Lost Manuscript of Houdini's Found!!!!

I recall reading in one of the biographies of Houdini (though I don't recall which one) that he had plans to write the definitive book on magic history and also books on witchcraft and other topics. Well, his book on magic history took a slightly different turn and became the book known as The UnMasking of Robert-Houdin. Sadly, had Houdini not decided to attack his namesake, this book might have held a loftier place in the libraries of magicians.

But the book on witchcraft seems to have never been written. Or was it? Actually, as it turns out the book was written but was only in manuscript form and had yet to be published. The Potter & Potter Auction, which takes place this Saturday August 23rd, features this very document. It's Lot#67 and is 62 numbered pages and also a letter from Houdini describing his work on the manuscript is also included. This could still be Houdini's final published work, if someone chooses to purchase it and then have the manuscript published. Quite an exciting prospect. This lot has the estimated price of $6000-$9000. 

The Potter & Potter Houdiniana Auction features another manuscript, this time for his book A Magician Among the Spirits which was originally published in 1924. This document is hundreds of pages and filled with corrections. This is Lot#68 and carries an estimated price of $7000-$9000

Be sure to register for the auction as it is only three days away!

The Magic Detective SHOW New Episode

Well, after a VERY long absence, the Magic Detective Show is back. If you're new to this, the show is a 5+ minute video blog on magic history. This week's episode features a very unusual item from Robert Heller.  Enjoy.

Houdini's Brother Figures Prominently In Upcoming Auction

Theo Hardeen - Library of Congress Photo

August 23rd is only a couple days away. Potter and Potter Auction is holding a very special HOUDINIANA Auction. There are some incredible pieces in this auction. But one thing that really stands out to me is the amount of Hardeen material.

Theo 'Dash' Weiss, Houdini's brother was known as Hardeen. For many years he performed a similar act to Houdini. He never achieved the same fame as his brother, but he sure kept busy. He inherited all his brothers props upon the death of Houdini and according to the Will, all of this stuff was to be burnt/destroyed when Hardeen died. But it wasn't, THANKFULLY!

I'd like to focus on a couple of the Hardeen items, or the ones where Hardeen contributes something but were actually Houdini items. The first is a Letter Lock that Houdini was Challenged with. This is Lot#46 and has a estimated price of $7000/$9000. It comes with a letter from Hardeen and signed by Hardeen that explains where Houdini first got this lock. In 1905 Houdini was performing at the Alhambra Theatre in Paris when a spectator throws this lock on the stage and challenges Houdini to open it. Houdini says it would take too long but tells the spectator that if he can come backstage after the show, he will open it. This happens and Houdini opens the lock. However, you must read the full write up of the letter in the Potter and Potter Auction Catalog to find out the whole story. It's worth checking out!

Lot#51 is very interesting to me. It is a hand written letter describing a presentation for the escape from Bean Giant Handcuffs. The letter is front and back on Hardeen's stationary. Bean Giant cuffs, are extremely formidable cuffs because they are rigid. If they are placed on with the keyhole facing inwards towards the prisoner, they are virtually impossible to get out of even with the key. Houdini devised a method to escape from the Bean Giants and this was no doubt handed down to his brother Hardeen. I'd love to read this letter and find out what the routine was like.

Lot#53 A lot of 64 Letters to Sid Radner from Theo Hardeen. Can you imagine??? Wow, this is absolutely amazing. The wealth of information in these letters has got to be unreal! One of the things mentions, and I'm not sure I knew this, is that Hardeen had the Robert-Houdin Antonio Diavolo Automaton in his possession. Hardeen also mentions probably throwing away the apparatus for the Walking Through a Brick Wall due to this size and trouble with shipping. What??? There is so much to learn about Houdini and Hardeen from these letters. This is a real gem!

Lot#81 16mm Film of Hardeen's Overboard Packing Box Escape. It also comes with a digital DVD copy. I'm not sure this has every been seen. What an amazing piece of history, being able to see Hardeen in action!

Lot#187 Lithograph of Hardeen. This dates to 1908 and is probably cut out of a larger lithograph. I've never seen this image before so it might be the only surviving piece of a larger litho.

There are quite a few other Hardeen items in the auction, but the ones above are by far my personal favorites. Don't forget to register for the auction which begins this coming Saturday, Aug 23, 2014

Houdini & The Identified Man

Lot#125 Potter & Potter Auctions

Lot#125 in the Potter & Potter Houdiniana Auction this coming Saturday is for the above photo. It's listed as Houdini & unidentified man. Well, now he is identified. The man standing next to Houdini is Nino Pecoraro, an Italian Medium.

The magazine Scientific American was investigating Pecoraro. Sir Arthur Conan Doyle had been present during a Nino Pecoraro Seance was totally convinced of his genuine abilities. Then again, Sir Arthur fell for anyone who claimed mediumistic powers.

What made Nino Pecoraro unique was that he claimed to speak with, Eusapia Palladino, who was herself a very controversial spirit medium who had died several years before. Milbourne Christopher, author of Houdini-The Untold Story points out that Hereward Carrington, who was on the Scientific American Investigating Committee, had actually been Palladino's manager, and had been the one to make the arrangements to investigate Nino Pecoraro.

During the first two committee sittings with Pecoraro, he was able to produce numerous manifestations. Even after having been trussed up in a sort of straitjacket-like coat, he still contacted Ms. Palladino. But one thing was missing from these sittings, Houdini. When word got to him about a third seance, Houdini broke from his tour to head to NYC to attend the third seance. This came as a surprise both to the committee and to Mr. Pecoraro. According to the Kenneth Silverman biography on Houdini, it took one hour and 45 minutes for Houdini to completely tie up Pecoraro. Houdini was quoted as saying "I won't guarantee that Nino can't get loose, but I will guarantee that he will never get back."

This time around, the manifestations stopped. Well, all except for some gentle rapping sounds created by the same technique that the Fox Sisters used, according to Houdini. All the grandiose spirit manifestations ceased. No award was given to Nino Pecoraro thanks to the intervention of Houdini.

The one thing that always made me wonder is why these mediums would take their photos with Houdini. The photos must have been arranged before the sittings, because after they had been exposed or stopped, I can't imagine anyone would want anything to do with ole Harry.

A similar photo to the one above appears in Houdini The Untold Story. In that photo, the two men are wearing overcoats. Otherwise, I'm sure the photos are from the same sitting.

Houdini's Week in D.C. Feb 1912

(Library of Congress)

Houdini opened for a week at the Gayety Theater in Washington D.C. Feb 12, 1912. He would play the Gayety until Saturday Feb 17th. The Gayety Theater was located on 513 9th St. NW Washington, D.C. The Gayety opened in 1907 on the street known for it's theaters and nightlife.

According to an ad in the Washington Times on Feb 12, "Houdini-the Handcuff King, Who will perform astounding feats with locks, straitjackets, and handcuffs at every performance. The Original HOUDINI." The ad also mentioned that Houdini would perform twice a day, a matinee in the afternoon and then again in the evening.

Through newspaper records I've been able to track Houdini's performances for the week. It would appear that his opening on Monday Feb 12, he presented a number of feats and then let the audience know of the first 'challenge' for the week. This would take place on Tuesday evening Feb 13th. I will print exactly what it says in the newspaper ad.

"HOUDINI-the Handcuff King Has just been challenged to escape from an airtight galvanized iron tank into which he will be locked by the Jos. Schlitz Brewing Co., after they have filled it with beer. Tuesday Night"

So here is 'Challenge 1' and it's obvious that this one was orchestrated by Houdini. The 'airtight galvanized iron tank' is Houdini's Milk Can escape, but filled with beer rather than the usual water. And instead of hauling it out as his original invention, it's presented as a challenge from the Brewery.

On Feb 14th, Houdini is again challenged. Here is how reads the ad for the Gayety Theater promoting this escape.

"HOUDINI the Handcuff King, HOUDINI has been challenged by the Beacon Shoe Company. They will search him, rope him and nail him in a box they have built and out of which they wager he cannot escape."

Things get really interesting on Thursday Feb 15th. The Gayety takes out a larger ad, this time promoting ONLY Houdini. In addition, small articles on Houdini appear in two different newspapers. One of those articles is promoting his challenge for that evening. The other article is quite telling. The headline for this article reads "Houdini Does Magic For Newspaper Men". This time, rather than go to the newspapers office, he went to the National Press Club. He presented some card manipulations and tricks with cards and then finished with his famous Needle trick.  Houdini must have given this exhibition for the Press Club sometime in the afternoon. The National Press Club is only a couple blocks from where the Gayety Theater was located.

On Feb 15th, Houdini actually presented not one but two challenges. The afternoon challenge is by the Blacksmith Gussmans. The evening challenge is by the Seaman Gunners from the U.S. Navy Yard which again, is not too far from the theater. You can see that ad to the left.

On Friday Feb 16th, Houdini again gets a small article featuring his upcoming escape for that evening. In addition the two big papers in town both print ads similar to the one above featuring the details of that days challenges. In the afternoon, Houdini accepts the challenge made by a group of Sailmakers. They will tie his hands and feet behind his back with ropes soaked in rosin and tar, then place him in two of their specially made burlap bags. One to be fastened over head and the other tied at feet.

The evening challenge carries the headline "The Supreme Test of His Career-TONIGHT". The rest of the ad reads, " Insane asylum attendants will roll him in soaked wet sheets in mummy fashion, securely tie him down with broad bandages to a hospital bed, pour 20 buckets of water over him to shrink the knots, and he will attempt to release himself in FULL VIEW OF THE AUDIENCE".

Saturday Feb 17th is Houdini's final day at the Gayety in Washington D.C.. He gets yet another small article in the paper featuring his challenges. The article begins by saying that Houdini has been breaking all records at the Gayety this week. The two big papers again feature very large ads promoting the final challenges for the week. The matinee challenge will be from 'Spanish Inquisition Irons from war museums.'. And the final evening challenge of the week might sound familiar to some of you folks who know Houdini. The final challenge reads "Mechanic's Automobile Challenge - They will bind and lock Houdini in two inflated tires. They guarantee not to choke him in locking his head to the tires." This is a duplication of the Weed Tire Challenge that he first performed in 1908.

There you go, a week in the career of Harry Houdini Feb 12-17, 1912 Washington D.C.

Inside the Gayety Theatre - Library of Congress Photo

The information for this article was gathered from the Washington Times Newspaper and The Washington Herald Newspaper from 1912.