images here have Episode #s on them, but they are subject to change. I may start front loading the non Houdini episodes, so that later in the season as we get closer to October 31st, I can have more Houdini podcasts.

More than likely the next episode will be the Life of Doug Henning. I already have several episodes about Doug's Specials on my podcast: #13, 20 & 107. But this time I will cover the LIFE of Doug Henning. I also have an episode on my friend Steve Baker, the controversial Escape Artist. His story has never been told really, other than on his old webpage, which I actually ran. He had a crazy career, truly second only to Houdini. 



Then I have an episode on Alexander Herrmann, which is actually the first of several Herrmann related episodes. I will eventually do Compars, Adelaide, Leon, and maybe even Felix. But only Alexander this season. 


BTW, quickly, I want to thank everyone who has posted reviews on Apple Podcasts and/or sent me comments about the podcast. I really am grateful that you enjoy the podcast and am so thankful for YOU as listeners. Each episode takes hours and hours research. I do not use ai. I rely upon my vast library, and AskAlexander, and a handful of the magic history related sites. It's a lot to comb through. Though technology does make it a bit easier. I can't imagine doing this without computers, meaning databases. Maybe one day ai will be helpful, but honestly, they get so much incorrect. I have my way of doing things, and though it might take a bit longer, it will be correct (unless the source info is wrong lol)

And I have an announcement coming up in a few days. Something new for the site and podcast. Plus I will have a new print available on my art site, shortly. So much to look forward to!!!

UPDATE: Thank you to all my listeners. We broke the 70,000 downloads!!!! That is just mind boggling to me! I am so grateful!


Monday, April 13, 2026

The Life of Bessie Houdini

 


This month, we are Bonkers About Bessie! (sorry John, I couldn't resist). Yes, episode #115 of my podcast is about Bess Houdini. Below is the transcript from the episode, along with some great photos.

Wilheminia Beatrice Rahner was born January 23rd, 1876 in Brooklyn NY. She came from a family of nine sisters and one brother. We know precious little about her family. Her father was Gebhard Rahner and her mothers name was Balbina. We know her older brothers name was John Rahner. and she had several sisters: Sophia,  Marie, Rose, Anna, Louise, &  Stella who may also be Pauline. The rest are pretty much a mystery. 


In the Harold Kellock biography of Houdini there is a much romanticized version of how she met Harry. Some story about him doing a show at her school and spilling acid on her dress which left a stand. Last time I checked, acid would do more than leave a stain, it would burnt a whole in the fabric. He apologizes profusely and asks to have the dress so his mother can repair it. And thus, their first meeting.


The most popular account however, Bess had been bitten by the showbiz bug and had joined a song and dance act called The Floral Sisters. She was 18 at the time. She was using the name Bessie Raymond. Some accounts claim that Bess was actually Theo’s girlfriend or at least date.Theo was Houdini’s younger brother, also known as Dash. Upon being introduced to Houdini by Theo, the two locked eyes, Harry and Bess, and Harry basically stole Bess away from him. Two weeks later, they were married.


Marie Blood, Bess’s niece tells a very different story. From the pages of The New Tops Magazine, Sept 1985, she says the following, “There was no such thing as The Floral Sisters! Bess joined a traveling carnival and she did not start out as an entertainer. She did some sewing, washed dishes, and whatever else she could do to make herself useful. They didn’t have her singing right away.”  So according the Marie Blood, Bess ran away with a circus and that’s where she met Harry. 


In the same article, she mentions how Bess had been done wrong by the various movies as they often show Bess as having a fierce temper. According to Marie, this is just not true. She was very sweet tempered, and she never knew any of the Rainer’s to be high-strung in any way. Once again, I think she was mistaken, at least in regards to Bess. There is a story related of Houdini and Bess getting into arguments and Harry would walk around the block. As he returned he would throw his hat through the front door. If the hat came flying back, he would walk around the block again. When he was able to throw the hat into the house without it coming back, he knew Bess had calmed down. I don’t think Marie was lying, I just think the Houdini’s were on their best behavior when guests were present, which was sort of standard practice back in those days. Im not sure people behave that way anymore, rather they let it all hang out, so to speak.



Curiously, Bess refers to herself as the most married woman in America, having been married at Coney Island, and then by a Catholic Priest and then a Rabbi. There is only one problem with that. An April 1991 story in Genii Magazine poses the question of whether or not she and Harry were ever married. According to Bess, John Y. McKane of Coney Island conducted the first, initial marriage. However, in 1894 when she claims to have been married, John McKane was an inmate in Sing Sing Correctional Facility. He had been arrested and convicted of election fraud and padding the registry rolls. He was not released until april 30th, 1898. There is no record of the Catholic Priest whose name was given as Reverend G.S. Loui, and the Rabbi who is claimed to have married them would have been 14 years old, so he couldn’t have married them. Then the biggest stickler of them all, Catholics forbad marrying outside the faith at that time, as did the Jewish religion. So it really throws into question whether they were officially married. Certainly she could have been his common-law wife. Houdini seems to be pretty much a straight arrow, so Im sure he was married at some point to Bess even though no marriage certificate survives to this day.



Unlike some of the movies, Bess was welcomed into the Weiss Family. She and Cecelia got along well, at least at first. There may have been some moments in the course of their lives when it wasn’t so smooth, Houdini was the epitome of a Mama’s Boy and that may not have always sat well with Bess. 


The reverse however wasn’t so good. Bess and Bess’s mother were not speaking. It would be sometime before that rift was repaired.


Whether Bess was a show person as part of the Floral Sisters, or not she wasn’t involved in it very long before she married Houdini. Bess writes, “Within a few days after my marriage, I began to realize that I had stepped into a world far different from my former well-ordered and sheltered life, a world of strange duties, strange contacts, and inexplicable happenings which my superstitious nature magnified into terrors.” (pg 46 Ruth Brandon’s book)


Then we come upon this anecdote from Bess. “Houdini asked his brother and me to take a walk with him after the evening’s work was over. He led us into the country on a dark lonely bridge spanning some swiftly running black water. It was a weird looking night, with a split moon that seemed to be dodging in and out behind heavy clouds. In the middle of the bridge he halted us, and there we waited for a time silently, I at least in growing trepidation. Finally, a distant bell tolled solemnly twelve times. As soon as the last beat ceased to reverberate, Houdini clasped his brother’s hand and mine together, raised them aloft and cried, “Beatrice, Dash, raise your hands to heaven and swear you will both be true to me. Never betray me in any way, so help you God!” His brother and I repeated the vow after him. Then Houdini kissed me and shook Theo’s hand. “I know you will keep that sacred oath,” he said.



Their life together was interesting. They spent most days together. She was part of the act after all, at least early on. And even later, she was often at the theater with him. One thing we do learn through various biographies is that Houdini wrote many love letters to Bess. Ruth Brandon, author of The Life and Many Deaths of Harry Houdini, concludes that he was over compensating for something. Perhaps he was impotent, perhaps he just simply didn’t know how to deal with women. I believe the truth is much simpler. Houdini was at heart a romantic. In 1992, many years after both Harry and Bess had passed away, Gary Chapman would write a book called, The Five Love Languages. It was and is a popular self help book that identifies five ways people express and receive love. These include: Words of Affirmation, Quality Time, Receiving Gifts, Acts of service and Physical Touch. Clearly Houdini was a ‘words of affirmation’ guy and throughout his entire life would send notes of love and adoration to Bess, even when they lived in the same house, he would have the maid take notes down to Bess who might be in another part of the house. Or he would leave notes for her to find. On the contrary, that doesn’t seem to be how Bess expressed her love, as the love letters back to Houdini are rather devoid. Her method of expressing her affection may have been through Quality Time. 


There can be no doubt they were affectionate towards each other. In the book, Houdini His Legend and His Magic, by Doug Henning and Charles Reynolds, there is a section in that book called A Houdini Scrapbook. it contains mostly photos of Bess and Harry. And they are often holding hands, hugging, even dancing with each other. These photos show them when they were young, and nearly up until the time of Houdini’s death. They never stopped their public displays of affection, in photos. And frankly, couples that fall out of love, you can often tell in photos, as one partner will stand slightly away from the others, or something about them just seems off. But in the case of Harry and Bess, they always have this bond of love between them. 


Sadly, the Houdini’s never had children. There have been many theories about this. One stated that Houdini was sterile thanks for the effects of too many X-rays from his brother Leo’s machine. Marie Blood, Bess’s neice says that “Aunt Bess never had a period in her life, she never menstruated. Hence, she couldn’t have children.” In the recent book by Brad Ricca, Lincoln’s Ghost, Houdini’s War on Spiritualism, he devotes a chapter to Bess’s health issues and that she might have had something called Turner Syndrome. But without being able to examine the body and without blood test and such, it’s impossible to know if that was the case. All we know is they did not have children. 


There is a story I came across of a party that the Houdini’s attended. It may have been at their home, I don’t remember. But there was a colonel there who flirtingly told Bess to come sit on his knee as they shared a glass of champagne. Bess does it just to get a rise out of Houdini. But when he steps into the room, the look upon his face is one that she would never forget. It was much more severe than the gut punch he would later take from Gordon Whitehead. This image nearly brought Houdini to his knees. It was days before Houdini was consolable. 



Back to their earlier days, In 1895, Houdini and Bess become part of the Welsh Brothers Circus. They have many duties in this Circus besides doing their show. Bess became a singing dancing clown, she learned how to present a second sight act with Harry, and of course did the trunk trick with him as well. 


In 1896, Harry and Bess were working for Professor Dooley in the Marco Magic Company in Canada. Bessie would have another dual role, she of course worked with Harry but she was also part of the Trilby routine presented by Professor Dooley. Trilby was a very popular Gothic Horror Novel of the time and it quickly became incorporated into shows, plays, and in this case into a magic act. A historical note, Alexander and Adelaide Herrmann were doing their version of Trilby before Dooley, and it included a levitation. So Dooley was riding the coat tales of not only the Trilby story, but also the Herrmann’s illusion. In the show, Bess would be hypnotized and placed upon a wooden board suspending by two chairs. Suddenly, she would raise up into the air in the horizontal laying position. So Bess was also one of the early Floating Ladies. According to Bruce MacNab’s book, Metamorphosis The Apprenticeship of Harry Houdini, the Trilby illusion was  very well received. But it was still Harry and Bess’s Metamorphosis Mystery that stole the show.


Unfortunately, they had little success in Canada with the Marco Magic Company and Professor Dooley. When it was all over, they left with the clothes on their backs and the same trunk that they started with. But they didnt even have enough money for hotels or the money to buy passage back to the states. Here is where Bess Houdini comes to the rescue, not once, but twice. 


With no money at all. And Houdini having harsh memories of previous seasickness, Bess took it upon herself to speak with the captain of the SS. Yarmouth. It was bound for Boston, but they had no money. The captain listened to hear heart felt story and agreed to give them passage in exchange for having them entertain the passengers!


When it came time for the show, the boat had already been enduring some severe sea storms. Houdini was green and could barely stand. His always powerful voice was barely heard and he nearly fainted. Then his nose started to bleed uncontrollably. He was is no condition to perform. Houdini headed out to the deck to throw up for the forceable future. The audience laughed hysterically. Bess was beside herself. THIS was a condition of their trip. that they perform. What to do? Being the real trooper that she was, she decided to do the magic act. Keep in mind, she never had done the act herself, though she knew how the tricks worked. She fumbled her way through. 


Someone in the audience took his hat and took up a collection for the brave young woman. Bessie had just earned more than $25. It might as well have been a million dollars, as they had nothing. But now they had something. She ran to find Houdini. who was leaning over a railing, sick as they come. She excitedly showed him the money! She asked if she could use some to buy some food. He yelled at her NO! According to Bruce Macnab’s book, this was the only time in 33 years of marriage he ever raised his voice to her. He was consumed with seasickness and the humiliation of not being able to perform. She was consumed with hunger. Thankfully, she was offered some food by a crew member and she took full advantage of it. Clearly, in this instance, Bessie saved the day!


Through the start and into 1898, times were tough for The Houdinis. But their break was soon to come. In 1899 Houdini would meet Martin Beck and it would change his life and Bess’s life forever. The act would no longer be The Houdini’s however. It would only be him, even though Bess still assisted and was part of the Metamorphosis routine. The act went from sort of a standard magic act, to a very specific act, an escape act. And as this was a relatively new thing, he was charting new ground.

Bess always travelled with Houdini, whether she was IN the act or not. Eventually, he would add other crew members to the show, so her responsbitiies on stage dwindled. When the Metamorphosis was taken out of the show, that was pretty much it for Bess’s involvement in the stage act. 


There is a curious yet charming story that Burling Hull would tell of his first encounter with Harry and Bess Houdini. This is from the March 2007 Linking Ring. “Once a month the SAM in New York City would hold a meeting. But the meetings back then were nothing like magic clubs of today. They were more like our yearly banquets that many clubs hold. A short meeting was first held in private, and then the guests and partners were invited into the meeting room for dinner and dancing afterward. Burling was a very young man, just old enough to be invited to the meetings and basking in his glory from his two magic books on billiard balls and escapes. After the meeting, a band started to play, and Houdini walked away from Bess leaving her alone. He joined another group of magicians to talk business. Burling saw Bess sitting like a wallflower and asked her to dance. Burling then, and until his death, was a very attractive person. In his eighties, he had thick white hair and always dressed like the owned the city. As a late teenager, he drew attention walking the streets of NY in his all-white suit and panama hat. Bess accepted the dance offer, and the two of them danced across the floor. Either Houdini or someone in his group noticed what had happened, but it was a very quick Houdini who stepped out onto the dance floor and cut in on Burling. He then escorted Bess back to her seat. There he left her and returned to his gentlemen friends. The next month, brought a repeat of the SAM meeting. But this time, when the band started to play, Houdini escorted Bess over to where Burling was standing. He apologized for not knowing who the young magician was the month before and mentioned he admired his writings. He also apologized for taking Bess from the dance floor and wondered if he would mind dancing one number with her. Burling and Bess were a dapper couple that evening dancing about the floor.”


Truly the book The Secret Life of Houdini by William Kalush and Larry Sloman reveals the most scandalous information about Bess. Much of it comes from her own Diary entries and other from a letter from Bernard Ernst to Conan Doyle. We learn Bess had been drinking heavily during the last year of Houdini’s life and even more so after he died. In truth, she had consumed alcohol for years, and it only got worse over time. Besides drinking she also smoked both cigarettes and marijuana. 


Imagine her life. For her entire married life, she had Houdini. Yet, she suffered from bouts of loneliness and even jealousy as he became ever more popular and in demand. She was relegated to the shadows. On top of this, her health was not the best and her temperament also something to be weary of. Houdini would mention her poor health in letters to friends. They would often ask how Bess was feeling. 


During Houdini’s last days on this earth, while he was in the hospital he is reported as telling the doctor, “Please keep that woman out of my room all the time, because she is the most peculiar woman I have ever known in my life.” I think at this point, Houdini just couldnt deal with her manic mood swings. It wasn’t long after this that he was gone. And as for Bess, she would be alone for the first time in over 30 years.


One of the more shocking revelations was that Bess had attempted suicide. And not once, but on multiple occasions. Her drinking, after Harry died was so bad, that she wanted to go be with him. Her life was a mess. Add to this, Reverend Arthur Ford, who basically wooed Bess Houdini. He took her to parties. He likely used her alcoholism to his favor, he too was an alcoholic. It was claimed that Bess was in love with him. This is another thing I question. I think she just wasn’t in her right mind at this point. The Ford Seance didn’t help. Now her reputation was in question. 




Dai Vernon knew Houdini, and he always made no bones about not being a fan. Not sure he could be a friend either, maybe acquaintance. But he did seem to have a friendship with Bess. According to Genii Magazine, Nov 1983, in the Knights of the Magic Castle Column, it says, “Dai once told of visiting Bess the night after Houdini had died and how she felt terrible and related to him that two well-known magicians had already been there to load up a suitcase with Houdini’s belongings!” From the book, Dai Vernon a Magical Life by Bruce Cervon, we have this story by Vernon. “We were on our way up the boardwalk towards the Episcopal Church in Atlantic City, when we saw our friend Bessie Houdini. She asked where we were going and we told her that we were off to have our son christened. Bessie asked us if we had a Godmother for our little boy. We told her we were just down from NY and hadn’t had time to find godparents as of yet, when she immediately offered to be our son’s godmother. We accepted her touching offer and headed off to the church. A short time later, we were standing in front of the minister as he was christening our son. The ritual proceeded with sprinkling water on our boys head and giving the blessing. Then he asked us, “The fathers name?…the mothers name?….the godmother?. Bessie said, Bessie Houdini. 

The minister looked up from our son and said, “What was that last name?” HOUDINI said Bessie, H-O-U-D-I-N-I. 

The ministers eyes widened and he said in an excited voice, You’re not related to THE Houdini; the wonderful man who…” And Bessie beamed back, “Im his wife.” This man of God nearly fell apart for a few moments forgot why we were all there. But Ted finally received his christening even though he played second fiddle to Bessie. 


From the Episcopal church our little christening party proceeded over to the Traymore Hotel for a little celebration honoring this important day in my young son’s life. We put Ted in a high chair and ordered him some sort of soup and a regular dinner for Bessie, Jeanne and myself. Sometime later as we sat finished and well fed, the waiter came and began cleaning the table. As he lifted Ted’s plate, there was a $100 dollar bill under the plate. THATS for the Baby, Bessie said in a firm voice. He was just christened. It was a wonderful and thoughtful thing to do and I still remember it with much emotion. “


And speaking of giving away things that belonged to Houdini. I learned from a May 2003 interview with sir Fleischman in MAGIC Magazine that Bessie gave Houdini’s Die Box to a kid magician Bob Gunther who later gave it to the Magic Castle. And Jim Conley was given Houdini’s own copy of Elliott’s Last Legacy.




There is a story that Frances Marshall relates in the pages of Abracadabra Magazine, June 25, 1977. She says that she went to visit Bess in her Laurel Canyon home in Los Angeles, here is that the article says, “The home was a Houdini shrine, with countless posters and photos hung about, programs, etc. laid on the tables for guests to examine. Bess was a charming hostess but a careless one. Several hundred people were at a magic convention in the nearby city. She invited a dozen to visit the home and partake of a buffett. She did not explain that it was a private invitation, and I’m sorry to say, she was overrun by the uninvited to the point where she was ready to leave the house herself. I had been there and left before the deluge, but the next day she was still trying to figure it out.”  Another quote from that same article Frances Marshall says, “In my conversations with bess Houdini, she showed that she thought a great deal of the husband who had died, but she didn’t act as though she had lost the hero of the Second Coming. Time does work wonders-if you stay dead long enough, you might get to be important!”


Here is another nice story. This time from 1936 and it appeared in The New Tops Magazine. It’s an article by Henry B. Valleau called “My friend Bess”  “In 1936 I was working inside Harry Giman’s World of Mirth Illusion Show on the Foley and Burke Combined Shows in California. One day, Mrs. Houdini visited the lot and in particular my boss Mr. Gilman. Being from the East Coast, Mr. Giman had known both Houdini and his wife very well. Before leaving our show, she invited me to visit her if I ever got to Los Angelas. About a year later, I was in LA and gave her a telephone call and made an appointment to see her. She was one of the most gracious and charming women I have ever met. She living in a small tastefully furnished apartment. She took me about and showed me many glass covered cases lined in velvet. In each one was Houdini’s original handcuffs, lock picks, various keys and other paraphernalia that he used to perform his outstanding escapes. She then pointed to a beautiful walnut cabinet with two doors in front. She asked me if I would like to see, “Houdinis Shrine”. Of course I replied in the affirmative. She opened the doos and inside was a splendid oil portrait of Houdini. It was lighted. She went on to say that it was a perpetual light and that she never turned it off. We of course talked of Houdini for a long time.”



We know, thanks the Final Houdini Seance in 1936, that Bess finally extinguished that light for good. AS she was quoted as saying, “Ten years is long enough to wait for any man”


Bess would eventually meet Edward Saint, who would become her partner, traveling companion, some even say husband, but I don’t think it was official. Together they worked to further the Houdini name. Saint helped to keep Bess on track, he brought order to her life. Also, kept her out of trouble. When Saint passed away, Bess’s health deteriorated fast. She spent some time at Cedars of Lebanon Hospital before returning to her apartment. Her sister Marie Hinson came to live with her. Bess wanted to fly to new york but was refused airfare by the airline because of her heart condition. 


Instead, she would take the train to NY. Before leaving she met with her dear friends William Larsen Sr and his wife Gerrie. She told them that once her NY trip was over she’d be back for a proposed party they were all having in July of that year. But Bill and Gerrie knew this was going to be their last moments with Bess. 


While on train, with her sister, Bess passed away. She died May 11th, 1943 in needles california, a fitting end for a Houdini. According to her sister Marie, Bess returned to her Catholic faith in her last days. Though, she has a plot and a gravestone in Machpelah Cemetery, Bess is actually buried in the Gate of Heaven Cemetery in Hawthorne NY. 


I found where Marie Blood, Bess’s neice was asked by Bess to carry on the tradition of keeping the Houdini name alive, which she did until her death in 2004. Today, it seems that John Hinson, Bess’s great Nephew carries on that tradition. He owns a few very special Houdini artifacts as well as numerous unpublished images of Bess and Harry, and some needlepoint embroidery done by Bess herself.


I think that is going to do it for my look into the life of Bess Houdini. There is a lot I didnt cover as I wanted to just give a good overview of her life. It’s hard to separate Bess from Houdini, even after death, because she did all she could to promote him. Granted when he was gone, SHE was THE Houdini, and people treated her like royalty. Well, at least those who weren’t out to exploit her for some nefarious reason.