Meeting The Magi - The Eyes

When last I wrote I mentioned my first encounters with Cesareo. Up until now, he did all the talking and I did all the listening. The time had finally come for dialog. We sat down together after touring the Cabot Street Cinema Theatre's workshops, and he began to speak.  "So Dean…" he said, followed by a long pause.  "How are you?" he asked. My mind was racing to find the appropriate words to answer his question. "Wonderful Cesareo, very very thankful to you for showing me so much" was my reply.  "No, No, How are you?" he repeated. Did I miss something? What was he trying to ask? I told him how overwhelmed and astonished I was. Cesareo smiled and looked at me and softly said "How are you? How is your health, how are you feeling?" He wasn't concerned about magic or the tour he had just given, he was concerned about me as a person. And this is where the real magic began.

After a few moments we went downstairs to the lobby of the Theatre. There were a couple of chairs sitting there that hadn't been there earlier. We walked over and sat down and he began to reveal details about me and my life that he couldn't have known. He was telling me about how so many magicians are so pompous, so selfish and self centered. To illustrate the point he showed me a photo of himself with two very famous performers.  As I looked at the photo he asked me "What do you see?" I knew that whatever my answer was, it would be wrong. Then he said "Look at the picture and tell me who has 'the loving eyes'?"

Meeting The Magi - Cesareo

Did you ever wonder what it must have been like during the golden age of magic? Imagine meeting people like Houdini, Kellar, Herrmann, Malini, and so many others. What would it have been like to sit at the feet of these masters and learn the secrets that made them famous? Well, unfortunately those icons of conjuring have passed on long ago.

I'm about to relate a story of my encounter with an individual who has a rare connection with another time, a time when magic was ruled the entertainment world.  His name is Cesareo Peleaz. He was born in Cuba during the 1930's and as a child had the opportunity to see many of the great travelling magic shows of old.

One of the shows that Cesareo saw was the FuManchu Show.  Fu-Manchu was the stage name of David Bamberg, the son of Okito. David was arguably the best magician of the twentieth century.  North American audiences aren't as familiar with him because Fu-Manchu traveled mostly in South America. The Bamberg family produced magicians for seven generations. David Bamberg being the last in the family.

Meeting The Magi - The Cast

Before I discuss the time I spent with Cesareo Peleaz I would like to mention the cast and crew of the Le Grand David performance. Last time I named everyone, and I believe I left off Ellen, Marian and Martha.  Marian and Martha are two young girls, daughters of one of the cast members, who appear throughout the show. Cesareo believes it is important to include children and starts them off at a young age.

On Saturday morning I was to meet the rest of the cast members at the theatre. All the men arrived at the theatre first.  Their job was to sweep the theatre and clean up.  Following this was the Barbershop Quartet Rehearsal and every male participated in this as well.  Later the women arrived for dance rehearsal.  I believe all of the women were involved in the dance rehearsal even if they were not in the show.