The Gifts of Doug Henning

I couldn't stop thinking about ole Doug Henning after my blog the other day so I thought I'd share with my readers some of Doug's 'gifts' or contributions to magic. There are a number of effects that are instantly associated with Doug Henning. The top of the list: Sands of Egypt, Things That Go Bump In The Night, Metamorphosis, The Water Levitation, Double Sawing, Mis-made Lady,  and more. You'll notice that many of these have links. The links are too Youtube videos of Doug performing those particular effects.

ILLUSIONS 


ZIG-ZAG Lady. Today this trick is rarely seen because it was so overdone in the 1970s and 80s. It was the creation of Robert Harbin and Doug built his career with this prop. It was in his Broadway show The Magic Show and he toured with it. When it became a popular illusion for other magicians, he replaced it with other routines.


The Sands of Egypt. This is the effect where three colored sands are dissolved in water and then removed completely dry. It's a great effect and certainly associated with Doug, but he didn't create it, nor was he the first to perform it. The trick dates back pretty far. To give you an idea of some others who presented the effect: Charles Bertram, Eugene Laurant, and Jack Gwynne just to name a few.

Things That Go Bump In the Night was actually the creation of Servais LeRoy. His original creation was called "The Three Graces". And the effect was quite similar to what Doug Henning presented. But I think it's safe to say that Doug resurrected that routine and today it's more associated with Henning.

Metamorphosis. Before the Pendragons came along, Doug had probably the fastest Subtrunk in the business. As we all know, the effect was Houdini's though the trunk trick itself predates him. The substitution of two people though was all Houdini and many other performers have presented it since. It's become a staple 'starter' illusion for young performers. In Doug's version the first thing that you notice is the condition of the box. It was always beat up and did not look anything like his other props. This was on purpose of course. It just looked like a wooden crate, not a magic prop and this helped sell the routine. Doug's costume change at the end was another bonus, though he was not the first to do that either. But prior to the Pendragon's I think many people associated this prop with Doug. After Jonathan and Charlotte came around, they pretty much owned it.


The Water Levitation was Doug's. At least, as far as I know he was the very first to present it. It was basically an older method revamped onto a tall platform and the addition of the water fountain was genius. This was pure Doug Henning.

The Double Sawing is a routine that Doug presented on his TV specials and also on a number of TV shows, like the Tonight Show and others. I believe they even created a version of it for the Broadway show MERLIN. I believe the Double Sawing can be credited to Channing Pollack actually. At least that is what my memory is telling me. If I am incorrect, please let me know. Doug resurrected the routine and many other performers since that time have used it.

The Mis-Made Lady was a fairly new trick when Doug started doing it. This was a creation of Chuck Jones, but Doug was probably the first to use it on TV and he even created a version using a Giant Muppet Character!


HENNING FIRSTS
Walking Thru A Mirror: This was a Jim Steinmeyer creation and Jim worked for Doug. It's a beautiful trick that was debuted on one of the World of Magic Specials.

Origami Box: Yes, Doug was the first magician to present the Origami Box. Another Jim Steinmeyer creation. And sadly, it's been way overdone since Doug's time.

The Elevator: Doug was the first to present the Elevator, though he used a method different from what many others are using today. I remember the first time I saw it and it fooled me badly. Another Steinmeyer illusion.

The Pole Levitation: I don't know if this ever made it to a Doug Henning Special. But I know I saw him do it on a TV Talk Show and of course I saw it live several times. Another first for Doug and yes, another Jim Steinmeyer creation.

The Rube Goldberg Illusion: From what I understand, this was actually Doug's idea. To take the Rube Goldberg puzzle effect and turn it into an illusion. I can't find a video of this one unfortunately.

SMALL MAGIC
There was a lot of smaller magic that Doug made popular too. The Enchanted Rubiks Cube, The Flexible Mirror or Needle Through Mirror, The Double Dancing Hanks, The Torn and Restored Newspaper and the Vanishing Nickel.

The Double Dancing Hanks were a creation of Ralph Adams. The Torn & Restored Newspaper was of course, Gene Anderson and the Vanishing Nickel was John Cornelius's creation. Many of these effects, both small and large are still presented today.

HONORABLE MENTIONS
There are some things that Doug did that still stand out to me today. His version of Houdini's Walking Through a Brick Wall is one example. Doug also used Houdini's Vanishing Elephant on his second special with a very different method than what Houdini used. Though I think Milbourne Christopher was actually the first magician to vanish and elephant on TV. NO FEET is a great routine created by Andre Kole and can be seen at the end of the Enchanted Rubiks Cube clip that I posted above. Basically, in the NO FEET illusion, the performers feet seem to vanish!

One of my favorite Henning routine's was a Ring in Bread routine that he presented in his last tour and on the Tonight Show. This was based on an idea by Orson Welles and Jim Steinmeyer built the effect around it. I can attest to the strength of the routine as I use it myself today.

The Jarrett Box is another highlight in my memory. The production of 21 people out of a fairly small cabinet. This was the creation of Guy Jarrett and Doug brought it back to life. I'm not sure if it had been seen since the days of Howard Thurston. Recently, Scott Alexander presented the Jarrett Box on TV producing a Gospel Choir from the box.


ALMOST WAS
Apparently, the idea for vanishing the Statue of Liberty was first presented to Doug who passed on it. That idea was then given to David Copperfield and that trick put him on the map so to speak. Another was an illusion called Permeability, which illusionists will know as Interlude. This is the person through person effect first debuted by The Pendragons. Well, I just learned the idea was originally going to be for Doug, but it never made it. Permeability, as well as many of the above effects were creations of Jim Steinmeyer.

Doug Henning and Christmas

As I kid, I can remember one thing that always made the Christmas Holidays a little more magical, the annual Doug Henning World of Magic Specials. The very first one aired on December 26th, 1975. It was NOT a Christmas special, though it did air during that time period. What an amazing special that first one was. Many magicians have opened their TV specials with some grand illusion, but Doug opened his with a very small piece, the nickel that vanished. The camera came in very tight and without any funny movements, Doug closed his hand and then opened it and the nickel was gone!

The very first special contained many of Doug's signature routines, like the Gene Anderson Newspaper Tear, the Sands of Egypt, Things that Go Bump in the Night and the Shadow Box. And the closer of the show was none other than a recreation of Houdini's Water Torture Cell. This was the 'hook' to the show, the thing that was supposed get viewers to tune in and stay tuned in. Frankly, it was probably the one trick in the show that was not a Doug Henning trick, but he did it in classic Henning style. Rather than just escape, he vanished from the cell and reappeared as his own safety man! It sure fooled me when I was a kid.

For the next several years Doug would have an annual World of Magic Special in the month of December. In 1979 he appeared as a guest on the Crystal Gayle Special which aired in December. Then in 1980, Doug was part of the Osmond Family Christmas Special as well.

If you'd like to get a great gift for yourself or a magic friend, the book Spellbound by John Harrison is a must have. It's a fantastic biography about Doug Henning.
Finally, the video below is Doug during the Osmond Family Christmas Special. Enjoy.

Hugo and the Real George Melies

The real George Melies

This week a wonderful new movie comes out called "HUGO" based on the book, The Invention of Hugo Cabret by Brian Selznik. I first learned of the book from a fellow performer who raved about it. I decided to pick it up and read it and I too found the book to be fantastic. There were many elements about the book that fascinated me. For one, I was struck with how well the author had weaved a true story together with a fictional story. If you've not read the book, nor watched the movie, let me tell you about the true part of the book.

One of the main characters is a man named George Melies. He was quite real. He was born on December 8th, 1861 in Paris France. His father was a shoe maker and together with his two brothers he was trained in that business. He learned the craft of shoemaking while in London. It was also in London that young George Melies visited Maskelyne and Cooke's famous magic theatre. His desire to stay in the shoe business changed and magic became his new obsession.

He studied with the Parisian magic dealer Voison and eventually even started building his own apparatus and automaton. Then in 1888, the opportunity of a life time came. A little theatre went up for sale and George Melies left the shoe business for good to become a professional magician. Years before, Robert-Houdin made magic a popular form of sophisticated theatrical entertainment in Paris and this was followed by other great French magicians, like DeKolta and Felician Trewey.  The theatre that Melies bought was none other than the famous Robert-Houdin Theatre! He began to present magic shows in this historic location.

In 1895, Melies witnessed a demonstration of a new invention by the Lumiere Brothers called the Cinematographe. This was an early movie projector and Melies saw moving pictures for the first time. Though it must be pointed out that the very earliest movies were very short and were merely quick shots of a train pulling into a station, or people walking on a street. The early movies had no plot, no story, not what we think of today as movies. Melies saw the potential of this new invention and tried to purchase it from the Lumiere Brothers but they turned him down. Luckily for Melies, other people in Europe and abroad were working on similar inventions and after seeing another version of a projector in London, Melies created his own.

By 1896, he was making movies and not the boring kind. His movies were interesting. In fact, his early movies were recreations of his magic routines. 'The Vanishing Lady' was one such movie. This was based on DeKolta's famous illusion by the same name but Melies discovered that he could use the camera and the film to create the illusion rather than special props. This would become Melies great contribution. He created and discovered many special visual techniques and uses of animation that we would call today 'Special Effects'. Today he is known and revered in the Motion Picture community as The Father of Special Effects.

His most famous movie was called Le voyage dans la Lune or A Trip to the Moon which he made in 1902. This movie figures prominently in the HUGO movie by the way. A Trip to the Moon still exists today. Based on two stories by author Jules Verne, A Trip to the Moon was the first science fiction movie ever. Before the people who made Star Wars and Star Trek were ever born, Melies put out A Trip to the Moon. It was hugely successful. Unfortunately, it made money for just about everyone other than Melies. The movie was copied and shown without Melies permission. In America, Thomas Edison's film company was showing the film all across the country and making money off of it.


Melies made over 500 films in his lifetime. But despite his innovations and contributions to the industry, his film company went out of business in 1913. In the later years of his life, Melies worked at a booth in a train station selling toy trinkets and was bitter about his involvement in movies. It wasn't until the 1930's that people in the film community started to recognize Melies for his achievements and he was awarded the Legion of Honor award by none other than Louis Lumiere, one of the original Lumiere Brothers who first sparked Melies interest in movies.

George Melies was indeed a real person and many of the things mentioned above are in the movie. The fictional part of the movie of course is Hugo Cabret. Interestingly though, Hugo's one dream in life was to become a magician, but this point is not really mentioned in the movie. The biggest part of the movie is the mechanical man, the hand writing automaton. These actually did exist and are quite fascinating to see and if you'd like to see an authentic one, click here http://www.fi.edu/learn/sci-tech/automaton/automaton.php?cts=instrumentation

George Melies died in Paris in 1938, and is buried in the Père Lachaise Cemetery along with other such notables as Edith Piaf, Oscar Wilde, and Marcel Marceau.

UPDATE: I just heard that HUGO the movie received 11 Oscar Nominations! I'll be pulling for HUGO this year!!!!Nominations include: Best Picture, Best Director, Cinematography, Art Direction, Costume Design, Film Editing, Music (Best Original Score), Sound Editing, Sound Mixing, Best Visual Effects, Best Writing (Adapted Screenplay).  Just sorry none of the actors received nominations.

NEW UPDATE: I hadn't made this connection before, but here is another interesting bit of fact that connects to the movie. In the movie, Hugo's father dies in a museum fire along with the automaton. Well, in real life, Robert-Houdin's Hand Writing and Drawing Automaton was in Barnum's American Museum in NYC. That museum burnt to the ground and along with it, the Hand-Writing Automaton that was created by Robert-Houdin. This may have likely been another source of inspiration for the author.