Thursday, November 13, 2014

The Old Magic Theatre Has Sold


Well it's official, the Cabot St. Cinema Theatre, which was once home (for 37 years) to the incredible Le Grand David and His Own Spectacular Magic Company has sold. When it was first announced that the theatre was for sale, I must admit I feared for the worst. I was scared that a developer would come in and tear down the old theatre and put up condos. Just one town over, in Salem, there was once a theatre. In fact there is a fairly well known photo of Houdini's props sitting out in front of the Theatre making an incredible display. That theatre was torn down ages ago.

I recently learned that there had been some 20,000 live event theatres back in the heyday of Vaudeville and now about 250 remain. Thankfully, the Cabot will be one of those that stays. Apparently, it was sold to a group of townspeople who plan to turn it into the Cabot Performing Arts Center. BRAVO!!! And they've announced a bit of renovation as well. First up will be installing new seats. Having sat in those Cabot seats many times, I can say, yep, that is needed! I'm not sure what else they plan to do, but I for one am happy the old theatre is staying a theatre!

It reopens Nov 14th, once again showing movies. Soon they'll also be doing live events. Probably no magic shows on the horizon, but with the popularity of the new touring shows, The Illusionists, Masters of Illusion, and others, who knows?!

I will make one suggestion though, if anyone of the new owners cares. You should acquire one of the LGD Original Paintings and permanently mount it in the Lobby. Had it not been for Cesareo and the many many many cast members, and family members who worked on the LGD show, that theatre probably would not be standing today.

By the way, an interesting side note, the Theatre officially sold on Oct 16th, Cesareo's birthday.

The new theatre comes with a new website www.TheCabot.org




Wednesday, November 12, 2014

The Magic Detective is IN the Linking Ring


Sammy Smith, editor of The Linking Ring, the Official Magazine of the International Brotherhood of Magicians had contacted me back in September and asked if I could write a review of the HOUDINI/History Channel Movie for the magazine. I said, "Sure!". Afterall, I had already written one for my blog. But I wanted to expand on a few things and delve a little deeper into the movie than I had initially done in my blog article.

The article is in the October 2014 issue of The Linking Ring. It's titled "A Magician's Guide to HOUDINI-The MiniSeries." Please check it out if you get a chance. I have had more people contact me regarding that article than just about anything I've written before. It's always nice to hear from people and it's even nicer to know people appreciate what you write.

Tuesday, November 11, 2014

Blackstone's Elusive Moth Strikes Again!

This past weekend was The 2014 Yankee Gathering in New England. I missed it unfortunately. But thankfully two of my friends who did attend did something rather special. Those two friends are Rory Feldman and Adele Friel Rhindress. Rory is the owner of the Thurston Show...well pretty much. If Thurston were alive and wanted to find some of his show items, chances are Rory has them in his fantastic collection. Adele is a living treasure. She worked on the Blackstone Sr. Show from 1947-1950.

Rory had some silent footage of the Blackstone Show and he video taped Adele watching the footage. She gave a play by play analysis of what was going on and who was in the footage. The one unfortunate part is that it's only 14 minutes long. Once you see it you'll wish it was an hour or more. Adele's recollection of the events is amazing and I love how she describes the various illusions.

Thank You Rory and Adele for this incredible video!

Saturday, November 1, 2014

Me and Houdini 1953


I have a personal annual tradition, on Halloween each year I watch the 1953 HOUDINI movie starring Tony Curtis and Janet Leigh. This was the movie that first inspired me to get into magic and search out the life and world of Houdini. IF you're new to The Magic Detective, my name is Dean Carnegie and I'm a full time magician and have been for nearly 20 years. Let me tell you about my early days and how this movie played a role in my magic life.

The movie starts with a fun scene with a young Houdini performing as part of a side show. Among the tricks he does is vanishing some milk and turning it into evaporated milk. Seeing this tonight sparked a great deal of memories that I had long forgotten. The memory of a young 7 year old boy pouring milk into a paper cone, only to have it gush all over the kitchen floor. Then only a couple years later to add the Vanishing Milk to my early shows....doing it the correct way at that point.

I remembered my fondness for Hamburg 8 handcuffs, and that was due to the scene in the movie where Houdini is short some money and his wife questions him and he says he had a chance to get 'a bargain' and produces the cuffs. A moment later he escapes from them and I remember being quite struck with the way that escape was done. Tonight as I was watching the movie and recalling my first set of Hamburg 8s it occurred to me that my cuffs may have been stolen about a year ago today. When I say stolen, it's more likely that I forgot them and someone picked them up and they're gone now. I've searched a number of times for them and I can't find them anywhere...though my storage unit is a nightmare so they might still be there.

I remember the scene with someone I always looked up to and actually used to correspond with fairly
often, Bill Larsen. This is the very same Mr. Larsen who would later go on to run Genii Magazine and along with his brother Milt, the Magic Castle. Bill appears in the movie during the scene where Harry and Bess attend a dinner which turns out to be a Halloween Magicians Dinner.

That also triggered the memory of meeting Mr. Larsen for the first time. Not at the Magic Castle however. It turns out that the very first time I went to see Le Grand David in Beverly Mass, that Bill and his wife Irene were also attending for the very first time. I saw Mrs. Larsen standing by herself in the back of the theatre and I looked around and sure enough there was Bill Larsen. I went up and introduced myself and got to speak with him for several minutes. Sadly, that was the only time I would ever get to meet Bill. But his kindness and all his advice he had given me through his letters have always meant a lot.

One of the many wonderful things about this movie is that Tony and Janet actually do perform a lot of the magic. There is a scene were the are performing the Houdini-Metamorphosis trick, also known as The Substitution Trunk or Sub Trunk. It's a great scene and if you watch closely you'll see Janet Leigh struggling to catch her breath during the shot. The whole scene is shot with one camera I believe, no cut-aways. 

Now as strange as it is, I never really added the Sub Trunk to my show. I did perform it a couple times, but I think because so many other acts were doing the sub trunk I just left it out. That didn't stop a young 8 year old magic fan from doing escapes from trunks. That's right, my first magic show that I ever did featured and escape from a large blue box, which was actually my toy box that my Dad had built. I had my brother and best friend Billy wrap the outside with ropes and chains and locks and I escaped at the end of the show from this trunk. I didn't have handcuffs at the time, so my hands were wrapped in a bicycle chain and I got out of those as well. I was a daring 8 year old.

Years later I actually built a sub trunk with my Dad. But again, rather than use it as the regular Substitution Trunk routine, I used it as a packing box escape. I would leave the box and the lid at a venue for examination. We'd put a big poster on the box promoting the show. Then at showtime I would climb inside that thing and get out. I still remember the reaction from a friend who had hired me to do this very thing. I knew he had spent a good deal of time with the box and the lid and he was dumbfounded when I got out. Come to think of it, that was a Halloween gig too.

Another scene that always stuck with me was a brief scene just before Houdini attempts the escape
from the Pagoda Torture Cell. In the scene two gentlemen come up with a challenge restraint, a Steel Straight Jacket. Oh my God, that was the coolest thing I had ever seen! All my life I always wanted one of those. Then...I got one. I was no longer 8 years old, lol. The first routines I did with the Steel Straight Jacket were similar to what was done in the movie. I did that for a while until I realized there was more that could be done. In one show, I presented the SSJ kind of like the sub trunk, in that I was in the jacket first, and then a few moments later, I was free and the jacket was on a friend of mine.

Still later, as my mind moved from thoughts of magic and into escapes, I saw the potential for even stronger routines. I used the SSJ to close the show at my Underground Magic Theatre for one season. That was also the year that I met Steve Baker the famous escape artist known as Mr. Escape. I sent him a video of the routine and we talked about ways to improve it further. He had so many fantastic ideas and there was no way to include them all. But the key ones I did eventually use. The last time I performed the SSJ was at the National Theatre in Washington D.C.. I performed it two times and during the first show wanted to test out an idea. I had always heard that modern audiences would not sit through long drawn out escapes like they did in the time of Houdini. But I always heard this from folks who didn't do escapes. So I figured, why not test the theory. I struggled and struggles and even tore my shirt and did some very unorthodox things to get out of the jacket. The audience sat there spellbound. In the show that followed I did the SSJ again, but this time without all the lengthy drama. There were people present who had seen both shows and they immediately asked about the difference in the performances when it was over. They were very intrigued and frankly, I was thrilled with their interest.

At the conclusion of the movie, Tony Curtis as Houdini dies trying to attempt the Pagoda Torture Cell or what we know as the Water Torture Cell. This scene and an earlier scene where Houdini is trapped under the frozen Detroit River after doing a packing box escape, made me very aware of the dangers of escapes and water. But it didn't stop me, I was just careful. I used to practice several times a week escaping from handcuffs underwater. My method was quite ingenious. At the time, we lived on a farm. I would clean out the water troughs that were used for the horses and fill them full of clean water and work on the escapes underwater. My chosen method of escape was picking the cuffs underwater. At the time I was unaware of something called 'bridge jumpers'. But it was still good training.

Here is an interesting thing I had also forgotten. When the movie opens up, this picture is the first
thing you see. Houdini's name written in Black and Red bold faced letters. Don't ask me why this stuck in my brain, but it did. Not long after I had decided to do magic full time, I had a huge banner made with my name written just like that, in black and red letters. It was to promote a series of theatre shows and it looked very cool.

It's amazing to think just how much that movie inspired and even shaped my magic career. A lot of it I really didn't pay much attention to, but now that I look back, it's quite ironic. And to think, most of that movie was fiction! What kind of trouble could have I gotten into if they had made a truthful movie??? Well, they did eventually with Paul Michael Glaser. That movie was called The Great Houdinis. And yes, that movie also played a part in my early magic years, but that's a story for another time.


Friday, October 31, 2014

Houdini Gone 88 Years

I think the picture says it all. He died 88 years ago today, October 31, 1926.
We Miss You HARRY!