Wednesday, April 10, 2013

The Challenge Houdini Refused


Houdini accepted many challenges throughout his life. In truth, he set up many of those very challenges. But in October of 1921 Houdini was hit with the most darling challenge of his life! I found this little story in the Oct 2, 1921 edition of the Saginaw News Courier. The headline of the article reads "HOUDINE Stopped, Wife is Reason He Can't Go Through". Yes, they spelled his name wrong in the headline.

Apparently, Houdini received a letter from a young lady in Auckland, New Zealand. In the letter she said she was 18 and alone and had an annuity of 2500 pounds per year and she was 'willing to accept a proposal of marriage from Houdini'. The letter went on to say "she knew by his motion pictures that he was an honorable man and therefore had implicit confidence in him. She suggests that if he will cable her she will come by the first convenient boat to become "personally acquainted" with him."

She goes on to say "They can keep company for three months and if after that time they find they are not mutually fit she can return home. She adds, she is not stage struck, but simply thinks that fate will be kind."

The article concludes that the only thing standing in the way from Houdini accepting the challenge is...Mrs. Houdini! (What a spoiled sport she was!)

I would like to add, for the sake of clarity, that any rich or fairly well off single ladies, with a modeling background, who are interested in testing out this theory in the 21st Century, I have no Mrs. Houdini, or Mrs. Carnegie as it were, to get in the way. And you need not come by boat! But you should send a photo first :)

Steve Baker Mr. Escape Update

I spoke with a friend of mine today, Steve Baker, known professionally as Mr. Escape. Steve is in his 70s now and not in the best health. He has had a number of serious health scares and was in a rehab/nursing home for quite a while. Though he is home now, I can tell he's not the same. As we spoke today he went on and on about how puzzled he is that no one contacts him. I mentioned the fact that maybe it had something to do with the fact that he doesn't give out his phone number, he no longer has email and no one has his address. His response, "I have email". So I followed that up with, "really, for three years you've been telling me that you needed to get your computer working again. So you've got it working now?". He replied "yes." So I sent him an email after we got off the phone and it bounced back, exactly as I expected it would. I get the impression that in his mind he thinks it's several years ago. I know for a while he was having a serious issue with short term memory, but they've amazingly got that resolved.

He is surely a controversial figure. He's probably pissed off more people in the magic world than I've even met! And yet, he can count some very big names as good friends. He's always had a combative nature to him which is unfortunate because the 'everyday Steve' is a pretty nice fellow. But I also am aware of the honory side of Steve that probably did more to get him in trouble than help him. I can't tell you how many fires I've tried to put out where he was concerned, sometimes it worked, often times it didn't. But escape artists by nature are complex people and then again, aren't we all.

Below is a video from last year of Steve while he was in the Nursing Home. An effort was made to bring back his belongings from his California storage unit. For the record, everything was brought back through the efforts of Theresa Greenwood and some friends of hers. At any rate you can see Steve as he looked then. I believe he is doing a little better now, though his memory is spotty sometimes.


Monday, April 8, 2013

Chung Ling Soo's Warehouse


Back in 2010, I wrote a short piece about Chung Ling Soo's House in London and I mentioned that he had a warehouse in the back but that I had no photo of it. Well now I do! Thank to Jon Becker, who brought this to my attention.

The photo is of the warehouse and apparently in recent years there were attempts to demolish the site which did not happen and now there is an application in to see if the developer can convert it into a residential dwelling.

Mr. Becker is researching Donald Stevenson, who worked for Soo and was also the person who took possession of Harry Houdini's airplane. How amazing it would be to one day locate this priceless gem...if it still exists. At least it would be nice to know what eventually happened to it.

Saturday, April 6, 2013

Happy American Birthday Houdini


Harry Houdini was born March 24th, 1926, but for whatever reason he always claimed April 6th as his birthday. There are numerous theories on why, but I'm not really certain. But John Cox over at WildAboutHoudini has a great piece on why, so check that out!  I think it's just another thing that makes him an unusual and fascinating character. He had two birthdates and two birth locations (Budapest Hungary and Appleton Wisconsin). Happy Birthday Harry!

Wednesday, April 3, 2013

Robert Houdin Mystery Clock for Sale


I just saw on eBay a Robert Houdini Mystery Clock. I've actually seen several of them in real life, but I can't recall ever seeing one up for sale. It has a price tag of $30,000 which is pocket change to my most of my readers (ok, maybe not most).

The link to the item is http://www.ebay.com/itm/JEAN-EUGENE-ROBERT-HOUDIN-GLASS-COLUMN-MYSTERY-CLOCK-CA-1870S-RARE-/230958035789

It's being sold by MAGICINVESTMENTS which is Mario Carrandi's ebay store. By the way, he also has a beautiful three sheet Thurston poster for sale http://www.ebay.com/itm/ORIGINAL-POSTER-THURSTON-3-SHEET-PORTRAIT-/261139862934?pt=LH_DefaultDomain_0&hash=item3ccd261596

Monday, April 1, 2013

D.C. Magic History Conference Coming


Big News! Yours truly, The Magic Detective, will be at the Washington Symposium on Magic History April 25-27! I will have a booth in the dealers room with a bunch of my artwork for sale and information on this blog. I'm also hoping to arrange some interviews with people for upcoming editions of The Magic Detective Show on Youtube.

I will NOT be speaking at the event however. Which is fine for me as I already have a very busy schedule as it is. I really want to encourage folks interested in the history of magic to come on out. AND if you live in the Washington D.C. metro area, you really NEED to be here. These kinds of events don't often take place in our neck of the woods so this is a wonderful opportunity to learn about the history of magic, see some incredible artifacts and meet some awesome people!

For more information on the Symposium, click this link! http://www.magicposters.com/conference_2013/main/

Sunday, March 24, 2013

One Year Ago A Great Man Left Us


I can hardly believe one year has passed since my friend Cesareo Pelaez passed away. I've written about him many times on this blog. Probably the two most influential people in my life were Houdini and Cesareo, one was born this day and one passed away this day. I never met Houdini but I did get to meet Cesareo. I often refer to Cesareo as my mentor though I didn't get to spend anywhere near the amount of time with him that I would have liked.

He was the creator and director of Le Grand David Magic Show in Beverly Mass. He was also a highly regarded professor of psychology and he was many many other things but most of all he was my friend. I always think of the saying, "When the student is ready the teacher will come." And yet I never took a class with Cesareo. Instead, we had a number of conversations together over the years which always held some jewel of knowledge. His occasional emails were also inspiring to me as well. For some reason I quickly understood his way of thinking and could usually figure out what Cesareo might do in a given situation. That understanding would help me greatly in the future and it continues to help me today.

I often hear Cesearo in my head when I'm contemplating a new idea or trying to make my mind up about something. Most recently, when I was considering a huge change in the direction of my show I could sense Cesareo smiling in approval. And as I moved further into that new direction many of the things he told me over the years appeared. It was like instant approval from my friend.

I miss him greatly. I miss all my friends in Beverly right now and am thinking of them on this day.

First Annual HOUDINI Festival in Virginia

This is wonderful news. Illusionist and theatre owner, Wayne Alan, is producing what he intends to make an annual event, The HOUDINI Festival, in Danville Virginia. Wayne is the owner of the The Historic North Theatre in Danville. He is also an award winning illusionist, corporate magician and a big Houdini fan.

The dates for the First Annual Houdini Festival are June 21&22, 2013. On Friday evening June 21, there will be a close-up magic show in the Balcony's Mini-theatre that seats only 100. On Saturday there will be a display of Houdini memorabilia, also lectures and viewings of two of Houdini's movies. In the basement of the theatre you can see an attraction called Houdini's Haunted House. Then in the evening there will be a gala show on the main stage with top magicians and variety artists.

Wayne has a few special connections to Houdini. One of them was recreating Houdini's upside down hanging straight jacket escape in the same location in Washington D.C. that Houdini presented it. He also owns some unique Houdini memorabilia that will be on display during the event.

Tickets to the festival can be purchased by calling 434-793-7469 or visit the theatre website at www.TheNorthTheatre.com The theatre is located at 629 N. Main St in Danville, VA.



WayFriday, June 21 in the evening, the theatre will host some of the country's top sleight of hand experts for an intimate show of close-up magic in the Balcony Mini Theatre that only seats 100. Saturday, June 22 during the day there will be a display of Houdini memorabilia, viewings of two of his famous movies, plus lectures and demonstrations (two are Top Secret- for magicians only). The Halloween attraction, Houdini's Haunted House, in the theatre's basement, will also be open during the festival. Saturday evening there will be a gala stage show featuring some of America's top magicians and variety performers.
Friday, June 21 in the evening, the theatre will host some of the country's top sleight of hand experts for an intimate show of close-up magic in the Balcony Mini Theatre that only seats 100. Saturday, June 22 during the day there will be a display of Houdini memorabilia, viewings of two of his famous movies, plus lectures and demonstrations (two are Top Secret- for magicians only). The Halloween attraction, Houdini's Haunted House, in the theatre's basement, will also be open during the festival. Saturday evening there will be a gala stage show featuring some of America's top magicians and variety performers. Friday, June 21 in the evening, the theatre will host some of the country's top sleight of hand experts for an intimate show of close-up magic in the Balcony Mini Theatre that only seats 100. Saturday, June 22 during the day there will be a display of Houdini memorabilia, viewings of two of his famous movies, plus lectures and demonstrations (two are Top Secret- for magicians only). The Halloween attraction, Houdini's Haunted House, in the theatre's basement, will also be open during the festival. Saturday evening there will be a gala stage show featuring some of America's top magicians and variety performers. riday, June 21 in the evening, the theatre will host some of the country's top sleight of hand experts for an intimate show of close-up magic in the Balcony Mini Theatre that only seats 100. Saturday, June 22 during the day there will be a display of Houdini memorabilia, viewings of two of his famous movies, plus lectures and demonstrations (two are Top Secret- for magicians only). The Halloween attraction, Houdini's Haunted House, in the theatre's basement, will also be open during the festival. Saturday evening there will be a gala stage show featuring some of America's top magicians and variety performers. riday, June 21 in the evening, the theatre will host some of the country's top sleight of hand experts for an intimate show of close-up magic in the Balcony Mini Theatre that only seats 100. Saturday, June 22 during the day there will be a display of Houdini memorabilia, viewings of two of his famous movies, plus lectures and demonstrations (two are Top Secret- for magicians only). The Halloween attraction, Houdini's Haunted House, in the theatre's basement, will also be open during the festival. Saturday evening there will be a gala stage show featuring some of America's top magicians and variety performers.

Saturday, March 23, 2013

Happy Birthday HOUDINI


Today marks the 139th Birthday of Erich Weiss who would go on to be known around the world as Harry Houdini. He was an amazing individual and a controversial figure as well. He was born in Budapest Hungary on March 24th, 1874 to parents Rabbi Samuel Mayer Weiss and his wife Cecelia. You would think by now we would know all there is to know about Harry Houdini. But it seems that we learn new things about him each year. New photographs continue to turn up of this famous man.

He was more than a magician and much more than an escape artist. He truly was a superstar in his time and his stardom just continued to grow after his death until he grew into legendary status. There were many fellow artists in his time, people like: Fatty Arbuckle, Buster Keaton, Gloria Swanson, W. C. Fields, Rudolph Valentino and others. But stop and ask twenty to thirty year old if they recognize any of these people and they might, recognize one. But if you say the name HOUDINI, they all know who he was.

Even young kids today know the name Houdini. They don't know David Copperfield, Lance Burton, David Blaine, Penn and Teller and many have already forgotten Criss Angel, but they will know Houdini. It's a testament to his popularity and a sign that the only celebrities that really live on in the minds of the public are the legends.

Happy 139th Birthday Harry. You keep getting better with age!

Oh and as I reported here a couple years ago, born in 1887, March 24th, Rosco 'Fatty' Arbuckle

Wednesday, March 13, 2013

More on George-Supreme Master of Magic



Last Summer, I wrote an article about Grover George, the magician who basically got run out of town by Howard Thurston. I recently was contacted by a relative of Grover George and she was kind enough to forward the above photo and some additional details on the life of her Great Uncle.

I've learned that Grover's father A.A. George represented him during the lawsuit with Thurston. Also that a nephew went on tour with Grover and during the tour got either poked or bit by the company Lion, Ruthie. The young nephew had the scar on his finger to prove it. The lion later escaped while the company was in Chicago and apparently was shot by police.

There may be more stories coming! It's always such a pleasure to get in touch with relatives of these magicians that so many of us still admire. Because of this blog I've heard from family members related to Robert Heller, Harry & Bess Houdini, Nate Leipzig, Grover George, Harry Cooke and others. It is always an honor to speak with these folks and I'm sure I will yet meet many more as time goes on!



The original article on Grover George can be found here: http://www.themagicdetective.com/2012/07/george-supreme-master-of-magic.html

Saturday, March 9, 2013

D.C. Magic History Conference UPDATE

I received a very nice email from Ken Trombly the main organizer of the Washington Symposium on Magic History that takes place April 25-27, 2013. He has just added two speakers to the list of an already superb line-up.
(screen shot of David's blog The Houdini Files)
David Saltman is going to be speaking about Jerry Andrus. David will also reveal some details about his new book 'The Escape Artist' which deals with Houdini's time in Russia. I'm very excited to hear about both of these topics. David also runs the blog Houdinifile.com which I have now put up a permanent link here on the site, and I'm sorry I didn't put it up before, I dropped the ball on that one. Not only does David cover some great historical items about Houdini and Magic History he also includes BATMAN! You can't get better than that!

Next we have the author of the new book 'Metamorphosis', Bruce McNab. This is the book about the early years of Houdini while he was in Canada. According to several of my trusted Houdini friends this book is a must read. I have not yet gotten a copy of the book, but I know it's going to be fantastic. When they put a quote on the cover by John Cox, you know the book is going to be good.

There will be plenty of other talks at the conference as well covering topics like Alexander Herrmann, the 1970 close-up magic scene, the magic of North Korea with film footage, Charles Bertram and still more! In addition the conference will honor Carl Williams and Nick Ruggerio. The last time I saw Nick, he gave a talk for our SAM group in Northern VA and we surprised him with a special appearance by Blackstone Sr.! Hmm, I've never written about that before, I guess I just found another article to write about :)

This will be my very first magic history conference and I can't tell you how excited I am. For one, I know I'll be meeting a bunch of the folks who read my blog and the many folks I've been corresponding with for quite some time. I may even have a booth there with my artwork. Here is the link for the conference! I hope to see you there.



Friday, March 8, 2013

Oz, The Great & Powerful...Magician

A new movie debuts today called 'OZ, The Great and Powerful' and is a prequel to the popular movie The Wizard of Oz.  The story began as a book, The Wonderful Wizard of OZ (1900) by Lyman Frank Baum.

L.Frank Baum was born May 15, 1856 in Chittenango NY. He had been a life long lover of theatre and tried unsuccessfully to have a career in theatre. His writings did much better for him, though he did take his story The Wonderful Wizard of OZ and turn it into a theatrical play called The Wizard of OZ.

In the original story, the Wizard is a traveling magician who works for a circus. Through a freak accident on a balloon ride, the wizard finds himself in the land of Oz. His full name was Oscar Zoroaster  Phadrig Isaac Norman Henkel Emmanuel Ambroise Diggs which abbreviated spells out
"O.Z.P.I.N.H.E.A.D", he shortened it further to simply OZ.  He becomes the ruler of OZ probably because of his magical abilities and his name OZ written across his hot air balloon.

During the same period of time, the preeminent magician in the United States was a fellow named Harry Kellar. He had been a world traveling magician, but after the deaths of the English magician Robert Heller and the European magician Herrmann the Great, Kellar had the title all to his own.

Heinrich Keller (Harry Kellar) however was born here in America, in Erie PA on July 11, 1849. He was not a circus magician, but he certainly was a traveling magician. He apprenticed under the Fakir of Ava, then went out to manage the famous Davenport Brothers. He left the Davenports and took William Fay with him and they started their own act, traveling through Mexico, South America and beyond. However, on their way to Europe, the ship they were on hit rocks and sunk, taking all the money Kellar and Fay had made on their trip, as well as their costumes and props for their show and leaving them at the bottom of the sea.

Bad luck would not plague Kellar forever and he eventually came into his own. In 1900, the year the Wonderful Wizard of OZ was published, Kellar was the #1 magician in the country.

I've heard it said that Kellar was the inspiration for the character of the Wizard of OZ. Mike Caveney, the well known magician and magic historian has said this in interviews. But I checked his book called "KELLARS WONDERS" and I didn't see any reference to it (though it's possible I missed it).

The connection is mentioned in the Gail Jarrow book on Harry Kellar called "Harry Kellar Great American Magician", although she says that readers of the book 'The Wonderful Wizard of OZ' will recognize the wizard as being like Harry Kellar.

I recall watching the movie 'The Wizard of OZ' as a kid and remembering fondly the character played by Frank Morgan, the Professor Marvel character and later the Wizard. The movie character always stuck with me and when I later got interested in magic and came upon Harry Kellar, I wondered if Kellar was like the Professor Marvel/Wizard character that I had seen in the movie. But honestly, Frank Morgan while in the character of Professor Marvel in the movie looks more like the magician Dante (and Dante was a very popular magician at the time the movie was made).

I am not sure where this idea that Kellar inspired the WIZARD character came from. Though I vaguely recall the idea of the connection was attributed to Martin Gardner. I think it's highly likely that Kellar could have been in the inspiration based on the fact that Baum was a huge theatre buff, Kellar was the big name at the time and the illustrations by William Wallace Denslow are a dead ringer for Kellar. If nothing else, perhaps the illustrator Denslow was inspired by Kellar and that is why the pictures look so much like him. I even have a photo somewhere of Kellar wearing a white jacket like the one on the Wizard illustration, but I can't seem to find it right now. I do believe that Kellar figured in there somewhere during the creation of the original book.

There is one other thing to consider and that is the word WIZARD. Magicians of that time were calling themselves: magicians, conjurers, manipulators, illusionists, escape artists, professor, and similar names. The word 'Wizard' was more commonly used in the mid 1800 with folks like John Henry Anderson known as The Great Wizard of the North, and John Wyman Jr. known as Wyman the Wizard. In the 20th Century there was one wizard that I can think of, Germain the Wizard. Perhaps one of these men also played a part in the inspiration of the character!

Finally, look at the poster below, it kind of looks like something out of the Wizard of OZ with flying monkeys and munchkins!


UPDATE: WildaboutHoudini.com has an article on the Houdini connection to the OZ movie which is excellent as always.


Thursday, March 7, 2013

Wyman the Wizard...MORE

Wyman the Wizard
I wrote a blog article about Wyman the Wizard back in August of 2011. In that article I mentioned that 'the hunt was on for his grave'. Several magic books mentioned where he died, but there was no mention of where he was buried. I'm glad to report it's been found, sort of. I had narrowed down the cemetery to one in Fall River Mass, called Oak Grove Cemetery. There were several in that area and I had a hunch this was the cemetery, though I could not get definitive proof. I tried contacting some govt. officials in that area with no answers. And then I received an email from fellow magic historian, Gary Hunt. He had discovered a paragraph in an old Sphinx Magazine, which gave the exact location of the grave and sure enough it was in Oak Grove Cemetery! So now, I've got to travel up to that area later in the Spring and get a photograph of the grave so I can post it over at my deadconjurers blog. A HUGE THANK YOU to Gary Hunt for sending me the article with that information!

(from John Hopkins Unv. Library)
But I wanted to write more about Wyman and I began digging again. Milbourne Christopher mentions in the book Panorama of Magic that there were at least two songs dedicated to Wyman the Wizard. I just found one of them and it's called "Keemo Kimo Schottisch" by James Bellak and according to the cover was composed and dedicated to Wyman the Wizard. I do not play music, but if there is anyone interested, the entire sheet music is downloadable here https://jscholarship.library.jhu.edu/handle/1774.2/2534

 Wyman seems to be a man of firsts. MAGIC-A Pictorial History of Conjurers in the Theatre says that Wyman was the first Americian born magician to do a full evening show of magic. The book, Annals of Conjuring says that Wyman was the first U.S. born magician to attain prominence. And the Illustrated History of Magic says that "he was the biggest money maker of the period.". Those are pretty decent accolades.

Peale's Baltimore Museum (photo by MKelly1990)
He apparently began his professional career performing at Peale's Baltimore Museum. From there he played a lot of small town school houses. His act consisted of marionettes, ventriloquism, memory feats and magic. The magic included the Aireal Suspension & Gun Trick he purchased from John Henry Anderson, the Inexhaustible Bottle, Egg Bag, Coin Magic, the Sphinx illusion and many other popular magic routines of the day. 

Wyman performed what were known as 'Gift Shows', which meant after the performance everyone in the audience was to receive a gift. He was known to provide nice gifts. No bait and switch for Wyman, if he promised a nice item, that is what he gave out. I'm wondering if one of the smaller gifts he gave was a 'Wyman Coin' because I have seen several images of his coins on the internet now.

Some books mention that Wyman only played 'small dates' but I'm not sure he could have become the biggest money maker of the period, only playing small towns. In fact, I know he played Richmond VA, Charleston S.C., Boston MA, NYC, and Washington D.C. among many places. So he clearly played all over. But he was around before the days of Vaudeville, so the types of venues would have been somewhat different.

Born January 19, 1816, John W. Wyman Jr. was known as Jack by his friends. He apparently wrote several books, one of which was called "Jokes & Anecdotes of Wyman, TheMagician & Ventriloquist" which was published in 1866.

His performing route consisted of areas east of the Mississippi River and also into Canada. I've seen a number of newspaper articles on Wyman that appeared in Virginia papers, so he was well known in the South as well as the North.

He died on July 31st 1881 and was buried in Fall River Massachusetts in the Oak Grove Cemetery.  I will post a photo of the grave later in the Spring.

Saturday, March 2, 2013

Magician Statue 1

Among the many things I collect are statues of magicians. The one in the photo is a reproduction of a popular statue. I'm not sure of the originator, nor am I really sure about who did the reproductions. I just know that Bill King told me the way to spot an original versus a reproduction was the shape of the bottom of the hat. The originals had a slightly rounded bottom on the hat, whereas the reproductions have a completely flat bottom to the hat. Otherwise they are identical as far as I know.

Mine arrived unpainted, and truth be told, my first one arrived in about a thousand pieces thanks to U.P.S.. but luck was on my side and I was able to get it replaced. It arrived unfinished in an unpainted state.

I don't have any photos of it in the unpainted stage, but as you can see, I took it upon myself to paint it. I've seen several others and most of those have the magician wearing a black coat. But I wanted to give the statue a unique look so I went for browns and earthier tones.

In his left coat pocket he has a bouquet of flowers and in the right pocket are several silk scarves. There are also two cards sticking out from his vest which are difficult to see in the photo.

I'm not sure who the magician is modeled after, perhaps Charles Bertram. But I think he looks more like the actor John C. Reilly.

By the way, there is one of these statues available on ebay at the moment, though there is only 18hours left on the auction. Act fast!


Cruising with "Houdin"


I couldn't resist. John Cox over at the fantastic Houdini blog, WildaboutHoudini.com just put up a piece called "Cruising with Houdeni" and it shows an old custom plate from a car he used to have. Well, here is MY current plate. You'll notice it says "HOUDIN" not Houdini. The wonderful state of Virginia wouldn't give me the 'I', even though other plates have more than six letters. I have to laugh though because 95% of the people who notice it think it says HOUDINI. But I figure I'm just driving around with the plates for the Father of Modern Magic, Robert-Houdin!

The car is a Honda Element. I got it to replace my Van which was costing me so much in gas I wasn't making any money anymore. So the Element did great on gas....until the price went to $4.00, and now I'm almost back to where I was. Plus, I miss my van! Such is life. Oh, and John has the cooler car by far!


Thursday, February 21, 2013

Auction Price for Houdini Poster


Ok, I had to stay around for the Houdini King of Cards Poster Lot 1889 which had a estimate price $800-$1200 . It just sold for $7000au, which I think is about $7221.65 US. There were other Houdini items, but they sold before I got on so I missed them. Pretty fun to watch. Go over to John Cox's website WildaboutHoudini.com for the other prices on Houdini stuff.

Max Malini Memorabilia


I was just online watching the auction from Australia for Houdini and various other magicians memorabilia. I was planning on bidding on an item listed as 'magicians clothes'. I knew they were not 'magicians clothes'. What they had there was Max Malini's clothes AND something else. But before I tell you what that something else was, let me tell you about the item before this which was a cigar holder that belonged to Malini with sold for something like $8000. CRAZY!

By the way, the lot was recently corrected to say "Max Malini's Magician's Outfit" Ok, now to the 'something else'. Amongst the items was a little cloth bag and two wooden eggs. Max Malini's egg bag was IN THAT LOT and not even LISTED!!!!!!!!!!!!!!!! A piece of cloth from Signor Blitz's egg bag sold for $2000. This lot, with Malini's pants, gloves, walking cane, shoes and his egg bag and eggs, sold for $5000. Three thousand dollars less than the cigar holder and a way bigger bargain. http://www.lawsons.com.au/asp/fullcatalogue.asp?salelot=7919A+++1863+&refno=31006282&image=0

The auction estimate was $300-$600. I was willing to bid in that range, but the auction opened at $3000. So I was out pretty quick, lol. Some of the books have been selling quite low, can't imagine what will happen with the Houdini items, the auction estimates on those are pretty low, but I imagine they'll go through the roof.

Thursday, February 14, 2013

Happy Valentines Day with A Little Magic

I actually wanted to post a video of David Copperfield doing this trick, but I couldn't find it! I have it somewhere but not handy. Still, Jansenson does a fantastic job with this trick, in fact he has an added twist to it that was not in the version that Copperfield did.

For the magic history buffs, this dates back to Nate Leipzig and was not originally done with paper hearts. Enjoy!


Friday, February 8, 2013

We Still Miss Doug Henning

It's been 12 years since Doug Henning passed away. If you're a younger reader to my blog, you might not be totally aware who Doug Henning was. He is credited with bringing about a rebirth of interest in magic in the 1970s. His MAGIC SHOW on Broadway was a big hit and it was quickly followed by several years of annual 'Doug Henning's World of Magic' TV Specials on NBC. He was only 52 years old when he died on Feb 7th, 2000, the same age as Houdini.

His magic was mostly old school presented in a modern way. He didn't dress like a magician nor did he act like any magician that modern audiences had seen. He was young and vibrant and most of all enthusiastic about his art. He constantly said words like 'wonder and illusion' like they were candy and they became synonymous with him.

Even though he did tricks for a living, Doug always seemed to believe there was real magic out there, somewhere. An incident that happened to him in 1971 appears to be a turning point in his career. He was booked to perform in an area several hundred miles from the North Pole. It was a tour for the Canadian Armed Forces who were stationed in the frigid arctic region. During the tour Doug also did a show for a group of Eskimos. Who didn't respond at all during or after his show. No clapping or laughing or anything. They paid attention but gave none of the usual reactions that Doug was used to getting from his magic.

After the show Doug spoke to one of the Inuit Eskimos and asked about how they liked the show and it was clearly some sort of misunderstanding. They did not understand why he did magic when in their view magic was everywhere. Doug tried to explain his various tricks were magic in his eyes. The group spoke amongst themselves and told Doug they understood why he did magic, they said "It's because your people have forgotten the magic and you do this to remind them that there is magic in the world"*

That was Doug's mission after that, to bring 'wonder and magic' to the world. He inspired so many of us that are around today. Now in the 21st Century, magic has changed a lot. Attitudes and styles and techniques have evolved. Doug's magic seems a little dated by today's standards, yet the real magic of Doug Henning had nothing to do with the tricks, it was the man himself.

By the way, I want to point you to an article on another blog that is about Doug and one of his props and his influence on the life of a female magician. http://ariannblack.blogspot.com/2012/04/doug-henning-blue.html

Oh, and in case you're wondering if Doug had any influence on me, take a look at the photo below.

*I found this story on the Magicpedia page on Doug Henning. It's very possibly from the book by John Harrison, but I don't have that handy to check it.

The Hat of Robert Heller


A short time ago I had been contacted by an auction house who had acquired a top hat said to belong to a once famous magician. They contacted me because of my many articles about this magician on my blog. The hat belonged to Robert Heller.

It had remained in his family all these many years, but for whatever reason the family felt it was time for the hat to have a new home. I will tell you, the hat sold for more than I expected, but having said that in my honest opinion the hat is priceless. There are precious few artifacts from Heller's life that remain and this item, though not part of his performing act, is still a wonderful piece.

Heller deserves a much more prominent place in the minds of magicians, but today is mostly forgotten. I have tried as best I could to get the word out about him. In fact, I will continue to write stories and articles about Heller in the future.

I don't know who won the hat, but I hope you cherish it for the rare piece of history that it is.

For those who missed my previous articles, please check out this link to the many stories I wrote about William Henry Palmer, known professionally as Robert Heller.

Thursday, January 31, 2013

Trivia Questions & News


I'm currently working on a number of history projects, but they are all behind a bit because work has shifted into high gear. I'm putting together some articles on other magic theatres and places devoted to magic performances. If I can find the time, I've got another magic grave to scope out and trip to investigate some rarely seen magic artifacts.

And I have two trivia questions. The first, "which famous magician owned this hat?" There is a very cool story that goes along with the hat and I'm going to be doing a blog article about it in the future, but I wanted to see the variety of guesses that come in.

The next trivia question. Who referred to himself as "The first authentic historian of magic?"

If you'd like to take a guess at the trivia questions, just post your answer in the comments.

UPDATE: The answer to question 1, the Hat was owned by Robert Heller.
 The answer to question 2, Harry Houdini referred to himself as the first authentic historian of magic in an issue of Conjurers Monthly Magazine.

Tuesday, January 22, 2013

The Magic Theatre Series Pt 2 The UMT


First Studio (before)
After writing the article on The Cabot Theatre recently, I got to thinking about other magic theatres and venues strictly devoted to magic. There have been a number of them, some more successful than others. I was actually involved with a theatre of sorts with two friends of mine.


First Studio (after)
It started back in 2000, my friends Ralph Metzler and Adam Burger and I were looking for a place to store our props and possibly rehearse. After much searching we came across an odd place in the back of a shopping center. It was a very narrow space but deep and with high ceilings. We snapped it up, built an office and a loft and hung mirrors to rehearse. It was a really cool place to work and rehearse but it had some drawbacks. For one, there was no air conditioning in the place and in the summer it could get brutally hot. Two, there was no bathroom. Three parking was less than stellar. So even though we liked our spot we kept our eyes open for something else.

As fate would have it, another unit in the back would eventually open up. This unit was 5 times the size of the space we were renting, it had an office that was air conditioned and more than enough room for storage, rehearsals and a bathroom! So we snagged it.

This new unit was also in the back of a shopping center. Coincidentally, in the front of the shopping center was an old movie theatre that had recently shut down. The new tenants wanted to renovate the place and they knew that I had done some shows there in the past and offered to GIVE me as many seats as I wanted. So my two friend and I loaded up 100+ cast iron seats and lugged them to our new location. It was back breaking work and we only did it because Ralph and I had this crazy notion of fixing them up and selling them on eBay!  As it was, our friend Adam suggested taking some of the seats and putting in a theatre. I'm not sure how keen we were on this idea at first, but he kept bringing
it up, so in the end, it was really his idea to have a theatre.

Installing Chairs only days before First Show at Theatre
That is where things begin. But now it was a matter of transforming what was essentially a warehouse spot into a theatre. We wanted to keep the warehouse look, but 'clean it up'. And we had a tight budget....practically no budget really. So we painted the walls black. We purchased industrial looking lights that we could hang down from the ceiling. There were probably 25 or more lights. We put our old mirrors back up at the back of the area that would be the theatre. And to show just how devoted to the concept we were, we only installed 30 seats. Eventually we would install 50 seats.

The walls were decorated with vintage magic posters and various pieces of memorabilia. The theatre area itself was covered with my magic paintings. Along the wall as you walked into the theatre were large scale magic illusions on display.

When we were working or rehearsing in the space we always used the florescent lights that were part of the unit when we moved in. But when it was time to transform the place, we turned off the florescents and turned on the hanging lights. The first time we did it we were stunned at how cool the place looked. I had come up with the name 'Underground Magic Theatre' (UMT). And we were the 'first' to use the underground name, before Mark & Jinger's Magic Underground, and before others as well.

Though having our own theatre was our friend Adam's idea, he actually didn't want us to install the seats. He thought folding chairs would be better. But the inspiration for what it would become came from two sources, the Larcom Theatre in Beverly MA and Robert-Houdin's Theatre in Paris. At the Larcom, which is the sister theater to the Cabot, they have a huge room upstairs with a gallery of magic posters on display. In the basement is another gallery of all their props and illusions that have been used over the years and were retired from the show. The way this looked inspired what would become known as the 'magic museum' area of our space. The intimate theatre was really from Robert-Houdin and just as he did everything from stage magic to illusions, so would we.

We did not have a raised stage, it was floor level. And the front row was actually part of our performing area. There was an isle down the center dividing the chairs into two sections. My friend Ralph sewed the fabric of what would become the theatre curtains for the entire run. And though I helped, Ralph also drilled 99% of the holes in the concrete so we could install all the cast irons chairs!

We used the space for rehearsals, video taping segments of our shows, magic lectures, magic workshops, birthday parties and field trips. In the summer months, I offered field trips to Summer Camps to visit 'The Underground Magic Theatre'. Not really sure how it would play, it became a surprise to everyone involved that the concept took off! During the first show, the audience was so into things, two boys in the back of the theatre were heard saying "This is awesome magic" and his friend replied, "NO, this is UNDERGROUND magic!". As part of the field trip, the campers saw an hour long show and were taken on a guided tour of our magic museum. First year, we also offered a magic class, but we discontinued that after year one.
We found the show and tour of the museum was more than enough value as people would contact us saying "this was the kids favorite field trip of the summer". Oh, and we did not do a 'kids magic show'. We presented a theatrical magic show with stage magic and illusion and music and costumes. In fact, one evening we opened the theatre up to adults and they loved the show as much as any camper that had come through. It was never designed as a kids venue, it was designed to impress all ages.

My friend Ralph used the theatre to present birthday parties. It was so cool because he could do a much larger show, then set up tables and chairs for the party. We never advertised the parties yet stayed pretty busy with them.

 The theatre also became a 'hang out' of sorts for magicians who were passing through the area. Of the magicians who stopped by at one time or another, they included: Bob Sheets, Bob Fitch, David Kaye, Ken Scott, Mark Daniel, Tim Hannig, Jozo Bozo from Croatia, Joe Romano, Bruce Bray, Scott Humston, Joe Holiday, Dave Risley, Trixie Bond, and many others.

The theatre ran until the end of Summer 2005. At that point, my friend Adam had already moved away. My friend Ralph had decided it was time for him to move as well and he moved out west. The theatre didn't seem the same without my friends, so I closed it down and regretted the decision off and on for years.

It's now 2013, and for the first time since we closed the UMT, I've decided to take a version of that show back on the road this summer. I call it 'The Traveling Underground Magic Theatre Show' and basically taking the best parts of the theatre shows and creating a traveling version. There won't be any illusions, at least not as of this date. But the show will be about the 'history of magic' so it will be fun and educational at the same time. It will pay homage to the original venture, but this will be something unique in it's own way.

Below is a video of what the place looked like with the florescent lights up. It was not the look that theatre goers saw however. But it's still pretty cool looking back. Coming Soon: Part 3 The Magic Salons


Friday, January 11, 2013

The Cabot - A True Theatre of Magic

Fu Manchu/David Bamberg had a dream. His dream was to create a resident magic company (show) in Argentina. Unfortunately, that dream never happened. But somehow, that dream was passed to a young boy who was inspired by FuManchu, that boy was Cesareo Pelaez. He would grow up to be the founder and director of the Le Grand David Magic Spectacular in Beverly Massachusetts.  But before there was a show, the ragtag group of future performers purchased a run down theatre known as the Cabot Street Cinema Theatre.

EARLY HISTORY

The theatre was originally known as The Ware Theatre and it was designed to be a silent movie and vaudeville house.  It opened on December 8, 1920 and was managed by Harris and Glover Ware, two brothers and former vaudeville performers from Marblehead Mass. This was their second theatre in Beverly Mass, the first was the smaller Larcom Theatre a few blocks away. Today it's known as the Cabot St. Cinema Theatre and it has spacious seating on the lower level and has upper balcony seating as well, a total of 750 seats in the auditorium. The stage is enormous with plenty of wing and fly space for curtains. The dressing rooms are in the basement below the stage. The original stage included an orchestra pit for musicians.

1970s HISTORY

The members of what would become the Le Grand David Magic Show purchased the run down Cabot Theatre in 1976. The first thing they did upon being able to occupy the building was do a floor to ceiling cleaning of the place. They reopened the theatre 48 hours later showing movies. However, they didn't show movies the current run movies. Their idea was to show 'Films Worth Seeing More Than Once'. The movies were selected by Cesareo and included such gems as Lawrence of Arabia, Camelot, It Happened One Night, Yankee Doodle Dandy and other classics. The theatre lobby always had fresh cut flowers and the doormen wore tuxedos (they still do today). Often members of the company dressed up in costumes that reflected the movie that was showing. Every movie became an 'event'.  If that wasn't enough for new audiences to enjoy, they would have been amazed to know the flurry of activity taking place after hours and often into the wee hours of the morning.

For six months they worked building illusions, magic props, painting scenery, sewing costumes and redecorating and restoring the theatre. Once the items were built, then they had to rehearse. All this took place after the regular movie showing hours.

On February 20th 1977 the debut performance of 'LeGrand David and his Magic Company' took place on the Cabot theater stage. The name would be altered slightly over the next year to become 'Marco the Magi presents...LeGrand David and his own Spectacular Magic Company'.

MORE

The Cabot St. Cinema Theatre also has several store fronts and a second story above the store fronts. The entire building is owned by White Horse Productions, which is the actual business name for the Le Grand David troupe. The storefronts serve as offices and storage/display areas. The rooms on the second level include a painting room and a sewing room where most of their wonderful costumes were created over the life of the show. 

The LeGrand David show ran for 35 consecutive years. Over the years they had a number of milestones, one of which was purchasing a second theatre, the Larcom. The Larcom theatre was the first theatre built by the Ware Brothers and now both theatres are again owned and managed by the same company. The Larcom is a smaller theatre and the restoration to that property is quite amazing. It is truly a treasure all its own.

These two theatres were home to the LeGrand David troupe. However, they did venture out on several occasions to perform elsewhere. They performed at the White House in Washington D.C. on numerous occasions at the invitation of President Reagan. I believe they did an abbreviated version of their show at the Magic Castle at some point. And there may have been one or two other 'off location' showcases that they took part in. But the bulk of their work, thousands of performances, took place in Beverly Massachusetts. 

Tuesday, January 1, 2013

Inspired by Richiardi

A recently wrote a blog article about the Richardine Family and the Richiardi Family. I had never heard of the Richardine until I stumbled upon them via AskAlexander.com. It was an eye opening bit of research. In the article I mentioned something about Aldo Richiardi's unique take on the Broom Suspension.

I tend to think a true artist is never satisfied and is always striving to improve and make their performances better. Richiardi changed his Broom Suspension in various ways over the years. One of the incarnations was a story based routine in which Richiardi apparently discovered a handicapped boy and caused him to float in the air and then walk on his own. A powerful visual story and one that he apparently passed on over time in favor of a much faster, more direct presentation.

Imagine my surprise to discover that a version of that story routine found it's way into one of my favorite magic shows, the LeGrand David Magic show in Beverly Ma. I was watching a video of the show that Cesareo had given me years ago and there it was, Webster Bull narrating the story of Marco the Magi seeing David for the first time, but David was unable to walk. This led into the Broom Suspension illusion just as it had with Richiardi's routine. I had seen them perform this many times and loved their version but never knew it's roots were with Richiardi.

I remember sitting in the theatre of the Cabot St. Cinema Theatre one day talking with Cesareo. It was a Saturday when the company was busy in rehearsals and he was telling me about seeing Richiardi Sr. and how he recalled this curly haired boy that used to run around the theatre during intermission. That curly haired boy was a young Aldo Richiardi.

I also knew that Cesareo was greatly inspired by David Bamberg, who was known as FuManchu. But it's clear to me now that Richiardi's magic had also inspired Cesareo. Within the LeGrand David Show there were several routines that were Cesareo's take on what Richiardi had done. They included, The Broom Suspension, the Toy Car Levitation and the Dekolta Chair with tip over trunk.

The Le Grand David Company were not the only one's who carried on Richiardi's magic. Scott Alexander, who was a recent contestant on America's Got Talent, does a fantastic job with the Richiardi version of the Lemon, Egg, Canary effect. I've seen the DeKolta Chair/Tip Over Trunk combo in several different magic acts. I saw the Masked Magician of all people do Richiardi's Buzz Saw on a Talk Show (and he did not reveal it). And yours truly performed Richiardi's version of the Rice Bowls for a time. More than any particular routine though, I think Richiardi's charasmatic style can be found in numerous acts, including Jonathan Pendragon and Joaquin Ayala.

Let me say, I don't think it's right to copy living performers, but I don't think there is anything wrong with reaching back into history and bringing back some of the fantastic magic that these icons made popular. The magic of Richiardi, Le Grand David, Thurston, Houdini, Dante, Blackstone, Doug Henning and so many others deserves to live on for modern audiences to enjoy.