Me and Houdini 1953

I have a personal annual tradition, on Halloween each year I watch the 1953 HOUDINI movie starring Tony Curtis and Janet Leigh. This was the movie that first inspired me to get into magic and search out the life and world of Houdini. IF you're new to The Magic Detective, my name is Dean Carnegie and I'm a full time magician and have been for nearly 20 years. Let me tell you about my early days and how this movie played a role in my magic life.

The movie starts with a fun scene with a young Houdini performing as part of a side show. Among the tricks he does is vanishing some milk and turning it into evaporated milk. Seeing this tonight sparked a great deal of memories that I had long forgotten. The memory of a young 7 year old boy pouring milk into a paper cone, only to have it gush all over the kitchen floor. Then only a couple years later to add the Vanishing Milk to my early shows....doing it the correct way at that point.

I remembered my fondness for Hamburg 8 handcuffs, and that was due to the scene in the movie where Houdini is short some money and his wife questions him and he says he had a chance to get 'a bargain' and produces the cuffs. A moment later he escapes from them and I remember being quite struck with the way that escape was done. Tonight as I was watching the movie and recalling my first set of Hamburg 8s it occurred to me that my cuffs may have been stolen about a year ago today. When I say stolen, it's more likely that I forgot them and someone picked them up and they're gone now. I've searched a number of times for them and I can't find them anywhere...though my storage unit is a nightmare so they might still be there.

I remember the scene with someone I always looked up to and actually used to correspond with fairly

often, Bill Larsen. This is the very same Mr. Larsen who would later go on to run Genii Magazine and along with his brother Milt, the Magic Castle. Bill appears in the movie during the scene where Harry and Bess attend a dinner which turns out to be a Halloween Magicians Dinner.

That also triggered the memory of meeting Mr. Larsen for the first time. Not at the Magic Castle however. It turns out that the very first time I went to see Le Grand David in Beverly Mass, that Bill and his wife Irene were also attending for the very first time. I saw Mrs. Larsen standing by herself in the back of the theatre and I looked around and sure enough there was Bill Larsen. I went up and introduced myself and got to speak with him for several minutes. Sadly, that was the only time I would ever get to meet Bill. But his kindness and all his advice he had given me through his letters have always meant a lot.

One of the many wonderful things about this movie is that Tony and Janet actually do perform a lot of the magic. There is a scene were the are performing the Houdini-Metamorphosis trick, also known as The Substitution Trunk or Sub Trunk. It's a great scene and if you watch closely you'll see Janet Leigh struggling to catch her breath during the shot. The whole scene is shot with one camera I believe, no cut-aways. 

Now as strange as it is, I never really added the Sub Trunk to my show. I did perform it a couple times, but I think because so many other acts were doing the sub trunk I just left it out. That didn't stop a young 8 year old magic fan from doing escapes from trunks. That's right, my first magic show that I ever did featured and escape from a large blue box, which was actually my toy box that my Dad had built. I had my brother and best friend Billy wrap the outside with ropes and chains and locks and I escaped at the end of the show from this trunk. I didn't have handcuffs at the time, so my hands were wrapped in a bicycle chain and I got out of those as well. I was a daring 8 year old.

Years later I actually built a sub trunk with my Dad. But again, rather than use it as the regular Substitution Trunk routine, I used it as a packing box escape. I would leave the box and the lid at a venue for examination. We'd put a big poster on the box promoting the show. Then at showtime I would climb inside that thing and get out. I still remember the reaction from a friend who had hired me to do this very thing. I knew he had spent a good deal of time with the box and the lid and he was dumbfounded when I got out. Come to think of it, that was a Halloween gig too.

Another scene that always stuck with me was a brief scene just before Houdini attempts the escape

from the Pagoda Torture Cell. In the scene two gentlemen come up with a challenge restraint, a Steel Straight Jacket. Oh my God, that was the coolest thing I had ever seen! All my life I always wanted one of those. Then...I got one. I was no longer 8 years old, lol. The first routines I did with the Steel Straight Jacket were similar to what was done in the movie. I did that for a while until I realized there was more that could be done. In one show, I presented the SSJ kind of like the sub trunk, in that I was in the jacket first, and then a few moments later, I was free and the jacket was on a friend of mine.

Still later, as my mind moved from thoughts of magic and into escapes, I saw the potential for even stronger routines. I used the SSJ to close the show at my Underground Magic Theatre for one season. That was also the year that I met Steve Baker the famous escape artist known as Mr. Escape. I sent him a video of the routine and we talked about ways to improve it further. He had so many fantastic ideas and there was no way to include them all. But the key ones I did eventually use. The last time I performed the SSJ was at the National Theatre in Washington D.C.. I performed it two times and during the first show wanted to test out an idea. I had always heard that modern audiences would not sit through long drawn out escapes like they did in the time of Houdini. But I always heard this from folks who didn't do escapes. So I figured, why not test the theory. I struggled and struggles and even tore my shirt and did some very unorthodox things to get out of the jacket. The audience sat there spellbound. In the show that followed I did the SSJ again, but this time without all the lengthy drama. There were people present who had seen both shows and they immediately asked about the difference in the performances when it was over. They were very intrigued and frankly, I was thrilled with their interest.

At the conclusion of the movie, Tony Curtis as Houdini dies trying to attempt the Pagoda Torture Cell or what we know as the Water Torture Cell. This scene and an earlier scene where Houdini is trapped under the frozen Detroit River after doing a packing box escape, made me very aware of the dangers of escapes and water. But it didn't stop me, I was just careful. I used to practice several times a week escaping from handcuffs underwater. My method was quite ingenious. At the time, we lived on a farm. I would clean out the water troughs that were used for the horses and fill them full of clean water and work on the escapes underwater. My chosen method of escape was picking the cuffs underwater. At the time I was unaware of something called 'bridge jumpers'. But it was still good training.

Here is an interesting thing I had also forgotten. When the movie opens up, this picture is the first

thing you see. Houdini's name written in Black and Red bold faced letters. Don't ask me why this stuck in my brain, but it did. Not long after I had decided to do magic full time, I had a huge banner made with my name written just like that, in black and red letters. It was to promote a series of theatre shows and it looked very cool.

It's amazing to think just how much that movie inspired and even shaped my magic career. A lot of it I really didn't pay much attention to, but now that I look back, it's quite ironic. And to think, most of that movie was fiction! What kind of trouble could have I gotten into if they had made a truthful movie??? Well, they did eventually with Paul Michael Glaser. That movie was called The Great Houdinis. And yes, that movie also played a part in my early magic years, but that's a story for another time.

Houdini Gone 88 Years

I think the picture says it all. He died 88 years ago today, October 31, 1926.
We Miss You HARRY!

Masters of Illusion LIVE - Review

Once Upon A Time…….You could go to a theatre regularly and see a magician or several magicians perform LIVE. That was called the Golden Age of Magic and the Golden Age of Vaudeville. Then along came Movies and then Television and all that stopped. The field shrunk down to only a few big time traveling illusion shows, Blackstone Sr. was the main one. But even Blackstone had difficulty as time went on.

Then, there was a time when there were none. At least, none of the big traveling shows. Until, Doug Henning came along, followed by David Copperfield and around that same time Harry Blackstone Jr.. Each one of them had great runs. Two of those great artists died before their time, Henning and Blackstone Jr..  After David Copperfield stopped touring, that seemed to be it. There were no big traveling magic shows.

All that has changed, again. For the past few years a little touring show has been moving across the country called Masters of Illusion. This was followed by a summer TV Series on the CW Network, also called Masters of Illusion, this past summer (2014). The TV show featured different magicians each week demonstrating their various talents. The LIVE show has a revolving cast and I assume all of them have appeared on the TV show at some point.

I saw the show at the Warner Theatre in Washington D.C. this past week. I am happy to say there was a very big crowd. I am unhappy to say, there should have been a bigger crowd, because it seemed one segment of society was missing from the audience, the magic community. I think I spotted two other magicians in the audience and that was all. There could have been more, but I remember the days when the magicians would flood out to see a show like this. WE as the magic community have a responsibility to support our fellow artists. (ok, I’m off my soapbox now)

Back to the show. The performers I saw were: Drexus, Titou from France, Farrell Dillon, Greg Gleason, and Rick Thomas. Some of the names I was familiar with, some I wasn't. First up was a video of Farrell Dillon where he did an interactive routine with the audience, which the lay people really enjoyed. Then an illusion act called Drexus was up. He is a tall masked gentleman who did a Fire Cage production (minus the fire, due to restrictions imposed on the company at this venue). He followed with an origami illusion. Both well done. 

I'm not 100% on this order, but I think Titou from France was up next. Here is a very likeable and funny performer who had some great one-liners in his set. He did the first audience participation routine and it was very well received.  Look forward to seeing more from this fellow in the future.
Greg Gleason was up next and his first set started with a very unusual Broom Suspension Illusion using a chair and a feather boa. I can't recall seeing anything like this before and really liked it. His assistant was superb and has a million dollar smile. Greg did several routines which I won't reveal because I don't want to spoil the surefire surprises for anyone who has yet to see the show.

Farrell Dillon was up doing his first set of manipulation. I like Farrell, I think he is extremely clever and very talented. He is basically doing Chavez style manipulations but he is doing them with very funny patter. He has taken a tired old 'seen it a million times' type of magic act and made it fresh and fun. 

Rick Thomas was also on hand. Rick is well known for being one of the big Tiger/Animal acts in magic. But on this show, no animals at all. Rather it was Rick and minimal props and a lot of personality. His first routine was a Chair Suspension that looked like a Zany Blaney Ladder Levitation. He did the routine with a boy from the audience and just brought the house down.  Great stuff.

There was a short intermission allowing folks to get something to drink or buy something from the Masters of Illusion Traveling Store. It looked like they did quite well with back of the room sales, which is great for any show. 

I totally enjoyed the first half of the show. But let me say, the second half of the show was about as good as it gets in the world of magic. The energy level went up and up after each act. The audience, who had been very receptive to the show from the start, was now moving towards a fevers pitch. Each act was hitting a home run. I'm not revealing any of the routines from the second half except for one.


Rick Thomas presented a mini illusion called Liquid Glass. It's a routine created by Jim Steinmeyer and based on an effect of Peter Warlocks. Basically, it's a needle through glass trick done on a larger scale. I have seen it done before. I ALMOST bought one a couple times.  Well, when Rick Thomas and his assistant Tara came out, they killed with this prop. In fact, it was so strong, so entertaining, so dumbfounding that all I could think was, "Rick Thomas needs to do a lecture on THIS!" His presentation was brilliant. It had everything you could ask for, it was visually interesting, it was fun to watch, it was energetic, it was funny, it was dramatic, it had movement, class, style and importantly, it was easy to follow, it was crazy good. It's a good trick to begin with, but he brought it to the level of fantastic. 


The Liquid Glass routine was not the closer to the show, there was much more to come following that routine, but it was such a stand out piece to me, I wanted to make a special notation of it. From an audience stand point, it’s hard to say what their favorite routine might have been. Maybe the Wakeling Sawing where Rick Thomas allowed 20 people to join him onstage. Perhaps it was the breathtaking closer to the show, or the hilarious Straight Jacket Escape by Farrell Dillon. It’s just hard to say.

Here is what I can tell you about the show. I watched the spectators, the lay people, from the moment they came in the door. I was really quite surprised at the number of couples that attended, what a great sign. There were children and families who came, but not as many as I would have thought (it was a school night, so that might play into it). The age range was all over the board, people from their 20s right up to Seniors. This was a very ethnically diverse audience. I’d say it was equally split between males and females. The one thing they all had in common, they were having a great time! They got to see top notch magic, excellent comedy, and some really beautiful moments of illusion.

This production is Gay Blackstone's baby. I know there are other people involved, but Gay brings decades of experience to this production and it can be seen in every aspect of the show. She deserves the credit for finding the great talent and structuring a show that allows each act to shine equally. I’m sure if you looked closely you would see her fingerprints on almost every aspect of the production. This is a show to be proud of for sure.


I want to share a bit of personal history. I saw my first professional magic show as a kid at the Warner Theatre many years before. I sat with my parents and brother in the third row from the stage. I was seeing Harry Blackstone Jr. for the first time. He toured with a big production, a live orchestra, and a big cast. I remember vividly when he walked out on stage and made that birdcage vanish. I remember him stepping backstage to get a second cage and repeating the trick, this time with audience members touching the sides of the cage. I remember later in the show the Floating Light bulb, which floated down into the audience only a few feet from where we were sitting. I remember a Patriotic Drum routine where hundreds of flags were produced out of it and eventually a person. I remember the Flower Garden routine. Hey, it was my first real live magic show and I can remember almost all of it.
Seeing the Masters of Illusion Show at the Warner was a continuation of this incredible Blackstone tradition. For the audience, it was an evening of wonder and laughter and the very best kind of family friendly entertainment!

PLEASE Be sure to support this show if it comes to your area. Tell your friends, your family, your co-workers about the show and where to get tickets. Trust me, they’ll be happy you did!
http://www.mastersofillusionlive.com/ 

By the way, be sure to check out the October 2014 Issue of Genii Magazine with the Masters of Illusion LIVE TV Show on the cover!

New Episode of Magic Detective Show Season 2 Ep 5

Well turns out I missed last week. Just been busy since I got home from my trip and I've not been able to keep up. However, I do have the new episode up and running. It starts with another trick from the world of Professor Hoffmann. I found what I thought was an unusual trick with a borrowed pocket watch that appears inside a glass of milk. I presented the trick as per the instructions in the book, along with a homemade gimmick that I made fashioned after the one Pro. Hoffmann illustrated. I did have to make a few modifications because in the book the magician gets the help from an assistant. In this case, I had to do everything. One thing I found was that this was a fairly tricky thing to pull off. Despite how it might appear, a mirror glass is not used. The glass that is turned and shown empty and then filled with milk truly has NO pocket watch inside when the milk is poured in. At the conclusion of the trick the pocket watch appears to be dripping with milk, however that is all part of the illusion and the watch is never in any danger. It's definitely a stage trick only. Interestingly, there is a trick in Tarbell where a borrowed watch appears in the soil of a potted plant that has similarities to this effect.

The last item on the show is a photo of FuManchu's grave which I received from Martin Pacheco. I had always heard and I also read it in Genii, that David Bamberg/FuManchu got a burial at sea, in other words his ashes were scattered into the ocean. It turns out this was wrong and indeed he was buried in Argentina. But because there was no upkeep on his grave, Bamberg's remains were eventually moved to a common grave and the whereabouts today are sadly unknown.

Enjoy the episode. It may be a week or two before the next one is up. I've got a busy schedule of shows and some personal things to tend to. By the way, sorry for the slightly blurry footage this week. I'm not sure what was going on, but I was in a rush to get it all shot and this was the result.

Houdini's Rose Bush and GENII Magazine

I love Genii Magazine! It was the first magic magazine I ever purchased as a kid. I'm so grateful it continues to this day. Each month it's sort of a fight to see which of two articles I will read first, Jim Steinmeyer's Conjuring column or John Gaughan's Chamber of Secrets column. This month I read John Gaughan's article first and let me tell you what, fellow Houdini fans, your head will explode!

In the October 2014 issue of Genii, John's column is sub-titled "Houdini's Blooming Rose Bush and Flower Cone. The photo at the top of the page is the 'OTHER' Houdini Blooming Rosebush, which is in Ken Klosterman's collection. But trust me, that photo above is nothing compared to the photos in the magazine. In the article you'll see an exposed view of the inner workings of this magnificent piece of magical apparatus. And just as soon as you think you've seen it all, then comes the Flower Cone.

The Houdini Flower Cone was an illusion used in his final tour and can be seen in HOUDINI His Legend and His Magic by Doug Henning and Charles Reynolds on page 122. But in the book you only see a black and white image which is not exactly high resolution. In the Genii issue you'll see the actual cone and the flowers in full color!!! It's breathtaking and you must check it out, NOW!!!!!

Also, be sure to check out the great article on the Masters of Illusion Show! This is a touring show as well as a TV show. Every magician should be watching and or attending this production!

The Oct 2014 Issue of Genii Magazine

LeGrand David Bronze on Ebay

Just a few months ago the historic auction of Le Grand David Magic items was held at their theatre in Beverly Mass. Among the items for sale was the Broom Suspension Bronze created in 1984 by David F. Bull, father of David Bull who portrayed the character Le Grand David in the show. The bronze depicts an actual scene from the show of Marco the Magi levitating David on a broom surrounded by other cast members.

This bronze sold at auction for $8,000.00. Well now the bronze is back on the auction block and the price has gone up, a lot. The asking price is $75,000.00 or best offer. I can tell you in my opinion the $8,000 was pretty low so the person who purchased it got a bargain. As for the $75,000 price, that is up to the person who wants it. This piece is much more than a magic collectable, this is real art and real art carries these type of prices.

There are actually three of these, but only one is being offered for sale. Of the two remaining, one is in the Ray Goulet Magic Museum and the other is in the American Museum of Magic in Marshall Michigan. 

The link to the ebay auction is here http://www.ebay.com/itm/Monumental-Magic-Bronze-Iconic-Le-Grand-David-Rare-Subject-Shows-Action-/321525251223?pt=Art_Sculpture&hash=item4adc65fc97

The Fawkes Egg Bag

Magicians are quite familiar with the effect known as The Egg Bag. Most magicians today know the Malini Egg bag, made popular by Max Malini, Charlie Miller and Johnny Thompson. There are other egg bags all of which bring about the same results with only a slight modification in method. But there is an egg bag lost to time which seems to rear it's head every hundred years or so. THE BIG EGG BAG or what I'd like to call The Fawkes Egg Bag.

Sir Isaac Fawkes was a 18th Century Magician from England. I wrote about him once before on this blog, the article can be found here.

The highlight of his act, or the centerpiece of his act was a large egg bag routine. The modern day egg bag is made from 2 squares of fabric about 8 inches by 8 inches sewn on three sides. The bag that Fawkes used was much larger. The modern day bag produces and vanishes a single egg. The Fawkes bag was more involved. Here is a description of his bag routine from The Annals of Conjuring by Sidney W. Clarke.

"He takes an empty bag, lays it upon the table and turns it several times inside out, then commands 100 Eggs out of it, and several showers  of real Gold and silver coins, then the bag begins to swell, several sorts of wild fowl run out of it upon the table."

THAT is a killer piece of magic! The Malini Bag can't do that!!! The Malini bag which is the modern version, is also a stage or platform trick. By all accounts, Fawkes might have been doing this platform or possibly close-up. I'm sure other magicians copied the Fawkes Bag routine and overtime it fell out of fashion. The Fawkes Bag is revealed in the book HOCUS POCUS The Whole Art of Legerdermain by H.Dean 1727. Oddly, the method described only shows producing less than a dozen eggs, so either Fawkes version was different, or he exaggerated a little in his advertisements.


In 1786, David Leendert Bamberg was born. He was the third in the line of the Bamberg Magical Dynasty. According to Harlan Tarbell in Tarbell #5 pg 345, it was David Leendert Bamberg who invented the large type of egg bag.  As Bamberg was born 50 years after Fawkes had died, I'd say that he either 'reinvented' an old favorite with a slightly new way of performing the effect. His son, David Tobias Bamberg also used the large egg bag to great effect in his shows. David Tobias Bamberg was known as Papa Bamberg and was the father of OKITO, Theodore Bamberg.

The Bamberg Egg Bag can be found in Tarbell #5. The method is interesting and after producing 15 eggs it is then followed with the production of a chicken.

Del Adelphia, known as the Cowboy Magician, also performed the large egg bag in the late 1800s. His routine is described in the new book by Mike Caveney called The Conference Illusions, which is book 2 of a set called Mike Caveney Wonders. Del Adelphia was using the Bamberg Bag. The difference in his routine he apparently only produced 8 eggs and then 2 live chickens.  Mike Caveney set about to recreate the effect developed by Del Adelphia but Mike's methodology was quite different from what Del used.

I have always been intrigued with this 'large egg bag' premise. Ever since I first saw the images of Sir Isaac Fawkes in an old magic book, I have wanted to perform this piece. The Tarbell Course kept my interest cooking and then in 2010, I saw Mike Caveney present his version LIVE on the Essential Magic Conference. I say LIVE because I watched the streaming version online before it came out on DVD. IT was indeed fantastic and in addition, I was fooled by the routine.

Well, fast forward to 2014. I am now working on a version of the Large Egg Bag. Mine will hopefully have elements of the all the different versions and with any luck a completely different ending. Below is a photo of the Fawkes Bag created by a master seamstress, my MOM! She has sewn a number of things for me that are all amazing pieces. I'm hoping this particular creation lives up to the skill and artistry she used in making this incredible bag. MY version of the Fawkes Egg Bag will appear in an upcoming episode of The Magic Detective Youtube Show.

The Magic Detective Show Season 2 Episode 4

On this weeks episode I share some old Victorian Style Magic. The effect was known as The Magnetized Cards and is a very cool routine that uses cards in a none pick a card fashion. Also, I'll be showing another one of my magician figurines.

Enjoy!

The Magic Detective Show Season 2 Ep 3

It's time for another episode of the weekly, or semi-weekly, Magic Detective Youtube Show, the five minute online magic history show. This week, I share a new acquisition with you, a piece of apparatus that comes from the book Modern Magic by Prof. Hoffmann. Also, I share one of the large statues from the collection of magician figures! In the coming weeks, I hope to share material from the various Prof. Hoffmann books, as well as Greater Magic, the Tarbell Course and more.

The Houdini Miniseries-A Tale of Two Movies

I'll begin by throwing all my cards on the table.....This is the movie that could have been and should have been the greatest Houdini movie of all time. I think all of us in the magic community had very high hopes, maybe too high. With the History Channel's track record of fine productions, we certainly expected to get a quality film. Did we? Read on.

As far as acting, set design, costuming, cinematography, all very well done. Some of the attention to detail was incredible, like the recreation of Houdini Posters with Adrien Brody's image.  As far as the story, that's where the wheels come off. The story on Night 1 was so full of errors and fabrications I was truly stunned. But then Night 2, though it still had a few errors, the movie was so much closer to the true story. It was almost as if they had been written by different people.

I'm puzzled by the copying of material from the Tony Curtis/Houdini movie. That movie was mostly fabricated, but still fun. And a number of the elements of that movie find their way into this movie. For example, the wedding night/bedroom scene where Houdini has his wife climb into a box. In the Tony Curtis movie Bess gets into a sawing in half box. In the Adrien Brody movie, Bess gets into a trunk, and it's a little unclear why.

The Original Under Ice Scene

Later in the film there is a bathroom scene where Houdini is in a tub of ice, this is straight out of the Tony Curtis movie. And the whole under the ice escape scene is borrowed as well. In Tony Curtis movie Houdini claims he heard his mother's voice and that is how he found the hole in the ice. In the Adrien Brody movie, same thing. The only difference was in the Curtis movie it was the Detroit River and a packing case escape. In the Brody movie, it was the Mississippi and a Bridge Jump.

There seemed to be less borrowing of ideas on Night 2. But there was some real glossing over of things, like Houdini's film career. It was there and gone very quickly and didn't get the amount of air time it deserved. His exposure shows were not even featured. They did show him at seances proving the mediums were faking things, but that's where it stops. In real life Houdini added the exposure of mediums to his show and from all accounts it was loved by audiences. OH and Theo, man he got the crap end of the deal, almost no air time. As for Houdini's other siblings, not a word.

Then there were some real gems in the movie as well. The scene with Houdini and his doctor near the end, wow. The scene with the Lady Doyle Seance was really quite enthralling. The scene featuring the Cannon Escape, excellent.

So where does that leave me? I didn't really like Night 1 at all. But Night 2 I really enjoyed. Now, please understand, I was watching night one through the eyes of a magician and Houdini historian. Night 2 my expectations were lowered and to my surprise, Night 2 was really quite good except for one thing. I felt a little disappointed when the movie didn't run the full two hours. I understand there is close to 30 minutes of additional footage on the DVD, but I would like to have seen it tonight.

Despite the fact I didn't care for the first nights showing, I can tell you I was in the minority. The movie had huge viewership and those are average everyday lay people.

The Houdini Bloggers saw their number of views shoot up greatly. I think John Cox with WildaboutHoudini.com was in first place hands down with 50,000+ views. I had around 10,000 views and Tom Interval reported he had an increase but didn't reveal any numbers. I'm sure the other Houdini bloggers also saw an increase of traffic on their sites so that is good.

OH, last night before the movie aired, there was an episode of Pawn Stars where Gay Blackstone was featured trying to pawn one of the original(?) Blackstone Vanishing Cages. My article on the Vanishing Bird Cage received 2000 views last night.

I spent a couple hours at lunch today with a friend who couldn't stop talking about Houdini and he is not a magician. Again, great sign. I'm really looking for all the positives from this movie at this point. I'm very grateful for the History Channel for putting this movie together, for the incredible Houdini-like publicity campaign and for all the magic-tie in commercials. The marketing department at A&E did a great job.

Yes, the movie could have been better, but it was not a total loss. Night two did a lot to salvage the movie from a magic history perspective. Remember, the History Channel wasn't making a Houdini Documentary, nor were they making this movie for the magic community. This was for the lay people and by all accounts the lay folks LOVED IT! The movie can only be good for magic and for Houdini's memory. As far as the falsehoods, well that's why the Houdini historians are out there to correct the record.

Finally,  WWHT? What Would Houdini Think? I tend to think, with the exception of a couple scenes, he would have loved the movie. Afterall, he was the original fabricator of Houdini stories!!!!!

Now in the words of Bess Houdini, "The Zero Hour Has Past....I now reverently Turn Out the Light...Good-Night Harry."

UPDATE: Watch for an upcoming issue of The Linking Ring because I took this article and expanded on it for the magazine.

The 30 Days of Houdini Celebration is Now Complete

Well, looks like I pulled it off. 30 Days of articles on Houdini. And actually, there were more than 30

articles. Sure, some were fairly light fair, but I also gave some meat in the mix. It sure was fun and it sure put my Houdini skills to the test, both as a researcher and actually as an escape artist. You see, there was something you didn't get to see. During the filming of The Magic Detective, I did a multi-handcuff escape. There were 8 pair of cuffs on my wrists and a pair of thumbscrews clamping my thumbs down. I have not done an actual escape for several years because I had an unusual injury (not related to escaping) that resulted in me being on blood thinning medication. So escapes were out.

But I picked it back up for this one time. I must tell you it felt pretty good and was also a little painful. The darbies I have are really too small for me now and dug into my wrists. The escape went really well. Later in the evening when I went to edit the footage I discovered the handcuff escape was not there. In fact, more than half of the video footage I shot was missing. I apparently must have forgotten to shut off the camera after one of the sequences and then every time I went to shoot a new one, I was actually turning the camera OFF! ARRRRRRRRRRRRRGGGH!!!

I would have reshot it, but instead chose to let you see the Steel Straitjacket routine from my old Underground Magic Theatre. I'm going to save the handcuff escape for a later date. You see, this is not the last of my Houdini Marathons. I have had plans for some time to do a number of them. The next one will begin sometime in the Spring and will be VERY different from this one. So keep your eyes and ears open for news.

To complete the month, below is the 4 minute trailer for tomorrow's History Channel 2 Part HOUDINI Miniseries. Thank you for reading my 30 Days of HOUDINI and enjoy the trailer and tomorrow, let's all hope for a Fantastic Night of HOUDINI MOVIE MAGIC!!!!

To check out all the 30 Days of Houdini articles, follow this link http://www.themagicdetective.com/search/label/30%20days

The Magic Detective Show Season 2 Ep 2

A special treat for the 30 Days of Houdini is a new episode of The Magic Detective. The show is a semi-regular weekly video blog on magic history, typically the episodes run about 5 minutes. This episode has two Houdini items and then finishes with an ESCAPE.

My interest in magic began with the Tony Curtis Houdini movie and one of the things that always stuck out to me in that movie was his Steel Straitjacket. I thought it was such a cool looking prop and a little over ten years ago I had to opportunity to have one made. My jacket routine evolved over time from the type of routine done in the movie to more of a true escape. The current version, is more intense than the one on this video, but I thought you might like to see it just the same. Enjoy!

HOUDINI In Washington D.C. 1906

The Sunday Star, Washington D.C. Sept 16, 1906

I have spent a lot of time following Houdini's footsteps while he was in the Nation's Capital, mainly

because I live in this area and can occasionally go down and check out sites for myself. Houdini was in town in January 1906 and had a very successful run. It looks as though demand for Houdini was pretty high because he was back in September for two weeks.

This time performing at Chase's Polite Vaudeville Theatre. Search as I have, I've been unable to turn up a photo of Chase's theatre. However, to the right is a program from Chases. The building has long been torn down. However, it was a very popular location during Houdini's time and he was in town doing his Straitjacket, Handcuff and challenge escapes.

Houdini began his run on Sunday September 16, 1906 featuring a standard stuff from his repitiore, but let's face it, his standard material was quite exciting. In one escape demonstration he was handcuffed with a half dozen pair of wrist and leg irons. During another sequence he was tied to a chair with several yards of rope by members of the audience. The final demonstration was his first challenge of the week. This is what the Evening Star Newspaper reported, "Possibly the most pleasing of his demonstrations was the simple manner in which he opened a pair of antique handcuffs from Greece, furnished by Andrew Alexaids, a local Greek interpreter, and an old-time pair of slave handcuffs. He freed himself from these manacles in full view of the audience, the slave-era handcuffs yielding when simply tapped on the floor."

September 17, 1906 the newspaper ad for Chase's says "Houdini-The World's Handcuff King and Prison Breaker, IN NEW AND SENSATIONAL ESCAPE FEATS AT EVERY PERFORMANCE. Police and Public Challenged to Test His Never Defeated Power." Also at the bottom of the ad it says that Houdini has been re-engaged for next week, so he'll be staying over an extra week.

September 18, 1906 the newspaper ad reads "Houdini Challenged! TONIGHT HE WILL ATTEMPT TO ESCAPE FROM A MURDEROUS MANIAC'S STRAIT-JACKET ...... CAN   HE  DO  IT?

September 19, 1906 the newspaper ad reads "Houdini's Greatest. Tonight he will attempt the most difficult handcuffs ever used to challenge him. Will he free himself???

September 20, 1906 the newspaper ad reads "HOUDINI IN A BAG! Challenged by Killian & Co., paper box manufacturers, Houdini will tonight try to escape from a big paper bag. Can he?" So far the week has been fairly normal material for Houdini. The Paper Bag Escape is something he would repeat in other cities.

September 21, 1906 the newspaper ad reads "HOUDINI BOXED UP Tonight he will attempt to escape from a packing case made by the packers of S. Kann, Sons & Co., Will he succeed?"

September 22, 1906 Houdini offers a twist on an earlier escape. Here is what the newspaper ad read, "HOUDINI IN A BAG No.2 Tonight he will try to get out of a paper bag tied at both ends. Will he do it? Come and See!"

September 23, 1906 marks the beginning of the second week. An interesting thing takes place. Because Houdini has been drawing so many people to his shows, the theatre has decided to open up the wings on the stage and ad chairs there! These seats come at a premium. In addition the newspaper ad for Sunday Sept 23, changes it's look at lists all of the weeks challenges.

There are articles in two different papers featuring Houdini in addition to the newspaper ads. One of the articles mentions that there will be a challenge escape at every performance in addition to Houdini's usual program of handcuff releases.

September 24, 1906 the newspaper ad reads, "HOUDINI's ORDEAL. Tonight he will attempt to escape from a maniac murderer's strait-jacket in full view of the audience. A thrilling event. Can he get out?" The following day another paper ads this report about the Sept 24 performance, "Last night he submitted to the demands of an insistent challenger who presented a manacle different from the regulation pattern required in the act. It took some minutes longer than the usual for Houdini's performance, but when he emerged from his cabinet, both hands were free."

September 25, 1906 the newspaper ad reads, "HOUDINI IN A CASE. Tonight he will attempt to escape from the Saks & Co., packing case, which will be constructed on the stage in full view of the audience."

September 26, 1906 the newspaper ad reads, "HOUDINI JACKETED Tonight he will attempt to escape from a Blackwell's Island insane asylum homicidal lunatic's strait-jacket, with leg bag and ropes upon him."

On September 27th there is an unusual change in the ads that appear in the Washington Time and The Evening Star papers. One of them prints an ad that reads, "HOUDINI IN ROPES Tonight he will make a sensational effort to escape from rope imprisonment in a chair." But the other paper has an ad that lists a whole bunch of challenges. That ad reads, "HOUDINI, The Mysteriarch of Manacles and Prisons. TWELVE CHALLENGE ESCAPE ATTEMPTS. Every Matinee and Every Evening Night. Houdini will make different Thrilling Tests of His Powers. Lunatic's Crib Escape. The Door Transfixion. The Ladder-of-death Suspension. The Witches' Pillory Confinement. The Invincible Paper Bag Release. The Iron Crate Incarceration. The Mammoth Football. The Greater Packing Case Tests. The Padlocked Leather Bag Escape. The Thrilling Hindoo Needle Feats, &c. &c. &c." There is one more article from the 27th, but I'm saving it for the end.

On September 28th he had a clever challenge put forth that reads like this, "HOUDINI'S ZINC CASE
Tonight he will attempt to escape from the Knabe & Co. Piano Export Packing Case, Lined with Zinc and Screw-Fastened, etc."

September 29th, 1906 was his final night of the two week run. Here is what the ad says, "HOUDINI'S FAREWELL Tonight he will conclude his engagement with a grand display of his power of manacles and strait-jackets."

That concludes his two week run at Chase's Polite Vaudeville Theatre. However, I wanted to reprint the newspaper article that appeared on Sept 27th, 1906. It's a little too long to just retype, so I am putting it below so you can read the entire thing yourself.

A Unique Houdini Music Video

Here is something cool, a music video featuring HOUDINI. Justin LaBlond is the musician who created this and I'm assuming he also wrote and sings in the video. One of my pieces of Houdini Art is also in the video.  Check it out!

Houdini's Needles in 1899

When I was doing the research for the piece on Houdini's Needle Trick, I came across a reference in HOUDINI-The Key by Patrick Culliton where Houdini was doing the Needle Trick as early as 1899. I just found an article from The San Francisco Call Newspaper dated June 25th 1899 and the title of the article is, Houdini in His Weirdest Trick of Chewing Needles. This is probably Patrick's source as well. The paper goes into great detail describing his routine. It's clear that Houdini was doing the Needles in 1899, and very likely earlier than that because he already has this piece turned into an amazing routine. If you've ever tried the Needles, it does take a bit of time to get used to placing the needles in your mouth as it is a bit unnerving for the performer let alone the audience.

Below is the complete article and notice the photo at the end of the young Houdini doing the Needle Trick!

Houdini's Cannon Challenge

Mutineers tied to cannons in the same manner that Houdini was tied to a cannon. They were about to be executed.

In February of 1911, Houdini was faced with an unusual challenge, one that was more dangerous than normal. The challenge reads as follows:

Chatham, Feb 14, 1911

Mr. Harry Houdini,
Dear Sir-We challenge you to stand in front of a loaded Government 8 cwt. steel gun, to which we will secure you, insert a fuse which will burn for twenty minutes, and if you fail to release yourself within that time you will be blown to Kingdom Come.

In lashing you to the muzzle of the gun we will place a rifle barrel between your arms behind your back, bringing your hands on your breast where we will securely lash them. Your feet we will tie to an iron ring which we will nail into the floor. Your body we will lash against the muzzle of the gun in such a manner that we believe it will be impossible for you to free yourself.

Test must take place in full view of the public

Signed by four petty officers of the Royal Navy.

According to the book, The Original Houdini Scrapbook, by Walter Gibson, Houdini accepted the challenge and found it to be very difficult. In Houdini's own words, "The situation required quick action. I struggled and worked at my best. I lived up to my reputation, and free myself in twelve minutes!"

There is a small wrinkle in the historical record however, according to the William Kalush biography, The Secret Life of Houdini, he says that the chief of police reluctantly allowed the demonstration to go forward and even allowed the cannon to be loaded, however, he did not allow them to light the fuse. But the story in the Walter Gibson book says that they did light the fuse. I don't have a newspaper account to refer to to find which story is correct.

HOWEVER

Fast forward to October 12, 1919, The Washington Times Newspaper reported that while Houdini was filming The Grim Game, he had accepted the challenge of four naval officers to be strapped to the mouth of a cannon in Pershing Square, Los Angeles. The Times reported, "The weapon was loaded and a fuse attached, but the police interfered before the trigger lanyard could be pulled."  The newspaper further reported "Houdini extricated himself from the ropes, which it had taken six minutes to tie, in exactly two minutes and a half."

I'm wondering if this is the cannon escape that Kalush was referencing but connected it to the Chaltham Cannon Escape. I have no problem believing that Houdini presented this escape two different times. He often repeated challenges in different cities. But the best proof would be newspaper accounts and so far I only have the one from The Washington Times. Eventually, I hope to find one from an L.A. paper.

I did some checking and discovered that Pershing Square during World Ward 1 was often the scene of militia receptions and was named after General Pershing, so it seems highly likely that there were cannons present for Houdini to actually do this escape.

The upcoming HOUDINI-Miniseries will feature Adrien Brody escaping from the mouth of a cannon. I saw a still image, and it looks like an older Houdini, so my guess it was 1919 Cannon escape.

Finally, Steve Baker, who was known as Mr. Escape during his performing career, presented a Cannon Escape as well in the early 1970s. His version was called 'The Human Target and a photo collage can be seen below. Steve's version had no cannonball, but did include gunpowder and the fuse. This was during a period of time when Steve was trying to duplicate all of Houdini's escapes.

Houdini's Life Changing Event In St. Paul That You Haven't Heard

7th St. St. Paul-The Palm Garden is down this street.

According to the history books, in March of 1899, Harry Houdini was playing at a beer hall in St. Paul Minnesota called The Palm Garden*. We know that at some point prior to March 14th, Martin Beck arrived at the beer hall with a group of other theatre owners. Beck witnessed Houdini's act of escaping handcuffs, but thought they must be faked. So Beck challenged Houdini to escape from some handcuffs that he would bring. The following night Beck brings with him three pairs of handcuffs and Houdini escapes from all three. That's the story we are all familiar with. It's the same story in Kenneth Silverman's bio on Houdini, and basically similar story to the Kalush Bio. In the William Kalush biography, The Secret Life of Houdini, he adds a story that took place before the Beck meeting which really had nothing to do with performing.

On March 14th, Houdini gets a telegram from Martin Beck in Chicago. The telegram says, "You can open Omaha, March 26th, at $60, will see act, probably make proposition for all next season." Houdini records in his journal "This wire changed my whole life's journey."

That's what we know to be the historical record of the day Houdini's life changed forever. However, there is something else, and I do not know if it happened before Beck's arrival or after. It could have even been the thing that lured Beck to the Palm Garden, that is IF it happened before. If it happened after the Beck encounter, then Houdini was making the most of this encounter by pulling out all the stops.

The St. Paul Globe Newspaper, March 7th, 1899 edition. This records an event that happened one week before Houdini got the telegram from Martin Beck. So somewhere in between is when likely when they met. Here is the story....

Houdini was performing at the Palm Garden, and part of his act was the challenge handcuff routine, where anyone can bring cuffs and he will escape from them. A member of the audience suggests he let the police try. So between acts, Houdini and the Manager of the Palm Garden head to the Central Police Station in St. Paul and ask Chief Schweitzer if they would challenge Houdini with a pair of their police cuffs. The Chief comes out with an unusual pair. According to the newspaper the Chief is quoted as saying "I'll fix him, I've got a pair that would defy Mephistopheles himself." They put the cuffs on Houdini and then add a more up to date pair of cuffs on him as well. Then Houdini is taken to another room to attempt his escape in private.

Two minutes later, Houdini came back into the room with the cuffs not only removed, but locked together. The locking together is a subtle way of showing that he didn't simply 'slip' the cuffs of his wrists, but rather had to open them in order to put lock them together. The feat made the newspaper.

To add to this, I checked the complete newspaper for a day or so before and after and the Palm Garden never ran any ads for Houdini's appearance. So this blurb on March 7th is the only recorded historical record of his St. Paul visit. As I mentioned before, if it happened before the Beck meeting, it could have been what drew Beck to the Palm Garden. If it happened after, then it was Houdini doing what he did best, getting publicity. And it's the last article that would be written on him before he went off under Martin Beck's direction.

*The Palm Garden was a type of indoor beer garden that became very popular in the 1890s. I don't know how many there were, but it appears that many major cities had one. Some of them offered entertainment, usually orchestras or smaller bands. 

Bess Houdini's Love Triangle

Well well well. What do we have here? Turns out Bess Houdini has been secretly meeting with John Cox and Tom Interval behind ole Harry's back! Shameful. What would Harry say if he found out? I'm really disappointed in....well you know......in the fact I didn't get invited to the freaking party! Oh, wait, I'm TOO BUSY! Hey Bess, don't call me, I want nothing to do with this love triangle you've created. This is just sick. This is why in the Victorian Times people looked down upon Show People! Theo was right, Bess is a bad influence!

Ok, now that I've got this out of my system, Congratulations to John Cox and Tom Interval for their connection to Bess Houdini, played by actress Kristen Connolly, and the new HOUDINI Miniseries. It's really exciting to see these guys have their talents and knowledge recognized. The following link is to an interview with Kristen where she mentions both Tom and John as sources of her research on Bess. I really couldn't be happier for you guys!!!!!

However...............if the movie sucks, now I know to who to blame! :)

Just kidding! Bravo to John and Tom, and to Kristen for seeking out two of the smartest Houdini Guys alive today!!!!

The Houdini Soundtrack is Available NOW on iTunes

Is this possibly the first Houdini Soundtrack ever available from any of the movies? Actually, one of the lesser known Houdini movies Fairy Tale-A True Story, has a sound track and a very hard to get one too. The music in that movie is fantastic...but as I said, hard to get.

Here is the link to the iTunes Houdini Soundtrack... https://itunes.apple.com/us/album/houdini-volume-1-original/id909175974


You can check out ALL the various articles on the 30 Days of Houdini
by clicking here, http://www.themagicdetective.com/search/label/30%20days

The Houdini Tramp Chairs

In the photo above, is an unusual item from the Salon De Magie, the collection of Ken Klosterman. I'm not sure of the origins, as far as where Ken got this, but he is very thorough in his documenting items that he puts in his collection, so I have no doubt it's authentic. My guess is that it's a challenge that Houdini received. I do know it's featured in his book Salon De Magie, unfortunately, it's one of the few books I do not have. In the photo above, you'll need to excuse the leather device underneath the chair and the orange/red box sitting on the chair, as they are not part of the Tramp Chair.

I did some general research on this type of chair and they were basically made in small jails when there was no space for extra prisoners. These could sit in a hallway or outside the cells and still contain a prisoner because they would be handcuffed to the chair. I have a feeling the neck collar was added just for Houdini, and for all I know, it may have been added BY Houdini.

The was this would look in performance or in challenge performance is Houdini would have both wrists handcuffed to the chair section and his neck would be put in the neck collar and locked up. This would prevent Houdini from bending down, so he couldn't use a key in his teeth. He also would be unable to lift a hand to help undo either the neck collar or the other hand. At least this is how it would appear by the audience. Whether he did this in full view or behind a cabinet I do not know, though my guess is with this particular device he probably presented it behind some sort of curtain.

His brother Hardeen also encountered a Tramp Chair which was dubbed the Maine Tramp Chair. This is a very different device. The Maine Tramp Chair is like a portable jail cell, or a chair on wheels surrounded by a jail cell. It's a very strange relic from the 19th Century. Hardeen successfully escaped from one of these at the Bijou Theatre in Bangor Maine, in 11 minutes 54 seconds.

Houdini also claimed to have escaped from a Maine Tramp Chair in Boston, but he called his a 'Witches Chair'. For historical purposes, there was something called a 'witches chair' but it was not the same as the Maine Tramp Chair, it was a wooden chair with spikes embedded in the seat and back cushion so as to cause the sitter extreme pain. I think that Houdini's Witches Chair however, was not this, but in fact was another Maine Tramp Chair or one similar. The description of the Maine Tramp Chair can be found in Houdini's Magic & Escapes by Walter Gibson.

Maine Tramp Chair

You can check out ALL the various articles from 30 Days of Houdini HERE!

A Little Unintentioned Houdini Duplication

David Saltman is the writer who runs HoudiniFile.com. He is also a writer, producer and director of quite a few documentaries and he is a well established author who has a book coming out on Houdini very soon. Plus, David is a nice guy. I was fortunate enough to meet him last year at the Washington D.C. Symposium on Magic History.

I was looking at his site which always has very unique articles on Houdini and magic, and which sadly I don't look at enough. I say that because I noticed on May 22 he posted a piece on Houdini having issues with his luggage. He put the actual newspaper article in the piece as well. Fast forward to August and yours truly puts the same article, though a different headline from a different paper on this blog as part of the 30 Days of Houdini. Ugggh, I hate duplicating stuff other people have done, though sometimes it's unavoidable.

Speaking of duplication, yesterday I put up the details on where to find the HOUDINI-Miniseries DVDs. I am very aware that John Cox was the first to put this up, but as I recall he pointed people to Amazon.com whereas I pointed them right to History.com. A small detail, but this is more of a service to help you (the readers) find these great Houdini items that you can add to your collections.

I have to stop for a minute and mention, I have NOT seen the Houdini Miniseries yet. I have not even seen the first night, as some folks have. I've been so busy, I've hardly seen the trailers, lol. I have pretty mixed feelings from what I've seen and from some things I've heard. But I'm hoping for the best and trying not to past judgement too early. If memory serves, I was quite excited about the last Houdini movie, which was called Death Defying Acts with Guy Pierce and Catherine Zeta Jones. I truly did not think any movie could be bad that had Catherine Zeta Jones in it, but I was wrong. That movie was awful and had nothing to do with Houdini.

I don't expect this version created by The History Channel to be perfect, but as I mentioned I'm hoping for something good. The Tony Curtis/Houdini movie is filled with fictional stuff and that movie did more to bring new people into magic and get people interested in Houdini than anything I can think of in my lifetime. So a bit of artistic liscence I guess is ok. But there are some things I've seen in still images that are causing me great concern. I'm going to hold my tongue for the moment.....BUT, I know someone who has already put his opinion out there, David Saltman. And David, has done a very good job of backing up why he thinks the way he does. So I'm adding the link to one of David's articles on the new movie. There are three I think. You may wish to wait until you've seen the movie in case you are afraid of forming an opinion before seeing the movie. Or, you can just read what he has to say, all of which I tend to agree with, and then watch the movie and judge for yourself.
http://www.houdinifile.com/2014/08/houdini-sharks.html

Forget the Movie for a Moment, The History Channel Stumbled On Something Bigger!

I still am shocked this slipped by me. But now that it's over and I've had a chance to look at the 'home
marketing' efforts used by the History Channel, I realize that they stumbled upon a stroke of genius.
Let me explain. The History Channel had some sort of contest which culminated in a Viewing Party for the new HOUDINI Miniseries. Those who participated received a packet of pretty cool stuff,  in the words of John Cox, "The party pack included a DVD of Night One, a poster, coasters, a Houdini cocktail shaker, a red carpet, and other nifty Houdini tie-in swag."

So basically, they had a HOUDINI PARTY and the highlight was the movie. Great Idea. My question is, WHY DIDN'T WE THINK OF THAT????? Here magicians have been doing a few scattered Seances once a year for the past 50+ years. Why don't we have a HOUDINI PARTY and really do it up?!!!

I propose that we (the magic community) start having Houdini Parties either the week of Halloween or the week after. The reason I say the week after is due to the fact that a lot of magicians may be doing gigs during the week of Halloween. I'm going to blatantly steal ideas from this Houdini House Party event, because they are so good. Party Favors should include big handlebar mustaches, handcuffs, or similar restraint devices, bowlers and top hats. If you really wanted to do it up right, everyone should come in period costume. Cosplay, which is an abbreviation for Costume Play, is HUGE right now and the Victorian Era, thanks to Steampunk, is equally huge. There are places you can go to find the perfect costumes. And hey, why not come as your favorite period magicians, like Kellar, Herrmann, Blackstone, Malini, Hardeen, Houdini and others. How cool would that be? If nothing else, the guys should have some sort of period hat, and the ladies can wear period hats or bowlers and top hats too! It would be up to those organizing it.

The highlight of the night doesn't have to be a movie, though it could be. Or it could be a show put on by some of the magicians. And I wouldn't make this a magicians only event. Wives, Girlfriends, Family, Neighbors should all participate. Spread the 'Magic Good Will' or the 'Houdini Good Will'!

I'll tell you something I did years ago with the local SAM Assembly. We had a Handcuff Escape Contest. I supplied the cuffs, many different varieties and I put out a bowl of assorted keys. The first one to find the right key and escape won a prize. It was a big hit. Something else you could do is take a page out of the Tony Curtis Movie and have a Straitjacket Escape Contest with a prize going to the first one to get free!!!! (be careful with this one that no one falls over and gets hurt....watch the movie again to get an idea of what can potentially happen)

I really think this is a better way to keep the spirit of Houdini alive, better than a Seance. Let's face reality, Houdini ain't coming back. He had his chance and he's obviously either doesn't want too or he's all tied up. :)  So why not have fun, celebrate, share some magic and then watch a Houdini movie or put on a show.

What do you think? I would really like some comments on this one!

I think I'm going to put together a downloadable brochure on this with ideas and tips and sites you can go visit to find costumes, hats, and other fun stuff. Please send me your ideas, but I'm also going to proceed with this right now and add suggestions along the way.


By the way,  to see all the various articles on the 30 Days of Houdini, go here, http://www.themagicdetective.com/search/label/30%20days

The Movie Isn't Out Yet, But Look At This!!!!

I will say that the folks doing the Houdini-Miniseries sure have their marketing caps on straight. They are tackling this thing with a targeted precision that Houdini would be proud of. I do think they've dropped the ball in a few areas, but I could be wrong about that because there are still a few days before the movie airs.

The DVD is already available for pre-orders on the History website. I have a sneaking feeling this movie is going to do wonders for boosting the numbers of young folks interested in magic. I hope the magic clubs are ready for the influx of young people. In fact, every magic club in the country should be actively promoting their club in the hope of pulling in new members. This is the ideal recruiting tool.

The Latest Movie Houdini

The latest actor to play the part of Houdini is Adrien Brody. Mr. Brody was born April 14, 1973 in Queens, NY. His mother was Hungarian and Jewish, so here is a connection that Adrien has to Houdini. Also, both the real Houdini and the movie Houdini are both Aries.

Adrien's interest in magic began as a kid. I'm not sure what the inspiration was to get into magic, but he actually presented magic shows at children's birthday parties as The Amazing Adrien. That's a tough one because I don't think Houdini ever did birthday parties.....but they both were into magic!!!

At about the age of 11 Adrien attended the prestigious Tannen's Magic Camp. Other past notables who attended the camp include Television Sensation David Blaine, The Prolific and Talented Joshua Jay and the Millionaire's Magician, Steve Cohen. The Camp has been running every summer since 1974 and brings in 130 students every summer to learn about magic. Someone on Facebook mentioned that Adrien was a big fan of Johnny Ace Palmer from back in his Magic Camp days and ran into him at a gig. Imagine having an Oscar Winning Actor as your biggest fan!

There are other connections to Houdini. In 2008, Adrien Brody starred in a movie called The Brothers Bloom with Mark Ruffalo. Mark played Theo Hardeen in the TNT Movie HOUDINI back in 1998. By he way, the co-star in The Brothers Bloom was Rachel Weisz who is reported to be an ancestor of the real Houdini.


The first time I recall hearing about Adrien Brody being into magic was during the promotional tour for his movie The Pianist. Apparently, he claimed that the dexterity he developed during his magic show days came in handy when having to learn to play the piano for that movie.

Monday on The Today Show, Brody even demonstrated a piece of magic. An impromptu stunt of taking a dollar bill and breaking a pencil with it....proving that a simple trick well executed goes over well on TV. Watch this interview and at the end Brody does his magic! By the way, take a look at the background animations on the set, the name HOUDINI appears in the background numerous times with chains and locks under the name that are swaying back and forth. Very cool! 

Houdini Bronze on EBAY NOW!

On ebay right now, is this bronze statue of Houdini created by Jack Taves. It is 7.5 inches tall and weighs 2.5 lbs. I remember when these first hit the market back in the late 1990s. I failed to get one back then. But I just got one and I am very happy. Another one is available on ebay right now. There is still a little over 4 days left on the auction, so get it while you can!
http://www.ebay.com/itm/one-of-a-kind-bronze-statue-of-HOUDINI-/321502858724?pt=Art_Sculpture&hash=item4adb104de4

Another Look At Houdini's Needles

I recently wrote a short piece in which I mentioned Houdini and his Needle Trick. However, today, I came across a curious reference that sort of throws a wrench into the origins of the trick. And yet, it could very well be, that the person who came forward with the information is full of it. Which is it? Read on...

In the book, Of Legierdermaine and Diverse Juggling Knacks by John Braun & Ken Klosterman, there is an interesting story related about Houdini and who taught the Needle Trick to him. The story came from Dai Vernon and he related the story of meeting a gentleman by the name of Howard Hall. Mr. Hall was a play director and script writer and actor. He told Vernon that he taught the Needle Swallowing trick to Houdini and he claims Houdini had a heck of a time learning it. That's very interesting because I never heard that version of the origin story before. I know that Vernon certainly was no fan of Houdini, but he did apparently like Houdini's presentation of the Needle Trick.

As I mentioned in a previous article, according to Patrick Culliton in his book HOUDINI-The Key, Houdini said the trick dated back to a magician in London, Ramo Sami,  who debuted the trick in the early 1800s. Then the trick was reintroduced to audiences in the later 19th Century by Maxey The Needle King.

John Mulholland in his book Quicker Than The Eye, again mentions Ramo Samee (spelled differently) who he said was a Hindu magician who visited America in 1820 and that's how the trick arrived here. In the book, The Secrets of Houdini by J.C. Cannell, he claims that Houdini said the trick was first brought to Europe by K. Kraus and then does mention Maxey The Human Sewing Machine. Houdini claims Maxey was the first person he actually saw perform the trick.

Then there is Long Tack Sams recollection of the Needles. He learned the trick in China and performed it in his Vaudeville act for years until Houdini took out a U.S. Copyright on the trick and that prevented everyone in Vaudeville from doing the trick. This information comes from the documentary The Magical Life of Long Tack Sam.

So which story is correct? The trick is commonly known as The East Indian Needle Trick, and perhaps it was Ramo Sami or Samee who gave it that title. I think Jean Hugard, writing in his magazine Hugard's Magic Monthly, said it best, "...the name of the actual inventor will probably remain unknown forever..." And though I'm a little skeptical, it could be Howard Hall who taught the trick to Houdini because Houdini never says who taught him, only where he first saw it performed. But, according to HOUDINI-The Key, the earliest record of Houdini presenting the Needle Trick is 1899 and I get the impression that this was long before he ever encountered Howard Hall. So that part of the mystery continues. One thing is for sure, there is no denying that Houdini gave new life to the trick and it's due to his amazing presentations that the trick survives and thrives into the 21st Century.

UPDATE: Here is an interesting image, provided by my friends at the Houdini Museum. It comes from the December 1891 Scribners Magazine featuring Jugglers performing the Needle Trick on the verandah of the Shepeard's Hotel in Cairo Egypt. It doesn't really help figure out who created the trick, but it does show the trick was around and well known during that time period.

To see all the various articles on the 30 Days of Houdini, click here http://www.themagicdetective.com/search/label/30%20days

A Secret Houdini Education From a Genii

Genii the International Conjurers Magazine has been around since 1936. The second issue of the magazine had Houdini on the cover. I would like to draw your attention to the column 'The Genii Speaks' which is written by William Larsen Sr.. He spends some time discussing the fact that Houdini had been dead now for ten years. Read what he had to say,

"Surely, ten years should reconcile us to his departure. But, it hasn't. When he went, magic lost something; an intangible something which it has never regained. Perhaps it was prestige that we lost, or a leader-or, an idol."

That is a telling statement by someone quite involved in the world of magic. Most any magician, who has been dead ten years, is all but forgotten, sadly. But Houdini's name was being spoken so often it was almost as if he had never left. Mr. Larsen goes on to say that had Houdini lived he no doubt would be involved in theatre, radio and getting himself ready for television. Imagine HOUDINI being an early television pioneer. Wow.

The last half of the article is the part I refer to as 'the secret education'. Mr. Larsen shares his insights on the escape act, the concepts and how to present one properly in 1936. I can tell you, as someone who has performed escapes, he is right on the money. The one area though that I seem to part company with my fellow magi is in the area of the 'fast escapes'. I do believe a quicker pace is helpful in the 21st Century, but I can also tell you from personal experience that a long drawn out escape will also play today, IF structured properly, contrary to popular opinion.

I can also say that being shackled, chained, roped, straitjacketed and so on, gives one a unique insight into Houdini that the non-performer doesn't have. I'm not saying it makes you smarter, I'm just saying it does make you understand some of the things he went through and makes a lot of these challenges really come to life more so than someone who has never been nailed into a packing crate or coffin or some other crazy device.

I can just see Houdini laughing at our modern day expression "Thinking Outside the Box." For him it would have had a double meaning. In truth, that is the escape artists greatest tool, is being able to think outside the box and think under pressure. In the world of the magician we have something called 'outs'. These are preplanned schemes to use in case a trick goes wrong and we can adjust and bring about a successful conclusion regardless of some aspect not going properly. Well, in the world of escapes, if something goes wrong, you can be in serious trouble. You can be facing injury and even possible death. No matter if you are using specialized equipment or things totally 100% legitimate, if something goes wrong you step into the danger zone.  In a great article by Chuck Romano over at his site, My Magic Uncle, he mentions an incident when Hardeen was stuck inside the MilkCan and DoubleFold Death Defying Mystery Box.  This was potentially deadly, but thankfully Hardeen did not panic and had a preplanned out (please go read the article to find out what Hardeen did).

I have had things go wrong with escapes on more than one occasion and let me tell you, your brain shoots into overdrive. You begin thinking so fast it hardly makes sense until suddenly your brain 'clicks' on the right solution and everything comes back into focus. And that is not a panic mode, it's just what happens when you are faced with a potential failure and you need to turn it around.

If you ever get the chance to read The Genii Speaks from Vol 1 Issue 2 of Genii, you'll get a better understanding of the mind of the escape artist once you finish the article.  And despite the fact that there were other people who did escapes before, during, and after Houdini, he was without question the archetype of the grand escapologist.

Oh, if you are a Genii Subscriber, you can go use the digital version of Genii to access this issue.

BY THE WAY, We are now on the final week of the 30 Days of Houdini. So far I have successfully put up an article each day this month of Houdini. The Final Week, MIGHT, have a few surprises...MIGHT, lol. Or they may have to wait until the next 30 Days of Houdini, which will be very different trust me. Keep watching and thanks for being faithful readers of my blog.

To check out the previous articles http://www.themagicdetective.com/search/label/30%20days