Houdini At The Wintergarten

(image used with permission)

This latest adventure began when I accidentally stumbled upon the poster image above*. I realized I didn't know a lot about Houdini's time at the Wintergarten and decided to put on the Detective hat and dig up whatever I could find...

The story begins in 1900. Houdini is on tour in Europe and has just had a successful run of shows in Dresden. But trouble sprang up when Houdini was ordered to Berlin to have the police inspect his act. Kaiser Wilhem II gave the police the authority over much of German life, including regulating behavior and approving or disapproving entertainers. Houdini would have to prove he was a real handcuff king by being put to the test. He arrived in Berlin on Sept 20th and went to the police headquarters on the Alexanderplatz. In front of 300 policeman, Houdini was stripped, and placed in 5 pairs of hand cuffs, 2 pair of leg irons, some sort of finger locks and a pair of thumbscrews. According to the Kalush biography, these manacles were put on behind his back. Then a sheet was thrown over Houdini, to protect his secrets. Six minutes later, Houdini removed the sheet and held up the various manacles to show he was free. The police reluctantly gave Houdini a letter of approval. He then returned to Dresden. The manager, Herr Kammsetzer of the Central Theatre in Dresden, wanted to hold him over for a month due to the popularity of his show. Houdini was setting box office records in Dresden, and would continue to do this throughout his tour. The managers at the Wintergarten in Berlin decided that if Houdini were indeed that popular, why would they allow him to stay longer in Dresden when they could be reaping the benefits in Berlin, so they declined.

Houdini arrived in Berlin, October 1900. His appearance was marked by simple posters which read,

WINTERGARTEN

Houdini

im

October

The Wintergarten was the go-to entertainment complex in Berlin during this time. The largest theater of it's kind in Berlin. They featured tons of European variety acts, as well as American performers. T. Nelson Downs, the King of Coins, also appeared at the Wintergarten only a few months before Houdini arrived.

The theatre was housed within the Central Hotel and seated 4000 people. The theatre opened in 1887, and in 1895 showed a cinematograph. This made the Berlin Wintergarten the very first movie theater in history. But according to the theatre's website the venue was used mainly for live performances right up until 1944.

Houdini charmed his German audiences by speaking their native language. It was the language that his parents spoke while he was growing up. But his command of the language was less than perfect and the German newspapers made note of his mixture of broken English and broken German. Still, audiences were quite forgiving and seemed thrilled that the American would go through the trouble to speak German.

During his first week at the Wintergarten, Houdini faced a challenge from an audience member who brought a unique set of thumbscrews with him. What made them unique was the fact that there were sharp pointed protrusions that gripped the thumbs so tight it was impossible to move. Houdini accepted the challenge and even though it was a painful ordeal, he did escape the thumbscrews.

While in Dresden, Houdini discovered that the Germans did not use American or British

(inside view of the Wintergarten)

handcuffs, as they thought they were too weak. Rather, they had their own, and quite a few different types and styles. According to Houdini, "using a key was out and this made escaping 1000 times more difficult." So to combat the problem, Houdini worked with German locksmiths during the days to learn the ins and outs of these German handcuffs.

One very frustrating part of his European tour were the constant imitators. Some would show up at Houdini's shows, others he would go to their shows and confront them.
One magician by the name of Hermann (not one of the famous Herrmanns), claimed to be the true and only handcuff king. Houdini got wind of this and went to see his show. When Hermann called for a committee from the audience, Houdini joined the pack. Hermann did not realize Houdini was among those onstage when he began to brag about previously beating Houdini. That's when Houdini burst forth and made himself known to the crowd and the performer. This confrontation apparently turned into nothing more than a battle of words, with Houdini claiming victory.


On page 16 of his book Handcuff Secrets, Houdini relates the story of a would-be German escapist/exposer, who made the claim of Houdini "his work is simplicity itself" Then he continued on how Houdini had his shows and contracts cancelled and he was run out of Germany. There was only one problem with that statement, it didn't happen. In fact, at the Wintergarten in Berlin, he was so popular that the management paid Ronacher's theater in Vienna, a full months salary, 4,400 Marks ($1000) to keep him at the Wintergarten in November. Kind of ironic, considering they declined a similar request from the Dresden Central Theatre back in September. And Houdini capitalized on it by having a postcard made promoting his successes during the tour. (please check out this link to the site HouseofHoudiniBudapest.com for a follow-up to the Ronacher event)

In November, during his extended run at the Wintergarten, another German magician showed up during Houdini's performance with the hopes of taking down the true Handcuff King. He went by the stage name of Hillmar the Uncuffable, and he made the claim that he could get out of things that Houdini could not. So Houdini slapped on a pair of German made cuffs known as Berliners. The would-be challenger struggled and after several minutes cried to be released.

Houdini finished his run in Germany at the end of November, but would be back in only a few short months to tour the country again.  I want to keep this article to just the Wintergarten, but the paragraph below kind of sums of how well Houdini was doing in Germany.

T. Nelson Downs writing in the column, Our Letter Box, in the May 1902 edition of Sphinx Magazine says that "Houdini, absolutely is the biggest sensation ever made in Germany in the history of Vaudeville there." Downs mentions that Houdini won his lawsuit in Cologne against a policeman and the newspaper and both would have to retract things they said about Houdini. Houdini reaped the rewards of having won this case through incredible advertising that followed. Mr.Downs also mentions that Houdini was booked solid for the next two years, "when I believe he will retire for a season to count his money."

In April 1903, Houdini returned to the Wintergarten and picked up where he left off, with massive crowds. According to a report in the Sphinx magazine May 1903, Houdini was presenting all manner of escapes, including a chair escape, a straitjacket escape, and being placed inside a packing crate or what they called, an ordinary dry goods box. The box was then nailed shut and wrapped and tied with ropes. Yes, the master of escape somehow freed himself without disturbing the ropes and leaving all the nails intact.

Also, on page 33 of the May 1903 Sphinx Magazine, is a reprint of a letter from Houdini to Harry S. Thompson. In the letter, Houdini mentions a number of interest facts related to his time in Germany. One of the things he is having to deal with are the exposers. It was one thing to have to deal with imitators, but the exposers were worse. There were apparently, a number of people, in every city he went to, that were exposing his effects. In Dresden, he had to contend with a man named Cirnoc, who was hired by a rival theatre to expose his handcuff escapes and his trunk trick. When Houdini arrived in Berlin to perform at the Wintergarten, the Circus Shumann, hired a clown to expose the trunk trick. It was all in an effort to hurt the business at the Wintergarten. But despite the exposures, Houdini prevailed.

Just a side note on the Wintergarten. It remained a popular variety entertainment house until June 21st 1944 when it was totally destroyed in an Allied bombing attack. In 1992, the Wintergarten reopened at a different location. It still thrives today as a live performance venue and they have over the years featured magic programs in their line ups.



*The story of this poster is interesting. It is in the current collection of Norm and Lupe Nielsen. Lupe tells me she believes the poster was from around 1903. They obtained the poster from a small magic poster collector in Salt Lake City. That gentleman purchased it many many years before, and recognized it was rare back then. A second copy appears on the background of George Goebel's book, so she believes that he has a copy. Two known copies in all the world? Seems to be the case. I have a feeling however, that the poster might be from 1900, as the photo used in the illustration dated to this time period. Also, I read that the Wintergarten had postcards printed with Houdini in chains that they passed out during his extended run in November 1900. It's possible this image was also on the postcards. But regardless of it being 1900 or 1903, it's still a fantastic and rare poster. THANK YOU Lupe, for letting me use the poster in the article and for the background information on how you came upon the poster.

THIS poster is available as a reproduction from Nielsen Magic. To purchase the poster please follow this link https://nnmagic.com/store/reproductions/houdini-wintergarten/

Adelaide Herrmann For Kids

I stumbled upon this book quite by accident. I found it while searching ebay for vintage magic props. What is it? It's a new children's book all about the life of Adelaide Herrmann by Mara Rockliff.

I have most great things to say about the book. First, it's wonderful to see a book about a different magician (other than Houdini) for the general public and especially kids. Second, it's wonderful to read about a female magician who deserves all the press she can get, both in her time and in ours! Third, the illustrations are phenomenal.

But sadly, there is one negative. It's not something that hindered my reading or my purchase of the book, but I'm a magic fan. They've included the story of the Bullet Catch routine. And though it's historically accurate, schools, libraries and parents are hyper politically correct these days and this one single thing could prevent them from purchasing or reading the book, which is unfortunate I must say. Because I love the book.

The author did a fantastic job covering the life of Adelaide Herrmann. You also get a glimpse of ole Alexander in there as well. And there is a tip of the hat to the two leading Herrmann historians of today, James Hamilton and Margaret Steele. This book came out in 2016, so James would have seen it and I'm sure he loved it. For those unaware, James passed away this week from liver cancer.

If you want to pick up this book, I found my copy on eBay, and I know there are other copies available there as well. The price runs just under $20.

An Expose on the King of Card Act of Harry Houdini

(Library of Congress)

Long before Houdini was The Handcuff King, he was The King of Cards. No doubt a moniker that he gave himself, rather than one which was awarded him. But it has always made me wonder, what was IN this card act of his? So I decided to try and delve into what Houdini might have done in this act. After extensive research, the last book I looked at was Pat Culliton's HOUDINI: The Key. This book has a rather large section on Houdini's card work, and also has a lot of the references I dug up on my own. Had I been home at the time, his book would have been my first book to check. I would encourage you to check out Pat's book, as he describes many of the 'moves' or sleights in detail, that I am going mention, but glance over. Pat did an incredible job describing the card work of Houdini, but I still have material to add!

Let me start by saying I believe Houdini falls into the category of card manipulator rather than what we think of today as a cardician. HOUDINI's Fabulous Magic by Walter Gibson, confirmed my suspicion of Houdini's card act. Here is an excerpt, "Being a showman, he aimed for the spectacular in his card work, so while he was well versed in more subtle sleights, he stressed card flourishes in his public performances." It's very clear by viewing existing video of Houdini presenting card flourishes that the man had skills! There are some moves he was known to do that seem impossible today, this to me is thrilling!

Let's begin with Houdini's King of Cards Poster. This poster was made in 1895, and was produced by the National Printing and Engraving Company of Chicago. Though it has been reproduced numerous times by different sources, I had heard the original is fairly scarce.

In the upper left hand corner we see Houdini executing a technique called 'Ribbon Spreading on the Arm'. The effect of the flourish is this, cards are spread over the forearm, which is held in a horizontal position. The cards go from the bend of the arm right to the fingers. By bending the fingers, you can cause the cards to all turn over. The effect can end there, or the magician can use the other hand to push the cards forward and remove them from the arm. Or in a more grandiose move the magician can jerk for the forearm upwards slightly causing the entire spread of cards to come off the arm slightly, then in rapid succession, the opposite hand pushed the 'floating spread' back together and catches all the cards in one hand, all while the cards are 'in the air'. It looks more impressive than it reads. On the poster, Houdini is doing the move with both arms at the same time. Is this possible? Pat Culliton in his book HOUDINI: The Key, has the likely solution to the image and that was that Houdini had an assistant who could spread the cards on the other arm before Houdini began his manipulations. However, I would not put it past Houdini to be able to accomplish this on his own. Houdini had one other twist with the 'spreading on the arm move'. This fortunately has been captured on video for posterity, he would spread the cards on the back of the arm, and then with an upward jerk cause the cards to rise above his arm slightly, about two inches or so. He would then rotate his forearm to the other side and recatch the cards on his arm.

There is a move related to the 'Spreading of Cards on the Arm' and that is when you take one or two or three packs of cards and place them on the arm and catch them in succession, one after the other, after having thrown them into the air. The fact that Houdini presented this feat was revealed in Magic Without Apparatus by Camille Gaultier. 

Next, the lower right hand image on the poster has Houdini doing fancy one handed cuts, one in each hand. The one handed cuts that Houdini demonstrates may just be his own creation. There are numerous one handed cuts like the Charlier Pass and the One Handed Swing Cut, and today with the explosion of 'Card Artistry' I would imagine there may be a hundred different ways to cut cards in one hand. But the Houdini method seems to be his own. If anyone has information to the contrary, please let me know and I will gladly correct this part.

An interesting point about the original photograph that this illustration was made from is that the words 'King of Cards' are written right below his hands. I should also point out, that Houdini is doing these cuts at the same time in both hands! That is impressive!

This took place in 1895, so no doubt he had a couple years of hard work and dedication put into learning these difficult flourishes. In the period between 1896-1897, when Harry and Bess were doing just about anything to stay in show business, Houdini actually performed an entire act as CARDO-King of Cards.  This came as a surprise to me when I first read it. But I must have seen it in print numerous times in the past and it never sunk in. 'CARDO' is mentioned in the Silverman biography, in the Kalush biography, in the Randi/Sugar biography and also in Masters of Mystery, page 40.  The original source of the Cardo reference comes from a letter from Bess to Sir Arthur Conan Doyle dates December 16, 1926. This document is housed in the Harry Ransom Center. But there is an even earlier reference to CARDO which comes from the Kellock biography, that has Erich Weiss using the name at 15 years of age, before he was HOUDINI.

HOUDINI's Fabulous Magic tips another exciting flourish from Houdini's card act and that was his Card Scaling or Boomerang Card routine. He had two versions that he could present and both are quite impressive. Both involved tossing/spinning a high into the air and having it return like a boomarang. In one version the card would return to the deck. Walter Gibson points out in Houdini's version, he would open the cards like a one handed as the spinning card returned to the deck! But I think I like the other version better. Houdini would scale the card in the air as before, but upon return he would pick up a large pair of scissors and cut the returning card in half.  This very effect was presented by Ricky Jay in his show Ricky Jay and His 52 Assistants.

The next flourish from Houdini's act is his 'Back and Front Palm routine'. For a long time I had heard this move was credited to Dr. James Elliott. Knowing Houdini wrote the book Elliott's Last Legacy, I decided to check that book out to see what interesting tidbits might be found within. Houdini states that both he and Dr. Elliott both learned the move from magic dealer Otto Maurer. He also reveals in the introduction to the book that his dime museum work is where he passed his 'college of experience' and would often have a deck of cards in his hands from 10am to 10pm. He would present 9 to 14 shows in a day, but during Christmas and New Years, actually gave 44 shows, each lasting only ten minutes each. Among that ten minutes was his routine with the 'front and back palm'.

Houdini claimed that his ability to do the 'forward and back palm' with 32 cards is what gained him the title of 'King of Cards'. He also apparently at some time claimed to have originated it, but again, he himself revealed that he learned it from Otto Maurer in the 1890s. But by 1899, it appears Houdini was done with the move. In fact, for the time he was done with cards altogether. In the December 24th, 1899 edition of The Cincinnati Enquirer there is a large illustration titled, "Houdini's Card Trick Exposed". And it was Houdini himself who posed for the photos that were used to do the exposure! (Thanks to both Pat Culliton and Chuck Romano for finding this article). Oh, why would Houdini expose this trick you ask? Earlier in the year, Houdini would meet Martin Beck who would tell Houdini he could book him into the Orpheum circuit if he would drop the magic and just do the escapes and the Metamorphosis. So by Dec 1899, Houdini had no need for cards. Though, he would bring them back in 1925.

More proof Houdini was done with cards, is this expose on Card Cheating by Houdini, that appeared in another newspaper. In this article Houdini is called 'the noted Austrian sleight of hand artist'. This is from the Akron Daily Democrat, July 8, 1899.

I'd like to stick with the material that Houdini used in his stage Card Act. However, given that there are a number of references to Houdini's card work (close-up style) in other books, I want to include those here also.

On page 94 of The Art of Magic by T. Nelson Downs, he describes Houdini's Torn Card Trick. This trick also appears in Magic Without Apparatus by Camille Gaultier. In addition, the latter book also contains Houdini's Pass. There is also reference to Houdini's Flourish Routine. However, despite my best efforts I can't actually find anything in the text that says 'Houdini's Flourish Routine'. I have the digital edition of the book and it links to the page with the Ribbon Spread On the Arm. This is clearly 'part' of Houdini's Flourish Act, but not the entire thing.

One Houdini Flourish that Gaultier does mention is really out of this world. It's the Springing of Cards, but done with one hand rather than two. I'm having a hard time imagining such a thing. In HOUDINI The Key, there is a slow motion image of Leslie P. Guest demonstrating the One Handed Spring. There were  people who witnessed Houdini doing it. So it must be a real thing!

In Elliott's Last Legacy by Houdini, he again includes his Houdini Pass. But you'll also find two other sleights by Houdini. One of them is his take on the Top Change and the other is a clever Color Change which might possibly have been included in his manipulation act.

In HOUDINI The Key, Pat Culliton describes Houdini's Self-Extracating Card as well as a Card Stabbing routine that first appeared in the October 7th, 1899 edition of The Denver Times.
Pat also mentions that 'Houdini took delight in performing the Card on the Ceiling.'

Finally, in the Sphinx May 1909 there is an article by Dr. James Elliott on The Frazier Card Pass. It is Elliott's belief that the Houdini Card Pass is the same as the Frazier Card Pass.


Getting back now to Houdini's King of Cards Act, I did find a very cool reference to Houdini's Giant Card Star on page 152 of Houdini's Fabulous Magic by Walter Gibson. Gibson describes the Houdini Giant Card Star and why it was so amazing, as opposed to the standard Card Star which had fallen out of favor in the 1880s.

In the Houdini Giant Card Star, Houdini would show a jumbo deck of cards and then several cards were named by members of the audience. The Card Star was then hung by ribbons on the stage. Then Houdini would throw the jumbo cards at the card star and the 5 selected cards would instantly appear on the five points of the star. Why is this different from the standard card star? The introduction of the Jumbo Cards which were 4 times as big as a regular deck of cards. When they appeared on the five points of the star they were so large it was impossible to figure out where they came from. From what Walter Gibson had to say, this trick even fooled the magicians of the day. On page 155, there is a photo of Douglas Geoffrey (Hardeen Jr) holding Houdini's Card Star. And truthfully, if you know how the standard Card Star works, the image of the Houdini version seems impossible.

The image of Houdini to the left shows Houdini holding jumbo cards as well as regular cards. This is a promotional shot for the 3-1 Show, Houdini's big show that he would take out in 1925-26. It seems very possible that the Houdini Giant Card Star would make a unique conclusion to the Houdini King of Cards Act. The booklet Programmes of Famous Magicians by Max Holden seems to prove that Houdini concluded his card portion with the Card Star. Was there more to the act? Possibly, but I have not yet uncovered anything else. For now, enjoy the short video of a 52 year old Houdini presenting Card Flourishes. The history of the video is covered expertly over at WildAboutHoudini.com

Incidentally, my interest in this subject began when I read about a card routine Houdini had in his notes called Half in Half. The routine appears in Houdini's Magic by Walter Gibson. The routine is an unusual card to pocket sort of routine, and after having tried it out on a live audience, I can attest to it's strength. After this, I wanted to see what else Houdini did in the cards department and that is when I realized I didn't really know what his 'King of Cards' act consisted of.

My conclusion is this:

Houdini King of Cards Act

Various One Handed Cuts/both hands
Spreading the Cards on the Arms and Catching
Front and Back Palm Manipulations
Springing the Cards With both Hands, Springing The Cards One With One Hand, The Waterfall
Card Scaling/Boomarang Card
The Giant Card Star

HOUDINI Takes DC 2017

The ObscuraDay Event called Houdini Takes DC was a huge hit yesterday! They sold out, and I think they might have even over sold, which was fine by me! The event took place at the Tivoli Magic Shop in Washington DC. It's a a beautiful shop, though not really a magic shop. Check out the link if you'd like to learn more about them. They had a nice room for us and to start was Magic Historian and Collector Ken Trombly. Let me say, Ken has an INCREDIBLE collection. The fact he is willing to bring these priceless posters to events is beyond generous. Ken had 4 major posters and some smaller broadsides, as well as a folder filled with postcards and photographs.

Ken gave an overview of Houdini's life by showing the various items he had that

Ken Trombly

related to those periods. The audience sat riveted during his talk. He really delivered a great deal of information, and being able to see the actual posters and other memorabilia was the icing on the cake. I stood in the back trying to keep my big mouth shut and not interrupt. He spoke for a little over 30 minutes and showed some items that would have stunned a seasoned magic collector let alone a room full of history enthusiasts and lay people.

There was a break, for cherry pie ( a favorite of Bess Houdini and they served it at the previous Houdini event here as well).

Then they introduced me. I was supposed to do a show but ended up spending my time doing a mixture of magic and telling stories, some related to Houdini, some related to escapes, some related to associates of Houdini's. For example, I shared the story of Harry Cooke, a mentor of Houdini's and an individual who was present during the Lincoln assassination. I shared a story of a woman who found herself caught up in a haunted house and a seance. And I shared a ton of stories about Houdini. I tried to stay within the area that Ken had set during his talk but elaborated on various stories. I have found when talking about Houdini, I can go on forever, but I had to stay within the 30+ minute format....(I might have gone a little over).

Carnegie about to escape from Handcuffs.

The first piece of magic I presented was a newly discovered Houdini card trick. I say, newly discovered because I was unaware of it, lol. I found it in one of the Walter Gibson books and the trick comes from Houdini's notes. It's a strange sort of transposition trick with a card and it played really well. I followed this with my version of Cards Across, just to fill out the 'Houdini King of Cards' portion of my talk.

Next I moved into his early escapes, handcuff escapes specifically. And I went on to present two escapes, one from a pair of police issue regulation Smith and Wesson cuffs. The other from a pair of ungimmicked Hamburg 8 cuffs.



I wanted to give people a feeling for Houdini beyond just the regular stories, so I threw in the story of Harry Cooke, and how they were associated. I always thought their connection was because they were both escape artists. But I know believe that their connection was, #1 because of Cooke's Anti-spiritualist crusade years before Houdini was born, and #2, Cooke's connection to Abe Lincoln, who was Houdini's boyhood idol.

I shared the story about Cooke being summoned to Washington to demonstrate his ability to free himself from ropes. And here, I took the opportunity to present a rope escape.  I chose to use a technique found in Houdini's book, Magical Rope Ties & Escapes. The technique allows for an almost instantaneous escape from the bonds. In truth, Cooke had been tied up with 100 ft of rope and still escapes in seconds. I had 100 ft of rope on hand, but was saving it for later but ran out of time.

The closing routine was a Spirit Slate routine with a story. A true story? Sort of. Aspects of the story are true, but I do take liberties, it is a show after-all. The story is an emotional one, and I use it to help people understand the deep connection that people have when they see mediums....and also WHY Houdini was so angered by the whole thing because he knew the mediums were fake and playing off the emotions of the grieving.

At the end, I answered a few questions, spoke with numerous people after the program and packed up. All in all, I'd say the day was a HUGE success. I'd like to thank Julie Siegel for her great work AGAIN, and all her fellow Obscura staff. Thank you for inviting me to be part of your event! Also, I'd like to thank Tivoli Magic Shop and 826DC for letting us use their incredible space.

A NEW Houdini Poster?!

Well prepare yourselves, I believe we have a previously unknown Houdini  poster to add to the mix. I don't recall seeing this in any book. If it has been in a book, then this will likely be the first time you're seeing it in color. And the most amazing thing of all, this was purchased on eBay!

The poster is in the collection of Ken Trombly. Ken was one of the guest speakers at the ObscuraDay event in D.C. today. Ken has a HUGE collection of Houdini items, posters galore, and photos and postcards as well. He's got a number of things I'd like to write about in the future, so I'm going to keep quiet on the rest. But he told me this poster below was purchased on eBay....according to Ken, "back when eBay was good." So it was a number of years ago. I'll be writing MORE about Ken and his talk, but I wanted you to see this before anyone beat me to it! :)

I would encourage you to follow Ken on Instagram. https://www.instagram.com/magic_posters/
and while your at it, follow ME there too https://www.instagram.com/carnegiemagic/

UPDATE: Joe Notaro alerted me to the fact that not only is this NOT a new discovery, but it's also appeared in three different books, and one of those was in color.  Well, lol, it was NEW to me, lol. I do appreciate the feedback though. I love to hear from folks so anytime anyone wants to comment, please do.

 (image used with Ken Trombly's permission)

Happy Belated Birthday Doug Henning and News

I guess I had forgotten, but May 3rd was Doug Henning's birthday, he would have been 70 years old. It's been 17 years since he left us. Seems like just yesterday. Though he had been retired, his absence in the world of magic is still felt deeply. I was looking over my past articles and saw that I had 15 articles that are either about Doug or mention Doug Henning. You can view those here: http://www.themagicdetective.com/search/label/Doug%20Henning

But there is news, and news for which I am very very happy. There is a new blog devoted strictly to Doug Henning. It is called DougHenningProject.com  and is put together by Neil McNally. He starts off very strong with a three part interview with Milt Larsen about Doug. It's great stuff. And with so many people who knew Doug still alive today, this site should be a rich treasure trove of Doug Henning facts and trivia. I almost wish I had done it! Best of luck Neil!!!

IF you're wondering if I was inspired at all by Doug Henning. YOU BET I WAS. Look at the photo below of a young Doug and younger me!

Next Up for The Magic Detective, Obscura Day 2017

Last year, I was invited to entertain during Obscura Day. This was part of a Nationwide group of festivities put on by AtlasObscura.com. Last year's event in Washington was called HOUDINI IN DC. And this year, it's called, HOUDINI TAKES DC. Last year, there were three locations for events. One in the law offices of Ken Trombly, who shared his collection of Houdini posters and photos. Next was McPhereson Square Park, where I presented a short magic show with routines that were similar to those that Houdini might have done. The final leg of the journey was a walk over to the location of of where Keith's Vaudeville Theatre once stood, today it is The Old Ebbitt Grill. I shared some history of the theatre, as well as information on Houdini's upside down outdoor hanging straight jacket escape from that very building.

Ken Trombly from 2016

This year the event takes place in a single location, no travel needed. Everything will be in one place. My friend Ken Trombly, who is a HUGE magic collector, will be bringing a number of his Houdini pieces. Last year he bought several posters and quite a few photographs. His collection is mind boggling! Ken will also be speaking about Houdini as well. I'll be bringing a pair of Houdini cuffs as well as some other Houdini-era cuffs. I will also be presenting a few magic routines, again in the lines of what Houdini might have done. Last year, pretty much the entire show was made up of escapes. This year, there will probably only be a single escape, maybe two and the rest of the program will be magic. If you can make it out, it's going to be a lot of fun. Seating is limited. So get your tickets soon! http://www.atlasobscura.com/events/obscura-day-2017-houdini-escapes-dc

Carnegie from 2016 Obscura Day!

Talking Magic History at TEDx in DC

I had the great honor of being invited to speak at a TEDx event in Washington. It was such an enjoyable event. I was asked to speak about magic history and possibly present some magic as well. Not an easy task with a time limit of 8 minutes. All the speakers at the event had 8 minutes to talk. If I had talked ONLY magic history, my speech would have been a bit more in depth. But as it was, I only spoke for 5+ and used the rest of the time for my magic routine. So what they got was a brief overview of magic history.

A TED talk is very different than a lecture. It has to fit within a structure and really move quickly and get to the point fast. Thankfully, the team at TEDxFoggy Bottom were super helpful with guiding my speech in the right direction. As time went on and I rehearsed the speech, I sadly had to cut several  whole paragraphs from the talk. The actual talk is more like 12 minutes, without the magic trick. But I still was able to present a wonderful talk on magic and then follow it up with an unusual piece of wonderment.

If you're wondering the effect I presented, I borrowed a bill and caused it to travel via a Victorian Teleportation Device into a Lightbulb. Actually, the same time the bill traveled to the bulb, the lighting element from the bulb traveled to my Teleportation Device, that's the effect I was going for. Kind of like a mini Metamorphosis trick done with different objects. (and Metamorphosis just so happened to be the theme of the day).

The event sold out so that means they sold 1500 tickets. And what a truly WONDERFUL audience they were! But as wonderful as the audience was, the backstage staff and crew were even more incredible. If only every theatre crew was as attentive and helpful as this bunch. Heck, I'd love to take them with me when we play theatres, they were simply beyond professional!

Eventually, my speech will be posted online, but it might be a couple weeks yet. So if you'd like to get a preview you can check out the incredible graphic that was done LIVE while I spoke by artist Trent Wakenight. Amazingly, he captured all the elements from my talk in the graphic below!

The GREAT Henry Ridgely Evans

I should probably have referred to him as the PROLIFIC Henry Ridgely Evans but it's sort of a play on words as you will see.  While going through a wonderful book on history by Ken Klosterman titled, Of Legierdemaine and Diverse Juggling Knacks*, I came across an interesting article titled, 'How I Became Interested In The Magic Art' by Dr. Henry Ridgely Evans.

It seems that a young Henry Evans was fascinated with the book The Arabian Nights as a child. The article even goes on to say that he slept with the book under his pillow.  Years later he came upon an article about Robert-Houdin in an issue of Harper's Magazine. And then in 1877, Professor Hoffmann put out his book MODERN MAGIC, and this took Henry Evans over the edge! He devoured the book and it's material. He soon found a copy of Houdin's biography that he also read through and through.

Drive way up to Dumbarton Oaks

While attending Columbian College in Washington D.C. one of his school mates encouraged him to put on a show and even offered his home as the venue for such a performance. His friend was Edward Linthicum Dent, and the home was called, The Oaks. Today it is known as Dumbarton Oaks and is a Research Library and Collection institute administered by the Trustees of Harvard University. But in the late 1800s it was a private residence and quite an impressive mansion. In fact, it still as!


According to the article, 200 school children from the area came to see the show put on by the amateur conjurer Henry Ridgely Evans. As is often the case for a new performer, poor Evans got cold feet. In fact, he got more than cold feet, his feet wouldn't even move. He was paralyzed with fear! The kids in the audience got wind of his condition and like wild animals that could smell blood, they were ready to pounce!!! But, Evans somehow gained his composure and presented a fairly decent show, with one exception. His 'Card Star' accidentally released early and cards shot everywhere, when they were not supposed to. It brought about the end of the show, and likely the end of Henry Ridgely Evan's career as a performing magician. Fortunately for us, his fascination with magic remained and he became a very prolific writer on the topic.

Dr. Henry Ridgely Evans would go on to become a valued writer of magic history. He wrote, Magic & It's Professors (1902), The Old and the New Magic(1906), Adventures In Magic (1927), History of Conjuring and Magic (1928), A Master of Modern Magic: The Life and Adventures of Robert-Houdin (1932), Some Rare Old Books on Conjuring and Magic (1943)  I just obtained a copy of The Old and the New Magic and am anxious to delve into it's pages.

I wrote about him previously and you can check out that article here http://www.themagicdetective.com/2011/10/who-was-henry-ridgely-evans.html
Evans died died at Union Memorial Hospital in Baltimore on March 29th, 1949. He is buried in Oak Hill Cemetery in Washington DC. Below is an image of his grave. Incidentally, Dumbarton Oaks, that I mentioned above is right next to the cemetery! I'm sure had I done more research I might have found the home he lived in while he lived in town, but frankly, the weather was making any sort of further adventures difficult. It took an hour just to find the grave because the areas are not marked, at least not that we could find. But  eventually we did find it and I paid my respects. 

*To be clear, Ken compiled the material in this book, but the material was written by John Braun.

The Magician Who Met Abraham Lincoln

This story has intrigued me from the first time I heard of it. In fact, I even wrote about it before. A friend sent me an article from a 1920 LA newspaper and it rekindled my interest in the story. So I'm reprinting my original article below with a couple corrections. These corrections came about by reading an article in the Los Angeles Evening Herald Feb 12th, 1920 edition. In truth, they really fill in more of the blanks than truly correct things. I hope you enjoy the updated article.

The individual in question is Horatio Green Cooke, born 1844 in Norwich Connecticut. As a youth his family moved around a bit finally settling in Iowa. In 1861, Horatio was working as a teacher.  In 1862, Horatio, who would go by the name Harry, enlisted in the Union Army. He had excellent penmanship and was also a fine marksman. Before long he was writing correspondence for various Generals in the Union Army, among them General U.S. Grant.

Due to Cooke's ability as a penman, he soon came to the notice of various people in Washington DC. His ability as a marksman, also played a part in his change in career and in rank. 




He went from being a private in the Union Army to being selected to be as a Captain of Lincoln's Federal Scouts.  He always carried with him a letter autographed by the President Lincoln informing him that he had been selected to be one of his special scouts.  In 1863, he fell under the command of Major General Ulysses S. Grant during the Siege of Vicksburg. The surrender of Vicksburg by the Confederate Army gave control of the Mississippi River to the Union Army, and basically split the Confederacy in half. This event, along with the Battle of Gettysburg, were the turning points in the war for the Union.

R. Ingersoll, Gen Hancock, E. Stanton, Gen Sherman, A. Lincoln

On May 1st, 1864, Harry Cooke was ordered to appear before Edwin Stanton, the Secretary of War in Washington D.C.. When he arrived  he found that along with Stanton, was General William Tecumseh Sherman, General Hancock, Senator Robert Ingersoll and President Abraham Lincoln. They had heard of the young scouts unusual ability to free himself from restraints and were curious. So he was tied up with fifty feet of rope. After he was securely tied, Cooke asked Lincoln to walk ten feet away. Then he asked him to return and before Lincoln got back, Cooke had freed himself from the confinement! According to the Los Angeles Evening Express Newspaper, Lincoln was amazed and jubilated. Lincoln said to Cooke "Here my boy, keep this to remember Uncle Abe by" and Lincoln then handed Cooke a two dollar bill. Harry Cooke kept that two dollar bill his entire life.

John Singleton Mosby - The Grey Ghost

In the Fall of 1864, Harry was assigned to join General Sheridan in Winchester VA. On October 19th, Harry Cooke and six other scouts were captured by Mosby's Raiders under the command of  'The Grey Ghost', John Singleton Mosby*. Mosby was notorious for his stealth-like raids against Union forces. When his band of raiders captured Harry Cooke and his fellow scouts they took from them all their possessions. In Cooke's pocket was the personal letter from Lincoln appointing him to the position of Federal Scout, a cherished memento. In Mosby's eyes Cooke was a spy and was sentenced to be hanged along with his other scouts. They were to get an early morning hanging, but their final evening on earth would be spent tied to a tree. Being the escape artist that he was, Cooke quietly freed himself from the ropes, and then proceeded to free his fellow prisoners and return back to the Union side under the cover of darkness. Due to the fact that not all of his fellow scounts could swim, they had to split up. Three swam across the Potomac River and the others made their way through the woods. One of the scouts who was swimming later drowned when trying to cross Harpers Ferry Canal.  Cooke and his companion finally made it back to a Union camp. From there, he took some men back to try and find those scouts who chose to make their way through the woods because they couldn't swim. They were eventually discovered, hanged and full of bullet holes. In the end, only Cooke and his other fellow scout that he swam with made it to safety.

Fords Theatre /Library of Congress photo

Harry had always been bothered by the theft of his Lincoln Letter by Mosby's Raiders and decided to try and get a copy from the President himself. On April 14th 1865, Cooke went to the White House in Washington to see Mr. Lincoln. Upon arriving at the White House he was told that Mr. and Mrs. Lincoln had left for an evening at Fords Theatre. Harry Cooke went to Fords Theatre, where the President and First Lady were watching the play "Our American Cousin". A short time after Harry Cooke arrived a loud shot rang out, and well, the rest is history. Cooke was there, in the audience, as John Wilkes Booth shot the President and then jumped to the stage and out the back doors of Fords Theatre.

It's hard to say when Harry Cooke got his interest in magic or where he developed the ability to escape from ropes. One thing is certain, he had an ability to escape like no one before him, and few since.  After the Civil War ended Horatio Green Cooke became "Professor Harry Cooke" and worked as a professional magician and 'Celebrated King of the Spirit Exposers". Years later he would become President of the Los Angeles Society of Magicians and would obtain the new moniker 'The Oldest Living Magician'. His favorite trick throughout his life was the Linking Rings and apparently his routine was one to wonder over.

On May 1st 1924, at the young age of 80, Harry Cooke duplicated his feat of escaping from 50 feet of rope for the Los Angeles area magicians. During this exhibition, Harry Cooke wore his blue Union Army uniform, the same one he wore during the Civil War. The result was exactly as it had been 60 years earlier when he presented the stunt before President Lincoln and his cabinet, HE ESCAPED! A a little over a month later Horatio Green Cooke passed away on June 17, 1924.


I must make note of the fact that though Harry Cooke was well known during his day, and appeared often in magic periodicals of his time period, and was even one of the pallbearers at Harry Kellar's funeral, he had largely been forgotten in recent years. It was Mark Cannon, escape artist and magician who brought the wonderful stories of Harry Cooke back to life through a fantastic article he wrote for MUM Magazine in April 2006. Mark had actually been fortunate enough to meet one of Harry Cooke's daughters at one of his shows and was given Cooke's personal scrap book. And it was because of Mark's wonderful article and my interest in magic history that I first started to delve into the world of Harry Cooke. Eventually, I too got to meet one of Cooke's descendants. You gotta love magic history, you never know where it will take you or who you might encounter!

DC Jail Escape Follow-up.

The 10th Precinct Building

Back in 2014 I wrote an article about Houdini's 1906 jail escape in Washington DC from the 10th precinct. When I first wrote the article I thought  that the jail had been torn down. Later I discovered that in fact, that jail actually was still there and still operational. I finished the article by saying, "Maybe someday I'll head over there and check out to see if Houdini's cell is still there."

As it turned out, last year I received an email from a friend of mine who lives near there. He told me he was planning on going over and check the place out. But then I didn't hear from him. I figured maybe he never made it over. But alas, I ran into him at The Yankee Gathering in November 2016. The mans name is Charles Greene, and he is an excellent magician, speaker and magic historian/collector, and also owner of this site http://magicpostergallery.com/MagicPosterGallery/MagicPosterGallery.com.html

It turns out that Charles DID visit the 10th Precinct Station and went inside inquiring about a 'Houdini's jail cell'. The cell, was originally in the basement and Charles was told that they'd been removed a long while ago. Still he pressed on and asked to see for himself. Sure enough, there was nothing remaining. The building was still standing but the cell where Houdini did his escape was gone. And thanks to Charles, at least now we know!

Now please don't mistake this for Houdini's other, and more famous jail escape in DC from the Old DC Jail. That would be where Houdini escaped from the cell that once held the assassin to president Garfield. That escape would take place only 5 days later, on Jan 6th, 1906. Below are two views of the prison that may be new to many people. They come from the Library of Congress/Harris&Ewing Collection.

This Old D.C. Jail  was torn down in the early 80s. However, as an interesting side now, the stones used in the building were from the same quarry that supplies stones for the Smithsonian Castle. So some of the jail stones were taken to the Smithsonian to use in repairs of the Castle.

Houdini and the Boston Jail, Setting the Record Straight

I'll admit, I do my best to verify everything I put up here, but I have missed a couple of times.  It might be due to an outdated source that I'm using that got it wrong, or a newspaper that I didn't have access that might later alter the facts that I have. Alas, one of my earliest articles turns out to not be accurate and I'm not too happy about that. I had been given a tip that this was it, and couldn't find any information on other jails at the time, so I went with the tip. Later newspapers from the time confirmed that it was indeed NOT the Charles Street Jail that I had first listed, but rather the City Jail/Prison on Somerset Street.  I want to give credit where credit is due and that is to Bill Mullins who discovered the correct information and was kind enough to let me know! I am going to reprint the original article below but insert the proper information along with new photos. 

Houdini at the 'Boston Tombs'

Houdini escaped from the Boston Tombs in 1906. The photo above shows Houdini about to go over the wall of the Boston Tombs as the jail was called. The actual jail was the City Jail or City Prison located on Somerset Street in the Pemberton's Hill area. I discovered that it was common in that time to refer to a jail or prison as the Tombs. The most famous was the Manhattan Detention Complex in NYC known as The Tombs. 

The Escape

The date was March 19, 1906 and the Superintendent of Police William Pierce had agreed to lock up Houdini in their jail. He was first taken to cell number 77 on the ground floor where Houdini removed his clothes and was checked for keys and picks. Nothing was found and Houdini's clothes were then locked into this cell while he himself was taken to the second floor. He stepped into cell number 60 and was secured in handcuffs and leg irons. Then the Superintendent locked Houdini inside Cell #60 and he and the other police officials left Houdini and headed for the main office. They were confident that Houdini could not escape.

Sixteen minutes later Houdini was scaling the outer wall of the jail and running down the road towards Keith's Theatre. Houdini called William Pierce from the theater to let him know he had escaped! Shock set in. Superintendent Pierce asks Houdini to return so that the photographers can get a photo of him going over the wall (see photo at top of page). According to the Kalush Biography, the Superintendent told Houdini he expected him to show up in the jail office if he got out. He shook Houdini's hand and seemed happy with the results. Though Houdini's book "Adventurous Life of a Versatile Artist" paints a different picture. Houdini claims that Pierce's only response was "I have nothing to say".

The route of escape from the City Prison in Boston

The Jail Today

The building that once housed the City Prison is today called the John Adams Courthouse. It was built in 1885 and originally known as The Suffolk County Courthouse. I do not know if any of the jail, or the cells remain in the building or not. Looking at this photo, I can't quite match up this image with the one on the top of the page, so I'm guessing the back of the building is where the jail was likely housed. Houdini's cell #77 was on the ground floor, though he was moved to an upstairs cell #60.

Now I'm wondering, if the 'staged' photo at the top of the page might just have been taken at the Charles Street Jail, as that buildings facade totally matches up to the building in that photo? I'll eventually find a view behind this building and see what the rear of the building look like. For now though, the record has been corrected, thanks to Bill Mullins!

Happy Birthday Bess Houdini!

Bess Houdini was born January 22, 1876, which makes her 141 years old today. She honestly doesn't look it! In November, I attended the Yankee Gathering in Massachusetts and in attendance was John Hinson, Great Nephew of Bess and Harry Houdini. John is just the coolest guy. He clearly has a passion of magic history and especially the Houdini family. He loves to share the stories of his family and share rare photos, many that have NEVER been seen in print before.

John graciously has allowed me to share some of these pictures with you in the coming months, and I am very excited to be doing so. I don't yet have those pictures from John, but I know he's been busy so you'll get to see them soon enough.

For now we wish Bessie a very Happy Birthday!!!

HOLD THE PRESSES!!!! Bessie can have some cake today if she likes, but ole John Cox pointed out to me that John Hinson (the very same I mentioned above) showed him proof that Bessie was born on Jan 23rd!!!!!!!! Honestly though, having gone through many census records and birth records from the 1800s and seeing how dates change and fluctuate, its a wonder we have an accuracy at all. But, then again, if it comes from John Hinson's collection, I'm going to believe it! So 23 it is!!!!!!!!!

Rare Robert-Houdin Magic Token Help Needed

I was contacted by Paul Courville, a collector of magicians tokens,  concerning an item he has acquired of Robert-Houdin. Specifically, he is searching for any information or individual with information that could provide him with additional details about the item.

Paul found a reference for this coin dating it to France 1935, created by J Dhotel, however, the listing says the back of the coin is blank, but Paul's has writing on the back. The back of his coin reads "Association Francaise Des Artistes Pretidigitateurs". (see photo very bottom of page)

Additionally, he found an image of a plaque, which also has the 'Association....Prestigitateurs' on the bottom of the plaque and a bronze image of Robert Houdin in the center, with the exact same likeness as that of the coin. (see below)

If you happen to have any information regarding this coin and it's history, would you kindly contact Paul at paul@paulcourville.com

 

The Other Blackstone Book Review

Back in 1999 Daniel Waldron wrote a book called Blackstone A Magician's Life. It was a fantastic biography of one of the true greats in our business. If you've never read it. find it and read it! You'll be glad you did. One of the great things about the book are the first hand accounts by George Johnstone and Nick Ruggiero, both who worked on the Blackstone Sr. Show.

In 2016, a new book was written by Daniel Waldron called The Other Blackstone. Though not as extensive as the first book, it's still an enjoyable recollection of the the other Blackstone. This book is about Alfred Peter Boughton, who was born March 1st 1887. He was the younger brother of Harry. Yes, the name was originally spelled Boughton.  The book has 6 chapters and a epilogue, plus a lot of photos. It's only 40 pages long, so it's a quick read, but it's a fun one. There are some great stories in the book, and as I mentioned, great photos to match.

And the great thing about the book is the co-author, Adele Friel Rhindress, who also worked on the Blackstone Show.  She has her own great book on her adventures with Blackstone called 'Memoirs of An Elusive Moth'. The recollections of her time with Pete really help the reader to see him as a living breathing human being, and give a rare glimpse behind the scenes of a famous touring show.

I remember the first time I saw a photo of Pete. I was confused as to what I was seeing. I thought it might be some double exposure photo that Harry had produced. But then I found out that Harry had a brother. According to Adele, it was Pete who really RAN the Blackstone Show. Harry was the star, but Pete handled everything backstage.

I purchased this book at the Yankee Gathering from David Haversat. I'll be honest, I don't know how many were produced. But I would check with him to see if there any left. 

ThrowingCards, The Blog, Check it Out!

There is a new blog that just hit the internet called ThrowingCards.blogspot.com. It's the brainchild of Gary Brown, who used to have the site Throwingcards.com a number of years ago. That original site was on a free platform that has since vanished into the night, as many of those 'free' sites eventually did. But now, Gary, along with Gary Frank, and Tom Ewing, have restarted the site as a blog. And it's very cool.

What is a throwing card? Well, it's a very clever piece of advertising that magicians would use at their shows and during appearances. From what I've seen, it was a customized playing card with the artists information on the front of the card, and the back usually like a playing card back, but not always. Sometimes, the cards would be from the same stock as playing cards, other times they might be from a thicker card stock. Often the magicians would throw or scale the cards from the stage. In other cases, they might simply hand the card out, like one would hand out a business card. I did not know it, but this was done by a lot of performers, both famous and not so famous. I was aware of the Thurston throw card, in fact, I own one. But outside of that, I didn't really think it was very popular. Wow was I ever wrong!

I would encourage you to go over and check out the site. As I mentioned, they have three regular contributors so I'm sure you're going to see some great pieces. I was so inspired by viewing their site that I am not considering a throwing card of my own! Go check them out,  http://throwingcards.blogspot.com

The Fay Controversy Continues

Anna Eva Fay

Anna Eva Fay was a medium and clairvoyant who rose to prominence in the late 19th Century and early part of the 20th Century. I have written about her several times and even visited her grave in Massachusetts. She was a fascinating woman on many levels. She began as a medium, one who was highly investigated and fooled many of the top minds in the world who researched psychic phenomenon. But still she was a fake. So that makes some of her achievements even more remarkable.

Eventually, she would move into mind reading using the method first developed by Samri Baldwin.  This addition took her out of the area of spiritualistic demonstrations to theatrical performances and it proved highly successful. Along the way, she began to train her son John in all the methods and techniques that she used, hoping and expecting that he would one day take over the show. But in what would be an incredible betrayal by her son, he taught a young woman whom he would later marry, Eva Norman how to do the act. They went out as The Marvelous Fays. Anna was furious. Overtime, Anna would forgive her son, but she never forgave Eva Norman, and the two barely tolerated each other for the rest of their lives.

This brings me to this past weekend's Potter and Potter Auction. There was an item that was listed as "Fay, Anna Eva. The Fay Thaumaturgy Dream Book" And it was a very awesome item, but this was actually an Eva Fay book, not an Anna Eva Fay book. There are several things that give away who this belonged to. For one, the publisher was John T. Fay, the son of Anna. The 'mascot' coins which are reproduced on the cover of the booklet are also those of 'The Fays' not Anna Eva Fay. And finally, they called their performance 'Thaumaturgy', where as Anna called what she did "Somnolency'.  That doesn't make the item any less valuable however. It's still a very rare Dream book and whoever won that item has a real treasure! I think the auction item also came with a token and a ticket, which again pushes up the value of this lot!

This mix up between The Fays and Anna Eva Fay has been going on for years. In fact, Barry Wiley in his wonderful book The Indescribable Phenomenon, says that when Anna Eva Fay passed away in 1927, the news of her death was in all the papers and in an ironic twist of fate, Eva Fay's bank accounts were closed, thinking that she had died. But it was Anna Eva Fay who had passed. I guess the elder Fay got the last word.

By the way, I just finished reading The Indescribable Phenomenon, and it was a fantastic book. Barry Wiley's in-depth research is remarkable. I would encourage anyone interested in magic history and especially the Spiritualist side of the art, to check out this book. I found my copy on ebay. It was published by HermeticPress.com but their website is down currently.

Both Fays, had put out special token coins, that they both sold for 25 cents. Both had the word 'Mascot' on them. But it's easy to tell the difference. I think there are two Anna Eva Fay coins and one Eva Fay or 'The Fays' coin. The first copper coin below is the Anna Eva Fay coin. You can see her initials, AEF, under the sitting figure. In the book The Indescribable Phenomenon, it's mentioned that there may have been 6 different versions of this coin, but all looked relatively the same. There is a second Anna Eva Fay Coin, which is round, about the size of a quarter and is pictured below. Both coins have the initials, AEF on one side. The final coin below was used by 'The Fays/Eva Fay', and you can clearly see how similar in look this coin is to the copper AEF coin. However, the name 'The Fays' is clearly visible on one side of the coin. And rather than a sitting figure on one side of the coin like AEF had, The Fay coin has an Egyptian looking figure with wings. 

Anna Eva Fay -Mascot Token

Anna Eva Fay - Round Mascot

Eva Fay/The Fays - Mascot Token

Both Fays also put out Dream Books. These are easy to tell apart because one uses the word, Somnolency, which is Anna Eva Fay's book, and the other uses the word Thaumaturgy, which is the book used by The Fays, the son and daughter in law. I don't own any of those at the moment, otherwise I would put up a picture.

I came across another site recently that had a poster listed as an Anna Eva Fay poster, but it was actually one of Eva Fay's. I don't recall off hand what the site was and I can't seem to locate it. Suffice to say, the confusion between the two Fays continues on.